Aktuális sajtó tartalmak és illusztrációs fotók

[bivouac] képek

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Outline set of various camping tent shelters and dome designs-stock-foto
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Camping tent types line icons collection-stock-foto
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Lithograph titled Italie, 1796, by Auguste Raffet, published in 1836. Napoleon Bonaparte stands beside a smouldering campfire in a night camp, surrounded by resting soldiers and horses during the first Italian campaign.-stock-foto
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WWII German military camp with Zeltbahn tent and ammo crates in forest-stock-foto
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Low angle view of German helmet atop camouflage tent in forest-stock-foto
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WWII German military camp with Zeltbahn tent and ammo crates in forest-stock-foto
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River at Bivouac de Gournier in the Gorges de l'Ardeche-stock-foto
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Landscape of river banks in the Gorges de l'Ardeche-stock-foto
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Landscape of river banks in the Gorges de l'Ardeche-stock-foto
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Skuta Bivouac glowing in the misty twilight-stock-foto
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Hiker rests inside a wooden bivouac, looking out the window-stock-foto
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Skuta Bivouac illuminated under a starry night sky-stock-foto
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our aircraft is literally above Saas Fee looking at the Mischabeljoch. Just beyond the col, you can recognise the roof of the new bivouac hut.-stock-foto
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above Saas Fee the Mischabeljoch connects the Alphubel with the Täschhorn. In the shadow beyond the col, you can spot the new SAC Bivouac hut.-stock-foto
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Bivouac am Xingu, from the series 'Skizzen zu dem Tagebuche von Adalbert Prinz von Prussen. 1842-1843.', engraving printed on a factis album page, Adalbert (Prince of Prussia; 1811–1873), draughtsman, Tempeltei, Julius Friedrich (1802–1870), draughtsman, South America, Brazil, travels, German graphics, lithographs, exoticism, trees, camps, rivers, beaches, hammocks, Xingu (Brazil; river), views, 1847, graphic print, album; composition: height 16.5 cm, width 21.8 cm, A shoreline scene under a dusky sky shows a moonlit body of water with gentle waves lapping a sandy beach, the moon reflected in-stock-foto
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1) Luzel near Guara, up the Xingu River, December 2, 1842; 2) Ponta de Page near Guara, up the Xingu River, December 2, 1842; 3) View up the Xingu River, with Ponta de Tapara on the right in the distance, December 2, 1842; 4) Rio Tucurui, December 3, 1842; 5) Bivouac, 3–4 December 1842. Adalbert, Prince of Prussia (1811–1873), draughtsman; Wilhelm Loeillot (1827–1876), graphic artist. South America, Brazil; travels, exoticism; lithographs of rivers, jungle, boats, camps; Xingu River views, 1847. Graphic print, album sheet: height 50.9 cm, width 35.2 cm. Compositions—heights and widths: 5.4 × 1-stock-foto
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Bivouac of General Bava Beccaris' soldiers in Piazza Duomo, Milan, Italy 1898-stock-foto
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Bivouac of General Bava Beccaris' soldiers under the porticoes, Milan, Italy 1898-stock-foto
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Makeshift shelter overhead cover made with tree branches over ground recess that offers natural wind break.-stock-foto
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Lenin Peak incredible Night scene with Bright yellow camp tents at 3600m Base Camp with vast panoramic view of Pamir mountains with Lenin Peak. Active-stock-foto
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Wild camping, tent under rock overhang in arid countryside (Tenerife, Canary Islands, Spain)-stock-foto
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Chouans au bivouac, 1844, by Adolphe Pierre Leleux (1812-1891). This etching and drypoint depicts the Chouans during a bivouac in Brittany and Vendée, France, highlighting the historical context of the Wars of the Vendée (1793-1832) and the Chouan campaigns-stock-foto
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Distant View of Fengtianfu Picture of the Bivouac of Japanese Troops, 1894, Woodcuts, Color, 14 3/4 x 10 1/16 in. (37.5 x 25.5 cm-stock-foto
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Beidhat umm Tâkhah, a neighbor of Mount Serbál. In the foreground is the usual scene of preparation for a night's bivouac., 1881 - 1884., New York. Publisher, D. Appleton. Campfires, Camels, Egypt., 10 x 16.5 cm-stock-foto
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Bivouac der Reisenden am Missouri (Encampment of the Travellers on the Missouri), 1840-1843, by Karl Bodmer (1809-1893). Issued in Paris by A. Bertrand. This aquatint depicts a scene of travelers camping by the Missouri River-stock-foto
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The bivouac at Monmouth, 1775 - 1890, Monmouth, Battle of, Freehold, N.J., 1778-stock-foto
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Man traveling solo setting up tent camping gear on the beach in Norway hiking adventure trip outdoor, healthy lifestyle summer active vacations expedi-stock-foto
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Man traveler setting up tent camping gear on the wild beach travel in Norway hiking adventure trip, active healthy lifestyle summer vacations with sur-stock-foto
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Bivouac of Scermendone with Disgrazia massif on background, Valtellina, Lombardy-stock-foto
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Bivacco dal Mestri in Friulian Alps at Paularo wooden stone hut balcony rocky mountain. Alpine shelter traditional mountain architecture trekking-stock-foto
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Alpine Landscape Bivouac in Chamonix-stock-foto
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Sunset in the Alps over a lake-stock-foto
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London, UK.  27 August 2025. Artist Alexandra Veres with her work ‘Dusk of Waterloo’, 2025, her reinterpretation of (R) ‘The Dawn of Waterloo. The 'Reveille' in the bivouac of the Scots Greys on the morning of the battle, 1815’, 1895, by Lady Butler. Photocall at the National Army Museum which has commissioned contemporary artists to reinterpret iconic Victorian military paintings in its exhibition ‘Myth and Reality: Military Art in the Age of Queen Victoria’ which runs to 1 November.    Credit: Stephen Chung / Alamy Live News-stock-foto
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London, UK.  27 August 2025. Artist Alexandra Veres with her work ‘Dusk of Waterloo’, 2025, her reinterpretation of (L) ‘The Dawn of Waterloo. The 'Reveille' in the bivouac of the Scots Greys on the morning of the battle, 1815’, 1895, by Lady Butler. Photocall at the National Army Museum which has commissioned contemporary artists to reinterpret iconic Victorian military paintings in its exhibition ‘Myth and Reality: Military Art in the Age of Queen Victoria’ which runs to 1 November.    Credit: Stephen Chung / Alamy Live News-stock-foto
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London, UK.  27 August 2025. Artist Alexandra Veres with her work ‘Dusk of Waterloo’, 2025, her reinterpretation of (L) ‘The Dawn of Waterloo. The 'Reveille' in the bivouac of the Scots Greys on the morning of the battle, 1815’, 1895, by Lady Butler. Photocall at the National Army Museum which has commissioned contemporary artists to reinterpret iconic Victorian military paintings in its exhibition ‘Myth and Reality: Military Art in the Age of Queen Victoria’ which runs to 1 November.    Credit: Stephen Chung / Alamy Live News-stock-foto
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London, UK.  27 August 2025. Artist Alexandra Veres with her work ‘Dusk of Waterloo’, 2025, her reinterpretation of (L) ‘The Dawn of Waterloo. The 'Reveille' in the bivouac of the Scots Greys on the morning of the battle, 1815’, 1895, by Lady Butler. Photocall at the National Army Museum which has commissioned contemporary artists to reinterpret iconic Victorian military paintings in its exhibition ‘Myth and Reality: Military Art in the Age of Queen Victoria’ which runs to 1 November.    Credit: Stephen Chung / Alamy Live News-stock-foto
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London, UK.  27 August 2025. Artist Alexandra Veres with her work ‘Dusk of Waterloo’, 2025, her reinterpretation of (L) ‘The Dawn of Waterloo. The 'Reveille' in the bivouac of the Scots Greys on the morning of the battle, 1815’, 1895, by Lady Butler. Photocall at the National Army Museum which has commissioned contemporary artists to reinterpret iconic Victorian military paintings in its exhibition ‘Myth and Reality: Military Art in the Age of Queen Victoria’ which runs to 1 November.    Credit: Stephen Chung / Alamy Live News-stock-foto
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Druids Temple near Masham, North Yorkshire was built in the 1800s to create jobs during a farming recession by William Dandy on the Swinton Estate-stock-foto
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Druids Temple near Masham, North Yorkshire was built in the 1800s to create jobs during a farming recession by William Dandy on the Swinton Estate-stock-foto
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Druids Temple near Masham, North Yorkshire was built in the 1800s to create jobs during a farming recession by William Dandy on the Swinton Estate-stock-foto