Christ Bearing the Cross mid-17th century Ferdinando Tacca Italian This may be the finest surviving example of the plaque. The elastic poses, the use of stippling to define details such as clouds and turf, and the ruddy translucent lacquer all justify Anthony Radcliffe’s inclusion of the model among lesser works by Ferdinando Tacca.[1] Inferior examples are paired with equally unevenly cast representations of a scene from the Flight into Egypt in the Minneapolis Institute of Arts; the Spencer Museum of Art, University of Kansas, Lawrence; and the Wernher Collection at Luton Hoo.[2] Even at the
GLIX-115-2HGP2D8
Magyarország
Kollekció
GLIX Prime
Novel Use
Fotós / Szerző
MET/BOT
Készült
Leírás
Christ Bearing the Cross mid-17th century Ferdinando Tacca Italian This may be the finest surviving example of the plaque. The elastic poses, the use of stippling to define details such as clouds and turf, and the ruddy translucent lacquer all justify Anthony Radcliffe’s inclusion of the model among lesser works by Ferdinando Tacca.[1] Inferior examples are paired with equally unevenly cast representations of a scene from the Flight into Egypt in the Minneapolis Institute of Arts; the Spencer Museum of Art, University of Kansas, Lawrence; and the Wernher Collection at Luton Hoo.[2] Even at the