Female and Childlike Figures (1922) This plate from Hans Prinzhorn’s Artistry of the Mentally Ill features two distinct patient works. On the left, an embroidery (Case 6) showcases how female patients often used textiles to express identity within an institution. On the right, a pencil drawing (Case 75) features a simplified, elongated figure. Prinzhorn used these to illustrate the "primordial" creative urge—a drive to create that exists independently of formal training. These foundational pieces helped define the Art Brut movement by highlighting the raw, expressive power of the human subcons

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Female and Childlike Figures (1922) This plate from Hans Prinzhorn’s Artistry of the Mentally Ill features two distinct patient works. On the left, an embroidery (Case 6) showcases how female patients often used textiles to express identity within an institution. On the right, a pencil drawing (Case 75) features a simplified, elongated figure. Prinzhorn used these to illustrate the
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Female and Childlike Figures (1922) This plate from Hans Prinzhorn’s Artistry of the Mentally Ill features two distinct patient works. On the left, an embroidery (Case 6) showcases how female patients often used textiles to express identity within an institution. On the right, a pencil drawing (Case 75) features a simplified, elongated figure. Prinzhorn used these to illustrate the "primordial" creative urge—a drive to create that exists independently of formal training. These foundational pieces helped define the Art Brut movement by highlighting the raw, expressive power of the human subcons

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