Aktuális sajtó tartalmak és illusztrációs fotók

421 469 találat
  • / 500
  • kép/oldal:
RM
Chelsea Town Hall 19 March 2026 Spectacular selection of unique historical items and decorative art and antiuqes sale iat Chelsea Town Hall for four days only Tobias Birch a Thomas Herbert, London circa 1695, Monumental Silver clock watch, made for William III king of GB 1650-1702 £90,000 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
RM
Chelsea Town Hall 19 March 2026 Spectacular selection of unique historical items and decorative art and antiuqes sale iat Chelsea Town Hall for four days only Tobias Birch a Thomas Herbert, London circa 1695, Monumental Silver clock watch, made for William III king of GB 1650-1702 £90,000 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
RM
Chelsea Town Hall 19 March 2026 Spectacular selection of unique historical items and decorative art and antiuqes sale iat Chelsea Town Hall for four days only Tobias Birch a Thomas Herbert, London circa 1695, Monumental Silver clock watch, made for William III king of GB 1650-1702 £90,000 Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
RM
Satirical Sketches (mid-19th century) by George Cruikshank: A personal sketchbook page featuring raw ink doodles and social commentary. The sheet includes a punning warning to "Beware of Polly-ticks," alongside character studies and a devilish figure, demonstrating the spontaneous wit and cynical political views of Britain's premier 19th-century caricaturist.-stock-foto
RM
London, UK. 18th March 2026. 'Fake Banksy' graffiti covers the protective screen on the artwork outside Centre Point, believed to be by Banksy. An identical artwork in Bayswater was confirmed by Banksy, but not this one. The elusive street artist's identity has now reportedly been uncovered and could be Robin Gunningham, who changed his name to David Jones, according to an investigation by Reuters. Credit: Vuk Valcic/Alamy Live News-stock-foto
RM
London, UK. 18th March 2026. 'Fake Banksy' graffiti covers the protective screen on the artwork outside Centre Point, believed to be by Banksy. An identical artwork in Bayswater was confirmed by Banksy, but not this one. The elusive street artist's identity has now reportedly been uncovered and could be Robin Gunningham, who changed his name to David Jones, according to an investigation by Reuters. Credit: Vuk Valcic/Alamy Live News-stock-foto
RM
London, UK. 18th March 2026. 'Fake Banksy' graffiti covers the protective screen on the artwork outside Centre Point, believed to be by Banksy. An identical artwork in Bayswater was confirmed by Banksy, but not this one. The elusive street artist's identity has now reportedly been uncovered and could be Robin Gunningham, who changed his name to David Jones, according to an investigation by Reuters. Credit: Vuk Valcic/Alamy Live News-stock-foto
RM
London, UK. 18th March 2026. 'Fake Banksy' graffiti covers the protective screen on the artwork outside Centre Point, believed to be by Banksy. An identical artwork in Bayswater was confirmed by Banksy, but not this one. The elusive street artist's identity has now reportedly been uncovered and could be Robin Gunningham, who changed his name to David Jones, according to an investigation by Reuters. Credit: Vuk Valcic/Alamy Live News-stock-foto
RM
London, UK. 18th March 2026. 'Fake Banksy' graffiti covers the protective screen on the artwork outside Centre Point, believed to be by Banksy. An identical artwork in Bayswater was confirmed by Banksy, but not this one. The elusive street artist's identity has now reportedly been uncovered and could be Robin Gunningham, who changed his name to David Jones, according to an investigation by Reuters. Credit: Vuk Valcic/Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto
RM
London, UK.  18 March 2026.  Preview of ‘The Arab Hall: Past and Present’, part of Leighton House’s 100th anniversary programme in Kensington.  London-based Lebanese artist (pictured) Ramzi Mallat’s installation, ‘Atlas of an Entangled Gaze’, comprising thousands of blue-glazed Syriac evil-eye charms suspended from the central chandelier, form a “shielding canopy of watchful eyes” inspired by Medieval Ottoman helmets, is on display 21 March to 15 May 2026.  Film commissions and a historic exhibition also feature.  Credit: Stephen Chung / Alamy Live News-stock-foto