Design for the Pedestal and Base of a Pillar in a Church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The lower pedestal is high rectangular with a low base, the height of which is indicated as '3/4'; so is that of the fluted frieze. Laterally are fluted pillars with masks instead of capitals. For the inside of the framed panel a filling with marble seems to be intended. The upper pedestal is broad rectangular. In its panel are two sitting putti with a book. The height of its plinth and of its entablature is given as '5'

GLIX-115-2DM83PR

Design for the Pedestal and Base of a Pillar in a Church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The lower pedestal is high rectangular with a low base, the height of which is indicated as '3/4'; so is that of the fluted frieze. Laterally are fluted pillars with masks instead of capitals. For the inside of the framed panel a filling with marble seems to be intended. The upper pedestal is broad rectangular. In its panel are two sitting putti with a book. The height of its plinth and of its entablature is given as '5'
A képet csak az alábbi országokban használhatja fel:
Magyarország
Kollekció

GLIX Prime

Novel Use

Fotós / Szerző

Artokoloro, Penta Springs Limited

Készült
Leírás

Design for the Pedestal and Base of a Pillar in a Church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The lower pedestal is high rectangular with a low base, the height of which is indicated as '3/4'; so is that of the fluted frieze. Laterally are fluted pillars with masks instead of capitals. For the inside of the framed panel a filling with marble seems to be intended. The upper pedestal is broad rectangular. In its panel are two sitting putti with a book. The height of its plinth and of its entablature is given as '5'

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