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French and Allied soldiers guard the Prefecture of Salonica during the state of siege, June 1916. Civilians gather at the gates as military control extends into civic institutions. This photograph, published in L’Illustration, reflects the tense coexistence between the Greek population and occupying forces during the First World War, marking Salonica as a focal point of political and military struggles in the Balkans.-stock-foto
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A French armoured car battery stationed near the White Tower of Salonica, June 1916. This iconic landmark of Thessaloniki stands as a backdrop to Allied military preparations during the state of siege. The image illustrates how modern mechanised warfare reached the Balkans, symbolising the strategic importance of Salonica as a base for the Entente during World War I and the defence against Central Powers’ advances.-stock-foto
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General Charles Mangin, photographed in June 1916 during the First World War. A veteran of French colonial campaigns in Africa and Morocco, Mangin was promoted divisional general after commanding the 5th Division, distinguished at Neuville-Saint-Vaast and Douaumont during the Battle of Verdun. Published in L’Illustration, this portrait shows him in uniform, symbolising France’s military leadership in one of the war’s most critical periods.-stock-foto
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A French military post in a street of Salonica, June 1916. Soldiers patrol and stand guard, with flags marking Allied presence in the city under siege. This image shows the everyday reality of occupation during World War I, where urban spaces were militarised. As part of the Macedonian front, Salonica became a crucial hub for Entente operations, highlighting the strategic role of Greece in the wider conflict.-stock-foto
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June 1916, Salonica (Thessaloniki): a mass demonstration against Bulgarian aggression during the turbulent period of World War I. Crowds fill the streets carrying banners and flags as Greek citizens voice opposition to enemy incursions. Published in L’Illustration, this image captures the tense atmosphere in Macedonia under Allied occupation, illustrating both popular unrest and the fragile balance of regional power.-stock-foto
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June 1916 issue of L’Illustration depicting Grand Duke Nicholas attending a solemn mass in Erzerum after the Russian capture of the city from Ottoman forces. Priests, soldiers, and officers gathered in front of a stone building to celebrate victory on the Armenian front. The ceremony underscores both the religious and national dimensions of Russia’s wartime campaigns in the Caucasus.-stock-foto
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Photograph published in L’Illustration, June 1916, showing Grand Duke Nicholas arriving at Batum on the Black Sea coast on April 14, 1916. As commander of Russian forces in the Caucasus, his arrival marked preparations for campaigns against the Ottoman Empire. Officers and soldiers greet him at the quay, illustrating the strategic importance of Batum as a Russian military base in the Caucasian theatre.-stock-foto
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Photograph published in L’Illustration (June 1916) showing Grand Duke Nicholas, commander of the Russian Caucasus armies, in close consultation with a senior Caucasian officer in traditional dress, wearing a papakha and chokha. Taken after Russian victories in Armenia, this image highlights the cooperation between Russian imperial command and regional allies in the Caucasus during World War I.-stock-foto
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Archival photograph from L’Illustration, June 1916, showing General Goubatoff with staff officers and members of the Russian Red Cross in the Caucasus. Taken after Russian advances in Armenia, the group portrait illustrates the coordination between military leadership and humanitarian organizations during World War I, highlighting the importance of the Red Cross on the Eastern Front.-stock-foto
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Photograph from L’Illustration, June 1916, showing Grand Duke Nicholas, commander-in-chief of the Russian Caucasus armies, receiving regimental standards after victories against Ottoman forces. Taken in Armenia, this image documents Russian morale and military ceremony during World War I on the Caucasian front, highlighting the symbolic presentation of captured trophies in Erzerum following decisive campaigns.-stock-foto
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Photograph from L’Illustration, June 24, 1916, showing wagons being loaded with bread at Berne, Switzerland, for transport to French prisoners of war. These humanitarian shipments were organized under international agreements to ensure sustenance for captured soldiers. The image illustrates the logistics of wartime relief, highlighting the role of neutral Switzerland in mediating aid during the First World War.-stock-foto
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Page from L’Illustration magazine, 1916, showing the Tableau d’Honneur or Roll of Honour. These memorial pages presented portraits and biographies of French officers, soldiers, and allied volunteers who distinguished themselves during the First World War, often posthumously. They commemorate acts of bravery and sacrifice during the battles of 1916, including Verdun and the Somme, and served as both remembrance and patriotic inspiration.-stock-foto
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Image from L’Illustration, June 24, 1916, showing General John J. Pershing with his staff during the U.S. Punitive Expedition in Mexico. Pershing commanded American forces sent across the border to pursue Pancho Villa following his raid on Columbus, New Mexico. This campaign marked an important episode in U.S. military history, foreshadowing Pershing’s later leadership of the American Expeditionary Force in Europe during the First World War.-stock-foto
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Photograph from L’Illustration, June 24, 1916, showing Italian politician Paolo Boselli returning from Villa Savoia after being asked by King Victor Emmanuel III to form a new government. The image captures the moment of transition in Italian politics during the First World War, as Boselli became Prime Minister, leading Italy through the turbulent war years after the fall of Salandra’s ministry.-stock-foto
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Image from L’Illustration, June 24, 1916, showing the Bureau de Secours aux Prisonniers de Guerre in Berne, Switzerland. Large piles of packages and sacks stand before the relief office, awaiting distribution to French prisoners held in Germany. The scene highlights the vast humanitarian operation run by Swiss intermediaries, providing food and essentials during the harsh conditions of the Great War.-stock-foto
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Image from L’Illustration, June 24, 1916, depicting Italian democratic leader Leonida Bissolati after visiting Paolo Boselli, newly tasked with forming a government. Seen speaking with a reporter, Bissolati represented the democratic and socialist current in Italian politics. His support was crucial in shaping Italy’s wartime coalition and sustaining the country’s participation in the Great War.-stock-foto
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Portrait from L’Illustration, June 24, 1916, of Major General Frederick Funston, commander of U.S. Army forces on the Mexican border. Funston oversaw the American response to Villa’s raids and directed the deployment of Pershing’s Punitive Expedition. Known for his earlier role in the Philippine–American War, Funston played a key part in U.S. military operations in North America during the turbulent years of the Mexican Revolution.-stock-foto
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Photograph from L’Illustration, June 24, 1916, showing a French ambulance automobile returning from Verdun after evacuating wounded. Its front wheels and engine were destroyed by shellfire, yet the vehicle was brought back for repair. The image pays tribute to the courage of ambulance drivers and the indispensable role of motorized medical evacuation during the terrible conditions of the Battle of Verdun.-stock-foto
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Photograph from L’Illustration, June 24, 1916, showing Mexican federal troops under President Venustiano Carranza aboard a train near San Antonio. The soldiers were sent to pursue the revolutionary leader Pancho Villa after his raids across the U.S. border. The image illustrates the scale of mobilization during the Mexican Revolution and the tense relationship between Mexico and the United States on the eve of the Punitive Expedition.-stock-foto
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Image from L’Illustration, June 24, 1916, showing a French army truck demolished by a 210mm shell near Verdun. The radiator has fallen into the crater, underlining the immense destructive power of heavy artillery during the battle. Such photographs reveal the constant peril faced by drivers supplying the front, and the vulnerability of vehicles under bombardment on the devastated roads of Verdun in 1916.-stock-foto
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Photograph from L’Illustration, June 24, 1916, showing a French liaison automobile destroyed by artillery on March 14, west of Verdun. Used daily for communication runs, the car was struck during one of its four regular journeys along exposed routes. This image illustrates the risks faced by drivers and vehicles at Verdun, where automobiles were essential for command, supply, and evacuation under constant enemy fire.-stock-foto
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Image from L’Illustration (13 May 1916) showing the controversial German commemorative medal issued after the sinking of the RMS Lusitania in 1915. The medal, satirical in design, depicted passengers buying tickets at a Cunard counter and symbolized German propaganda following the tragedy. Its issue provoked outrage among Allied nations, becoming a symbol of wartime propaganda and the horrors of submarine warfare in World War I.-stock-foto
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The Electrical Experimenter, August 1916. Volume 4 Number 4. The cover illustrates how the Statue of Liberty will be lighted. The Federal Government will purchase an illuminating plant for $30,000. The lights will be purchased with donations from private parties.-stock-foto
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new york city 1900 - Brooklyn and Manhattan bridges 1916 print. Zooming in one can see a lot of Fletcher's Castoria advertising in the Two Bridges Area.-stock-foto
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Brooklyn and Manhattan bridges, New York City, in 1916.-stock-foto
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Hans Richter (born April 4, 1843 in Raab, died December 5, 1916 in Bayreuth) Janos Richter, Austro-Hungarian conductor and honorary citizen of Bayreuth, Historical, authentic, digitally restored reproduction from a 19th-century original, Record date not stated-stock-foto
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Members of the Wigan (UK) football team in 1916.-stock-foto
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Drawing of 1916 by Sir Frank Short (1857 - 1945). Study for the Night Picket Boat.-stock-foto
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David Lloyd George, 1st Earl Lloyd-George of Dwyfor (1863-1945), Prime Minister of the United Kingdom 1916-1922, portrait painting in oil on canvas by Sir William Orpen, 1927-stock-foto
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Ballet rehearsals, New York City, ca. 1916: [Unidentified group of 6 women & 2 men]-stock-foto
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Mural on the side of the Sweet Green Tavern depicting the Crook Street train crash in 1916.-stock-foto
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Photograph showing damaged houses and policemen standing beside a crater caused by bombs dropped from German airship L15 on Chambers Street, Bermondsey, London.-stock-foto
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Photograph showing damage to homes in Baytree Road in Brixton, London, following a raid by 12 German naval airships on the night of 23 - 24 September 1916.-stock-foto
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April 1916 L’Illustration photograph of Gabès railway station, Tunisia, with a train arriving on 18 March carrying German prisoners of war. Captured during World War I, these prisoners were transported under guard to detention facilities. The image documents Tunisia’s role as a logistical hub in the North African theatre, supporting the Allied war effort with transport, supplies, and prisoner management.-stock-foto
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August 9, 2025: Portland Timbers centre back Dario Zuparic (13) looks to make a pass during the first half of a MLS game against FC Dallas at Toyota Stadium in Frisco, TX. Austin McAfee/CSM-stock-foto
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August 9, 2025: Portland Timbers centre back Dario Zuparic (13) looks to make a pass during the first half of a MLS game against FC Dallas at Toyota Stadium in Frisco, TX. Austin McAfee/CSM (Credit Image: © Austin Mcafee/Cal Sport Media)-stock-foto
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Photograph from L’Illustration (13 May 1916) showing a captured German submarine held in a dry dock by Anglo-French naval forces. Seized in April 1916, the U-boat was examined and photographed after being brought ashore. The image illustrates Allied anti-submarine operations during World War I, highlighting both the technological threat of Germany’s U-boat campaign and the significance of capturing enemy vessels intact.-stock-foto
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Photograph from L’Illustration (13 May 1916) showing a captured German naval officer under armed escort by French soldiers following the seizure of a German U-boat. The officer, taken prisoner, is marched through the streets under guard, symbolizing Allied control over captured enemy personnel during World War I. The image reflects both the risks of submarine warfare and the propaganda value of displaying enemy captives.-stock-foto
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Image from L’Illustration (1916) showing German prisoners of war resting near barracks at L’Estaque, outside Marseille. Captured during World War I, the prisoners are seen in informal conditions with washing hung nearby. Such images illustrated the daily life of POWs in France and reflected both the practical and symbolic aspects of wartime captivity during the Great War.-stock-foto
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Photograph from L’Illustration (1916) showing Australian soldiers parading before the Prefecture of Marseille, carrying both Union Jack and French flags. The scene marked the arrival of Allied reinforcements and was celebrated by local crowds. This image highlights the role of Australian troops in the First World War and their solidarity with France during the conflict.-stock-foto
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