Christ Bearing the Cross mid-17th century Ferdinando Tacca Italian This may be the finest surviving example of the plaque. The elastic poses, the use of stippling to define details such as clouds and turf, and the ruddy translucent lacquer all justify Anthony Radcliffe’s inclusion of the model among lesser works by Ferdinando Tacca.[1] Inferior examples are paired with equally unevenly cast representations of a scene from the Flight into Egypt in the Minneapolis Institute of Arts; the Spencer Museum of Art, University of Kansas, Lawrence; and the Wernher Collection at Luton Hoo.[2] Even at the

GLIX-115-2HGP2D8

Christ Bearing the Cross mid-17th century Ferdinando Tacca Italian This may be the finest surviving example of the plaque. The elastic poses, the use of stippling to define details such as clouds and turf, and the ruddy translucent lacquer all justify Anthony Radcliffe’s inclusion of the model among lesser works by Ferdinando Tacca.[1] Inferior examples are paired with equally unevenly cast representations of a scene from the Flight into Egypt in the Minneapolis Institute of Arts; the Spencer Museum of Art, University of Kansas, Lawrence; and the Wernher Collection at Luton Hoo.[2] Even at the
A képet csak az alábbi országokban használhatja fel:
Magyarország
Kollekció

GLIX Prime

Novel Use

Fotós / Szerző

MET/BOT

Készült
Leírás

Christ Bearing the Cross mid-17th century Ferdinando Tacca Italian This may be the finest surviving example of the plaque. The elastic poses, the use of stippling to define details such as clouds and turf, and the ruddy translucent lacquer all justify Anthony Radcliffe’s inclusion of the model among lesser works by Ferdinando Tacca.[1] Inferior examples are paired with equally unevenly cast representations of a scene from the Flight into Egypt in the Minneapolis Institute of Arts; the Spencer Museum of Art, University of Kansas, Lawrence; and the Wernher Collection at Luton Hoo.[2] Even at the

Licenc: Rights Managed

Jelentkezzen be a letöltéshez!