Aktuális sajtó tartalmak és illusztrációs fotók

50.9 cm képek

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Vienna I, Hofburg, Augustinergang wing, glass house above the Augustinergang, ground plan and section, 1837, plan, graphite (preliminary drawing); pen in black; pink, gray and brown wash, sheet: 56.7 x 86.3 cm, recto: 'Duplicate.'; 'vidi Frey Pley m.p.'; Room inscriptions verso: '509/837'; 'III/2. Kl-stock-foto
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Vienna I, Hofburg, Augustinergang wing, library gallery with the flower salon above the Augustinergang, ground plan, around 1835, plan, chalk (preliminary drawing); pen in black and red; grey, red and yellow wash, sheet: 39.5 x 76.6 cm, JAMES WHATMAN TURKEY, spaces inscribed with letters, markings, 'A/ III 48', verso: '130/ 26/ a' (in pen), '81' (in chalk), '1835.' (in pen and ink), 'I/ 3 Plane (sic) and 1 cost estimate, 662/ 829' (in chalk), '509 (crossed out)/ 837 (crossed out), 76/ 839' (in pen and ink), 'StadtNo: 515 ' (in pen)-stock-foto
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Vienna I, Hofburg, Augustinergang wing, flower salon above the vestibule of the coin and antiquity cabinet in the Augustinergang, cross section, 1837, plan, chalk (preliminary drawing); pen in black; multicolored wash, sheet: 39.2 x 47.6 cm, Holland, 'Belonging to the estimate, profile (sic) through the middle of the flower room (sic)', 'I/ 3rd plan (sic) and 1st cost estimate', '509/ 837 (crossed out) 76/ 839', 'Vorhalle beÿ dem, Münz und ANtiquen, Kabinet.', 'Stadt No, 515 (in pen), ad 1384 836' (in pencil), 'A/ III 19', verso: '5' (in chalk)-stock-foto
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Vienna I, Hofburg, Amalienburg, mezzanine, floor plan, after 1830, plan, graphite (preliminary drawing); pen in black; multicolored wash, sheet: 63.6 x 99 cm, recto: 'Mezzanine floor of the Amalienhof.'; 'A/II2'; Notations verso: 'Stadt No 509'; 'A/II 2-stock-foto
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Types of street in Hong Kong, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, pencil, watercolour, 20.5 × 27.4 cm, l.l. 'Hong Kong'; r.b. '509, 630' (strikethrough-stock-foto
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Jar Stopper ca. 1070 BC or later Third Intermediate Period or later A number of small amulets and other items were found in the excavation of Nespekashuty's tomb, spanning its long use life.See the discussion under 23.3.468.Bottles with narrow mouths could be closed with stoppers, which could be made of many materials. The excavators judged this stopper would have closed a bottle opening of about 5 cm in diameter.. Jar Stopper. ca. 1070 BC or later. Grass. Third Intermediate Period or later. From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Nespekashuty (TT 312, MMA 509), MMA excavations-stock-foto
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A coin featuring a profile of a figure and an intricate design on the reverse, showcasing details of ancient craftsmanship and symbolism. Tetradrachm (Coin) Depicting the Goddess Athena, 514/509 BC, Greek, minted in Athens, Athens, Silver, Diam. 2.4 cm, 16.87 g  Classic art with a modern twist reimagined by Artotop-stock-foto
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Knikpot with wheel stamp decoration. Various glueing and additions and 5 separate fragments., Bending pot, earthenware (smooth wall) (Frankish), h: 12 cm, diam: 13 cm, vmeb 525-675, the Netherlands, Utrecht, Rhenen, Rhenen, grave 509-stock-foto
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Koninklijke Maatschappij van Tuinbouw te Brussel, ter ere van Willem I Frederik, koning der Nederlanden Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift binnen krans van bloemen en vruchten, omwonden met lint met opschrift Manufacturer : Joseph Pierre BraemtPlaats manufacture: Brussel Dating: 1826 Material: zilver Techniek: slaan Dimensions: d 5 cm.  × g 509 gr Date: 1826 - 1826-stock-foto
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. English: Johannes Rabe: Interior of a Villa, 40 by 58 cm, signed and dated 1866 l.l. (The painting above the couch depicts princess Wilhelmina Frederica Louisa Charlotte Marianne van Oranje-Nassau at the age of 27. This work is painted by Theodoor Hildebrandt (1804-1874) and in the collection of the Palais Het Loo on loan of the Vereniging Oranje-Nassau.) . 1866. Johannes Rabe 509 Rabe Interior-stock-foto
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. English: Johannes Rabe: Interior of a Villa, 40 by 58 cm, signed and dated 1866 l.l. (The painting above the couch depicts princess Wilhelmina Frederica Louisa Charlotte Marianne van Oranje-Nassau at the age of 27. This work is painted by Theodoor Hildebrandt (1804-1874) and in the collection of the Palais Het Loo on loan of the Vereniging Oranje-Nassau.) . 1866. Johannes Rabe 509 Rabe Interior-stock-foto
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Art inspired by Two young satyrs and a boy, 1647, Etching and engraving, Sheet: 4 13/16 in. × 8 in. (12.3 × 20.3 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Copy in reverse of Pennington 509, Two young satyrs recline on a bank under a tree, blowing horns; a boy, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT-stock-foto
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Two young satyrs and a boy, Wenceslaus Hollar, 1647-stock-foto
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N/A.  English: Empress Maria Theresia pastel on vellum 72 x 58 cm  . before 1789. N/A 509 Empress Maria Theresia, by Jean Etienne Liotard-stock-foto
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. Deutsch: Quirin Mark (1753–1811): Josephs Abschied von Seinen Vielgeliebten, kolorierter Kupferstich, 33,5 x 27,8 cm, 1790. Kaiser Joseph II. (13. März 1741–20. Februar 1790) litt an Tuberkulose. Beim dargestellten Abschied von seinen engsten Mitarbeitern und Vertrauten in der Wiener Hofburg (heutige Präsidentschaftskanzlei) handelt es ich um eine Inszenierung des Künstlers. Links Büsten von Josephs Eltern Franz I. und Maria Theresia, hinten Porträts der beiden andern aufgeklärten Despoten Katharina II. von Russland und Friedrich II. von Preußen. 4 October 2016, 08:38:54. Unknown 509 Quirin-stock-foto
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Degen, A-BR-509 Degen met verzilverd koperen(?) gevest met a-jour knop. Houten met zilver(?) omwikkelde greep. Geornamenteerde voorbeugel, ezelshoeven, rikasso, halve pareerstang en a-jour stootplaat met parelrand. IJzeren kling met aan beide zijden geëtste ornamentatie. Aan de hiel van een zijde: Recte faciendo meninem Timeas. Manufacturer : wapensmid: anoniemPlaats manufacture: Amsterdam (mogelijk) Dating: ca. 1770 Physical kenmerken: ijzer met zilver en hout Material: kling: ijzer gevest: zilver greep: hout Techniek: graveren (inkerven) Dimensions: degen: l 95,5 cm. kling: l 79 cm.  × b 2,2-stock-foto
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.  Nederlands: Het kasteel Radboud te Medemblik. oil on panel. 28 × 41 cm (11 × 16.1 in). RCE (B2239). Vroeger Rijksmuseum Amsterdam (SK-A-951). . 1837. J. Farncombe Sanders 509 Radboud Castle in Medemblik by J. Farncombe Sanders Rijksdienst voor het Cultureel Erfgoed B2239-stock-foto
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Bread basket, Openwork bread basket on four legs. The bread basket has two handles and is engraved on the outside with flowers. The bread basket is marked: stk. = Amsterdam, jrl. = M (1771), mt. = Jan Bonket., Jan Bonket, Amsterdam, 1771, silver (metal), h 4.1 cm × w 8.9 cm × d 5.9 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.-stock-foto
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Bedpan, Bedpan with long handle. The stem is profiled in three places and has a ring at the end. The bed pan is marked: mt. = Wessel Jansen (twice), key (= 17th century import sign in Leiden), ax, warming pan (for bed), Wessel Jansen, Amsterdam, c. 1650 - before 1696, silver (metal), l 11.4 cm × d 3.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.-stock-foto
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Candlestick, Golden, twisted, round candlestick on an arched foot. The edge of the foot is scalloped. The trunk is baluster-shaped. The candle holder is smooth and the fat trap has the shape of a six-leaf flower. The candlestick is marked: stk. = Amsterdam, jrl. = W (1781) and mt. = Jan Bonket., Jan Bonket, Amsterdam, 1781, gold (metal), h 5.2 cm × d 2.9 cm × w 13-stock-foto
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Papkom, Papkom with horizontal, shell-shaped handles. A six-pointed star is engraved in a circle in the bowl. The bowl has a stand ring. The brandy bowl is marked: stk. = Amsterdam, jrl. = F (1740), mt. = Frederik van Strant II, the letter U (re-inspection Middelburg) and an ax., Frederik van Strant (II), Amsterdam, 1740, silver (metal), h 1.0 cm × w 5.6 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and re-stock-foto
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Plate, Round dinner plate with scalloped edge. Garlands are engraved on the rim. A flower is engraved in the center of the plate. The board is marked: stk. = Amsterdam, jrl. = X (1782) and mt. = Foot 430. The board is a copy of a set consisting of 36 identical boards, anonymous, Amsterdam, 1782, silver (metal), d 3.4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.-stock-foto
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Teapot with lid, part of a tête-à-tête, painted with lilies, Teapot with lid of a porcelain tête-à-tête. Painted in yellow, reddish brown and various shades of green with an ornamental decor, in which lilies. On all parts the monogram MvV (= Michiels van Verduynen) and the coat of arms of this family, which also includes the color blue. Rozenburg marked., N.V. Haagsche Plateelfabriek Rozenburg, The Hague, 1900, porcelain (material), h 25.2 cm h 19.5 cm w 14 cm × d 11.5 cm h 7.8 cm d 4.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art-stock-foto
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Slaughtered pig, Pig on ladder. A pole stands on a rectangular plate with an engraved diamond pattern. A ladder rests against the pole on which a slaughtered pig hangs. The image is marked: stk. = Amsterdam, jrl. = N (1747), mt. = Jan Borduur and a crowned V, slaughtered ox or pig, Jan Borduur, Amsterdam, 1747, silver (metal), l 5.3 cm × w 2.7 cm × h 6.8 cm × w 34.52-stock-foto
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Candlestick with balustrade stem and round, bowl-shaped foot. The round candlesticks have a curved foot with a recessed top, in which a square nut is countersunk. The trunk is screwed in here. The trunk is made up of a baluster between diabolo and printed spherical elements. The candle holder is diabolo-shaped., Bull, Jacob Feeterse (attributed to), Amsterdam, c. 1900 - c. 1923, silver (metal), h 19.3 cm × d 14.9 cm × w 509-stock-foto
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Bellows, Bellows with a profiled mouthpiece and concentric circles on the bellows. The bottom of the bellows is smooth, has three holes and a carrying eye. The bellows are marked: stk. = Amsterdam, jrl. = B (1761), mt. = Foot 443, crowned O and an ax, fan, Johannes van Somerwil (I) (attributed to), Amsterdam, 1761, silver (metal), h 1.1 cm × w 2.8 cm × l 6.9 cm-stock-foto
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Plate, Round dinner plate with scalloped edge. Garlands are engraved on the edge. A flower is engraved in the center of the plate. The board is marked: stk. = Amsterdam, jrl. = X (1782) and mt. = Foot 430. The board is a copy from a set consisting of 36 identical boards, anonymous, Amsterdam, 1782, silver (metal), d 3.4 cm-stock-foto
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Plate, Round dinner plate with scalloped edge. Garlands are engraved on the edge. A flower is engraved in the center of the plate. The board is marked: stk. = Amsterdam, jrl. = X (1782) and mt. = Foot 430. The board is a copy from a set consisting of 36 identical boards, anonymous, Amsterdam, 1782, silver (metal), d 3.4 cm-stock-foto
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Guéridon, Round guéridon on a high turned leg that ends in a tripod at the bottom. The guéridon is marked: stk. = Amsterdam, jrl. = Z (1759) and mt. = Pieter van Somerwil I. On the guéridon is a bird cage, Pieter van Somerwil (I) (attributed to), Amsterdam, 1759, silver (metal), h 8.7 cm × d 3.2 cm-stock-foto
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Cup, tea cup, part of a tête-à-tête, painted with lilies, tea cup of a porcelain tête-à-tête. Painted in yellow, reddish brown and various shades of green with an ornamental decor, in which lilies. On all parts the monogram MvV (= Michiels van Verduynen) and the coat of arms of this family, which also includes the color blue. Rozenburg marked., N.V. Haagsche Plateelfabriek Rozenburg, The Hague, 1900, porcelain (material), h 5.3 cm × d 7.0 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspi-stock-foto
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Cuneiform tablet: assumption of debt by guarantor, archive of Bel-remanni, Achaemenid, Achaemenid, Date ca. 509 B.C., Mesopotamia, probably from Babylon (modern Hillah), Achaemenid, Clay, 6 x 8 x 2.7 cm (2 3/8 x 3 1/8 x 1 1/8 in.), Clay-Tablets-Inscribed-stock-foto
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Trolley, Bokkewagen with hood, pulled by a goat. There is a man and a woman in the car. Next to the goat stands a man with a whip in his raised right hand. He has the reins in his left hand. The back of the car is embossed with a crown above two pigeons. The image is marked: stk. = Amsterdam, jrl. = B (1736) and mt. = Arnoldus van Geffen, two-wheeled vehicle drawn by one animal, whip, Arnoldus van Geffen, Amsterdam, 1736, silver (metal), l 6.7 cm × w 3.9 cm × h 4.7 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a mode-stock-foto
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Upholstery, Upholstery with a round back, long hair and a profiled handle with a ring at the end. The dustpan is marked: stk. = Amsterdam, jrl. = A (1735), mt. = Willem van Strant, (household) utensils and implements, Willem van Strant, Amsterdam, 1735, silver (metal), l 5.8 cm × w 1.4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.-stock-foto
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Boiler, round, smooth kettle with handle and lid. The boiler is marked: stk. = Amsterdam, jrl. = U (1754), mt. = Jan Borduur and the letter V., Jan Borduur, Amsterdam, 1754, silver (metal), h 4.2 cm × d 4.2 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.-stock-foto
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Terrine, Round terrine with scalloped bottom. The terrine has a lid with a scalloped edge. The knob of the lid is a flying bird. The terrine has two raised handles. The terrine is marked: stk. = Amsterdam, jrl. = G (1766) and mt. = Arnoldus van Geffen, Arnoldus van Geffen, Amsterdam, 1766, silver (metal), h 2.2 cm × d 2.8 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.-stock-foto
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Glass syringe, The glass syringe consists of a V-shaped stem with a button at the top. The glass syringe is engraved with lines and is marked: pc = Amsterdam, jrl. = Z (1759), mt. = Arnoldus van Geffen, window cleaning (variant), Arnoldus van Geffen, Amsterdam, 1759, silver (metal), l 9.9 cm × w 3.7 cm-stock-foto
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Plate, Round dinner plate with scalloped edge. Garlands are engraved on the edge. A flower is engraved in the center of the plate. The board is marked: stk. = Amsterdam, jrl. = X (1782) and mt. = Foot 430. The board is a copy from a set consisting of 36 identical boards, anonymous, Amsterdam, 1782, silver (metal), d 3.4 cm-stock-foto
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Plate, Round dinner plate with scalloped edge. Garlands are engraved on the edge. A flower is engraved in the center of the plate. The board is marked: stk. = Amsterdam, jrl. = X (1782) and mt. = Foot 430. The board is a copy from a set consisting of 36 identical boards, anonymous, Amsterdam, 1782, silver (metal), d 3.4 cm-stock-foto
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Dustpan, Dustpan with a six-pointed star engraved in a circle in the smooth leaf. The handle is profiled and has a ring at the end. The can is marked: stk. = Amsterdam, jrl. = N (1772), mt. = Johannes van Geffen and a V in a shield, (household) utensils and implements, Johannes Adrianus van Geffen (attributed to), Amsterdam, 1772, silver (metal), l 5 cm × w 4.2 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed-stock-foto
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Coffee pot, Pear-shaped coffee pot on three outwardly bent legs that end in a sphere. The spout is curved and the handle is S-shaped. The top edge of the pot is serrated. The lid is arched in the middle and has a pointed button. The pot is marked: stk. = Amsterdam, jrl. = N (1772), mt. = Attributed Frederik Sleuman and an ax., Frederik Sleuman (attributed to), Amsterdam, 1772, silver (metal), h 7.2 cm × w 7.5 cm × d 2 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embr-stock-foto