Bather Drying Herself ca. 1892 Edgar Degas French Edgar Degas greatly admired the female figure. Whereas his depictions of ballerinas focus on the elegant, performative body, his studies of women bathing show an equal appreciation for the uninhibited gestures of this private activity. In intimate, close-up portrayals, Degas depicted his models seated, crouched, or standing, often in contorted poses as they lifted arms and legs to wash or dry themselves. Chalk and pastels helped him capture the play of light and movement in these domestic choreographies. In this relatively abstract portrayal, h

GLIX-115-2HHA61A

Bather Drying Herself ca. 1892 Edgar Degas French Edgar Degas greatly admired the female figure. Whereas his depictions of ballerinas focus on the elegant, performative body, his studies of women bathing show an equal appreciation for the uninhibited gestures of this private activity. In intimate, close-up portrayals, Degas depicted his models seated, crouched, or standing, often in contorted poses as they lifted arms and legs to wash or dry themselves. Chalk and pastels helped him capture the play of light and movement in these domestic choreographies. In this relatively abstract portrayal, h
A képet csak az alábbi országokban használhatja fel:
Magyarország
Kollekció

GLIX Prime

Novel Use

Fotós / Szerző

MET/BOT

Készült
Leírás

Bather Drying Herself ca. 1892 Edgar Degas French Edgar Degas greatly admired the female figure. Whereas his depictions of ballerinas focus on the elegant, performative body, his studies of women bathing show an equal appreciation for the uninhibited gestures of this private activity. In intimate, close-up portrayals, Degas depicted his models seated, crouched, or standing, often in contorted poses as they lifted arms and legs to wash or dry themselves. Chalk and pastels helped him capture the play of light and movement in these domestic choreographies. In this relatively abstract portrayal, h

Licenc: Rights Managed

Jelentkezzen be a letöltéshez!