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African american woman waves hand and smiles at a historic building in bright daylight; joyful welcome.-stock-foto
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View of Richmond Main Street Station featuring its striking clock tower, red brick facade and ornate Second Renaissance Revival architecture. Virginia-stock-foto
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'John Proctor is the Villain' Marquee at The Booth Theatre in Times Square, New York City, USA 2025-stock-foto
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'John Proctor is the Villain' Marquee at The Booth Theatre in Times Square, New York City, USA 2025-stock-foto
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'John Proctor is the Villain' Marquee at The Booth Theatre in Times Square, New York City, USA 2025-stock-foto
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Princeton, NJ - US - May 31, 2025 Nassau Hall, or Old Nassau, is Princeton University’s oldest building, showcasing Renaissance style with ivy-covered-stock-foto
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Contrasting architecture and skyscrapers in NoMad as seen from the Flatiron district at 23rd street looking north up fifth Avenue, 2025, New York City, USA-stock-foto
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WASHINGTON DC — The ornately decorated Great Hall of the Thomas Jefferson Building at the Library of Congress showcases the pinnacle of American Beaux-Arts architecture. Completed in 1897, the hall features a grand staircase flanked by bronze statues, marble columns, elaborate mosaics, and a coffered ceiling adorned with copper-plated skylights and allegorical paintings. The space is embellished with gold leaf, intricate carvings, and murals by prominent American artists including Edwin Blashfield, Elihu Vedder, and John White Alexander, all celebrating themes of knowledge, literature, and hum-stock-foto
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WASHINGTON DC — The ornately decorated Great Hall of the Thomas Jefferson Building at the Library of Congress showcases the pinnacle of American Beaux-Arts architecture. Completed in 1897, the hall features a grand staircase flanked by bronze statues, marble columns, elaborate mosaics, and a coffered ceiling adorned with copper-plated skylights and allegorical paintings. The space is embellished with gold leaf, intricate carvings, and murals by prominent American artists including Edwin Blashfield, Elihu Vedder, and John White Alexander, all celebrating themes of knowledge, literature, and hum-stock-foto
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WASHINGTON DC — The ornately decorated Great Hall of the Thomas Jefferson Building at the Library of Congress showcases the pinnacle of American Beaux-Arts architecture. Completed in 1897, the hall features a grand staircase flanked by bronze statues, marble columns, elaborate mosaics, and a coffered ceiling adorned with copper-plated skylights and allegorical paintings. The space is embellished with gold leaf, intricate carvings, and murals by prominent American artists including Edwin Blashfield, Elihu Vedder, and John White Alexander, all celebrating themes of knowledge, literature, and hum-stock-foto
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WASHINGTON DC — The Thomas Jefferson Building of the Library of Congress houses the Jefferson Library, a recreation of Thomas Jefferson's personal collection of books that formed the foundation of the national library. After the original Library of Congress was destroyed when British troops burned the Capitol in 1814, Jefferson sold his personal library of 6,487 volumes to Congress in 1815. While many of Jefferson's original books were lost in another fire in 1851, the Library has worked to reassemble the collection with identical editions of the same titles, displayed in a circular arrangemen-stock-foto
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WASHINGTON DC — The Thomas Jefferson Building of the Library of Congress houses the Jefferson Library, a recreation of Thomas Jefferson's personal collection of books that formed the foundation of the national library. After the original Library of Congress was destroyed when British troops burned the Capitol in 1814, Jefferson sold his personal library of 6,487 volumes to Congress in 1815. While many of Jefferson's original books were lost in another fire in 1851, the Library has worked to reassemble the collection with identical editions of the same titles, displayed in a circular arrangemen-stock-foto
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WASHINGTON DC — The Thomas Jefferson Building of the Library of Congress houses the Jefferson Library, a recreation of Thomas Jefferson's personal collection of books that formed the foundation of the national library. After the original Library of Congress was destroyed when British troops burned the Capitol in 1814, Jefferson sold his personal library of 6,487 volumes to Congress in 1815. While many of Jefferson's original books were lost in another fire in 1851, the Library has worked to reassemble the collection with identical editions of the same titles, displayed in a circular arrangemen-stock-foto
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WASHINGTON DC — The ornately decorated arched ceiling of the Southwest Exhibition Gallery on the Second Floor of the Thomas Jefferson Building at the Library of Congress features elaborate plasterwork, gilded details, and classical motifs. The Jefferson Building, completed in 1897, is considered the centerpiece of the Library of Congress complex and represents one of America's finest examples of Beaux-Arts architecture. The building's lavish interiors were designed by artists and craftsmen from across America and Europe, incorporating influences from classical antiquity and the Italian Renaiss-stock-foto
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WASHINGTON DC — The ornate domed ceiling of the Great Hall in the Thomas Jefferson Building at the Library of Congress features elaborate paintings, sculptures, and architectural details created during its construction between 1890 and 1897. The ceiling showcases allegorical figures representing countries and historical epochs that contributed to American civilization, designed by artist Edwin Howland Blashfield. The Jefferson Building, the oldest of the Library of Congress buildings, was designed in the Beaux-Arts style by architects John L. Smithmeyer and Paul J. Pelz and opened to the publi-stock-foto
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WASHINGTON DC — The Thomas Jefferson Building of the Library of Congress houses the Jefferson Library, a recreation of Thomas Jefferson's personal collection of books that formed the foundation of the national library. After the original Library of Congress was destroyed when British troops burned the Capitol in 1814, Jefferson sold his personal library of 6,487 volumes to Congress in 1815. While many of Jefferson's original books were lost in another fire in 1851, the Library has worked to reassemble the collection with identical editions of the same titles, displayed in a circular arrangemen-stock-foto
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WASHINGTON DC — The Main Reading Room of the Thomas Jefferson Building at the Library of Congress stands as one of America's most magnificent public spaces. Completed in 1897, this octagonal room rises 160 feet to an ornate dome featuring Edwin Howland Blashfield's painting 'Human Understanding' surrounded by allegorical figures representing countries that have contributed to human knowledge. The reading room features massive red marble columns with gilded Corinthian capitals, bronze statues representing fields of knowledge, and three tiers of bookstacks encircling the central space. Designed-stock-foto
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WASHINGTON DC — Looking directly upward in the Great Hall of the Thomas Jefferson Building at the Library of Congress reveals an ornate coffered ceiling adorned with elaborate gilded rosettes and copper-plated glass skylights. Completed in 1897, this Beaux-Arts masterpiece features 73 decorative rosettes set within geometric coffers, allowing natural light to filter through the stained glass panels. The ceiling rises 75 feet above the marble floor and exemplifies the American Renaissance style with its intricate ornamentation, gold leaf detailing, and harmonious integration of decorative eleme-stock-foto
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WASHINGTON DC — The ornately decorated Great Hall of the Thomas Jefferson Building at the Library of Congress showcases the pinnacle of American Beaux-Arts architecture. Completed in 1897, the hall features a grand staircase flanked by bronze statues, marble columns, elaborate mosaics, and a coffered ceiling adorned with copper-plated skylights and allegorical paintings. The space is embellished with gold leaf, intricate carvings, and murals by prominent American artists including Edwin Blashfield, Elihu Vedder, and John White Alexander, all celebrating themes of knowledge, literature, and hum-stock-foto
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WASHINGTON DC — The Main Reading Room of the Thomas Jefferson Building at the Library of Congress stands as one of America's most magnificent public spaces. Completed in 1897, this octagonal room rises 160 feet to an ornate dome featuring Edwin Howland Blashfield's painting 'Human Understanding' surrounded by allegorical figures representing countries that have contributed to human knowledge. The reading room features massive red marble columns with gilded Corinthian capitals, bronze statues representing fields of knowledge, and three tiers of bookstacks encircling the central space. Designed-stock-foto
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WASHINGTON DC — The Main Reading Room of the Thomas Jefferson Building at the Library of Congress stands as one of America's most magnificent public spaces. Completed in 1897, this octagonal room rises 160 feet to an ornate dome featuring Edwin Howland Blashfield's painting 'Human Understanding' surrounded by allegorical figures representing countries that have contributed to human knowledge. The reading room features massive red marble columns with gilded Corinthian capitals, bronze statues representing fields of knowledge, and three tiers of bookstacks encircling the central space. Designed-stock-foto
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WASHINGTON DC — The Main Reading Room of the Thomas Jefferson Building at the Library of Congress stands as one of America's most magnificent public spaces. Completed in 1897, this octagonal room rises 160 feet to an ornate dome featuring Edwin Howland Blashfield's painting 'Human Understanding' surrounded by allegorical figures representing countries that have contributed to human knowledge. The reading room features massive red marble columns with gilded Corinthian capitals, bronze statues representing fields of knowledge, and three tiers of bookstacks encircling the central space. Designed-stock-foto
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WASHINGTON DC — The Main Reading Room of the Thomas Jefferson Building at the Library of Congress stands as one of America's most magnificent public spaces. Completed in 1897, this octagonal room rises 160 feet to an ornate dome featuring Edwin Howland Blashfield's painting 'Human Understanding' surrounded by allegorical figures representing countries that have contributed to human knowledge. The reading room features massive red marble columns with gilded Corinthian capitals, bronze statues representing fields of knowledge, and three tiers of bookstacks encircling the central space. Designed-stock-foto
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WASHINGTON DC — The Main Reading Room of the Thomas Jefferson Building at the Library of Congress stands as one of America's most magnificent public spaces. Completed in 1897, this octagonal room rises 160 feet to an ornate dome featuring Edwin Howland Blashfield's painting 'Human Understanding' surrounded by allegorical figures representing countries that have contributed to human knowledge. The reading room features massive red marble columns with gilded Corinthian capitals, bronze statues representing fields of knowledge, and three tiers of bookstacks encircling the central space. Designed-stock-foto
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WASHINGTON DC — The Main Reading Room of the Thomas Jefferson Building at the Library of Congress stands as one of America's most magnificent public spaces. Completed in 1897, this octagonal room rises 160 feet to an ornate dome featuring Edwin Howland Blashfield's painting 'Human Understanding' surrounded by allegorical figures representing countries that have contributed to human knowledge. The reading room features massive red marble columns with gilded Corinthian capitals, bronze statues representing fields of knowledge, and three tiers of bookstacks encircling the central space. Designed-stock-foto
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WASHINGTON DC — The Main Reading Room of the Thomas Jefferson Building at the Library of Congress stands as one of America's most magnificent public spaces. Completed in 1897, this octagonal room rises 160 feet to an ornate dome featuring Edwin Howland Blashfield's painting 'Human Understanding' surrounded by allegorical figures representing countries that have contributed to human knowledge. The reading room features massive red marble columns with gilded Corinthian capitals, bronze statues representing fields of knowledge, and three tiers of bookstacks encircling the central space. Designed-stock-foto
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WASHINGTON DC — The Main Reading Room of the Thomas Jefferson Building at the Library of Congress stands as one of America's most magnificent public spaces. Completed in 1897, this octagonal room rises 160 feet to an ornate dome featuring Edwin Howland Blashfield's painting 'Human Understanding' surrounded by allegorical figures representing countries that have contributed to human knowledge. The reading room features massive red marble columns with gilded Corinthian capitals, bronze statues representing fields of knowledge, and three tiers of bookstacks encircling the central space. Designed-stock-foto
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WASHINGTON DC — The Main Reading Room of the Thomas Jefferson Building at the Library of Congress stands as one of America's most magnificent public spaces. Completed in 1897, this octagonal room rises 160 feet to an ornate dome featuring Edwin Howland Blashfield's painting 'Human Understanding' surrounded by allegorical figures representing countries that have contributed to human knowledge. The reading room features massive red marble columns with gilded Corinthian capitals, bronze statues representing fields of knowledge, and three tiers of bookstacks encircling the central space. Designed-stock-foto
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WASHINGTON DC — The ornately decorated Great Hall of the Thomas Jefferson Building at the Library of Congress showcases the pinnacle of American Beaux-Arts architecture. Completed in 1897, the hall features a grand staircase flanked by bronze statues, marble columns, elaborate mosaics, and a coffered ceiling adorned with copper-plated skylights and allegorical paintings. The space is embellished with gold leaf, intricate carvings, and murals by prominent American artists including Edwin Blashfield, Elihu Vedder, and John White Alexander, all celebrating themes of knowledge, literature, and hum-stock-foto
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WASHINGTON DC — The ornately decorated Great Hall of the Thomas Jefferson Building at the Library of Congress showcases the pinnacle of American Beaux-Arts architecture. Completed in 1897, the hall features a grand staircase flanked by bronze statues, marble columns, elaborate mosaics, and a coffered ceiling adorned with copper-plated skylights and allegorical paintings. The space is embellished with gold leaf, intricate carvings, and murals by prominent American artists including Edwin Blashfield, Elihu Vedder, and John White Alexander, all celebrating themes of knowledge, literature, and hum-stock-foto
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WASHINGTON DC — The ornately decorated Great Hall of the Thomas Jefferson Building at the Library of Congress showcases the pinnacle of American Beaux-Arts architecture. Completed in 1897, the hall features a grand staircase flanked by bronze statues, marble columns, elaborate mosaics, and a coffered ceiling adorned with copper-plated skylights and allegorical paintings. The space is embellished with gold leaf, intricate carvings, and murals by prominent American artists including Edwin Blashfield, Elihu Vedder, and John White Alexander, all celebrating themes of knowledge, literature, and hum-stock-foto
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WASHINGTON DC — The National Gallery of Art displays 'The She-Wolf Suckling Romulus and Remus,' a Central Italian bronze sculpture dating from the late 15th to early 16th century. This Renaissance artwork depicts the famous Roman foundation myth of the twins Romulus and Remus being nursed by a she-wolf after their abandonment. The bronze, possibly of Roman origin, demonstrates Renaissance artists' fascination with classical mythology and is part of the Samuel H. Kress Collection, acquired by the museum in 1957.-stock-foto
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WASHINGTON DC — The National Gallery of Art houses a significant series of seven frescoes by Bernardino Luini (c. 1480-1532) depicting the mythological narrative of Cephalus. Created circa 1520-1522, these Milanese Renaissance works include 'Cephalus and Pan at the Temple of Diana' and form a complete mythological cycle exploring the Cephalus story. The frescoes, part of the Samuel H. Kress Collection, are displayed alongside an ancient Roman floor mosaic titled 'Symbols of Bacchus as God of Wine and the Theater,' a third-century A.D. marble and glass work gifted to the American people by Tuni-stock-foto
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WASHINGTON DC — The National Gallery of Art houses a significant series of seven frescoes by Bernardino Luini (c. 1480-1532) depicting the mythological narrative of Cephalus. Created circa 1520-1522, these Milanese Renaissance works include 'Cephalus and Pan at the Temple of Diana' and form a complete mythological cycle exploring the Cephalus story. The frescoes, part of the Samuel H. Kress Collection, are displayed alongside an ancient Roman floor mosaic titled 'Symbols of Bacchus as God of Wine and the Theater,' a third-century A.D. marble and glass work gifted to the American people by Tuni-stock-foto
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WASHINGTON DC — The National Gallery of Art houses a significant series of seven frescoes by Bernardino Luini (c. 1480-1532) depicting the mythological narrative of Cephalus. Created circa 1520-1522, these Milanese Renaissance works include 'Cephalus and Pan at the Temple of Diana' and form a complete mythological cycle exploring the Cephalus story. The frescoes, part of the Samuel H. Kress Collection, are displayed alongside an ancient Roman floor mosaic titled 'Symbols of Bacchus as God of Wine and the Theater,' a third-century A.D. marble and glass work gifted to the American people by Tuni-stock-foto
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WASHINGTON DC — The National Gallery of Art houses a significant series of seven frescoes by Bernardino Luini (c. 1480-1532) depicting the mythological narrative of Cephalus. Created circa 1520-1522, these Milanese Renaissance works include 'Cephalus and Pan at the Temple of Diana' and form a complete mythological cycle exploring the Cephalus story. The frescoes, part of the Samuel H. Kress Collection, are displayed alongside an ancient Roman floor mosaic titled 'Symbols of Bacchus as God of Wine and the Theater,' a third-century A.D. marble and glass work gifted to the American people by Tuni-stock-foto
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WASHINGTON DC — The painting galleries of the National Gallery of Art, primarily housed in the neoclassical West Building designed by John Russell Pope, display one of America's finest collections of European and American paintings spanning from the 13th to the early 20th centuries. These elegantly proportioned gallery spaces feature carefully controlled lighting, classical architectural details, and neutral wall colors that enhance the viewing experience. Organized largely by national schools and chronological periods, the galleries create a comprehensive journey through Western painting hist-stock-foto
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WASHINGTON DC — The painting galleries of the National Gallery of Art, primarily housed in the neoclassical West Building designed by John Russell Pope, display one of America's finest collections of European and American paintings spanning from the 13th to the early 20th centuries. These elegantly proportioned gallery spaces feature carefully controlled lighting, classical architectural details, and neutral wall colors that enhance the viewing experience. Organized largely by national schools and chronological periods, the galleries create a comprehensive journey through Western painting hist-stock-foto
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WASHINGTON DC — 'Back and Forth,' currently on view at the National Gallery of Art through April 26, 2026, explores the non-linear nature of art history through works by Rozeal, Titian, and Cézanne. The exhibition in Gallery 11 examines different artistic approaches as exemplified by two Titian masterpieces: 'Ranuccio Farnese,' a psychological portrait of a young Italian nobleman showing conflicted emotions, and 'Venus with a Mirror,' an allegorical painting of the goddess Venus focused on surface beauty and sensuous details. This juxtaposition invites viewers to consider how artists across ce-stock-foto
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WASHINGTON DC — The West Garden Court of the National Gallery of Art provides a tranquil indoor garden space within the neoclassical West Building designed by architect John Russell Pope. This elegant marble courtyard features a central fountain surrounded by tropical plants, reflecting the Italian Renaissance garden tradition. With abundant natural light streaming through the skylights above, comfortable marble benches, and carefully curated landscaping, the Garden Court offers museum visitors a peaceful setting for contemplation and rest between viewing the gallery's extensive art collection-stock-foto
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