Aktuális sajtó tartalmak és illusztrációs fotók

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Wellington, New Zealand. 01st May, 2026. Wellington flyhalf Ruben Love has ball readying for his conversion attempt after Wellington winger Fehi Fineanganofo scores his second half try. Crusaders halfback Noah Hotham looks dejected. Wellington Hurricanes v Canterbury Crusaders. Super Rugby Pacific. Round 12. Hnry Stadium. Wellington. New Zealand. Wellington Hurricanes 38 Canterbury Crusaders 31 (HT 24-10). Photo by Joe Serci (SPP) in NZ. Credit: SPP Sport Press Photo. /Alamy Live News-stock-foto
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Wellington, New Zealand. 01st May, 2026. Wellington replacement hooker Raymond Tuputupu shows his delight in scoring a second half try shouldered by Cam Roigard and Ruben Love. Wellington Hurricanes v Canterbury Crusaders. Super Rugby Pacific. Round 12. Hnry Stadium. Wellington. New Zealand. Wellington Hurricanes 38 Canterbury Crusaders 31 (HT 24-10). Photo by Joe Serci (SPP) in NZ. Credit: SPP Sport Press Photo. /Alamy Live News-stock-foto
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Wellington, New Zealand. 01st May, 2026. Wellington first five Ruben Love set to pass after breaking the line. Wellington Hurricanes v Canterbury Crusaders. Super Rugby Pacific. Round 12. Hnry Stadium. Wellington. New Zealand. Wellington Hurricanes 38 Canterbury Crusaders 31 (HT 24-10). Photo by Joe Serci (SPP) in NZ. Credit: SPP Sport Press Photo. /Alamy Live News-stock-foto
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Wellington, Wellington City, New Zealand. 1st May, 2026. Super Rugby Pacific 2026 Round 12: Hurricanes v Crusaders: May 1st, 2026, Wellington, Wellington City, New Zealand: Hurricanes player Ruben Love steps up to score a conversion during the Super Rugby Pacific Round 12 fixture between the Hurricanes and Crusaders at the Hnry Stadium on Friday in Wellington. (Credit Image: © James Foy/ZUMA Press Wire) EDITORIAL USAGE ONLY! Not for Commercial USAGE!-stock-foto
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Wellington, Wellington City, New Zealand. 1st May, 2026. Super Rugby Pacific 2026 Round 12: Hurricanes v Crusaders: May 1st, 2026, Wellington, Wellington City, New Zealand: Hurricanes player Ruben Love (left) attempts to re-gain control of the ball during the Super Rugby Pacific Round 12 fixture between the Hurricanes and Crusaders at the Hnry Stadium on Friday in Wellington. (Credit Image: © James Foy/ZUMA Press Wire) EDITORIAL USAGE ONLY! Not for Commercial USAGE!-stock-foto
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Wellington, Wellington City, New Zealand. 1st May, 2026. Super Rugby Pacific 2026 Round 12: Hurricanes v Crusaders: May 1st, 2026, Wellington, Wellington City, New Zealand: A general view of the tunnel as Hurricanes player Ruben Love runs out onto the pitch before the Super Rugby Pacific Round 12 fixture between the Hurricanes and Crusaders at the Hnry Stadium on Friday in Wellington. (Credit Image: © James Foy/ZUMA Press Wire) EDITORIAL USAGE ONLY! Not for Commercial USAGE!-stock-foto
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St Ives, Cornwall, UK. 01st May, 2026. Lovely day in St Ives Cornwall, the dark clouds giving way to what promise to be a sunny day in Cornwall.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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St Ives, Cornwall, UK. 01st May, 2026. Lovely day in St Ives Cornwall, the dark clouds giving way to what promise to be a sunny day in Cornwall.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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St Ives, Cornwall, UK. 01st May, 2026. Lovely day in St Ives Cornwall, the dark clouds giving way to what promise to be a sunny day in Cornwall.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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St Ives, Cornwall, UK. 01st May, 2026. Lovely day in St Ives Cornwall, the dark clouds giving way to what promise to be a sunny day in Cornwall.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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St Ives, Cornwall, UK. 01st May, 2026. Lovely day in St Ives Cornwall, the dark clouds giving way to what promise to be a sunny day in Cornwall.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Tate St Ives, Cornwall, UK. 01st May, 2026. Shells I-II 1983 - 1984 Synthetic fabric, synthetic resin, acrylic Sculptur, Kasuba was a visionary artist, often inspired by forms found in nature, such as shells, rocks, vegetation and marine life. Driven by a desire to forge a deeper connection between humanity and the natural world, 2 May -Oct 2026 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Tate St Ives, Cornwall, UK. 01st May, 2026. Shells I-II 1983 - 1984 Synthetic fabric, synthetic resin, acrylic Sculptur, Kasuba was a visionary artist, often inspired by forms found in nature, such as shells, rocks, vegetation and marine life. Driven by a desire to forge a deeper connection between humanity and the natural world, 2 May -Oct 2026 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Tate St Ives, Cornwall, UK. 01st May, 2026. Shells I-II 1983 - 1984 Synthetic fabric, synthetic resin, acrylic Sculptur, Kasuba was a visionary artist, often inspired by forms found in nature, such as shells, rocks, vegetation and marine life. Driven by a desire to forge a deeper connection between humanity and the natural world, 2 May -Oct 2026 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Tate St Ives, Cornwall, UK. 01st May, 2026. Shells I-II 1983 - 1984 Synthetic fabric, synthetic resin, acrylic Sculptur, Kasuba was a visionary artist, often inspired by forms found in nature, such as shells, rocks, vegetation and marine life. Driven by a desire to forge a deeper connection between humanity and the natural world, 2 May -Oct 2026 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Tate St Ives, Cornwall, UK. 01st May, 2026. Shells I-II 1983 - 1984 Synthetic fabric, synthetic resin, acrylic Sculptur, Kasuba was a visionary artist, often inspired by forms found in nature, such as shells, rocks, vegetation and marine life. Driven by a desire to forge a deeper connection between humanity and the natural world, 2 May -Oct 2026 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, UK. , . Paper 2026 Kasuba was a visionary artist, often inspired by forms found in nature, such as shells, rocks, vegetation and marine life. Driven by a desire to forge a deeper connection between humanity and the natural world, .2 May -Oct 2026 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Tate St Ives, Cornwall, UK. , . Paper 2026 Kasuba was a visionary artist, often inspired by forms found in nature, such as shells, rocks, vegetation and marine life. Driven by a desire to forge a deeper connection between humanity and the natural world, .2 May -Oct 2026 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto
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Tate St Ives, Cornwall, England 01 May 2026 Spectrum, An Afterthought (1975-2014), one of Kasuba's most significant spatial environments, is displayed in its entirety. The work is a passageway comprising brightly lit, different coloured zones and is made of aluminium, neon, plastic, plywood, steel and tensile fabricThis summer Tate St Ives presents the first UK museum exhibition of the work of Lithuanian American artist The show covers seven decades of Kasuba's wide-ranging career, from her early paintings and mosaics to her later sculptures and public artworks, including her innovative spatia-stock-foto