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Infinity Sculpture Smithsonian National Museum of American History Washington DC // WASHINGTON DC — The Infinity sculpture, an abstract artwork by José de Rivera, is a prominent modern art installation located on the grounds of the Smithsonian National Museum of American History. The sculpture features a polished, ribbon-like form that curves and loops against the sky, supported by a dark, obelisk-like base. Its reflective surface mirrors the surrounding environment, including the sky and clouds. The Smithsonian National Museum of American History is dedicated to preserving and showcasing the-stock-foto
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WASHINGTON DC — Delta Solar, a 27-foot kinetic sculpture by Venezuelan artist Alejandro Otero, features rotating triangular sails within a stainless steel geometric framework positioned in a reflecting pool. The monumental work was dedicated on June 29, 1977, by Venezuelan President Carlos Andrés Pérez as Venezuela's Bicentennial gift to the United States during a period of strengthened diplomatic relations fueled by the nation's oil boom prosperity. Otero designed the sculpture to pay homage to both modern technology and indigenous sun worship traditions, with the delta formation referencing-stock-foto
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WASHINGTON DC — Delta Solar, a 27-foot kinetic sculpture by Venezuelan artist Alejandro Otero, features rotating triangular sails within a stainless steel geometric framework positioned in a reflecting pool. The monumental work was dedicated on June 29, 1977, by Venezuelan President Carlos Andrés Pérez as Venezuela's Bicentennial gift to the United States during a period of strengthened diplomatic relations fueled by the nation's oil boom prosperity. Otero designed the sculpture to pay homage to both modern technology and indigenous sun worship traditions, with the delta formation referencing-stock-foto
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WASHINGTON, D.C. — High-resolution panorama. The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the w-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard connects the Smithsonian American Art Museum and National Portrait Gallery beneath a distinctive undulating glass canopy designed by architect Norman Foster, completed in 2007. Originally an open-air space, the 28,000-square-foot enclosed courtyard features landscape elements by Kathryn Gustafson, including planters and interactive water scrims. Natural light filters through the innovative canopy structure, illuminating one of the largest indoor public spaces in Washington, D.C. The courtyard serves as a gathering area for visitors and p-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON DC — The Adoration of St. Joan of Arc, a fire-etched wood relief created in 1896 by American artist J. William Fosdick (1858-1937), is displayed at the Smithsonian American Art Museum. This medieval-inspired masterwork was designed to appeal to wealthy industrialists who favored richly designed interiors and uplifting art. Fosdick, born in Charlestown, Massachusetts, crafted this piece during a period when Joan of Arc was becoming a popular symbol in American culture, representing both a romantic historical figure and an emblem of the 'New Woman.' The artwork was gifted to the museu-stock-foto
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WASHINGTON DC — Thomas Moran's iconic oil painting 'The Grand Canyon of the Yellowstone' (1893-1901) is displayed at the Smithsonian American Art Museum. The large-scale landscape depicts the dramatic vistas of Yellowstone National Park, America's first national park. Moran, born in Bolton-le-Moor, England in 1837, became renowned for his idealized portrayals of the American West that influenced both conservation efforts and tourism. The painting represents the complex legacy of American wilderness preservation, which often excluded Indigenous Peoples who originally inhabited these lands. This-stock-foto
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WASHINGTON DC — Two significant landscape paintings displayed side by side at the Smithsonian American Art Museum offer contrasting visions of the American environment. Thomas Moran's 'The Grand Canyon of the Yellowstone' (1893-1901), an oil on canvas, presents an idealized depiction of Yellowstone that helped inspire both conservation efforts and tourism, while obscuring the displacement of Indigenous peoples from the land. Adjacent is Alexis Rockman's 'Manifest Destiny' (2004), a post-apocalyptic vision of Brooklyn's waterfront several hundred years in the future, warning of potential conseq-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON DC — Two significant landscape paintings displayed side by side at the Smithsonian American Art Museum offer contrasting visions of the American environment. Thomas Moran's 'The Grand Canyon of the Yellowstone' (1893-1901), an oil on canvas, presents an idealized depiction of Yellowstone that helped inspire both conservation efforts and tourism, while obscuring the displacement of Indigenous peoples from the land. Adjacent is Alexis Rockman's 'Manifest Destiny' (2004), a post-apocalyptic vision of Brooklyn's waterfront several hundred years in the future, warning of potential conseq-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON DC — Paul Manship's bronze sculpture 'Dancer and Gazelles,' created in 1916, is displayed at the Smithsonian American Art Museum. The artwork showcases Manship's distinctive Art Deco style and his interest in classical forms. Manship, born in St. Paul, Minnesota in 1885 and died in New York City in 1966, was known for combining modern sensibilities with classical influences. This piece came to the museum through a bequest from the artist himself in 1966. The Smithsonian American Art Museum houses one of the nation's most comprehensive collections of American art spanning three centu-stock-foto
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WASHINGTON DC — A corridor lined with paintings and sculptures in the Smithsonian American Art Museum, which houses one of the world's largest and most inclusive collections of American art. The museum, located in the historic Patent Office Building, displays works spanning more than four centuries of American creative achievement. The collection includes significant holdings from diverse American artists, showcasing the nation's artistic heritage through various mediums and styles. The museum's thoughtfully arranged galleries allow visitors to experience both well-known masterpieces and lesse-stock-foto
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WASHINGTON DC — Paul Manship's bronze sculpture 'Dancer and Gazelles,' created in 1916, is displayed at the Smithsonian American Art Museum. The artwork showcases Manship's distinctive Art Deco style and his interest in classical forms. Manship, born in St. Paul, Minnesota in 1885 and died in New York City in 1966, was known for combining modern sensibilities with classical influences. This piece came to the museum through a bequest from the artist himself in 1966. The Smithsonian American Art Museum houses one of the nation's most comprehensive collections of American art spanning three centu-stock-foto
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WASHINGTON DC — A bronze sculpture titled Spirit of Life by American sculptor Daniel Chester French, created in 1914, on display at the Smithsonian American Art Museum. The artwork was acquired by the museum in 2000 through the Luisita L. and Franz H. Denghausen Endowment. French, born in Exeter, New Hampshire in 1850 and died in Stockbridge, Massachusetts in 1931, is widely considered one of America's foremost sculptors of the early 20th century. The Spirit of Life represents French's classical figurative style that characterized much of his public monument work.-stock-foto
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WASHINGTON DC — The bronze sculpture 'The Vine' by American artist Harriet Whitney Frishmuth is displayed at the Smithsonian American Art Museum. Created in 1923, this notable work exemplifies Frishmuth's mastery of the female form. The sculptor, born in Philadelphia in 1880 and died in Waterbury, Connecticut in 1980, was known for her graceful figurative works. The piece was gifted to the museum by Mr. and Mrs. Maurice Cunniffe and is part of the permanent collection.-stock-foto
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WASHINGTON DC — A marble sculpture titled Sappho, created around 1870 by American sculptor Vinnie Ream, is displayed at the Smithsonian American Art Museum. The artwork was gifted to the museum by Brigadier General Richard L. Hoxie in 1915. Ream, born in Madison, Wisconsin in 1847 and died in Washington, DC in 1914, was among the first women artists to receive a federal commission for her sculpture. Sappho depicts the renowned ancient Greek poet from the island of Lesbos who lived during the 7th century BCE and is known for her lyric poetry.-stock-foto
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WASHINGTON DC — Albert Bierstadt's monumental landscape painting 'Among the Sierra Nevada, California' (1868) is displayed at the Smithsonian American Art Museum. This grand-scale work exemplifies Bierstadt's romanticized vision of the American West, combining elements of Yosemite Falls with peaks reminiscent of the Swiss Alps. Created in the post-Civil War era, the painting was originally conceived as a 'Great Picture' worthy of solo exhibition, where visitors would pay admission to view it with printed guides or opera glasses. Bierstadt crafted such dramatic Western landscapes for wealthy co-stock-foto
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WASHINGTON DC — A bronze sculpture titled Spirit of Life by American sculptor Daniel Chester French, created in 1914, on display at the Smithsonian American Art Museum. The artwork was acquired by the museum in 2000 through the Luisita L. and Franz H. Denghausen Endowment. French, born in Exeter, New Hampshire in 1850 and died in Stockbridge, Massachusetts in 1931, is widely considered one of America's foremost sculptors of the early 20th century. The Spirit of Life represents French's classical figurative style that characterized much of his public monument work.-stock-foto
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WASHINGTON DC — The bronze sculpture 'The Vine' by American artist Harriet Whitney Frishmuth is displayed at the Smithsonian American Art Museum. Created in 1923, this notable work exemplifies Frishmuth's mastery of the female form. The sculptor, born in Philadelphia in 1880 and died in Waterbury, Connecticut in 1980, was known for her graceful figurative works. The piece was gifted to the museum by Mr. and Mrs. Maurice Cunniffe and is part of the permanent collection.-stock-foto
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WASHINGTON DC — A small-scale model of the Statue of Liberty by Frédéric Auguste Bartholdi is displayed at the Smithsonian American Art Museum. Created around 1884, this painted terra cotta and tin model was delivered to the federal Capitol where it remained on view until 1887, preceding the installation of the monumental version in New York Harbor in 1886. The exhibit includes contextual information about the statue's symbolism and the contradictions between America's proclaimed welcome to immigrants and restrictive policies like the Chinese Exclusion Act of 1882. Also visible in the gallery-stock-foto
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WASHINGTON DC — A portrait of Civil War general and later U.S. President Ulysses S. Grant (1822-1885) by Norwegian-born artist Ole Peter Hansen Balling is displayed at the Smithsonian American Art Museum. Painted in 1865, the oil on canvas work depicts Grant in a trench during the 1863 Siege of Vicksburg, with a map of the Mississippi River area visible on a table beside him. Balling, who briefly served as a Union soldier before being wounded, portrays Grant during a pivotal campaign that helped secure Union control of the Mississippi. The portrait includes information about Grant's military c-stock-foto
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WASHINGTON DC — A marble bust of Margaretta Willoughby Pierrepont created by renowned sculptor Augustus Saint-Gaudens in 1874. The artwork is part of the permanent collection at the Smithsonian American Art Museum, where it was gifted by Mary Pierrepont Beckwith in 1968. Saint-Gaudens, born in Dublin, Ireland in 1848 and died in Cornish, New Hampshire in 1907, is widely considered one of America's greatest sculptors of the late 19th century. This portrait bust exemplifies the artist's classical training and meticulous attention to detail that characterized his celebrated career in American scu-stock-foto
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WASHINGTON DC — The Smithsonian American Art Museum houses an extensive collection of George Catlin's Native American portraits, created during his five expeditions to the American frontier between 1830 and 1836. Catlin traveled over two thousand miles up the Missouri River to document what he perceived as vanishing Indigenous cultures, portraying tribal leaders of the Sioux, Assiniboine, Seminoles, and many others as dignified individuals with distinct personalities. His ambitious 'Indian Gallery' originally featured over 330 portraits and numerous other paintings, which he exhibited in Washi-stock-foto
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WASHINGTON, DC — An exhibition titled 'Pictures of Belonging' featuring the works of Japanese American artists Miki Hayakawa, Hisako Hibi, and Miné Ok-stock-foto
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