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WASHINGTON DC — The James V. Forrestal Building serves as the headquarters of the United States Department of Energy. The modernist federal office building was completed in 1969 and named after James Vincent Forrestal, the first United States Secretary of Defense who served from 1947 to 1949. Located in the Southwest Federal Center, the building houses the department's senior leadership and administrative offices. The Department of Energy was established in 1977, consolidating various federal energy programs and agencies under a single cabinet-level department. The Forrestal Building is situat-stock-foto
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WASHINGTON DC — The James V. Forrestal Building serves as the headquarters of the United States Department of Energy. The modernist federal office building was completed in 1969 and named after James Vincent Forrestal, the first United States Secretary of Defense who served from 1947 to 1949. Located in the Southwest Federal Center, the building houses the department's senior leadership and administrative offices. The Department of Energy was established in 1977, consolidating various federal energy programs and agencies under a single cabinet-level department. The Forrestal Building is situat-stock-foto
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WASHINGTON DC — The James V. Forrestal Building serves as the headquarters of the United States Department of Energy. The modernist federal office building was completed in 1969 and named after James Vincent Forrestal, the first United States Secretary of Defense who served from 1947 to 1949. Located in the Southwest Federal Center, the building houses the department's senior leadership and administrative offices. The Department of Energy was established in 1977, consolidating various federal energy programs and agencies under a single cabinet-level department. The Forrestal Building is situat-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — A stegosaurus mosaic adorns the main entrance to the National Zoo's Reptile Discovery Center, created through collaboration between architect Albert L. Harris, paleoartist Charles R. Knight, and concrete pioneer John Joseph Earley in 1931. The mosaic was executed using Earley's revolutionary concrete technique, which mixed colored aggregate directly into white Portland cement to create fade-resistant colors integral to the material. Knight, America's foremost paleoartist who worked at major natural history museums, designed the scientifically accurate stegosaurus based on exten-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — A historic column capital that once topped the entrance arch of the Smithsonian National Zoo's Bird House is displayed in the Plateau Gardens following its discovery during recent renovation work. The decorative element was created by John Joseph Earley using his signature polychrome concrete mosaic technique, incorporating colored stones, glass, and marble aggregate exposed through wire brushing as the concrete cured. The capital originally flanked the Bird House's 1928 entrance alongside an elaborate mosaic arch featuring tropical bird motifs, both designed by Municipal Archi-stock-foto
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WASHINGTON DC — A historic column capital that once topped the entrance arch of the Smithsonian National Zoo's Bird House is displayed in the Plateau Gardens following its discovery during recent renovation work. The decorative element was created by John Joseph Earley using his signature polychrome concrete mosaic technique, incorporating colored stones, glass, and marble aggregate exposed through wire brushing as the concrete cured. The capital originally flanked the Bird House's 1928 entrance alongside an elaborate mosaic arch featuring tropical bird motifs, both designed by Municipal Archi-stock-foto
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WASHINGTON DC — Ornate wooden entrance doors to the Reptile Discovery Center feature gold relief sculptures of stegosaurus and other reptiles, with door handles fashioned as entwined snakes. The decorative doors, dating to 1931, were part of architect Albert L. Harris's comprehensive design for the building, which included the famous stegosaurus mosaic created through collaboration with paleoartist Charles R. Knight and concrete pioneer John Joseph Earley. The doors complement the building's Byzanto-Romanesque architectural style and reflect the Progressive Era's approach to merging scientific-stock-foto
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WASHINGTON DC — Ornate wooden entrance doors to the Reptile Discovery Center feature gold relief sculptures of stegosaurus and other reptiles, with door handles fashioned as entwined snakes. The decorative doors, dating to 1931, were part of architect Albert L. Harris's comprehensive design for the building, which included the famous stegosaurus mosaic created through collaboration with paleoartist Charles R. Knight and concrete pioneer John Joseph Earley. The doors complement the building's Byzanto-Romanesque architectural style and reflect the Progressive Era's approach to merging scientific-stock-foto
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WASHINGTON DC — Ornate wooden entrance doors to the Reptile Discovery Center feature gold relief sculptures of stegosaurus and other reptiles, with door handles fashioned as entwined snakes. The decorative doors, dating to 1931, were part of architect Albert L. Harris's comprehensive design for the building, which included the famous stegosaurus mosaic created through collaboration with paleoartist Charles R. Knight and concrete pioneer John Joseph Earley. The doors complement the building's Byzanto-Romanesque architectural style and reflect the Progressive Era's approach to merging scientific-stock-foto
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WASHINGTON DC — Ornate wooden entrance doors to the Reptile Discovery Center feature gold relief sculptures of stegosaurus and other reptiles, with door handles fashioned as entwined snakes. The decorative doors, dating to 1931, were part of architect Albert L. Harris's comprehensive design for the building, which included the famous stegosaurus mosaic created through collaboration with paleoartist Charles R. Knight and concrete pioneer John Joseph Earley. The doors complement the building's Byzanto-Romanesque architectural style and reflect the Progressive Era's approach to merging scientific-stock-foto
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WASHINGTON DC — Ornate wooden entrance doors to the Reptile Discovery Center feature gold relief sculptures of stegosaurus and other reptiles, with door handles fashioned as entwined snakes. The decorative doors, dating to 1931, were part of architect Albert L. Harris's comprehensive design for the building, which included the famous stegosaurus mosaic created through collaboration with paleoartist Charles R. Knight and concrete pioneer John Joseph Earley. The doors complement the building's Byzanto-Romanesque architectural style and reflect the Progressive Era's approach to merging scientific-stock-foto
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WASHINGTON DC — Ornate wooden entrance doors to the Reptile Discovery Center feature gold relief sculptures of stegosaurus and other reptiles, with door handles fashioned as entwined snakes. The decorative doors, dating to 1931, were part of architect Albert L. Harris's comprehensive design for the building, which included the famous stegosaurus mosaic created through collaboration with paleoartist Charles R. Knight and concrete pioneer John Joseph Earley. The doors complement the building's Byzanto-Romanesque architectural style and reflect the Progressive Era's approach to merging scientific-stock-foto
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WASHINGTON DC — Ornate wooden entrance doors to the Reptile Discovery Center feature gold relief sculptures of stegosaurus and other reptiles, with door handles fashioned as entwined snakes. The decorative doors, dating to 1931, were part of architect Albert L. Harris's comprehensive design for the building, which included the famous stegosaurus mosaic created through collaboration with paleoartist Charles R. Knight and concrete pioneer John Joseph Earley. The doors complement the building's Byzanto-Romanesque architectural style and reflect the Progressive Era's approach to merging scientific-stock-foto
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WASHINGTON DC — Geometric mosaic patterns frame the arched doorway at the main entrance to the National Zoo's Reptile Discovery Center, created using John Joseph Earley's innovative concrete mosaic technique in 1931. The colorful geometric designs were executed using the same 'Earley Process' employed for the building's famous stegosaurus mosaic, mixing crushed colored glass and marble aggregate directly into white Portland cement. These precast concrete panels were fabricated in Earley's Rosslyn, Virginia studio and anchored to the structural concrete with wire loops. The geometric patterns c-stock-foto
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WASHINGTON DC — A stegosaurus mosaic adorns the main entrance to the National Zoo's Reptile Discovery Center, created through collaboration between architect Albert L. Harris, paleoartist Charles R. Knight, and concrete pioneer John Joseph Earley in 1931. The mosaic was executed using Earley's revolutionary concrete technique, which mixed colored aggregate directly into white Portland cement to create fade-resistant colors integral to the material. Knight, America's foremost paleoartist who worked at major natural history museums, designed the scientifically accurate stegosaurus based on exten-stock-foto
RF
WASHINGTON DC — Geometric mosaic patterns frame the arched doorway at the main entrance to the National Zoo's Reptile Discovery Center, created using John Joseph Earley's innovative concrete mosaic technique in 1931. The colorful geometric designs were executed using the same 'Earley Process' employed for the building's famous stegosaurus mosaic, mixing crushed colored glass and marble aggregate directly into white Portland cement. These precast concrete panels were fabricated in Earley's Rosslyn, Virginia studio and anchored to the structural concrete with wire loops. The geometric patterns c-stock-foto
RF
WASHINGTON DC — A stegosaurus mosaic adorns the main entrance to the National Zoo's Reptile Discovery Center, created through collaboration between architect Albert L. Harris, paleoartist Charles R. Knight, and concrete pioneer John Joseph Earley in 1931. The mosaic was executed using Earley's revolutionary concrete technique, which mixed colored aggregate directly into white Portland cement to create fade-resistant colors integral to the material. Knight, America's foremost paleoartist who worked at major natural history museums, designed the scientifically accurate stegosaurus based on exten-stock-foto
RF
WASHINGTON DC — Geometric mosaic patterns frame the arched doorway at the main entrance to the National Zoo's Reptile Discovery Center, created using John Joseph Earley's innovative concrete mosaic technique in 1931. The colorful geometric designs were executed using the same 'Earley Process' employed for the building's famous stegosaurus mosaic, mixing crushed colored glass and marble aggregate directly into white Portland cement. These precast concrete panels were fabricated in Earley's Rosslyn, Virginia studio and anchored to the structural concrete with wire loops. The geometric patterns c-stock-foto
RF
WASHINGTON DC — Geometric mosaic patterns frame the arched doorway at the main entrance to the National Zoo's Reptile Discovery Center, created using John Joseph Earley's innovative concrete mosaic technique in 1931. The colorful geometric designs were executed using the same 'Earley Process' employed for the building's famous stegosaurus mosaic, mixing crushed colored glass and marble aggregate directly into white Portland cement. These precast concrete panels were fabricated in Earley's Rosslyn, Virginia studio and anchored to the structural concrete with wire loops. The geometric patterns c-stock-foto
RF
WASHINGTON DC — A stegosaurus mosaic adorns the main entrance to the National Zoo's Reptile Discovery Center, created through collaboration between architect Albert L. Harris, paleoartist Charles R. Knight, and concrete pioneer John Joseph Earley in 1931. The mosaic was executed using Earley's revolutionary concrete technique, which mixed colored aggregate directly into white Portland cement to create fade-resistant colors integral to the material. Knight, America's foremost paleoartist who worked at major natural history museums, designed the scientifically accurate stegosaurus based on exten-stock-foto
RF
WASHINGTON DC — The exterior facade and main entrance of the Reptile Discovery Center showcase the building's distinctive Byzanto-Romanesque architectural style, featuring semi-circular arches and symmetrical design. The entrance is crowned by Charles R. Knight's famous stegosaurus mosaic, created in 1931 through collaboration with architect Albert L. Harris and concrete pioneer John Joseph Earley using the innovative 'Earley Process' of colored aggregate concrete. The building's construction utilized Red Alicante Marble from Spain, a Jurassic period limestone containing fossilized ammonites a-stock-foto
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