Aktuális sajtó tartalmak és illusztrációs fotók

[flat surface fills] képek

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A metal duct runs vertically in a room. It has vents attached to its surface. The wall in the background is plain and unadorned. Sunlight fills the sp-stock-foto
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A layer of small rocks fills a construction area during the afternoon. The stones vary in size and shape and create a natural pattern across the groun-stock-foto
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Nobleman with a Glass; graphic artist; glasses; noblemen; generic types; 2nd half of the 19th century; graphic; graphic matrix; graphic plate; height 14.8 cm; width 10.1 cm, A rectangular, flat surface fills the image with a worn, mottled texture in shades of dark gray and charcoal, punctuated by lighter gray and white spots and splotches scattered across it; there are faint areas of muted yellowish-beige and tiny hints of rust-colored tones in places, as well as subtle variations in darkness creating streaks and smudges; the edges show slight rounding and a narrow neutral gray border is-stock-foto
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Karawaka and prayer text. Spiritual Protection Against the Mormon Air, Pczycki, Stanisław (ca. 1769–1844), graphic artist. Karawaka, prayers. I Monuments of domestic engraving, 1st quarter of the 18th century, Vilnius. Graphic, graphic matrix, graphic plate. Height 15.5 cm, width 20.6 cm., A flat rectangular metal plate with a warm brown and copper tone fills the image, showing an etched design and a gridlike decorative border; the right side features an ornate cross-shaped motif with rounded trefoil ends and an oval medallion at its center, while the left side contains densely incised-stock-foto
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Two tondos: Guardian Angel and the Holy Family; Stanisław Pczycki (ca. 1769–1844), graphic artist; Guardian Angel; Holy Family; after 1805; graphic plate; height 14.5 cm; width 20.5 cm., A rectangular, flat object with rounded corners fills the frame, showing a worn, textured surface in shades of brown, copper, and rust with mottled patches of darker brown and black. There is a visible band of lighter, golden-brown streaking across the central area, and scattered small dark spots and speckles across the surface. The edges show slightly darker wear, and a small decorative rectangular label with-stock-foto
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Oval frame on a rectangular background; Jan Nikodem Łopaciński (1747–1810), graphic artist; Konstanty Tyszkiewicz (1806–1868); Łohojsk; applied graphics, graphic frames; ca. 1800; graphics; graphic matrix/graphic plate; height 4.6 cm, width 6.3 cm, A flat rectangular metal plate with rounded corners fills the image, showing an overall brown and coppery surface with areas of darker blackish and greenish discoloration and faint lighter patches. The surface displays many scratches, scuffs, and abrasions across it, with a few small dents and shallow scrapes. Along the edges there are worn darker-stock-foto
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The Most Holy Mary, Mother of Jesus; Jan Nikodem Łopaciński (1747–1810), graphic artist; Mary (mother of Jesus Christ); The Holy Virgin, devotional representation, religious painting; Image of the Holy Virgin in a pew with folded hands, head covered with a scarf, slightly inclined to the left. Inscription: 'The Most Holy Mary, Mother of Jesus'; provenance note: in the manner: in Szarkowszczyzna Łopaciński (starosta), works for his peasants. Sty' = starosty, 1785–1810. Medium: graphic, matrix graphic, graphic board. Dimensions: height 21.8 cm, width 16.8 cm., A rectangular flat surface fills-stock-foto
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The Crane in Gdańsk; Jabłczyński, Feliks (1865–1928); graphic artist. Subject: tenement houses, cityscapes, architectural studies, landscapes, streets, cities, views, architectural views, ports, port quays, city views, cranes. Specific: Crane (Gdańsk), Gdańsk (Pomeranian Voivodeship), Polish graphics, Poland; ca. 1924; Warsaw. Medium: graphics, graphic matrix/plate. Dimensions: height 9.4 cm, width 7.2 cm., A rectangular, flat surface fills most of the image, appearing rough and weathered with a textured, mottled pattern; the surface shows a mix of dark brown, rusty brown, gray, and black-stock-foto
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Sketch of a woman's head; Feliks Jabłczyński (1865–1928), graphic artist; studies of women's heads; head studies; women; Polish graphics; Poland; ca. 1924; Warsaw; graphics; graphic matrix/plate; height 6.7 cm; width 7.4 cm, A square, flat surface fills most of the image, bordered by a narrow frame and set against a lighter background. The central surface shows a rough, worn texture with irregular patches and speckles, exhibiting mainly gray and muted beige tones, with several small pale bluish-gray spots and a few off-white specks. The surrounding border and outer area are a lighter gray, and-stock-foto
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Fantastic composition with figures in habits; Feliks Jabłczyński (1865–1928), Polish graphic artist; fantasy scenes; symbolism (style); ca. 1924, Warsaw; graphic; graphic matrix/graphic plate; height 9.3 cm, width 7.8 cm, A rectangular dark surface with a rough texture fills most of the image, showing a mottled pattern of lighter splotches and speckles. The dark area is predominantly black and deep gray, with a group of irregular pale gray and white spots scattered across it. Around the dark rectangle there is a narrow border of lighter gray and off-white, and the outermost edges show a pale-stock-foto
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Quarter crown thaler forgery by Majnert. Obverse: illegible. Reverse: bust of Sigismund Augustus in a cap and crown; on the sides date 1540. Rim: coats of arms of Poland, Lithuania, Royal Prussia, Red Ruthenia and Bona Sforza. Inscription: SIG AVG SECUND FILIVS REX POLON., 1532. Maker: Majnert. Weight: 6.37 g. Subject: Sigismund I the Old (King of Poland; 1506–1548)., A roughly circular, flat object fills the center of the image, showing a weathered, worn surface with uneven textures and visible cracks. The surface displays a range of grays with patches of lighter off-white and darker charcoal-stock-foto
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Gdańsk troika, Sigismund I the Old (King of Poland; 1506–1548). Polish coin (Jagiellonians dynasty). Obverse: Crowned male bust in profile turned to the right, inscription around the rim: .SIGIS.I.REX.POLO.DO.TO.PRVSSI. Reverse: Inscription around the rim in five lines, date separated by a shield with the coat of arms of Gdańsk: .III./GROS:AR:/TRIP:CIVI:/DANNCZK/.15 - 36. Date: 1536. City coat of arms: Gdańsk. Diameter: 20.6–20.8 mm. Weight: 2.55 g., A round metallic object with a weathered silver-gray surface fills the frame, showing raised and recessed areas that form patterns and shapes.-stock-foto
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wieczorowy; Ernest Jan Biron (Duke of Courland and Semigallia; 1763–1769); coats of arms; busts; White Eagle (coat of arms); Polish–Lithuanian Commonwealth (coat of arms); Pogoń (coat of arms); shields; heraldic shields; Biron (family). Obverse: in the border an outline of a bust turned to the right; illegible inscription in the rim. Reverse: under a crowned mitre separating an illegible inscription in the rim, two coats of arms with the Eagle and the Chaser; below the value number VI; date 1763–1764; Duchy of Courland and Semigallia, Mitawa; coin; weight 3.08 g., A roughly circular flat-stock-foto
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One and a half (coin). Obverse: Under a ducal mitre, a five-field heraldic shield with the value numeral 3 in the lower part of the shield; on the rim between borders an inscription separated by the mitre and the value numeral GE.WI.MA. - BR.SRIE. Reverse: Royal orb with a cross whose arms terminate in finials; value numerals 24 in the lower part of the orb; date numerals 2-6 on the sides of the cross; on the rim between borders an inscription separated by a cross and a heart - hallmark .MONE.NO. - DVC.PR, S., 1626. Ducal Prussia (1525–1701), Königsberg. Coin: diameter 19.1 mm, weight 1.14 g,-stock-foto
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A round orange box is placed on flat gray carpet beside white curtains. Soft light fills the room creating a warm space.-stock-foto
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Seamless vector pattern with Anchors. Template for wallpaper, pattern fills, web page background, surface textures. Flat And Linear style Rapport Navy-stock-foto
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Teal leather texture fills the frame with detailed leather grain and clean leather surface. Natural background for mockup, copy space, branding-stock-foto
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Water fills in the dips and crevices on this stone like floor near the waters edge. Makes interesting water and stone background or texture.-stock-foto
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Covered old tiled roof.-stock-foto
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Covered old tiled roof.-stock-foto
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Plate Depicting a Flowering Bush in Two-Toned Luster 9th century A highly stylized, flowering bush fills the center of this plate, its blooming flowers scattered over the surface of the plate in a pattern recalling mosaics or millefiori glass. The word mulk ("sovereignty") repeats in kufic around the flat rim, possibly as an abbreviation of the common calligraphic saying al-mulk lillah ("sovereignty belongs to God").. Plate Depicting a Flowering Bush in Two-Toned Luster  452821-stock-foto
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The painted wall is light to dark in grayscale gradients. Background.-stock-foto
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Clean, smooth concrete gray background with beautiful streaks. Raw background.-stock-foto
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Old tiled roof with plain tiles.-stock-foto
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Old tiled roof with plain tiles.-stock-foto
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Old tiled roof with plain tiles.-stock-foto
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Old tiled roof with plain tiles.-stock-foto
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Old tiled roof with plain tiles.-stock-foto
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Close up of dry and cracked log wood-stock-foto
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gray background of crumpled paper fills the entire sheet-stock-foto
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gray background of crumpled paper fills the entire sheet-stock-foto
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Wooden background, weathered, close-up, format filling-stock-foto
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Wooden background, weathered, close-up, format filling-stock-foto
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Wooden background, weathered, close-up, format filling-stock-foto
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Wooden background, weathered, close-up, format filling-stock-foto
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Wooden background, weathered, close-up, format filling-stock-foto
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Wooden background, weathered, close-up, format filling-stock-foto
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Wooden background, weathered, close-up, format filling-stock-foto
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Wooden background, weathered, close-up, format filling-stock-foto
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Wooden background, weathered, close-up, format filling-stock-foto