CIMA da Conegliano (b. ca. 1459, Conegliano, d. 1517/18, Conegliano) Madonna and Child Enthroned with Saints 1496-99 Panel, 419 x 213 cm Gallerie dell'Accademia, Venice This altarpiece originated in the Carit? Church in Venice, where it rested above a marble altar installed in 1495. Very likely, as in other Venetian works of this period, Cima made his trompe-l'oeil architectural space consistent with the real environment, so that the painted columns would have appeared to continue the marble ones. Cima had been inspired by Giovanni Bellini's St Giobbe Altarpiece. The represented saints are

GLIX-115-3D1TH4Y

CIMA da Conegliano (b. ca. 1459, Conegliano, d. 1517/18, Conegliano)  Madonna and Child Enthroned with Saints 1496-99 Panel, 419 x 213 cm Gallerie dell'Accademia, Venice  This altarpiece originated in the Carit? Church in Venice, where it rested above a marble altar installed in 1495. Very likely, as in other Venetian works of this period, Cima made his trompe-l'oeil architectural space consistent with the real environment, so that the painted columns would have appeared to continue the marble ones.  Cima had been inspired by Giovanni Bellini's St Giobbe Altarpiece. The represented saints are
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CIMA da Conegliano (b. ca. 1459, Conegliano, d. 1517/18, Conegliano) Madonna and Child Enthroned with Saints 1496-99 Panel, 419 x 213 cm Gallerie dell'Accademia, Venice This altarpiece originated in the Carit? Church in Venice, where it rested above a marble altar installed in 1495. Very likely, as in other Venetian works of this period, Cima made his trompe-l'oeil architectural space consistent with the real environment, so that the painted columns would have appeared to continue the marble ones. Cima had been inspired by Giovanni Bellini's St Giobbe Altarpiece. The represented saints are

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