St George's Hanover Square Church, London, UK. 21st Apr, 2026. Stabbing the Sin A White Lily is Blooming, oil on canvas, In eerie paintings of human figures constricted by an array of devices and materials, Teodora Axente explores states of internal crisis. For Axente, the juxtapositions in these scenes between human emotions and the odd assortment of foil, satin pillows, and nylon bags are meant to evoke the duality of spiritual and material and reference the human desire to reshape oneself.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News

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St George's Hanover Square Church, London, UK. 21st Apr, 2026. Stabbing the Sin A White Lily is Blooming, oil on canvas, In eerie paintings of human figures constricted by an array of devices and materials, Teodora Axente explores states of internal crisis. For Axente, the juxtapositions in these scenes between human emotions and the odd assortment of foil, satin pillows, and nylon bags are meant to evoke the duality of spiritual and material and reference the human desire to reshape oneself.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News
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St George's Hanover Square Church, London, UK. 21st Apr, 2026. Stabbing the Sin A White Lily is Blooming, oil on canvas, In eerie paintings of human figures constricted by an array of devices and materials, Teodora Axente explores states of internal crisis. For Axente, the juxtapositions in these scenes between human emotions and the odd assortment of foil, satin pillows, and nylon bags are meant to evoke the duality of spiritual and material and reference the human desire to reshape oneself.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News

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