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1746-1809 képek

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Ferdinand Guillemardet 1765-1809 Ambassador of France to Spain Francisco José de Goya y Lucientes 1746 – 1828 Spain Spanish-stock-foto
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Ferdinand Guillemardet 1765-1809 Ambassador of France to Spain Francisco José de Goya y Lucientes 1746 – 1828 Spain Spanish-stock-foto
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GOYA Y LUCIENTES, Francisco de (b. 1746, Fuendetodos, d. 1828, Bordeaux) Allegory of the City of Madrid 1810 Oil on canvas, 260 x 195 cm Museo Municipal, Madrid At the end of 1809, during the French occupation of Madrid, Goya was chosen as 'el pintor madrileno por excelencia' to paint a portrait of Joseph Bonaparte for the City Council. In the absence of the French King, Goya composed this picture, described at the time as 'certainly worthy of the purpose for which it was intended', introducing the portrait of Joseph (after an engraving) in the medallion, to which the figure personifying Mad-stock-foto
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View of Portobello House designed by the architect James Colbourne, originally the Grand Canal Hotel opened in 1807 beside the Grand Canal bridge and lock, Dublin City, Ireland. Created in 1809 by the Irish artist Thomas Snagg (1746-1812)-stock-foto
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Thomas Heyward Jr, 1746 bis 1809, Amerikanischer Staatsmann und Gründervater Ein Unterzeichner der Unabhängigkeitserklärung Stich von JB Longacre aus einer Miniatur aus dem neunzehnten Jahrhundert, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated-stock-foto
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Medal of Napoleon and the Peace of Schoenbrunn from France. Subject: Napoleon Bonaparte, French, 1769–1821 Artist: Jean-Pierre Droz, French, 1746–1823-stock-foto
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His Excellency George Washington, Esq-r., General and Commander in Chief of the Allied Armies, Supporting the Independence of America March 26, 1782 John Norman. His Excellency George Washington, Esq-r., General and Commander in Chief of the Allied Armies, Supporting the Independence of America. After a pastel by Benjamin Blyth (American, Salem, Massachusetts 1746–1811 Zanesville, Ohio). March 26, 1782. Engraving, with partial hand coloring. John Coles, Sr. (American, ca. 1749–1809). John Norman (American (born England), ca. 1748–1817 Boston, Massachusetts). George Washington (American, 1732–1-stock-foto
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His Excellency George Washington, Esq-r., General and Commander in Chief of the Allied Armies, Supporting the Independence of America March 26, 1782 John Norman. His Excellency George Washington, Esq-r., General and Commander in Chief of the Allied Armies, Supporting the Independence of America. After a pastel by Benjamin Blyth (American, Salem, Massachusetts 1746–1811 Zanesville, Ohio). March 26, 1782. Engraving. John Coles, Sr. (American, ca. 1749–1809). John Norman (American (born England), ca. 1748–1817 Boston, Massachusetts). George Washington (American, 1732–1799). Prints-stock-foto
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Stage Design, Temple of Love, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash over black chalk on off-white laid paper, Horizontal rectangle. Interior of huge vaulted temple, seen at an angle from right to left, inside monoptral building serving as a sort of altar; groups of people worshipping., Rome, Italy, 1775-90, theater, Drawing-stock-foto
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Design for a Fountain, Giuseppe Barberi, Italian, 1746–1809, Black crayon, brush and sepia, grey, blue, black watercolor, on off-white laid paper, A wide basin is shown superimposed over a landscape view of rugged countryside below slight clouds; the depiction of the basin as in 1901-39-405. Inside the wide basin is another one, at center, consisting of a bowl supported by a circle of bulls. Birds sit on the rim of the inner bowl, water flowing from their beaks. On the reverse: light pencil sketch of a fountain., Italy, 1795, architecture, Drawing-stock-foto
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Design for Fountain with Canopic Jar, Giuseppe Barberi, Italian, 1746–1809, Pen and black ink, brush and gray wash, traces of graphite on off-white laid paper, In the center of a wide, low basin stands a column topped with a canopic jar. At the base sit two Egyptian figures with water flowing from their mouths., Italy, 1790, architecture, Drawing-stock-foto
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Pillar strip, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A rising rinceau with leaves., Rome, Italy, 1700–1800, interiors, Drawing-stock-foto
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Elevation of a Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Elevation of a Palace., Rome, Italy, 1746–1809, architecture, Drawing-stock-foto
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Table legs, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Table legs, Rome, Italy, 1746–1809, furniture, Drawing-stock-foto
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Design for an Urn, Giuseppe Barberi, Italian, 1746–1809, Graphite, pen and black ink, brush and gray wash on paper, Elevation of an urn decorated with bucranium, swags and gadrooning at lower half., Italy, 1775–1800, classicism, Drawing-stock-foto
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Pillar strip, three putti with ribbon and garlands, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A waved garland and a ribbon, hanging, and crossing each other. They are supported above by a flying putto. The top of the waves is also supported by a putto., Rome, Italy, 1780–1800, interiors, Drawing-stock-foto
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Panel with fasces in wreath; eagle in wreath, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, One above the other., Rome, Italy, 1780–1800, architecture, Drawing-stock-foto
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Design for an Urn, Giuseppe Barberi, Italian, 1746–1809, Graphite, pen and black ink, brush and wash on paper, Elevation of an urn decorated with a frieze of dancing women. The lower part of the body has gadrooning., Italy, ca. 1790, classicism, Drawing-stock-foto
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Design for ceiling decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for ceiling decoration., Rome, Italy, 1746–1809, interiors, Drawing-stock-foto
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Pillar strip, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, In the top center is a female mask from which two entwined ribbons spring, forming ovals; three are above, four are below a central oval medallion, with the figure of a woman, standing. In the center of the ovals is a stem with leaves. Surrounded by a dark colored strip., Rome, Italy, 1780–1800, interiors, Drawing-stock-foto
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Pillar strip, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A rising olive rinceau, with five birds sitting on it, and two more flying nearby., Rome, Italy, 1780–1800, interiors, Drawing-stock-foto
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Console table with candlestick, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The legs have eagle's feet. The central one has the shape of fasces, with the ax turned toward left; the lateral ones are round posts surrounded by a garland. The legs are connected above the feet. Upon the table stands a candlestick. Upright dolphins supported with their tails a bowl in which a dolphin stands upright. From the rim spring two branches, each one with a candle. Usual background., Rome, Italy, ca. 1795, furniture, Drawing-stock-foto
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Elevation of a bell tower, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Three stories; beside the lower and the central ones are remnants of designs of architecture. The plans of the lower stories are octagonal. Both have openings at the front, with balustrades below. The lower one has the shape of an arch. The upper one is angular. Above the entablature of the central story stand statues. The top story has the shape of a round pavilion, with pairs of columns supporting the entablature. Three bells are shown. Colored backgound-stock-foto
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Memorial Structure, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite, gray ink on off-white laid paper, Curved colonnades flank a tower which rises in three sections. Ramps lead to its doorway. Side wings. Lines possibly belonging to another drawing at left bottom edge., Rome, Italy, 1792-1795, architecture, Drawing-stock-foto
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Design for the Decoration of a Panel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing-stock-foto
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Design for the Decoration of a Frieze, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing-stock-foto
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Design for Mantelpieceand Adjoining Wall Friezes, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The right half of the fireplace and the lower right corner of the looking-glass are shown. The frieze is decorated with festoons hanging beside an ovoidal medallion at right, with figures in the center. Brackets supporting the entablature separate the panels. Figures decorate the frieze at the wall. Reliefs for the mantelpiece in the Noble Cabinet, Palazzo Altieri., Rome, Italy, 1789, interiors, Drawing-stock-foto
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Two elevations of a doorway, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, The door openings are cut in a niche, topped by a medallion and flanked by columns carrying an inscription tablet. The bottom design shows another tablet over the niche., Rome, Italy, 1790–1800, architecture, Drawing-stock-foto
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Designs for Sarcophagi, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The left half is shown, with the left support shown from inside. Bathtub form a carved gaine with a lion mask rising from the support. Colored background. Below ar the points of a stroke in -1402 and upper parts of its background coloring., Rome, Italy, ca. 1780, architecture, Drawing-stock-foto
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Mausoleum for family of Alexander the Great, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Distant angle view of the enormous precinct, in which the domed mausoleum stands in a square, the corners of which are marked by pyramids. Figures on foot, on horseback, and beside a camel are in the left nearer distance. In the left foreground stands a dog (?) with his forefeet on a casket. Written there: 'Or (?) debbito che mi / da addezzo / Sengo il Grande / e non o quatrini / p[er] Mangiare'.-stock-foto
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Fender, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Fender., Rome, Italy, 1746–1809, metalwork, Drawing-stock-foto
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Design for the Decoration of a Frieze, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing-stock-foto
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Table, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Table., Rome, Italy, 1746–1809, furniture, Drawing-stock-foto
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Design for the Decoration of a Panel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing-stock-foto
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Design for the Decoration of a Panel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing-stock-foto
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Design for ceiling decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Design for ceiling decoration., Rome, Italy, 1746–1809, interiors, Drawing-stock-foto
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Sarcophagus and allegorical figures, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Sarcophagus and allegorical figures., Italy, 1746–1809, architecture, Drawing-stock-foto
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Candlesticks, Probably for the Palazzo Altieri, Rome, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Left row: above a monumental column, with a bracket on top with three branches with candles. Below: a socket, a plan. Right row: above, upon a console stand two branches like cornucopias fastened by a wreath. In the center rises another one carrying a candle. Below: a similar bracket with two candles stands upon a column which is supported by winged half-figures., Rome, Italy, 1789–1793, metalwork, Drawing-stock-foto
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Design for the Decoration of a Panel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing-stock-foto
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Mausoleum (or Library), Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, A variation of the design -1128, the plan of the surrounding colonnade being square with steeples in the corners. Originally a part of the same sheet as -1132. Colored background. The design was first made on a smaller scale, and lower., Italy, Rome, Italy, 1795, architecture, Drawing-stock-foto
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