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WASHINGTON, D.C. — High-resolution panorama. The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the w-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard connects the Smithsonian American Art Museum and National Portrait Gallery beneath a distinctive undulating glass canopy designed by architect Norman Foster, completed in 2007. Originally an open-air space, the 28,000-square-foot enclosed courtyard features landscape elements by Kathryn Gustafson, including planters and interactive water scrims. Natural light filters through the innovative canopy structure, illuminating one of the largest indoor public spaces in Washington, D.C. The courtyard serves as a gathering area for visitors and p-stock-foto
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WASHINGTON DC — A visitor takes a photograph of the official presidential portrait of Barack Obama at the Smithsonian National Portrait Gallery. The portrait, painted by Kehinde Wiley in 2018, features the 44th President seated against a backdrop of green foliage with flowers. The artwork is part of the museum's permanent collection of presidential portraits, which includes official paintings of every U.S. president. The National Portrait Gallery, located in the historic Patent Office Building, houses the nation's only complete collection of presidential portraits outside the White House.-stock-foto
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WASHINGTON DC — A visitor takes a photograph of the official presidential portrait of Barack Obama at the Smithsonian National Portrait Gallery. The portrait, painted by Kehinde Wiley in 2018, features the 44th President seated against a backdrop of green foliage with flowers. The artwork is part of the museum's permanent collection of presidential portraits, which includes official paintings of every U.S. president. The National Portrait Gallery, located in the historic Patent Office Building, houses the nation's only complete collection of presidential portraits outside the White House.-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON DC — A corridor lined with paintings and sculptures in the Smithsonian American Art Museum, which houses one of the world's largest and most inclusive collections of American art. The museum, located in the historic Patent Office Building, displays works spanning more than four centuries of American creative achievement. The collection includes significant holdings from diverse American artists, showcasing the nation's artistic heritage through various mediums and styles. The museum's thoughtfully arranged galleries allow visitors to experience both well-known masterpieces and lesse-stock-foto
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WASHINGTON, D.C. — A gallery view of the Smithsonian American Art Museum, which houses one of the world's largest and most inclusive collections of American art. The museum, located in the historic Patent Office Building in downtown Washington, D.C., showcases artwork spanning more than four centuries of American creative achievement. The collection includes paintings, sculptures, photographs, folk art, and contemporary pieces, representing diverse American experiences and artistic movements. The museum shares its historic building with the National Portrait Gallery and offers free admission t-stock-foto
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WASHINGTON DC — A display at the Smithsonian American Art Museum's 'Chinatown and Beyond' exhibit chronicles the rich history of Asian martial arts in the nation's capital. The exhibition highlights how the 1960s marked a period of rising racial and ethnic consciousness when Asian martial arts offered powerful strategies for self-expression and community building in Washington. Featured prominently is George Lee (1914-1997), who helped train generations of lion dance practitioners with the Chinese Youth Club established in DC's Chinatown in 1939. The exhibit also showcases Ki Whang Kim (1920-1-stock-foto
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WASHINGTON, D.C. — An untitled folk art quilt known as 'Wheels of Chance,' created by an unidentified artist in the 1940s, on display in the Galleries for Folk and Self-Taught Art at the Smithsonian American Art Museum. The satin quilt features a geometric pattern of circular wheel motifs. The artwork was acquired by the museum in 2016 through a combination of a gift from Corrine Riley and museum purchase funds from the Barbara Coffey Quilt Endowment and the Luisita L. and Franz H. Denghausen Endowment.-stock-foto
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WASHINGTON, D.C. — The Smithsonian American Art Museum's 'Experience America' exhibition showcases artwork created during the Great Depression through President Franklin Roosevelt's New Deal programs. These federal initiatives employed artists from 1934 through the early 1940s, encouraging them to depict American landscapes, working people, and community life. The collection features paintings from both the initial 1934 pilot program and subsequent Works Progress Administration (WPA) projects. These artworks, originally placed in schools, post offices, and other public buildings, represent a s-stock-foto
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WASHINGTON, D.C. — The Smithsonian American Art Museum, located in the historic Patent Office Building in downtown Washington, D.C. The museum houses one of the world's largest and most inclusive collections of American art, spanning more than four centuries from the colonial period to contemporary works. Sharing the building with the National Portrait Gallery since 1968, the museum underwent a major renovation completed in 2006. The neoclassical structure, designed by architects Robert Mills and Thomas U. Walter, is considered an architectural masterpiece and was saved from demolition in the-stock-foto
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WASHINGTON, D.C. — The Donald W. Reynolds Center for American Art and Portraiture, housed in the historic Patent Office Building, displays its cornerstone inscription detailing the structure's history. Designed by architect Robert Mills and authorized by Congress on July 4, 1836, the neoclassical building initially served as the U.S. Patent Office. The structure later housed the Department of Interior from 1852 to 1925, followed by the U.S. Civil Service Commission from 1932. Today, the building is home to the Smithsonian American Art Museum and the National Portrait Gallery.-stock-foto
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WASHINGTON, D.C. — The Smithsonian American Art Museum's Helen D. and Donald J. Douglass Gallery hosts the 'Experience America' exhibition, showcasing artwork created during the Great Depression era. The gallery features paintings commissioned through President Franklin Roosevelt's New Deal programs, which employed artists to document American life from 1934 until World War II. These works depict the nation's landscapes, working people, and community spirit despite economic hardship. Many pieces originated from the 1934 pilot program designed to provide employment for artists, while others wer-stock-foto
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WASHINGTON, D.C. — The Donald W. Reynolds Center for American Art and Portraiture, housed in the historic Patent Office Building, displays its cornerstone inscription detailing the structure's history. Designed by architect Robert Mills and authorized by Congress on July 4, 1836, the neoclassical building initially served as the U.S. Patent Office. The structure later housed the Department of Interior from 1852 to 1925, followed by the U.S. Civil Service Commission from 1932. Today, the building is home to the Smithsonian American Art Museum and the National Portrait Gallery.-stock-foto
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WASHINGTON, D.C. — The Smithsonian's National Portrait Gallery, located in the historic Old Patent Office Building in downtown Washington, D.C. The museum houses an extensive collection of portraits of Americans who have made significant contributions to the nation's history and culture. Established in 1962 and opened to the public in 1968, the National Portrait Gallery shares its building with the Smithsonian American Art Museum. The neoclassical structure, completed in 1868, is considered one of the finest examples of Greek Revival architecture in the United States.-stock-foto
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WASHINGTON, D.C. — The Donald W. Reynolds Center for American Art and Portraiture, housed in the historic Patent Office Building, displays its cornerstone inscription detailing the structure's history. Designed by architect Robert Mills and authorized by Congress on July 4, 1836, the neoclassical building initially served as the U.S. Patent Office. The structure later housed the Department of Interior from 1852 to 1925, followed by the U.S. Civil Service Commission from 1932. Today, the building is home to the Smithsonian American Art Museum and the National Portrait Gallery. SMITHSONIAN AMERI-stock-foto
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WASHINGTON, D.C. — The Donald W. Reynolds Center for American Art and Portraiture, housed in the historic Patent Office Building, displays its cornerstone inscription detailing the structure's history. Designed by architect Robert Mills and authorized by Congress on July 4, 1836, the neoclassical building initially served as the U.S. Patent Office. The structure later housed the Department of Interior from 1852 to 1925, followed by the U.S. Civil Service Commission from 1932. Today, the building is home to the Smithsonian American Art Museum and the National Portrait Gallery.-stock-foto
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WASHINGTON, D.C. — The Donald W. Reynolds Center for American Art and Portraiture, housed in the historic Patent Office Building, displays its cornerstone inscription detailing the structure's history. Designed by architect Robert Mills and authorized by Congress on July 4, 1836, the neoclassical building initially served as the U.S. Patent Office. The structure later housed the Department of Interior from 1852 to 1925, followed by the U.S. Civil Service Commission from 1932. Today, the building is home to the Smithsonian American Art Museum and the National Portrait Gallery.-stock-foto
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WASHINGTON DC — The Smithsonian National Museum of African American History and Culture stands in the foreground with the Washington Monument rising in the background on the National Mall. The museum's distinctive bronze-colored metalwork exterior, designed by lead architect David Adjaye and opened in September 2016, creates a striking contrast with the white marble obelisk honoring America's first president. This view captures the architectural dialogue between the nation's newest Smithsonian museum and one of its oldest monuments.-stock-foto
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WASHINGTON DC — The Smithsonian National Museum of African American History and Culture stands in the foreground with the Washington Monument rising in the background on the National Mall. The museum's distinctive bronze-colored metalwork exterior, designed by lead architect David Adjaye and opened in September 2016, creates a striking contrast with the white marble obelisk honoring America's first president. This view captures the architectural dialogue between the nation's newest Smithsonian museum and one of its oldest monuments.-stock-foto
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WASHINGTON DC — The Smithsonian National Museum of African American History and Culture stands in the foreground with the Washington Monument rising in the background on the National Mall. The museum's distinctive bronze-colored metalwork exterior, designed by lead architect David Adjaye and opened in September 2016, creates a striking contrast with the white marble obelisk honoring America's first president. This view captures the architectural dialogue between the nation's newest Smithsonian museum and one of its oldest monuments.-stock-foto
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WASHINGTON DC — The Smithsonian National Museum of African American History and Culture stands in the foreground with the Washington Monument rising in the background on the National Mall. The museum's distinctive bronze-colored metalwork exterior, designed by lead architect David Adjaye and opened in September 2016, creates a striking contrast with the white marble obelisk honoring America's first president. This view captures the architectural dialogue between the nation's newest Smithsonian museum and one of its oldest monuments.-stock-foto
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WASHINGTON DC — The Smithsonian National Museum of African American History and Culture stands in the foreground with the Washington Monument rising in the background on the National Mall. The museum's distinctive bronze-colored metalwork exterior, designed by lead architect David Adjaye and opened in September 2016, creates a striking contrast with the white marble obelisk honoring America's first president. This view captures the architectural dialogue between the nation's newest Smithsonian museum and one of its oldest monuments.-stock-foto
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WASHINGTON DC — The Smithsonian National Museum of African American History and Culture stands in the foreground with the Washington Monument rising in the background on the National Mall. The museum's distinctive bronze-colored metalwork exterior, designed by lead architect David Adjaye and opened in September 2016, creates a striking contrast with the white marble obelisk honoring America's first president. This view captures the architectural dialogue between the nation's newest Smithsonian museum and one of its oldest monuments.-stock-foto
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