Aktuális sajtó tartalmak és illusztrációs fotók

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Tate St Ives, Cornwall, UK. 01st May, 2026. Shells I-II 1983 - 1984 Synthetic fabric, synthetic resin, acrylic Sculptur, Kasuba was a visionary artist, often inspired by forms found in nature, such as shells, rocks, vegetation and marine life. Driven by a desire to forge a deeper connection between humanity and the natural world, 2 May -Oct 2026 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Tate St Ives, Cornwall, UK. 01st May, 2026. Shells I-II 1983 - 1984 Synthetic fabric, synthetic resin, acrylic Sculptur, Kasuba was a visionary artist, often inspired by forms found in nature, such as shells, rocks, vegetation and marine life. Driven by a desire to forge a deeper connection between humanity and the natural world, 2 May -Oct 2026 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Tate St Ives, Cornwall, UK. 01st May, 2026. Shells I-II 1983 - 1984 Synthetic fabric, synthetic resin, acrylic Sculptur, Kasuba was a visionary artist, often inspired by forms found in nature, such as shells, rocks, vegetation and marine life. Driven by a desire to forge a deeper connection between humanity and the natural world, 2 May -Oct 2026 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Tate St Ives, Cornwall, UK. 01st May, 2026. Shells I-II 1983 - 1984 Synthetic fabric, synthetic resin, acrylic Sculptur, Kasuba was a visionary artist, often inspired by forms found in nature, such as shells, rocks, vegetation and marine life. Driven by a desire to forge a deeper connection between humanity and the natural world, 2 May -Oct 2026 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Tate St Ives, Cornwall, UK. 01st May, 2026. Shells I-II 1983 - 1984 Synthetic fabric, synthetic resin, acrylic Sculptur, Kasuba was a visionary artist, often inspired by forms found in nature, such as shells, rocks, vegetation and marine life. Driven by a desire to forge a deeper connection between humanity and the natural world, 2 May -Oct 2026 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, UK. , . Paper 2026 Kasuba was a visionary artist, often inspired by forms found in nature, such as shells, rocks, vegetation and marine life. Driven by a desire to forge a deeper connection between humanity and the natural world, .2 May -Oct 2026 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Tate St Ives, Cornwall, UK. , . Paper 2026 Kasuba was a visionary artist, often inspired by forms found in nature, such as shells, rocks, vegetation and marine life. Driven by a desire to forge a deeper connection between humanity and the natural world, .2 May -Oct 2026 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
RM
Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, UK. 01st May, 2026. Shells I-II 1983 - 1984 Synthetic fabric, synthetic resin, acrylic Sculptur, Kasuba was a visionary artist, often inspired by forms found in nature, such as shells, rocks, vegetation and marine life. Driven by a desire to forge a deeper connection between humanity and the natural world, 2 May -Oct 2026 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Tate St Ives, Cornwall, UK. 01st May, 2026. Shells I-II 1983 - 1984 Synthetic fabric, synthetic resin, acrylic Sculptur, Kasuba was a visionary artist, often inspired by forms found in nature, such as shells, rocks, vegetation and marine life. Driven by a desire to forge a deeper connection between humanity and the natural world, 2 May -Oct 2026 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Tate St Ives, Cornwall, EnglandS 01 May 2026 Gilded Structures. II 3D Tensile Shapes I 1977 Synthetic fabric, synthetic resin Sculpture Kasuba was a visionary artist, often inspired by forms found in nature, such as shells, rocks, vegetation and marine life. Driven by a desire to forge a deeper connection between humanity and the natural world, Kasuba created art that imagined alternative ways of living. 2 May -Oct 2026 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Tate St Ives, Cornwall, EnglandS 01 May 2026 Gilded Structures. II 3D Tensile Shapes I 1977 Synthetic fabric, synthetic resin Sculpture Kasuba was a visionary artist, often inspired by forms found in nature, such as shells, rocks, vegetation and marine life. Driven by a desire to forge a deeper connection between humanity and the natural world, Kasuba created art that imagined alternative ways of living. 2 May -Oct 2026 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Tate St Ives, Cornwall, EnglandS 01 May 2026 Gilded Structures. II 3D Tensile Shapes I 1977 Synthetic fabric, synthetic resin Sculpture Kasuba was a visionary artist, often inspired by forms found in nature, such as shells, rocks, vegetation and marine life. Driven by a desire to forge a deeper connection between humanity and the natural world, Kasuba created art that imagined alternative ways of living. 2 May -Oct 2026 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
RM
Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
RM
Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
RM
Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
RM
Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, EnglandS 01 May 2026 Aleksandra Kasuba Self-Portrait 1952 White clay, glaze, wood Kasuba was a visionary artist, often inspired by forms found in nature, such as shells, rocks, vegetation and marine life. Driven by a desire to forge a deeper connection between humanity and the natural world, .2 May -Oct 2026 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Tate St Ives, Cornwall, EnglandS 01 May 2026 Aleksandra Kasuba Self-Portrait 1952 White clay, glaze, wood Kasuba was a visionary artist, often inspired by forms found in nature, such as shells, rocks, vegetation and marine life. Driven by a desire to forge a deeper connection between humanity and the natural world, .2 May -Oct 2026 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto