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Richard Marquand (Stephan), Margaret Drabble (Vera) in THE MUSICIANS by Garry O'Connor at the Mercury Theatre, London W11  01/1969  an International Theatre Club production directed by Roy Marsden-stock-foto
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Richard Marquand (Stephan), Margaret Drabble (Vera) in THE MUSICIANS by Garry O'Connor at the Mercury Theatre, London W11  01/1969  an International Theatre Club production directed by Roy Marsden-stock-foto
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An isolated chromolithograph collector's card issued by Chocolat Guérin-Boutron, circa 1912, featuring the RMS Titanic as part of the "Marine Marchande" series. The French text provides technical specifications of the White Star Line vessel and notes its sinking on its maiden voyage. This vintage trade card serves as a primary example of early 20th-century commercial memorialization following the maritime disaster.-stock-foto
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An oil on canvas painting by Harry J. Janssen, dated 1912, depicting the RMS Titanic passing a large iceberg in the North Atlantic. This contemporary folk art work represents the White Star Line vessel with its characteristic four funnels and multiple flags, including the American flag on the foremast and the British Blue Ensign at the stern. The artist's signature and date are visible in the lower-right corner, marking it as a rare commemorative piece created shortly after the April 1912 disaster.-stock-foto
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"Luxuries Versus Lifeboats," a color lithograph editorial cartoon by Will Crawford from the May 1, 1912 issue of Puck magazine. This satirical illustration critiques the prioritization of high-end amenities over safety equipment following the sinking of the RMS Titanic. The scene depicts a skeletal Grim Reaper figure looming over a jagged iceberg as the foundering White Star Line steamer sinks into the North Atlantic. The text mocks the vessel's opulent features—including Parisian cafes and Turkish baths—in the context of the disaster's fatal lack of lifeboats.-stock-foto
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A color lithograph from the April 28, 1912, supplement of the French newspaper Le Petit Journal, titled "La perte du plus grand paquebot du monde" (The Loss of the Largest Steamship in the World). The illustration depicts the RMS Titanic striking an iceberg in the North Atlantic at night. Fragments of ice are shown flying from the point of impact as the bow of the White Star Line vessel collides with the massive ice formation. This dramatic journalistic engraving served as a primary visual report for the French public shortly after the maritime disaster.-stock-foto
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An Expressionist oil on canvas painting titled Der Untergang der Titanic (The Sinking of the Titanic) by German artist Max Beckmann, executed between 1912 and 1913. The composition depicts the chaotic aftermath of the maritime disaster in the North Atlantic, featuring crowded lifeboats struggling in turbulent green and white waves. The illuminated hull of the RMS Titanic and a large iceberg are visible in the background under a dark, red-streaked sky. Held in the Saint Louis Art Museum, this work represents Beckmann's early monumental style prior to World War I.-stock-foto
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80, Dan Mousley of Warwickshire is congratulated for scoring a half century by Sam Hain during the Rothesay County Championship match between Warwickshire County Cricket Club and Surrey at Edgbaston Cricket Ground, Birmingham on Saturday 4th April 2026. (Photo: Stuart Leggett | MI News) Credit: MI News & Sport /Alamy Live News-stock-foto
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80, Dan Mousley of Warwickshire is congratulated for scoring a half century by Sam Hain during the Rothesay County Championship match between Warwickshire County Cricket Club and Surrey at Edgbaston Cricket Ground, Birmingham on Saturday 4th April 2026. (Photo: Stuart Leggett | MI News) Credit: MI News & Sport /Alamy Live News-stock-foto
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17, Rob Yates of Warwickshire celebrates scoring a half century during the Rothesay County Championship match between Warwickshire County Cricket Club and Surrey at Edgbaston Cricket Ground, Birmingham on Saturday 4th April 2026. (Photo: Stuart Leggett | MI News) Credit: MI News & Sport /Alamy Live News-stock-foto
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17, Rob Yates of Warwickshire celebrates scoring a half century during the Rothesay County Championship match between Warwickshire County Cricket Club and Surrey at Edgbaston Cricket Ground, Birmingham on Saturday 4th April 2026. (Photo: Stuart Leggett | MI News) Credit: MI News & Sport /Alamy Live News-stock-foto
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Rob Yates congratulates 71, Alex Davies of Warwickshire for reaching his half century during the Rothesay County Championship match between Warwickshire County Cricket Club and Surrey at Edgbaston Cricket Ground, Birmingham on Saturday 4th April 2026. (Photo: Stuart Leggett | MI News) Credit: MI News & Sport /Alamy Live News-stock-foto
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Rob Yates congratulates 71, Alex Davies of Warwickshire for reaching his half century during the Rothesay County Championship match between Warwickshire County Cricket Club and Surrey at Edgbaston Cricket Ground, Birmingham on Saturday 4th April 2026. (Photo: Stuart Leggett | MI News) Credit: MI News & Sport /Alamy Live News-stock-foto
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Sam Northeast of Kent celebrates his half century during the Rothesay County Championship match between Durham Cricket and Kent County Cricket Club at the Banks Homes Riverside, Chester le Street on Saturday 4th April 2026. (Photo: Robert Smith | MI News) Credit: MI News & Sport /Alamy Live News-stock-foto
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Sam Northeast of Kent celebrates his half century during the Rothesay County Championship match between Durham Cricket and Kent County Cricket Club at the Banks Homes Riverside, Chester le Street on Saturday 4th April 2026. (Photo: Robert Smith | MI News) Credit: MI News & Sport /Alamy Live News-stock-foto
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Hand-colored stipple engraving of English actor-manager Robert William Elliston (1774–1831) in the role of Sir John Falstaff from William Shakespeare’s "Henry IV, Part 1." Executed by Thomas Charles Wageman in 1826 and published by W. Kenneth, Theatrical Printseller, in London. The work documents nineteenth-century Shakespearean performance history and Regency-era theatrical costume. Elliston wears a plumed hat, starched lace ruff, and a crimson doublet with gold trim. This print is a primary record of the performer known as the Great Lessee of Drury Lane.-stock-foto
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"Lise in a White Shawl" (Lise au châle blanc), an oil on canvas portrait by Pierre-Auguste Renoir, circa 1872. The sitter, Lise Tréhot, served as the artist's principal model and mistress until their final collaboration this year. She wears a black garment with red floral accents beneath an intricately rendered white lace shawl. Gold hoop earrings and dark hair frame a face rendered with soft flesh tones. This work demonstrates the early Impressionist transition through visible brushwork and a dark, moody background. Currently held in the Dallas Museum of Art collection.-stock-foto
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An oil on canvas painting by American Impressionist John Henry Twachtman depicting Niagara Falls, circa 1894. The composition focuses on the Horseshoe Falls and the rising mist, utilizing a high-key chromatic palette of lavender, pale blue, and emerald green. Featuring Twachtman’s signature in the lower-right corner, the work exemplifies his transition toward a more abstract, tonalist approach to capturing light and atmosphere at the end of the 19th century.-stock-foto
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Melons and Morning Glories, an oil on canvas still life by Raphaelle Peale, painted in Philadelphia and dated September 3, 1813. The composition focuses on a sliced, ripe watermelon and a smaller nutmeg melon entwined with morning glory vines against a dark, tenebrist background. Featuring the artist's signature and the date in the lower-right corner, this work depicts a meticulous approach to texture and light. Peale is recognized as the first professional still-life painter in the United States and a key figure in early 19th-century American realism.-stock-foto
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A pastel and charcoal study on paper titled Reclining Nude Figure of a Girl, created by American Tonalist painter Thomas Wilmer Dewing in 1894. The composition depicts a solitary nude female figure in profile, resting on a vibrant blue surface that creates a stark, atmospheric contrast against a dark, moody background. Held in the Smithsonian American Art Museum, this work exemplifies the Aesthetic Movement's focus on formal harmony and delicate modelling, reflecting the influence of James McNeill Whistler's subtle use of pastel on textured paper.-stock-foto
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Coloured etching published circa 1829 in Edinburgh. These side-by-side portraits identify William Burke as "The Murderer" and Helen McDougal as "The Associate of Burke." Created during the legal proceedings for the West Port murders (Burke and Hare murders), the print documents two central figures involved in the 1828 conspiracy to sell cadavers to Dr. Robert Knox for anatomical dissection. Burke was executed in January 1829, while McDougal was released after a verdict of not proven. The work survives as a primary document of 19th-century true crime and forensic history.-stock-foto
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A late 19th-century Qajar Persian ink and watercolor illustration on paper depicting a Div, a supernatural demon from Persian mythology. The creature is rendered with leopard-like spotted skin, horns, and a tail, wearing a red loincloth while seated and holding a small dish. The composition includes Nasta'liq calligraphy in the background, featuring a style characteristic of talismanic manuscripts and the "Aja'ib al-Makhluqat" (Wonders of Creation) tradition of the period.-stock-foto
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London, UK. 04th Apr, 2026. LONDON, ENGLAND - APRIL 04: CENTURY. Joe Cracknell congratulates Leus du Plooy of Middlesex for reaching hundred (100) runs during day 2 of the Rothesay County Championship between Middlesex and Gloucestershire at Lord's Cricket Ground on April 04, 2026 in London, England. Credit: SPP Sport Press Photo. /Alamy Live News-stock-foto
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London, UK. 04th Apr, 2026. LONDON, ENGLAND - APRIL 04: CENTURY. Joe Cracknell congratulates Leus du Plooy of Middlesex for reaching hundred (100) runs during day 2 of the Rothesay County Championship between Middlesex and Gloucestershire at Lord's Cricket Ground on April 04, 2026 in London, England. Credit: SPP Sport Press Photo. /Alamy Live News-stock-foto
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London, UK. 04th Apr, 2026. LONDON, ENGLAND - APRIL 04: CENTURY. Leus du Plooy of Middlesex raises bat after reaching hundred (100) runs during day 2 of the Rothesay County Championship between Middlesex and Gloucestershire at Lord's Cricket Ground on April 04, 2026 in London, England. Credit: SPP Sport Press Photo. /Alamy Live News-stock-foto
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London, UK. 04th Apr, 2026. LONDON, ENGLAND - APRIL 04: CENTURY. Leus du Plooy of Middlesex raises bat after reaching hundred (100) runs during day 2 of the Rothesay County Championship between Middlesex and Gloucestershire at Lord's Cricket Ground on April 04, 2026 in London, England. Credit: SPP Sport Press Photo. /Alamy Live News-stock-foto
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Color lithographic poster by William Henry Bradley to promote the Ault & Wiborg Company, a manufacturer of printing inks from the late 19th century (now defunct). It depicts a faun playing double flute to a human.-stock-foto
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Decorative title-page frame made of a double-line architectural frame with gold inner band.-stock-foto
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Portrait of Henri, known as Abbé Gregoire (1750-1831), French clergyman and politician.-stock-foto
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Portrait of Henri, known as Abbé Gregoire (1750-1831), French clergyman and politician.-stock-foto
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A vintage color lithograph advertisement for Hans Christian Andersen's "Fairy Tales," published by Dodd, Mead & Company in New York circa 1895, designed by American marine artist L. F. Hurd and featuring a stylized cresting wave with three leaping dolphins to promote a two-volume cloth edition illustrated with over 100 designs by Arts and Crafts artist Arthur J. Gaskin.-stock-foto
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A high-resolution scan of the original 1891 book cover for "Megda" by Emma Dunham Kelley-Hawkins, featuring brown cloth binding with an ornate gold-gilded circular medallion and intricate black-ink floral and vine patterns characteristic of late Victorian decorative arts.-stock-foto
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Sorrento, Italy. 03rd Apr, 2026. Members of the Archconfraternity of Death (Arciconfraternita della Morte) participate in the traditional "Processione Nera" (Black Procession) during Good Friday. The hooded participants carry the symbols of the Passion of Christ and the statue of the Dead Christ through the streets of Sorrento. This ancient ritual, dating back to the 16th century, is characterized by its solemn atmosphere, the chanting of the "Miserere," and the glow of hand-held torches. Credit: Vincenzo Izzo/Alamy Live News-stock-foto
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Sorrento, Italy. 03rd Apr, 2026. Members of the Archconfraternity of Death (Arciconfraternita della Morte) participate in the traditional "Processione Nera" (Black Procession) during Good Friday. The hooded participants carry the symbols of the Passion of Christ and the statue of the Dead Christ through the streets of Sorrento. This ancient ritual, dating back to the 16th century, is characterized by its solemn atmosphere, the chanting of the "Miserere," and the glow of hand-held torches. Credit: Vincenzo Izzo/Alamy Live News-stock-foto
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Sorrento, Italy. 03rd Apr, 2026. Members of the Archconfraternity of Death (Arciconfraternita della Morte) participate in the traditional "Processione Nera" (Black Procession) during Good Friday. The hooded participants carry the symbols of the Passion of Christ and the statue of the Dead Christ through the streets of Sorrento. This ancient ritual, dating back to the 16th century, is characterized by its solemn atmosphere, the chanting of the "Miserere," and the glow of hand-held torches. Credit: Vincenzo Izzo/Alamy Live News-stock-foto
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Sorrento, Italy. 03rd Apr, 2026. Members of the Archconfraternity of Death (Arciconfraternita della Morte) participate in the traditional "Processione Nera" (Black Procession) during Good Friday. The hooded participants carry the symbols of the Passion of Christ and the statue of the Dead Christ through the streets of Sorrento. This ancient ritual, dating back to the 16th century, is characterized by its solemn atmosphere, the chanting of the "Miserere," and the glow of hand-held torches. Credit: Vincenzo Izzo/Alamy Live News-stock-foto
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Sorrento, Italy. 03rd Apr, 2026. Members of the Archconfraternity of Death (Arciconfraternita della Morte) participate in the traditional "Processione Nera" (Black Procession) during Good Friday. The hooded participants carry the symbols of the Passion of Christ and the statue of the Dead Christ through the streets of Sorrento. This ancient ritual, dating back to the 16th century, is characterized by its solemn atmosphere, the chanting of the "Miserere," and the glow of hand-held torches. Credit: Vincenzo Izzo/Alamy Live News-stock-foto
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Sorrento, Italy. 03rd Apr, 2026. Members of the Archconfraternity of Death (Arciconfraternita della Morte) participate in the traditional "Processione Nera" (Black Procession) during Good Friday. The hooded participants carry the symbols of the Passion of Christ and the statue of the Dead Christ through the streets of Sorrento. This ancient ritual, dating back to the 16th century, is characterized by its solemn atmosphere, the chanting of the "Miserere," and the glow of hand-held torches. Credit: Vincenzo Izzo/Alamy Live News-stock-foto
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Sorrento, Italy. 03rd Apr, 2026. Members of the Archconfraternity of Death (Arciconfraternita della Morte) participate in the traditional "Processione Nera" (Black Procession) during Good Friday. The hooded participants carry the symbols of the Passion of Christ and the statue of the Dead Christ through the streets of Sorrento. This ancient ritual, dating back to the 16th century, is characterized by its solemn atmosphere, the chanting of the "Miserere," and the glow of hand-held torches. Credit: Vincenzo Izzo/Alamy Live News-stock-foto
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Sorrento, Italy. 03rd Apr, 2026. Members of the Archconfraternity of Death (Arciconfraternita della Morte) participate in the traditional "Processione Nera" (Black Procession) during Good Friday. The hooded participants carry the symbols of the Passion of Christ and the statue of the Dead Christ through the streets of Sorrento. This ancient ritual, dating back to the 16th century, is characterized by its solemn atmosphere, the chanting of the "Miserere," and the glow of hand-held torches. Credit: Vincenzo Izzo/Alamy Live News-stock-foto