DUCCIO di Buoninsegna (b. ca. 1255, Siena, d. 1319, Siena) Flagellation 1308-11 Tempera on wood, 50 x 53,5 cm Museo dell'Opera del Duomo, Siena Considering that the Flagellation is barely mentioned in the gospels, the descriptive details show remarkable inventiveness, aimed at illustrating each moment of the Passion. The figure of Pilate disobeys all the rules of perspective: although obvious from the seat on which he is standing that he is inside the building, he manages to stretch his arm in front of the pillar, in a position parallel to the horizontal level of the floor. --- Keyword

GLIX-115-3D33GHE

DUCCIO di Buoninsegna (b. ca. 1255, Siena, d. 1319, Siena)  Flagellation 1308-11 Tempera on wood, 50 x 53,5 cm Museo dell'Opera del Duomo, Siena  Considering that the Flagellation is barely mentioned in the gospels, the descriptive details show remarkable inventiveness, aimed at illustrating each moment of the Passion. The figure of Pilate disobeys all the rules of perspective: although obvious from the seat on which he is standing that he is inside the building, he manages to stretch his arm in front of the pillar, in a position parallel to the horizontal level of the floor.       --- Keyword
A képet csak az alábbi országokban használhatja fel:
Magyarország
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GLIX Prime

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Fotós / Szerző

Carlo Bollo

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DUCCIO di Buoninsegna (b. ca. 1255, Siena, d. 1319, Siena) Flagellation 1308-11 Tempera on wood, 50 x 53,5 cm Museo dell'Opera del Duomo, Siena Considering that the Flagellation is barely mentioned in the gospels, the descriptive details show remarkable inventiveness, aimed at illustrating each moment of the Passion. The figure of Pilate disobeys all the rules of perspective: although obvious from the seat on which he is standing that he is inside the building, he manages to stretch his arm in front of the pillar, in a position parallel to the horizontal level of the floor. --- Keyword

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