Blouse fourth quarter 19th century Romanian The disposition of embroidery on this blouse is distinctly Romanian. Dense bands of geometric motifs over the shoulders and vertical bands below alternating with drawnwork bands are quintessentially Romanian. Henri Matisse's friendship with painter Teodor Pallady sparked his interest in Romanian folk costume. This type of blouse was a recurring theme in Matisse's work.This object was collected by Stewart Culin (1858-1929) during a collection expedition in 1920. Culin was the Brooklyn Museum's first Curator of Ethnology, serving from 1903 to 1929. Pos

GLIX-115-2HHRC4P

Blouse fourth quarter 19th century Romanian The disposition of embroidery on this blouse is distinctly Romanian. Dense bands of geometric motifs over the shoulders and vertical bands below alternating with drawnwork bands are quintessentially Romanian. Henri Matisse's friendship with painter Teodor Pallady sparked his interest in Romanian folk costume. This type of blouse was a recurring theme in Matisse's work.This object was collected by Stewart Culin (1858-1929) during a collection expedition in 1920. Culin was the Brooklyn Museum's first Curator of Ethnology, serving from 1903 to 1929. Pos
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Blouse fourth quarter 19th century Romanian The disposition of embroidery on this blouse is distinctly Romanian. Dense bands of geometric motifs over the shoulders and vertical bands below alternating with drawnwork bands are quintessentially Romanian. Henri Matisse's friendship with painter Teodor Pallady sparked his interest in Romanian folk costume. This type of blouse was a recurring theme in Matisse's work.This object was collected by Stewart Culin (1858-1929) during a collection expedition in 1920. Culin was the Brooklyn Museum's first Curator of Ethnology, serving from 1903 to 1929. Pos

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