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Jasiński en veste bleu, Vallotton, Félix (1865–1925), graphic artist, France; dedication to Jasiński, Feliks Stanisław (1862–1901); modernism; portrait of a male artist (Jasiński); Wellisz, Leopold (1882–1972) mentioned; 1896; graphic print (graphic); height 23.0 cm, width 15.0 cm, A central rectangular vignette shows a seated man with short dark hair and a mustache, wearing a light-colored jacket over a dark vest and dark trousers, his hands resting in his lap; the vignette background includes a framed picture and a circular decorative element on a textured wall and some indistinct furniture-stock-foto
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Leather binding of the portfolio 'Impressions from Pomerania' with a dedication to Ignacy Jan Paderewski. Polish graphics; Paderewski, Ignacy Jan (1860–1941). Graphic portfolio 'Impressions from Pomerania' (Poznań 1931), 1931. By Wyczółkowski, Leon (1852–1936). Graphic portfolio, bookbinding. Dimensions: height 69.9 cm, width 54.4 cm, thickness 4 cm., A rectangular object fills the frame with a large sheet of dark brownish-purple fabric stretched across its surface, showing several creases and slight wrinkles; a narrow border of darker brown material runs along the left and right edges with-stock-foto
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Inscription enclosed in a simple linear frame. 18th century print bookplate: Du cabinet de M. Samuel de Tournes; graphic artist; text/bookplate; height 2.6 cm, width 5.4 cm., A rectangular piece of paper with a decorative black border featuring small floral motifs along the edges, placed on a gray background. The paper is an off-white, slightly textured beige with subtle flecks of color. Bold black printed characters form two centered lines across the middle of the paper. The border has thicker black vertical bars on the left and right and a horizontal band of black floral ornamentation at the-stock-foto
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Portrait of Prince Józef Poniatowski; graphic artist depiction of Józef Antoni Poniatowski (1763–1813); Napoleonic era (1799–1815); artist Dominik Witke-Jeżewski (1862–1944); iconography: portrait, bust, orders; male portrait; dated circa 1820–1850; graphic print; dimensions: height 4.8 cm, width 4.5 cm., A large sheet of textured light brown paper with a narrow dark brown border around the left and bottom edges, showing a small, square black-and-white portrait of a man in historical military attire near the center; the portrait is surrounded by a lighter rectangular margin and depicts the man-stock-foto
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Portrait of Prince Józef Poniatowski; artist: Jan Nepomucen Lewicki (1795–1871), graphic artist; subject: Józef Antoni Poniatowski (1763–1813), Napoleonic era (1799–1815); also associated with Dominik Witke-Jeżewski (1862–1944); portraits, iconography of Józef Antoni Poniatowski, orders, busts; Poland, Polish graphic art; male portrait; Order of the Legion of Honor; ca. 1830; medium: graphic print; dimensions: height 9.6 cm, width 6.5 cm., A large sheet of light brown paper with a darker brown border contains a small oval portrait near the center showing a person with curly dark hair wearing a-stock-foto
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Portrait of Prince Józef Poniatowski; artists: Antoni Oleszczyński (1794–1879) and Fabian Sarnecki (1800–1894); subject: Józef Antoni Poniatowski (1763–1813); Napoleonic era (1799–1815); related to Dominik Witke-Jeżewski (1862–1944) and his depiction/iconography of Poniatowski, portraits, busts; Polish graphic art, print graphic; male portrait; dated 1832–1833, Paris; dimensions: 11.2 × 9.5 cm and 13.8 × 10.7 cm., A rectangular grayish-brown sheet with a textured surface and a darker narrow border surrounding it, containing a smaller white rectangular print centered near the top showing a-stock-foto
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Actor in the role of Eustace in the play Le siège de Calais; draughtsman Jean-François Janinet (1752–1814); figural study of actor Belloy (Dormont de, 1727–1775) as Eustace; after 1789, France; drawing; height 8.5 cm, width 7.2 cm., A standing figure wearing a long red garment with flowing sleeves and white undergarments is shown against a pale, mottled background; the figure has light-colored hair and a pale face in profile, holds a dark chain that drapes down, and wears dark footwear casting a shadow on the ground, with surrounding beige matting and a rectangular border in darker brown.-stock-foto
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Assembly of Notables in Rouen in 1617, Ziarnko, Jan (1575–1630), draughtsman; Le Clerc, Jean (publisher; fl. ca. 1587–1621), publisher; France; filigrees; debates; Polish graphics; Orléans, Gaston d' (duke; 1608–1660); Order of the Holy Spirit; Three Lilies (coat of arms of the kingdom of France); state II; 1617; Paris; graphic print, poster; height 31 cm, width 26 cm; compare another copy: Gr.Pol.5816, The image shows an overhead view of an ornate interior scene with a patterned floor in shades of beige and gray, framed by a darker rectangular border. Along the sides are two long rows of-stock-foto
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Leaflet calling for voting for list no. 11 of the Provisional Jewish National Council in the elections to the Legislative Sejm of the Republic of Poland in 1919. Printed in Hebrew; Maślankiewicz (fl. 1927). Subject: elections; type: leaflet; theme: Judaica; Provisional Jewish National Council (1918–?); Legislative Sejm (1919–1922); date: 1919; dimensions: height 23.2 cm, width 15.5 cm., A single aged rectangular sheet of beige paper with darker printed areas and visible wear along the edges, showing a few small torn sections at the bottom and a slightly uneven border; the page contains a large-stock-foto
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Leaflet calling on Jews to vote for list no. 11 of the Provisional Jewish National Council in the elections to the Legislative Sejm of the Republic of Poland in 1919. Printed in Hebrew and Polish. Provisional Jewish National Council (1918-?), Legislative Sejm (1919-1922), 1919, leaflet, height 14.9 cm, width 20.2 cm, A worn rectangular sheet of paper with a beige background and darker beige discoloration, featuring a large central dark gray shape resembling a bold numeral with worn edges, two silhouetted pointing hands in dark gray on either side of the central shape, scattered patches of-stock-foto
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Vignette with a view of Warsaw depicting the extraction of Wanda's body and the figures of Władysław Jagiełło and Jadwiga; artist: Wojciech Gerson (1831–1901); subject: Wanda (legend) — iconography, Jadwiga of Anjou (Queen of Poland; Saint; 1373/1374–1399), Władysław Jagiełło (King of Poland; ca.1351–1434); vignette/decoration; corpse; ca. 1880; drawing; sheet: height 36.3 cm, width 26.4 cm; backing: height 45.4 cm, width 31.8 cm., A rectangular ornate drawing mounted on a darker matte shows a decorative border with pale blue accents and cream-colored panels; within the border there is an-stock-foto
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Future - Allegory of Peace Destroying a Cannon with a Hammer; Czesław Tański (1862–1942), illustrator; drawing; playing cards; allegory of Peace; cannons (weapons); Poland; 1916–1917; World War I., A pale gray page with visible wear and a darker gray binding area contains a group of small, portrait-style illustrations mounted in two rows; the top row shows a sequence of four rectangular cards with sketched figures and decorative suit symbols, each card framed by a thin beige border, and the bottom row has a single vertical card centered beneath them. The leftmost top card depicts two men in-stock-foto
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Six of Clubs - English Soldiers Loading a Cannon; Tański, Czesław (1862-1942), illustrator; drawing; ink/graphite?; subject: English soldiers loading a cannon; themes: army, World War I (1914–1918), cannons (weapons), playing cards, clubs (card suits); Poland, Warsaw, 1916–1917., A mounted album page showing a grid of hand-colored playing cards mounted on a pale gray-blue background, each card framed by a lighter rectangular border; the cards display small illustrative scenes rendered mainly in black, gray, brown, red, blue, yellow, green, and beige with accents of darker tones, and each card-stock-foto
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Three anglers by the river in the forest, on the right, on a high bank, wooden fence; Nathe, Christoph (1753–1806), draughtsman; trees, forest landscape, anglers, lake; Gersdorf, Adolf Traugott von (1744–1807); ca. 1790, Germany; drawing; height 32.9 cm, width 42.1 cm, A framed oval portrait of a light-skinned person with powdered pale blonde hair styled back, wearing a white ruffled neckpiece and a red coat, set against a muted brownish-gray background; the portrait is surrounded by a black inner border with small gold bead detailing and an ornate rectangular outer frame finished in gold with-stock-foto
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Male nude; Verso: fragment of a study of a male nude leaning towards the leg, Bonola Codex, Castiglione, Giovanni Benedetto (1609–1664), Bonola, Giorgio (1657–1700), 17th century, Lombardy, drawing, height 46.7 cm, width 23.7 cm, The image shows a vertical rectangular sheet with a large semicircular opening on the right and an ornate border along the left and top edges; the decorative border contains a few reclining and twisting human-like figures rendered in fine brown ink and wash, with visible curving architectural moldings and carved motifs; the paper is an off-white or cream color and the-stock-foto
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Cardboard portfolio finished with canvas and gilding made for the album Monumenta Regum Poloniae Cracoviensia; graphic portfolio, ca. 1900; height 74 cm, width 55 cm., The image shows a flat, unfolded rectangular object with a central large pale cream panel bordered by darker narrow strips and additional pale cream flaps on the top, left, and right; the surrounding background is predominantly black. The central area is an off-white to light beige color with subtle variations and faint marks, while the border strips and seams are dark gray to black. The flaps share the pale cream color of the-stock-foto
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Portrait of Józef Piłsudski, Łopieński, Ignacy (1865–1941), graphic artist; Piłsudski, Józef (1867–1935) — iconography; male portrait; head turned to the right; 1937; Warsaw, Poland; graphic plate; height 15 cm, width 10 cm, A rectangular metal plate with rounded corners fills the image, showing a worn, scratched surface in shades of brown and copper with areas of darker brown patina and a few small dark spots, set against a light gray background visible as a narrow border around the plate; near one corner there is a small piece of frayed fabric or paper adhered to the plate in beige with-stock-foto
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Portrait of Józef Piłsudski, Łopieński, Ignacy (1865–1941), graphic artist; Piłsudski, Józef (1867–1935) — iconography; male portrait; Head turned to the right; 1937; Warsaw, Poland; graphic plate; height 15 cm, width 10 cm, A rectangular metal plate with a warm brown and copper tone fills the image, showing an etched profile of an older man with a mustache and beard; the etching lines are lighter copper against the darker plate. The man is depicted with swept-back hair, a defined ear, and a turned head with visible eyes and facial hair; the etched texture suggests fine lines for hair and-stock-foto
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Portrait of Józef Piłsudski; Ignacy Łopieński (1865–1941), graphic artist; Józef Piłsudski (1867–1935) — iconography; male portrait, head turned to the right; 1937; Warsaw, Poland; graphic plate; height 15 cm, width 10 cm., A worn rectangular metal plate with rounded corners occupies most of the image, showing a mottled surface in shades of copper, bronze, pink, purple, and gray with visible scratches and scuff marks across it; there is a narrow black border around the plate and a small dark rectangular patch near one corner with rough edges; the plate surface shows areas of darker-stock-foto
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Carriage wagonette; Aleksander Maj (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 8.5 cm, width 12.5 cm, thickness 2.3 cm, A worn rectangular wooden panel with a textured grain surface showing a mix of brown and tan tones, darker brown patches and smudges, and areas of lighter beige wear; prominent broad strokes of bright blue pigment form bold marks across the center; a small spot of white paint with a tiny speck of red is near the middle; faint darker scribbles and smudges are visible beneath and around the blue marks; the surrounding border-stock-foto
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Title page: Collection of 19 planches études de figures Dessinées d'après nature A Amsterdam en 1703. Gravées spirituellement à l'eau-forte par M. Plonski à Paris. Title page, ca. 1806, Paris. Graphic plate, graphic matrix. Height 23.6 cm; width 17.3 cm., A rectangular surface fills the frame with a weathered, mottled appearance showing a mix of dark grays, blacks, and muted browns, with areas of lighter gray and subtle tan smudges. The surface has irregular blotches and stains, some clustered darker patches and softer washed areas, along with faint scratches and scuff marks. The edges show a-stock-foto
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Amsterdam Jew, Płoński, Michał (1778–1812), graphic artist; figure studies of male human types—Jews, workers—showing tools, hats, beards; 1802, Amsterdam; graphic matrix/graphic plate; height 17.3 cm, width 13.2 cm, A sepia-toned drawing on a rectangular sheet with a darker border shows a standing bearded man wearing a fur hat and layered clothing, including a loose jacket, a wrapped sash, and baggy trousers tucked into wrinkled boots; he holds a long-handled rake-like tool over one shoulder and a belt or strap with his other hand, and his expression appears neutral; the background is textured-stock-foto
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Boy sitting at a table, reading a book; Michał Płoński (1778–1812), graphic artist; Dominik Witke-Jeżewski (1862–1944); reading (genre scene), human types, character study, child/boy; inkwell; 1802; Amsterdam; graphic plate/matrix; height 8.4 cm, width 6.1 cm, A rectangular metallic plate with rounded corners resting on a flat surface, showing a weathered, mottled surface with a mix of dark gray, brown, rusty orange, and muted black tones; there are areas of subtle greenish and bluish tints, uneven patches of discoloration, scuffs, scratches, and faint circular brush or fingerprint-like marks,-stock-foto
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Sitting Dog; Płoński, Michał (1778–1812), graphic artist; animal studies; dogs; 1802; Amsterdam; graphic; graphic matrix/plate; height 6.2 cm; width 8 cm, A sketch of a seated dog with long, wavy fur rendered in fine dark lines on a rectangular, weathered copper-toned panel; the dog faces slightly left with a visible snout, floppy ears, and a bushy tail curled near its hindquarters, and its fur shows detailed strokes suggesting texture; the panel background is mottled with shades of peachy copper, light tan, and darker brown spots and scratch marks, and a narrow darker border frames the panel-stock-foto
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Dutch worker in sabots; Płoński, Michał (1778–1812), graphic artist; character study of a man; male worker/poor person wearing klompen (sabots); ca. 1800; graphic plate/graphic matrix; height 10.5 cm, width 5.6 cm, A rectangular metal plate with rounded corners resting on a gray background, with a surface marked by many dark irregular splotches and patches, lighter worn areas showing metallic brown and copper tones, and a few areas of black residue; the plate shows fine scratch marks and textured wear across its surface and a slightly darker border around the edges.-stock-foto
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Beggar with a Stick, Płoński, Michał (1778–1812), graphic artist; Witke-Jeżewski, Dominik (1862–1944); beards (facial hair); human types; old men; character studies; beggars; sticks; paupers; male character studies; 1802; Amsterdam; graphic; graphic matrix; graphic plate; height 7.2 cm; width 5.8 cm, A copper-toned rectangular metal plate with a sketched line drawing of an elderly bearded man leaning on a long staff, the man depicted wearing layered loose clothing and boots, standing on a simple ground line; the plate shows mottled areas of darker and lighter copper with greenish patina spots-stock-foto
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1000 Polish zloty voucher for Polish military purposes; graphic artist; Polish Military Treasury; Polish vouchers; military vouchers; White Eagle (coat of arms, Poland); panoply; Uhlan shako (iconographic); oak half-wreaths; laurel half-wreaths; 1916; graphic matrix; height 11.8 cm; width 18.2 cm; thickness 2.3 cm; graphic matrix: height 11.8 cm; width 18.2 cm; thickness 0.2 cm, A rectangular engraved plate with a textured gray surface showing a mirrored printed design; the plate has a decorative border and ornate carved patterns, including a large heraldic bird with outspread wings on one-stock-foto
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Middle Eastern city; graphic artist Dominik Witke-Jeżewski (1862–1944); after 1900; graphic plate/graphic matrix; graphic; height 14.7 cm, width 18.2 cm, thickness 0.4 cm., The image shows a rectangular metal plate with an engraved scene of a village landscape. The surface displays a range of brown and copper tones with darker brown areas creating contrast; there are hints of black in the upper sky area and some muted gray along the outer border. The engraving depicts a group of flat-roofed buildings clustered across the middle of the plate, a few larger rectangular structures in the-stock-foto
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Miraculous Image of Our Lady of Łąków in the church of the Reformed Fathers, near Bratian, crowned by Benedict XIV in the year 1752 (Our Lady of Łąków); graphic artist; Marian image; Our Lady of Łąków; Bratian (Warmian-Masurian Voivodeship); after 1751; graphic; graphic matrix/plate; height 14.5 cm, width 9 cm, thickness 0.2 cm, A rectangular, flat metal plaque with rounded corners showing an overall brownish tone with areas of greenish corrosion and darker brown spotting, a small circular hole near the top edge, a scratched surface with many fine intersecting lines, several small irregular-stock-foto
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Miraculous Image of Our Lady of Łąków in the church of the Reformed Fathers, near Bratian, crowned by Benedict XIV in the year 1752 (Our Lady of Łąków); Marian image; after 1751; graphic; graphic matrix/plate; height 14.5 cm, width 9 cm, thickness 0.2 cm., A rectangular metal plate with an etched image of two crowned figures wearing ornate robes, one holding a rod and the other positioned slightly behind; the plate shows a reddish-brown base color with areas of greenish-blue corrosion spots and darker brown speckling, a thin darker border around the edge, and a small hole near the top center;-stock-foto
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Barking dog; Ignacy Łopieński (1865–1941), graphic artist; genre scene; ca. 1930; graphic plate; height 16 cm, width 12 cm; dogs., A rectangular metal plate with rounded corners occupies the image, showing a worn, mottled surface in copper and brown tones with patches of darker gray and black discoloration. The plate displays a group of fine scratches and faint etched patterns, a few areas with clustered dark speckles, and several smudges and stains in darker brown and black. A narrow pale gray border is visible around the plate, and the overall surface has uneven shading with lighter and-stock-foto
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Artillery exercises; Łopieński, Ignacy (1865–1941), graphic artist; artillery, army; ca. 1930; graphic plate; height 19.9 cm, width 26.9 cm, A worn rectangular metal plate with an overall mottled surface showing shades of copper, brown, gray, and hints of black, with areas of darker smudging and lighter scuffing; the plate has rounded corners and a thin dark border along the edges, and there are several curved and straight scratches and faint streaks across the surface including a few bluish-gray marks; near two opposite corners there are circular stamped impressions and a few small dark spots-stock-foto
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Highlander, Ignacy Łopieński (1865–1941), graphic artist; highlanders, haymaking; 1930; Warsaw; graphic plate; height 27.3 cm, width 22 cm, A worn rectangular surface with rounded corners fills the frame, showing a weathered, uneven texture in shades of gray with subtle areas of pale blue and muted brown; the surface has smudges, scuffs, and faint circular marks, with darker gray edges and a narrow lighter border around the perimeter.-stock-foto
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A request to the Mother of God, Polish saints and blessed; Lewicki, Jan Nepomucen (1795–1871), graphic artist; Woźnicki, Kazimierz (1878–1949); Catholic saints, prayers, Our Lady of Częstochowa (painting), blessed; 1867, Paris; graphic; graphic matrix; graphic plate; height 25.3 cm, width 19.6 cm, thickness 0.2 cm, A rectangular, worn surface with a mottled texture showing a mix of gray, dark gray, brown, and black tones, framed by a narrow light gray border; the interior shows several areas of lighter gray patches and darker smudges, a few diagonal scratch marks toward one corner revealing a-stock-foto
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An Old Woman Reading a Book, the So-Called Rembrandt's Mother; Płoński, Michał (1778–1812), graphic artist; Dou, Gerrit (1613–1675), painter; reproduction print after Dou; ca. 1806, Paris; print, graphic matrix/graphic plate; portraits — old women; female portraits; oval; figure studies; female figure studies; bonnets; historical costumes; human types; female costumes; height 20.5 cm, width 16.8 cm, A large rectangular metal sheet with a worn, mottled surface showing a range of dark grays and blacks with patches of rusty brown and muted copper tones, scattered irregular dark stains and smudges-stock-foto
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An Old Woman Reading a Book, the So-Called Rembrandt's Mother; Płoński, Michał (1778–1812), graphic artist; Dou, Gerrit (1613–1675), painter; reproduction print, ca. 1806, Paris; print, graphic matrix/plate; portraits, old women, female portraits, oval, figure studies, female figure studies, bonnets, historical costumes, human types, female costumes; height 20.5 cm, width 16.8 cm, A rectangular panel with a dark brown border holds a central oval depiction of a seated person wearing flowing garments and a head covering, shown in a sketch-like engraved style; the figure's hands are brought-stock-foto
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Portrait of Rembrandt; Płoński, Michał (1778–1812), graphic artist; Rembrandt van Rijn (1606–1669), painter (subject); oval; historical costumes; portraits; portraits of artists; male portraits; painters; reproduction print; ca. 1806; Paris; print; graphic matrix/graphic plate; height 20.3 cm; width 16.7 cm, A rectangular metal plate with a dark border shows an oval etched portrait of a person wearing a dark hat and dark clothing, with long light hair rendered in fine lines; the plate surface has scratched, smudged, and rubbed areas in shades of copper, tan, brown, black, and hints of green,-stock-foto
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Two compositions side by side: Virgin Mary and Child and Immaculata, Mary (mother of Jesus Christ), Turkiewicz, Roman (fl. 1935), devotional articles, Virgin Mary and Child (iconographic), anchors, Immaculata (iconographic), winged putti (iconographic), Mary (mother of Jesus Christ) - monograms, after 1800, graphic, graphic matrix, graphic plate, height 10.8 cm, width 12.5 cm, A rectangular surface with a rough, pitted texture showing a dominant brown color with areas of darker brown and black mottling, small shiny specks, and a few lighter brown and grayish spots; a slim neutral gray border-stock-foto
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View of the Evangelical Cemetery in Warsaw; Fryderyk Krzysztof Dietrich (1779–1847), graphic artist; cemeteries; Warsaw (Masovian Voivodeship); trees; crucifixes; cemetery chapels; graves; Evangelical Cemetery of the Augsburg Confession (Warsaw); 1835; graphic; graphic matrix (plate); height 17.2 cm; width 21.2 cm, A flat rectangular metallic surface with rounded corners showing a worn, mottled texture and a few irregular darker stains and patches; there is a faint, curved residual mark running across the center and a short, narrow streak extending from it; the edges show slight discoloration-stock-foto
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Puławy, Dietrich, Fryderyk Krzysztof (1779–1847), graphic artist; palaces, landscapes, parks (gardens), park landscapes, staffage, hunting (genre scenes), trees, country roads; ca. 1835; graphic matrix/graphic plate; height 10.3 cm, width 12.9 cm., A rectangular metal plate with a framed engraved scene shows a landscape with a group of trees on the left and another group of trees on the right, framing a grassy clearing and a winding dirt path leading toward a distant large building partially obscured by foliage; the engraving lines are dark against a warm golden background with areas of darker-stock-foto
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