BUTINONE, Bernardino Jacopi (b. ca. 1436, Treviglio, d. ca. 1507) Madonna and Child c. 1490 Tempera on panel, 33 x 28 cm Pinacoteca di Brera, Milan The form of this painting is almost harsh, as if hammered out rather than modeled, and the contours are as incisive as if they had been scratched into the surface. In part, colour dominates the form and has a perspective function, giving the planes their distance in depth. The overall effect is that of a painted bas-relief, in which the colour is subtle rather than bold. Accordingly, the work reflects the two major influences on Boutonniere: Man

GLIX-115-3D1GG99

BUTINONE, Bernardino Jacopi (b. ca. 1436, Treviglio, d. ca. 1507)  Madonna and Child c. 1490 Tempera on panel, 33 x 28 cm Pinacoteca di Brera, Milan  The form of this painting is almost harsh, as if hammered out rather than modeled, and the contours are as incisive as if they had been scratched into the surface. In part, colour dominates the form and has a perspective function, giving the planes their  distance in depth. The overall effect is that of a painted bas-relief, in which the colour is subtle rather than bold. Accordingly, the work reflects the two major influences on Boutonniere: Man
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Carlo Bollo

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BUTINONE, Bernardino Jacopi (b. ca. 1436, Treviglio, d. ca. 1507) Madonna and Child c. 1490 Tempera on panel, 33 x 28 cm Pinacoteca di Brera, Milan The form of this painting is almost harsh, as if hammered out rather than modeled, and the contours are as incisive as if they had been scratched into the surface. In part, colour dominates the form and has a perspective function, giving the planes their distance in depth. The overall effect is that of a painted bas-relief, in which the colour is subtle rather than bold. Accordingly, the work reflects the two major influences on Boutonniere: Man

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