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[angular marks] képek

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Polished Steel Polygonal Billets On Concrete Surface, Arranged In Angular Cluster Under Cool Workshop Light, Visible Machining Marks And Textured Edge-stock-foto
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Minimalist set of four distinct speech and thought bubble icons each featuring quotation marks. Ideal for web design social media or chat apps.-stock-foto
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Minimalist illustration with two intertwining dashed line ovals resembling atomic orbits. Features curved and angular quotation marks. Ideal for scien-stock-foto
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Minimalist set of quote marks angular and curved styles paired with horizontal lines. Multiple orientations above below aligned. Ideal for quote boxes-stock-foto
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Minimalist vector illustration with two intertwining dashed line ovals resembling atomic orbits. Features curved and angular quotation marks. Ideal fo-stock-foto
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Minimalist vector set of four distinct speech and thought bubble icons each featuring quotation marks. Ideal for web design social media or chat apps.-stock-foto
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Quote marks and lines vector set typography elements-stock-foto
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Angled tree limb severed by beaver, exposed pale wood and dense shavings on bank, bright side lighting revealing tooth marks and bark texture, shallow-stock-foto
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Floating cluster of connected purple user nodes overlaying wet sand at coast, with glowing lines-stock-foto
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Częstochowa. Church in Raków. Unrealized project. Bottom plan. Wojciechowski, Jarosław (1874–1942). Towns, Częstochowa (Silesian Voivodeship). Modernism (style). 1911. Drawing; architectural drawing; architectural design. Height 34.5 cm; width 22.3 cm., A rectangular sheet with a narrow beige border contains a centered architectural drawing of a building floor plan rendered in fine pencil lines on an off-white background; the drawing shows the outline of a large rectangular interior space with curved and angular projecting rooms at the top and a semicircular entrance area at the bottom, with-stock-foto
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Nobleman in a cap with a feather; artist: Norblin de la Gourdaine, Jean Pierre (1745–1830); associated artist: Witke-Jeżewski, Dominik (1862–1944). Subject: Polish nobility, male figure study wearing a cap with a bird feather; style: graphic/print; date: ca. 1778–1787. Medium/details: graphic matrix/graphic plate; dimensions: height 1.7 cm, width 1.3 cm, thickness 0.1 cm., A flat, rounded-top rectangular object with a worn, textured surface in shades of brown and dark brown, showing areas of darker grayish-brown and lighter bronze tones; the surface has a few shallow incised lines and-stock-foto
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Gdańsk grosz, Sigismund I the Old (King of Poland; 1506–1548). Obverse: Crowned male bust in profile turned to the right; in the rim between pearl borders inscription: .SIGIS.I.REX.PO.DO.TOCI.PRV Reverse: Coat of arms of Gdańsk; in the rim between pearl borders inscription: .GROSSVS.CIVI.DANCZ.1535. Date: 1535. Poland, Gdańsk. Coin; diameter 22.4–22.9 mm; weight 1.72 g. Subjects/styles: Jagiellonians dynasty, royal/male busts, city coats of arms., A round, flat object with a textured surface in shades of gray and muted silver, showing worn raised edges and a circular border; within the border-stock-foto
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Lithuanian half-grosz, Sigismund I the Old (King of Poland; 1506–1548). Obverse: Pogoń (Lithuanian coat of arms) turned to the left; in the rim between pearly borders an inscription: , MON, IGIS. Reverse: Polish crowned eagle; in the rim between pearly borders an inscription: , GNI:, VANI, 1510. Jagiellon dynasty. Grand Duchy of Lithuania, Vilnius. Coin; diameter 19.7–20.0 mm; weight 1.18 g., A circular metallic object with a worn, textured surface showing patterns of raised and recessed areas, primarily silver-gray in color with small spots of darker gray and a few faint reddish-brown marks;-stock-foto
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Lithuanian half-grosz, Sigismund I the Old (King of Poland; 1506–1548). 1517. Obverse: Pogoń (Lithuanian coat of arms) turned left; inscription in rim between pearl borders: NETA, SIGISMVNDI:1517:. Reverse: Polish crowned eagle; inscription in rim between pearl borders: + MAGNI:DVCI, LITVANIE:, 1517. Grand Duchy of Lithuania; coin., A round metallic object with a worn, dark gray surface sits centered on a white background; the object shows a raised circular border and a central raised design that appears textured and irregular, with a few curved and angular embossed shapes around the center,-stock-foto
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bronze coin, Pantikapaion; obverse: head of Apollo to the right; reverse: bow in a gorythos to the left, inscription below; iconography: bow in a quiver, head of Apollo, bows, weapons, armament, gorythos, quivers; Apollo (mythology); dated 2nd half of 2nd — ca. 2nd century BC; region: Cimmerian Bosporus, Pantikapaion; coin; weight 2.53 g; axis 90°; dimensions 11.9 × 12.3 mm, A small round metallic object with a dark gray to black surface and subtle greenish patina, showing a raised linear band across its upper half and a triangular raised shape above that band, with a few angular raised marks-stock-foto
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bronze coin, Pantikapaion; aw: head of beardless Satyr in an ivy wreath to the left; rw: bow and arrow to the right, inscription below; iconography: bow and arrow, head of Satyr; Satyr (mythology); arrows (weapon), bows (armed), weapons (iconographic), armament (iconographic); 1st half 3rd century BC; Cimmerian Bosporus, Pantikapaion; coin; weight 3.42 g; axis 330°; dimensions 16.3 × 16.8 mm, A small round dark coin with an uneven edge is shown against a white background; the coin has a textured surface in shades of dark gray and greenish patina, with incised linear and curved designs-stock-foto
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bronze coin, Pantikapaion, head of beardless Satyr in an ivy wreath to the left (obverse); bow and arrow to the right, inscription below (reverse); Satyr (mythology), arrows (weapon), bows (armed), weapons (iconographic), armament (iconographic); 1st half 3rd century BC; Cimmerian Bosporus, Pantikapaion; coin; weight 5.77 g; axis 150 degrees; dimensions 19.9 × 20.5 mm, A round, worn metallic disc with an uneven edge, showing a textured, pitted surface in shades of dark gray, brown, and hints of green; raised linear and curved impressions form a few shallow grooves and shapes across the face,-stock-foto
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Bronze coin, Pantikapaion; aw: head of beardless Satyr in an ivy wreath to the left; rw: bow and arrow to the right, inscription below; iconography: bow and arrow, head of Satyr; Satyr (mythology); arrows, bows, weapons, armament; 1st half 3rd century BC; Cimmerian Bosporus, Pantikapaion; coin; weight 6.32 g; dimensions 20.8 mm × 19.6 mm., A round, dark gray coin with an irregular edge against a white background; the coin surface shows a raised curved shape near the top, a few parallel raised lines across the middle, a raised arrow-like shape pointing right, and several raised angular marks-stock-foto
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bronze coin, Pantikapaion; obverse: head of a beardless Satyr in an ivy wreath facing left with a countermark (twelve-pointed star) on the head; reverse: lion head with a gaping mouth facing left, below it a sturgeon facing left, letters on the sides and at the top, countermark on the head (bow in quiver); countermarks (twelve-pointed star, bow in quiver); iconography: Satyr's head, lion head, sturgeon, stars, bow in quiver, fish, gorytos, quivers, weapons; Satyr (mythology), lions, animals, bows, armament; early 3rd century BC; Cimmerian Bosporus, Pantikapaion; coin; bronze; weight 6.40 g;-stock-foto
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denarius, Albert Frederick Hohenzollern (1553–1619; Duke of Prussia 1568–1578), Obverse: monogram composed of the letters AF, beneath which the Hohenzollern coat of arms in a decorative shape; on the sides of the monogram the numerals of the date 7 - I; above the monogram a nine-petalled rosette between circles. Reverse: Prussian eagle, on its breast the crowned letter S, 1571. Ducal Prussia (1525–1701), Königsberg. Coin: diameter 12.0 mm, weight 0.32 g, axis 0°, A single round metallic object with a textured, slightly worn surface sits centered against a white background; the object has a-stock-foto
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Denarius - bracteate, rectangle I (iconographic), Richard, Antoni (1841-1894), AR marks, rectangles, one-sided coins, balls, Teutonic Knights (order), Rectangle with one ball inside and one on each corner, ca. 1297/1298 - ca. 1307/1308, State of the Teutonic Order (1226-1525), coin (one-sided), diameter 14.3 mm, weight 0.21 g, A round, metallic object centered on a white background with a textured, worn surface showing shades of gray and darker gray; the object has a raised circular rim and an indented central area featuring a small raised dome surrounded by a square-shaped depression and-stock-foto
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Table, rectangular, with flaps on the long sides and a drawer on one of the short sides, supported by four slender, angular, tapering legs. Edges of the legs and the lower edge of the frame are edged with ebony veining. The flaps are on steel hinges, supported when raised on rotating supports mounted on wooden hinges. Neoclassicism (style), mahogany, early 19th century, England, height 67.6 cm, width 92.8 cm, depth 91 cm., A wooden table with a rectangular top and two drop leaves extended, showing a warm brown finish with visible wood grain and some darker marks; a central drawer with a round-stock-foto
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Plant motifs and inscriptions; graphic artist; Chinese; grass; Chinese art; inscriptions; plant motifs; early 20th century, China; graphic print; height 110.0 cm; width 31.7 cm, A tall, narrow vertical image with a textured dark background in shades of black and gray showing white, calligraphic plant-like shapes and long sweeping curved lines that resemble blades of grass or leaves. The white shapes are clustered in a few areas, forming rhythmic arcs and angular segments against the dark field. The edges of the paper are slightly uneven and lighter in color, and there are visible creases and-stock-foto
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Subirachs stone figure on the Passion Façade at the Sagrada Família, Barcelona, Spain, close-up showing chisel textures and dramatic light-stock-foto
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Displaying white line graph overlaying dotted 3D waveform on grey grid backdrop, with numeric table-stock-foto
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Projecting HUD interface showing concentric rings and lines on control screen, with hexagonal nodes-stock-foto
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Displaying futuristic digital dashboard interface, showing radial HUD, magenta and cyan line graphs-stock-foto
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Displaying red line chart fluctuating on digital dashboard, with circular gauge and numeric labels-stock-foto
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Folio from a Qur'an Manuscript late 9th–early 10th century Like many early Qur'an folios, this one is written on parchment in dark brown ink with a broad-nibbed reed pen. The horizontally stretched ligatures are characteristic of Qur'ans of the late 9th, early 10th century, and are thought to be a response to the rectangular page format. The angular script is moderated by the roundness of several letters that look like large black dots, their inner black spaces reduced almost to a needlepoint. Vocalization is indicated by red dots and the triangular pause marks are made up of gold dots. View m-stock-foto
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Stone Seals, 18th-19th century, 2 1/4 x 1 3/4 x 1 3/4 in. (5.72 x 4.45 x 4.45 cm), Nephrite (jade) and soapstone, China, 18th-19th century, Used by literati to impress their personal marks on documents and works of art, seals were among the most important scholar's implements. The literati often carved the legends themselves. Bronze and jade were commonly used for seals before the Yuan dynasty (1280–1368), but these materials proved too hard to be carved by anyone but professionals. In the Ming dynasty, soapstone became the preferred material of the literati.-stock-foto
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Frozen water with ice patterning, pebbles and grasses-stock-foto
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Frozen water with ice patterning, pebbles and grasses-stock-foto
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Frozen water with ice patterning, pebbles and grasses-stock-foto
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Frozen water with ice patterning, pebbles and grasses-stock-foto
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Frozen water with ice patterning, pebbles and grasses-stock-foto
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Frozen water with ice patterning, pebbles and grasses-stock-foto
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Frozen water with ice patterning, pebbles and grasses-stock-foto
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Frozen water with ice patterning, pebbles and grasses-stock-foto
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Displaying glowing circular lens with rings and yellow cyan segments on digital interface grid-stock-foto
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St Mark's Church, Hamilton Terrace, against a cloudy sky in St John's Wood, London, UK.-stock-foto
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