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Seated Nude Young Man in Nearly Frontal View ca. 1618 Guercino (Giovanni Francesco Barbieri) Italian A new addition to Guercino’s youthful corpus, this powerful, boldly rendered study after the male nude model is an impressive early example of his practice of life drawing, and can be precisely associated with a small but surprisingly homogeneous group of life drawings dating around 1618-1621, that is, before Guercino's two-year sojourn in Rome.  The drawings all exhibit a similar subject matter, scale, and unusual medium, suggesting that they must have been executed in a short span of time.  A-stock-foto
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Study for a Nativity, Bearded Male Saint, and Head Studies (recto); Two Head Studies (verso) 1750–1815 Bartholomaeus Ignaz Weiss German. Study for a Nativity, Bearded Male Saint, and Head Studies (recto); Two Head Studies (verso)  340317-stock-foto
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Design for Half Cartouche with Mask 18th century Fortunato Tesi Italian. Design for Half Cartouche with Mask  346230-stock-foto
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Study of Lake, with Sailboat and Canoe, Set Against Mountains (from Sketchbook) 1834, 1838 John William Casilear American. Study of Lake, with Sailboat and Canoe, Set Against Mountains (from Sketchbook)  18556-stock-foto
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The Entombment ca. 1656–57 Nicolas Poussin French The drawing is late and is very probably from a study for The Lamentation in the National Gallery of Ireland, Dublin.. The Entombment  339654-stock-foto
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Double-sided Sheet: (recto) Study of Draperies; (verso) Study of a Standing Female Nude in a Beckoning PoseTurned toward Left. 18th century Giacomo Zoboli. Double-sided Sheet: (recto) Study of Draperies; (verso) Study of a Standing Female Nude in a Beckoning PoseTurned toward Left.. Giacomo Zoboli (Italian, Modena 1681–1767 Rome). 18th century. (recto) Red chalk with white chalk; (verso) red chalk.. Drawings-stock-foto
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Study of Two Hands ca. 1720–50 Jacob de Wit. Study of Two Hands. Jacob de Wit (Dutch, Amsterdam 1695–1754 Amsterdam). ca. 1720–50. Red chalk with touches of white chalk on pink tinted paper. Drawings-stock-foto
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Four studies of women, sitting and reading. .-stock-foto
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Study sheet with human figures.-stock-foto
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Three female heads, one sleeping.-stock-foto
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Study of a sleeping child.-stock-foto
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Study of a feminine nude model, sitting on stage next to easel and seen from the front, in the studio of sculptor / painter Jacques de Lalaing, preliminary study for grave monument Fernand Scribe 1898 in Ghent cemetery.-stock-foto
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Federico Barocci (1535–1612) was an Italian Renaissance painter and printmaker active in Urbino and an important figure of late Mannerist painting in central Italy. The archival photographic record documents a drawing titled Head of an Old Man dated about 1575 and catalogued in the Royal Collection as RCIN 905232. The historical photographic print preserves the artwork as part of Barocci’s documented figure studies.-stock-foto
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Figuurstudie naakte man.Figure studies of a standing naked man. Seen once from the front (c), seen once from the back (d).-stock-foto
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Robert Mabon, died 1798, British, Landscape with Rocks, undated. Graphite on medium, slightly textured, cream wove paper.-stock-foto
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Reproduction to chalk drawing with a portrait of Frans Coenen Jr ...-stock-foto
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Act study. From the portfolio "Acts of Heinrich Zille".-stock-foto
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Drapery. Leaf 79 Recto from a sketchbook with 105 sheets.-stock-foto
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Federico Barocci (1535–1612) was an Italian Renaissance painter and printmaker from Urbino whose drawings influenced artists of the late sixteenth and early seventeenth centuries. The archival photographic record documents a drawing of a woman’s head looking upward dated approximately 1650–1700 and attributed to a follower of Barocci, catalogued in the Royal Collection as RCIN 905358. The historical photographic print records the artwork for collection documentation.-stock-foto
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Human vertebrae. Leaf 19 Recto from a sketchbook with 27 sheets.-stock-foto
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Study. Page 30 from a sketchbook with 24 sheets.-stock-foto
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Proverled boy. Leaf 20 Verso from a sketchbook with 26 sheets.-stock-foto
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Mice lying on the back. Leaf 3 Verso from a sketchbook with 13 sheets.-stock-foto
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More in a mountain landscape. Loose drawing between the front bract and page 1 of a sketchbook with 39 sheets.-stock-foto
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Stiehl Otto (1860-1940): Sketch and photo album 2: St. Michaelskapelle, Kiedrich-stock-foto
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Point roof. Leaf 39 Recto from a sketchbook with 60 sheets.-stock-foto
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Abkatsch of the chalk drawing on page 2. Page 3 From Sketchbook XLI with 38 pages.-stock-foto
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Tree trunks. Leaf 25 Recto from a sketchbook with 29 sheets.-stock-foto
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Stadsgezicht met een toren.View of trees and buildings, including a tower, on a street or square. Leaf 48 Verso from a sketchbook with 58 sheets.-stock-foto
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Plants. Leaf 9 Recto from a sketchbook with 65 sheets.-stock-foto
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Figure study. Page 24 From a sketchbook with 83 sheets.-stock-foto
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Figure study. Page 26 From a sketchbook with 14 sheets.-stock-foto
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Study. Page 29 From a sketchbook with 14 sheets.-stock-foto
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French: Etude de torse   .   757 Karel Dujardin Etude de torse-stock-foto
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This 1873 drawing by Kazimierz Alchimowicz depicts an elderly man supported on crutches, reflecting Polish academic studies of male figures.-stock-foto
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Three monks at the top of a temple staircase. Page 92 From a sketchbook with 48 sheets.-stock-foto
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The drawing shows Warsaw's Kanonia street, St. John the Baptist Cathedral, and urban architecture, in Young Poland style, preserved in Stankiewicz collection.-stock-foto
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This sketch by Ferdynand Ruszczyc, created around 1905, depicts a house with architectural details in a simple compositional study.-stock-foto
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Federico Barocci (1535–1612) was an Italian Renaissance painter from Urbino recognized for expressive preparatory drawings used in religious compositions. The archival photographic record documents a drawing of the head of a woman dated approximately 1600–1700 and attributed to a follower of Barocci, catalogued in the Royal Collection as RCIN 905425. The historical photographic print preserves the artwork for art historical documentation.-stock-foto
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Federico Barocci (1535–1612) was an Italian Renaissance painter from Urbino known for expressive head studies and preparatory drawings that influenced later artists. The archival photographic record documents a drawing of the head of an elderly bearded man dated approximately 1650–1750 and attributed to a follower of Barocci, catalogued in the Royal Collection as RCIN 905357. The historical photographic print records the artwork for archival study.-stock-foto