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A rectangular window in a stone wall shows a murky green pool in Madeira, with faint fish shapes and tree reflections, dappled midday light, and a cle-stock-foto
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Bookplate of the Rigaud family; heraldic bookplate with coat of arms featuring stars, heraldic helmets, bands, in an oval. French, late 18th–first half 19th century. Graphic print; height 6.4 cm, width 8.6 cm., An off-white rectangular paper with a hand-drawn oval framing a central heraldic shield topped by a stylized helmet and plume, flanked by a pair of flowing ribbon banners; the shield contains a group of stars near the top, a geometric interlocking motif in the middle, and a crescent shape near the bottom, all rendered in fine black ink lines and hatching; there are several scattered bla-stock-foto
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Graphic print bookplate (oval), 2nd half of the 18th century; height 9.1 cm, width 7.2 cm. Depicts angel heads, allegorical-symbolic motifs, lilies, Eye of Providence, dogs, swords, and the IHS monogram—associated with the Dominicans (religious order/Catholic Church). Function: monastic library/bookplate; graphic artist., A worn rectangular piece of paper with a faded printed design centered on it, showing an oval medallion shape and a surrounding rectangular frame; the paper is mottled with yellowed and brown foxing marks and has a grayish background visible at the image border; a small circu-stock-foto
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Ex libris DG de Labastie; bookplate by Dominik Witke-Jeżewski (1862–1944) after Paul-André de La Bastie (1756–1830); graphic print, heraldic bookplate with coats of arms, lilies, and rank crowns; French, 18th–19th century; height 8.7 cm, width 5.5 cm., A worn rectangular sheet with a light beige background framed by a narrow gray border, showing a faded, symmetrical faint design in the center, smudged pencil or graphite marks across the surface, a small circular stamped mark near the upper center, scattered reddish smudges and spots, a few greenish and yellowish discolorations toward the top,-stock-foto
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Album binding titled 'Skizzen zu dem Tagebuche von Adalbert Prinz von Prussen, 1842-1843.' Maker: Wilhelm Loeillot (1827–1876), graphic artist. Associated with Adalbert, Prince of Prussia (1811–1873). Medium/format: book binding; album; album page. Subject/contents: travels; illustrations; Brazil views; German graphics; medallions; eagles; emblems; travel diary illustrations. Date: 1847. Dimensions (album page, irregular composition): height 50.9 cm, width 35.2 cm., A dark rectangular object with a textured surface and worn edges centered against a pale background, featuring a circular gold em-stock-foto
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Portrait of Prince Józef Poniatowski; graphic artist depiction of Józef Antoni Poniatowski (1763–1813); Napoleonic era (1799–1815); artist Dominik Witke-Jeżewski (1862–1944); iconography: portrait, bust, orders; male portrait; dated circa 1820–1850; graphic print; dimensions: height 4.8 cm, width 4.5 cm., A large sheet of textured light brown paper with a narrow dark brown border around the left and bottom edges, showing a small, square black-and-white portrait of a man in historical military attire near the center; the portrait is surrounded by a lighter rectangular margin and depicts the man-stock-foto
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Portrait of Prince Józef Poniatowski; artists: Antoni Oleszczyński (1794–1879) and Fabian Sarnecki (1800–1894); subject: Józef Antoni Poniatowski (1763–1813); Napoleonic era (1799–1815); related to Dominik Witke-Jeżewski (1862–1944) and his depiction/iconography of Poniatowski, portraits, busts; Polish graphic art, print graphic; male portrait; dated 1832–1833, Paris; dimensions: 11.2 × 9.5 cm and 13.8 × 10.7 cm., A rectangular grayish-brown sheet with a textured surface and a darker narrow border surrounding it, containing a smaller white rectangular print centered near the top showing a blac-stock-foto
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Portrait of Prince Józef Poniatowski; graphic artist: Poniatowski, Józef Antoni (1763–1813); Napoleonic era (1799–1815); artist: Witke-Jeżewski, Dominik (1862–1944); iconography, portraits; orders, busts; Poland; French graphic art; date: 1820–1840; medium: graphic print; dimensions: 16.2 × 11.8 cm and 18.6 × 14.1 cm., A monochrome engraving of a man shown from the chest up wearing a dark military-style coat with ornate shoulder epaulets and a fur-trimmed cloak draped over one shoulder, his hair curly and dark, a moustache and sideburns on his face, several decorative medals and a sash visible-stock-foto
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Monument erected to Prince Józef Poniatowski in Leipzig, graphic artist Witke-Jeżewski, Dominik (1862–1944); subject: Poniatowski, Józef Antoni (1763–1813), Napoleonic era (1799–1815); depiction includes trees and Reichenbach-Gerhard Garden (Leipzig), gardens, Germany, Poland; theme: death; monument to Prince Józef Poniatowski (Leipzig), 1825; medium: graphic print; dimensions: height 15.8 cm, width 24.0 cm; alternative dimensions listed: height 21.6 cm, width 34.4 cm., A small landscape scene centered on a rectangular stone monument set on a stepped base surrounded by grassy ground and a grou-stock-foto
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Częstochowa. Church in Raków. Unrealized project. Bottom plan. Wojciechowski, Jarosław (1874–1942). Towns, Częstochowa (Silesian Voivodeship). Modernism (style). 1911. Drawing; architectural drawing; architectural design. Height 34.5 cm; width 22.3 cm., A rectangular sheet with a narrow beige border contains a centered architectural drawing of a building floor plan rendered in fine pencil lines on an off-white background; the drawing shows the outline of a large rectangular interior space with curved and angular projecting rooms at the top and a semicircular entrance area at the bottom, with s-stock-foto
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Leaflet calling for voting for list no. 11 of the Provisional Jewish National Council in the elections to the Legislative Sejm of the Republic of Poland in 1919. Printed in Hebrew; Maślankiewicz (fl. 1927). Subject: elections; type: leaflet; theme: Judaica; Provisional Jewish National Council (1918–?); Legislative Sejm (1919–1922); date: 1919; dimensions: height 23.2 cm, width 15.5 cm., A single aged rectangular sheet of beige paper with darker printed areas and visible wear along the edges, showing a few small torn sections at the bottom and a slightly uneven border; the page contains a large-stock-foto
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Leaflet calling on Jews to vote for list no. 11 of the Provisional Jewish National Council in the elections to the Legislative Sejm of the Republic of Poland in 1919. Printed in Hebrew and Polish. Provisional Jewish National Council (1918-?), Legislative Sejm (1919-1922), 1919, leaflet, height 14.9 cm, width 20.2 cm, A worn rectangular sheet of paper with a beige background and darker beige discoloration, featuring a large central dark gray shape resembling a bold numeral with worn edges, two silhouetted pointing hands in dark gray on either side of the central shape, scattered patches of peel-stock-foto
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Actor in the role of King Edward in the play Le siège de Calais; draughtsman Jean-François Janinet (1752–1814); theatrical play subject; actors; Belloy, Dormont de (1727–1775); The Siege of Calais, restitution; Edward III (King of England; 1313–1377) — iconography; men, kings; figurative studies; Levacher de Charnois, Jean-Charles (1750?–1792), after 1788; France; drawing; height 8.5 cm, width 6.9 cm, The image shows a tall, narrow beige sheet with a grid of small framed illustrations arranged in several rows; each framed illustration contains a single standing figure dressed in historical clo-stock-foto
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Actress in the role of Bastienne; draughtsman Janinet, Jean-François (1752–1814), after Levachez, Charles-Francois-Gabriel (fl. 1780–1820), publisher; subject: Bastienne (from Les Amours de Bastien et Bastienne); related names: Favart, Justine (1727–1772); Levacher de Charnois, Jean-Charles (1750?–1792); date: after 1789; place: France; medium: drawing; dimensions: height 8.5 cm, width 6.6 cm; motifs: women, actresses, figural studies; inscription/legend: Bastienne., A painted figure of a woman stands slightly turned to the side within a bordered rectangular area set on a tan background. She w-stock-foto
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Nude Man with a Bunch of Plants in His Left Hand, Thoma, Hans (1839–1924), illustrator; sowers; nudes; parable of the sower (Bible); sketches for paintings; German drawings; male nudes; ca. 1890; Germany; drawing; height 40.7 cm, width 19.7 cm, A pencil sketch of a standing nude male figure viewed from the front with head tilted downward, showing defined musculature on the chest, abdomen, arms, and legs, rendered with shading and contour lines; the left arm hangs slightly outward with a relaxed hand while the right arm is bent at the elbow and the hand rests near the hip; the legs are apart wi-stock-foto
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Future - Allegory of Peace Destroying a Cannon with a Hammer; Czesław Tański (1862–1942), illustrator; drawing; playing cards; allegory of Peace; cannons (weapons); Poland; 1916–1917; World War I., A pale gray page with visible wear and a darker gray binding area contains a group of small, portrait-style illustrations mounted in two rows; the top row shows a sequence of four rectangular cards with sketched figures and decorative suit symbols, each card framed by a thin beige border, and the bottom row has a single vertical card centered beneath them. The leftmost top card depicts two men in pr-stock-foto
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Three of Clubs - Indian Intelligence; Tański, Czesław (1862-1942), illustrator; playing cards; World War I (1914–1918); British Army; clubs (card suit); horses; Poland; 1916–1917; Warsaw; drawing; army; repossession; albums; drawing., A pale bluish-gray mount holds a grid of illustrated rectangular cards arranged in rows, each card framed by narrow margins; the cards depict various scenes in muted watercolor and ink with visible brushstrokes and pencil lines, featuring a night sky scene with dark blue and black tones and red heart shapes, an ornate interior with cream, beige, gold and red acce-stock-foto
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Jack of Clubs — English Soldier; Tański, Czesław (1862–1942), illustrator; Witke-Jeżewski, Dominik (1862–1944); drawing; 1916–1917; Warsaw; World War I (1914–1918); soldiers; playing card (clubs); British Army; pipes; rifles; Poland; albums; repossession., A sheet with a pale gray-green background holds a grid of illustrated playing cards mounted in two rows, each card framed by a thin rectangular border; the top row shows a card with a group of military hats and instruments rendered in beige, brown, red, green, and black, a card depicting a bearded man wearing ornate robes and a fur hat in bl-stock-foto
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Le Magicien, Le Prince, Jean-Baptiste (1734–1781), graphic artist. Title: 'Le Magicien'. Engraving made in etching technique with a background fragmentarily etched with aquatint; composition completed with thin stylus/dry needle. The name 'Le Magicien' given by Hédou. Another example of this composition shows a different state of matrix development — printed on creamy, medium-weight paper; appears to be a commercial print. The present example appears to be a test/proof print. Both prints share the same etched composition and degree of needlework, but the commercial print is printed from a matr-stock-foto
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Theft of Light, pl. 12; Brahms's Fantasy, Op. XII; Klinger, Max (1857–1920), graphic artist; Prometheus (mythology) receiving the divine fire; music; Brahms, Johannes (1833–1897); fire; repossession; 1893, Leipzig; graphic art; height 29.0 cm, width 36.5 cm, A central dark rectangular image is surrounded by a wide pale beige margin; within the dark area there is a group of human figures rendered in muted black and gray tones, with one figure prominently elevated and reaching upward while others below reach toward that figure, and a faint lighter vertical streak above the elevated figure sugges-stock-foto
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Rhone Glacier in the Bernese Alps, Nathe, Christoph (1753-1806), mountain landscapes, artists in the open air, glaciers, hikers, Rhone Glacier (Switzerland), Bernese Alps (mountain range), German drawings, Alps (mountains), landscapes, ca. 1790, Switzerland, drawing, height 41.7 cm, width 65.7 cm, A drawing of a kneeling woman rendered in reddish-brown lines on a pale, off-white background, shown within a rectangular double border; she wears a simple dress with short sleeves and a head covering, her upper body leaning forward with arms extended toward an unfinished, lightly sketched form, and-stock-foto
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The Apocalyptic Woman, Dürer, Albrecht (1471–1528), graphic artist, religious scenes, Apocalypse of St. John (Bible), New Testament (Bible), The Apocalyptic Woman, God the Father, 1511, graphic, height 39.0 cm, width 27.5 cm, A single sheet of aged paper with a narrow left margin and a wide right margin, mostly filled with a block of dense dark brown or black printed text in a serif style occupying the left two‑thirds of the page; the background of the sheet is an off‑white to light beige with scattered small brown spots and age marks, a few darker smudges near the lower edge, and a faint rect-stock-foto
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Cardboard portfolio finished with canvas and gilding made for the album Monumenta Regum Poloniae Cracoviensia; graphic portfolio, ca. 1900; height 74 cm, width 55 cm., The image shows a flat, unfolded rectangular object with a central large pale cream panel bordered by darker narrow strips and additional pale cream flaps on the top, left, and right; the surrounding background is predominantly black. The central area is an off-white to light beige color with subtle variations and faint marks, while the border strips and seams are dark gray to black. The flaps share the pale cream color of the c-stock-foto
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Portrait of Józef Piłsudski, Łopieński, Ignacy (1865–1941), graphic artist; Piłsudski, Józef (1867–1935) — iconography; male portrait; Head turned to the right; 1937; Warsaw, Poland; graphic plate; height 15 cm, width 10 cm, A rectangular metal plate with a warm brown and copper tone fills the image, showing an etched profile of an older man with a mustache and beard; the etching lines are lighter copper against the darker plate. The man is depicted with swept-back hair, a defined ear, and a turned head with visible eyes and facial hair; the etched texture suggests fine lines for hair and bear-stock-foto
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Portrait of Józef Piłsudski; Ignacy Łopieński (1865–1941), graphic artist; Józef Piłsudski (1867–1935) — iconography; male portrait, head turned to the right; 1937; Warsaw, Poland; graphic plate; height 15 cm, width 10 cm., A worn rectangular metal plate with rounded corners occupies most of the image, showing a mottled surface in shades of copper, bronze, pink, purple, and gray with visible scratches and scuff marks across it; there is a narrow black border around the plate and a small dark rectangular patch near one corner with rough edges; the plate surface shows areas of darker discolorati-stock-foto
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Carriage wagonette; Aleksander Maj (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 8.5 cm, width 12.5 cm, thickness 2.3 cm, A worn rectangular wooden panel with a textured grain surface showing a mix of brown and tan tones, darker brown patches and smudges, and areas of lighter beige wear; prominent broad strokes of bright blue pigment form bold marks across the center; a small spot of white paint with a tiny speck of red is near the middle; faint darker scribbles and smudges are visible beneath and around the blue marks; the surrounding border-stock-foto
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Title page: Collection of 19 planches études de figures Dessinées d'après nature A Amsterdam en 1703. Gravées spirituellement à l'eau-forte par M. Plonski à Paris. Title page, ca. 1806, Paris. Graphic plate, graphic matrix. Height 23.6 cm; width 17.3 cm., A rectangular surface fills the frame with a weathered, mottled appearance showing a mix of dark grays, blacks, and muted browns, with areas of lighter gray and subtle tan smudges. The surface has irregular blotches and stains, some clustered darker patches and softer washed areas, along with faint scratches and scuff marks. The edges show a-stock-foto
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Types and Caricatures. A Series of Genre Scenes and Individual Figures in Two Rows; Płoński, Michał (1778–1812), graphic artist; human types, character studies, genre scenes, female figure studies, male figure studies, urban types, street scenes, children, mothers with children, traveling merchants; 1802; Amsterdam; graphic; graphic matrix/plate; height 9.6 cm, width 18.9 cm., A rectangular aged plate with a warm tan and ochre surface shows a series of delicate dark brown ink sketches arranged in two horizontal rows; the top and bottom areas feature a group of loosely rendered human figures in-stock-foto
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Amsterdam Jew, Płoński, Michał (1778–1812), graphic artist; figure studies of male human types—Jews, workers—showing tools, hats, beards; 1802, Amsterdam; graphic matrix/graphic plate; height 17.3 cm, width 13.2 cm, A sepia-toned drawing on a rectangular sheet with a darker border shows a standing bearded man wearing a fur hat and layered clothing, including a loose jacket, a wrapped sash, and baggy trousers tucked into wrinkled boots; he holds a long-handled rake-like tool over one shoulder and a belt or strap with his other hand, and his expression appears neutral; the background is textured-stock-foto
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Boy sitting at a table, reading a book; Michał Płoński (1778–1812), graphic artist; Dominik Witke-Jeżewski (1862–1944); reading (genre scene), human types, character study, child/boy; inkwell; 1802; Amsterdam; graphic plate/matrix; height 8.4 cm, width 6.1 cm, A rectangular metallic plate with rounded corners resting on a flat surface, showing a weathered, mottled surface with a mix of dark gray, brown, rusty orange, and muted black tones; there are areas of subtle greenish and bluish tints, uneven patches of discoloration, scuffs, scratches, and faint circular brush or fingerprint-like marks,-stock-foto
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Three heads next to each other, the middle one of a knight in a helmet; men, physiognomic studies, studies of men's heads, male portraits, helmets, men's heads, portraits, heads; 1802; Amsterdam; graphic; graphic matrix/plate; height 3.8 cm, width 8 cm; Michał Płoński (1778–1812), graphic artist; Dominik Witke-Jeżewski (1862–1944)., A rectangular, flat surface with rounded corners showing a worn, mottled background in shades of beige, tan, light brown, and darker brown spots, containing three sketched head-and-shoulder portraits rendered in thin, brown ink lines: a left-facing portrait on the-stock-foto
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Barking dog; Ignacy Łopieński (1865–1941), graphic artist; genre scene; ca. 1930; graphic plate; height 16 cm, width 12 cm; dogs., A rectangular metal plate with rounded corners occupies the image, showing a worn, mottled surface in copper and brown tones with patches of darker gray and black discoloration. The plate displays a group of fine scratches and faint etched patterns, a few areas with clustered dark speckles, and several smudges and stains in darker brown and black. A narrow pale gray border is visible around the plate, and the overall surface has uneven shading with lighter and dark-stock-foto
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Artillery exercises; Łopieński, Ignacy (1865–1941), graphic artist; artillery, army; ca. 1930; graphic plate; height 19.9 cm, width 26.9 cm, A worn rectangular metal plate with an overall mottled surface showing shades of copper, brown, gray, and hints of black, with areas of darker smudging and lighter scuffing; the plate has rounded corners and a thin dark border along the edges, and there are several curved and straight scratches and faint streaks across the surface including a few bluish-gray marks; near two opposite corners there are circular stamped impressions and a few small dark spots-stock-foto
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Highlander, Ignacy Łopieński (1865–1941), graphic artist; highlanders, haymaking; 1930; Warsaw; graphic plate; height 27.3 cm, width 22 cm, A worn rectangular surface with rounded corners fills the frame, showing a weathered, uneven texture in shades of gray with subtle areas of pale blue and muted brown; the surface has smudges, scuffs, and faint circular marks, with darker gray edges and a narrow lighter border around the perimeter.-stock-foto
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An Old Woman Reading a Book, the So-Called Rembrandt's Mother; Płoński, Michał (1778–1812), graphic artist; Dou, Gerrit (1613–1675), painter; reproduction print after Dou; ca. 1806, Paris; print, graphic matrix/graphic plate; portraits — old women; female portraits; oval; figure studies; female figure studies; bonnets; historical costumes; human types; female costumes; height 20.5 cm, width 16.8 cm, A large rectangular metal sheet with a worn, mottled surface showing a range of dark grays and blacks with patches of rusty brown and muted copper tones, scattered irregular dark stains and smudges-stock-foto
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Two compositions side by side: Virgin Mary and Child and Immaculata; Mary (mother of Jesus Christ); Turkiewicz, Roman (fl. 1935); devotional articles; Virgin Mary and Child (iconographic); anchors; Immaculata (iconographic); winged putti (iconographic); Mary (mother of Jesus Christ) – monograms; after 1800; graphic; graphic matrix; graphic plate; height 10.8 cm; width 12.5 cm, A rectangular copper plate with a brown and reddish-brown patina fills the image, showing two rectangular engraved panels aligned vertically, each containing an oval portrait scene with fine linework. The upper oval depi-stock-foto
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View of the Evangelical Cemetery in Warsaw; Fryderyk Krzysztof Dietrich (1779–1847), graphic artist; cemeteries; Warsaw (Masovian Voivodeship); trees; crucifixes; cemetery chapels; graves; Evangelical Cemetery of the Augsburg Confession (Warsaw); 1835; graphic; graphic matrix (plate); height 17.2 cm; width 21.2 cm, A flat rectangular metallic surface with rounded corners showing a worn, mottled texture and a few irregular darker stains and patches; there is a faint, curved residual mark running across the center and a short, narrow streak extending from it; the edges show slight discoloration-stock-foto
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Plate - Tatar envoys swear an alliance, illustration to 'Historical Songs' by JU Niemcewicz; Frenzel, Johann Gottfried Abraham (1782–1855), graphic artist; Sułkowska, Ewa (1786–1824), graphic artist; 1816; graphic plate; height 13.9 cm, width 17.2 cm, A worn rectangular metal plate with rounded corners rests on a dark background, showing an etched scene in its center surrounded by a broad uneven border; the plate surface displays a patina of warm coppery browns, tan, beige, and muted orange with darker brown spots and smudges, and a few areas of deeper rust-like purple near the edges. The etch-stock-foto
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Nobleman with a Glass; graphic artist; glasses; noblemen; generic types; 2nd half of the 19th century; graphic; graphic matrix; graphic plate; height 14.8 cm; width 10.1 cm, A rectangular, flat surface fills the image with a worn, mottled texture in shades of dark gray and charcoal, punctuated by lighter gray and white spots and splotches scattered across it; there are faint areas of muted yellowish-beige and tiny hints of rust-colored tones in places, as well as subtle variations in darkness creating streaks and smudges; the edges show slight rounding and a narrow neutral gray border is visib-stock-foto
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Text: Latin alphabet, Arabic numerals and Russian alphabet; graphic artist; lettering, alphabet; after 1800; Vilnius; graphics; graphic matrix; graphic plate; height 17.8 cm, width 28.7 cm; Tyszkiewicz, Konstanty (1806-1868), A rectangular flat surface with a worn brown background showing a mottled patina and a few areas of darker brown; several irregular black splotches and patches scattered across the surface, some concentrated near the corners and edges and others more isolated toward the center; a small decorative label with a blue border is visible near one corner; faint scratches and fin-stock-foto
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