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[found objects art] képek

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Nansamba II Leilah Babirye Blue Glazed Ceramic Head Washington DC USA // WASHINGTON, District of Columbia — A large blue glazed ceramic head adorned with braided bicycle tire inner tubes, Leilah Babirye's 2021 sculpture "Nansamba II from the Kuchu Ngabi (Antelope) Clan," anchors a museum exhibition space. The Ugandan-born artist constructs her totemic figures using a synthesis of traditional ceramics and found objects to reclaim the precolonial history of the Buganda kingdom. By incorporating the term "kuchu"—meaning queer—and the feminizing "Na-" prefix into her naming conventions, Babirye sy-stock-foto
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Rainbow Serpent Circular Jerry Can Sculpture Washington DC United States // WASHINGTON DC, United States — Romuald Hazoumè's monumental 2007 sculpture, Rainbow Serpent (Dan-Ayido-Houedo), anchors the gallery floor during the "Visionary: Viewpoints on Africa's Arts" exhibition. Constructed from discarded plastic jerry cans typically used to transport gasoline, the mixed-media piece forms a massive ouroboros representing a serpent swallowing its own tail. This continuous loop embodies a powerful symbol of fertility, prosperity, and the eternal cycle of life within the cosmological traditions of-stock-foto
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Leilah Babirye Nansamba II Blue Glazed Ceramic Sculpture Washington DC United States // WASHINGTON D.C., United States — Leilah Babirye's 2021 sculpture, "Nansamba II from the Kuchu Ngabi (Antelope) Clan," rests on a gallery pedestal, featuring a blue glazed ceramic head crowned with woven bicycle tire inner tubes and found objects. The artwork reclaims the precolonial history of Uganda's Buganda kingdom, where clans once honored totemic animals, by assigning these traditional names to the queer community. By incorporating the term "kuchu" (meaning queer) and the feminizing "Na-" prefix into h-stock-foto
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Rainbow Serpent Ouroboros Jerry Can Sculpture Washington DC USA // WASHINGTON D.C., United States — Romuald Hazoumè's monumental 2007 sculpture, Rainbow Serpent (Dan-Ayido-Houedo), forms a massive ouroboros constructed from discarded gasoline jerry cans on the museum gallery floor. The serpent swallowing its tail represents the eternal cycle of life, fertility, and prosperity for the Fon and Yoruba peoples of Benin and Nigeria. By repurposing these specific plastic fuel vessels, the Beninese artist subverts traditional expectations of African art to critique the environmental consequences of o-stock-foto
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Rainbow Serpent Jerry Can Sculpture Washington DC United States // WASHINGTON D.C., United States — Romuald Hazoumè's monumental 2007 sculpture Rainbow Serpent (Dan-Ayido-Houedo), constructed from repurposed gasoline jerry cans, anchors the gallery space in the Visionary: Viewpoints on Africa's Arts exhibition. The mixed-media ouroboros depicts a serpent swallowing its own tail, a traditional symbol of fertility, prosperity, and the eternal cycle of life for the Fon and Yoruba peoples of Benin and Nigeria. By utilizing discarded plastic containers, the Beninese artist subverts traditional expe-stock-foto
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Rainbow Serpent Jerry Can Sculpture Washington DC United States // WASHINGTON D.C., United States — Romuald Hazoumè's monumental 2007 sculpture, Rainbow Serpent (Dan-Ayido-Houedo), forms a massive ring in the center of the gallery space during the "Visionary: Viewpoints on Africa's Arts" exhibition. Constructed from repurposed gasoline jerry cans, the mixed-media piece depicts a serpent swallowing its own tail. This specific form represents a powerful symbol of fertility, prosperity, and the eternal cycle of life for the Fon and Yoruba peoples of Benin and Nigeria. By utilizing these ubiquitou-stock-foto
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Romuald Hazoume Rainbow Serpent Jerry Can Sculpture Washington DC United States // WASHINGTON D.C., United States — Romuald Hazoumè's monumental 2007 mixed-media sculpture, Rainbow Serpent (Dan-Ayido-Houedo), anchors the gallery space during the Visionary: Viewpoints on Africa's Arts exhibition. Constructed primarily from discarded gasoline jerry cans, the artwork forms a massive ouroboros depicting a serpent swallowing its own tail. This specific motif represents a powerful symbol of fertility, prosperity, and the eternal cycle of life revered by the Fon and Yoruba peoples of Benin and Nigeri-stock-foto
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A woman walks within Suspended Playtime art installation by Kenyan artist Wangechi Mutu using footballs made from plastic bags, blankets and rope-stock-foto
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Suspended Playtime art installation by Kenyan artist Wangechi Mutu using footballs made from plastic bags, blankets and rope-stock-foto
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New York CIty, NY, USA, Close up View, MOMA, Installation, Found Everyday Objects,  inside Art Gallery, Museum of Modern Art, Credit Artist: Geo-stock-foto
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New York CIty, NY, USA, Close up View, MOMA, Installation, Found Everyday Objects,  inside Art Gallery, Museum of Modern Art, Credit Artist: Geo-stock-foto
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New York CIty, NY, USA, Group Teens, View, MOMA, Installation, Found Everyday Objects,  inside Art Gallery, Museum of Modern Art,-stock-foto
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New York CIty, NY, USA, Wide Angle View, MOMA, Installation, Found Everyday Objects,  inside Art Gallery, Museum of Modern Art, Teenagers Teacher-stock-foto
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Close-up view of shoes hanging from a desert installation known as the Rice shoe tree in California, USA-stock-foto
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London, UK.  6 March 2026.  A staff member with ‘Found and Given 2015/Fossils2026’, 2015/2026, a pyramid-shaped collection of photographs and objects, at the opening of ‘Echo's Bones’ , a new exhibition by Petra Feriancová at Elizabeth Xi Bauer gallery in Exmouth Market.  The Czech artist’s works, covering photography, sculpture, and installation, are on show to 6 March to 19 April 2026.  Credit: Stephen Chung / Alamy Live News-stock-foto
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London, UK.  6 March 2026.  A staff member with ‘Found and Given 2015/Fossils2026’, 2015/2026, a pyramid-shaped collection of photographs and objects, at the opening of ‘Echo's Bones’ , a new exhibition by Petra Feriancová at Elizabeth Xi Bauer gallery in Exmouth Market.  The Czech artist’s works, covering photography, sculpture, and installation, are on show to 6 March to 19 April 2026.  Credit: Stephen Chung / Alamy Live News-stock-foto
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London, UK.  6 March 2026.  A staff member with ‘Found and Given 2015/Fossils2026’, 2015/2026, a pyramid-shaped collection of photographs and objects, at the opening of ‘Echo's Bones’ , a new exhibition by Petra Feriancová at Elizabeth Xi Bauer gallery in Exmouth Market.  The Czech artist’s works, covering photography, sculpture, and installation, are on show to 6 March to 19 April 2026.  Credit: Stephen Chung / Alamy Live News-stock-foto
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London, UK.  6 March 2026.  A staff member with ‘Found and Given 2015/Fossils2026’, 2015/2026, a pyramid-shaped collection of photographs and objects, at the opening of ‘Echo's Bones’ , a new exhibition by Petra Feriancová at Elizabeth Xi Bauer gallery in Exmouth Market.  The Czech artist’s works, covering photography, sculpture, and installation, are on show to 6 March to 19 April 2026.  Credit: Stephen Chung / Alamy Live News-stock-foto
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London, UK.  6 March 2026.  A staff member with ‘Found and Given 2015/Fossils2026’, 2015/2026, a pyramid-shaped collection of photographs and objects, at the opening of ‘Echo's Bones’ , a new exhibition by Petra Feriancová at Elizabeth Xi Bauer gallery in Exmouth Market.  The Czech artist’s works, covering photography, sculpture, and installation, are on show to 6 March to 19 April 2026.  Credit: Stephen Chung / Alamy Live News-stock-foto
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London, UK.  6 March 2026.  A staff member with ‘Found and Given 2015/Fossils2026’, 2015/2026, a pyramid-shaped collection of photographs and objects, at the opening of ‘Echo's Bones’ , a new exhibition by Petra Feriancová at Elizabeth Xi Bauer gallery in Exmouth Market.  The Czech artist’s works, covering photography, sculpture, and installation, are on show to 6 March to 19 April 2026.  Credit: Stephen Chung / Alamy Live News-stock-foto
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London, UK.  6 March 2026.  A staff member with ‘Found and Given 2015/Fossils2026’, 2015/2026, a pyramid-shaped collection of photographs and objects, at the opening of ‘Echo's Bones’ , a new exhibition by Petra Feriancová at Elizabeth Xi Bauer gallery in Exmouth Market.  The Czech artist’s works, covering photography, sculpture, and installation, are on show to 6 March to 19 April 2026.  Credit: Stephen Chung / Alamy Live News-stock-foto
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London, UK.  6 March 2026.  A staff member with ‘Found and Given 2015/Fossils2026’, 2015/2026, a pyramid-shaped collection of photographs and objects, at the opening of ‘Echo's Bones’ , a new exhibition by Petra Feriancová at Elizabeth Xi Bauer gallery in Exmouth Market.  The Czech artist’s works, covering photography, sculpture, and installation, are on show to 6 March to 19 April 2026.  Credit: Stephen Chung / Alamy Live News-stock-foto
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London, UK.  6 March 2026.  A staff member with ‘Found and Given 2015/Fossils2026’, 2015/2026, a pyramid-shaped collection of photographs and objects, at the opening of ‘Echo's Bones’ , a new exhibition by Petra Feriancová at Elizabeth Xi Bauer gallery in Exmouth Market.  The Czech artist’s works, covering photography, sculpture, and installation, are on show to 6 March to 19 April 2026.  Credit: Stephen Chung / Alamy Live News-stock-foto
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London, UK.  6 March 2026.  A staff member with ‘Found and Given 2015/Fossils2026’, 2015/2026, a pyramid-shaped collection of photographs and objects, at the opening of ‘Echo's Bones’ , a new exhibition by Petra Feriancová at Elizabeth Xi Bauer gallery in Exmouth Market.  The Czech artist’s works, covering photography, sculpture, and installation, are on show to 6 March to 19 April 2026.  Credit: Stephen Chung / Alamy Live News-stock-foto
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London, UK.  6 March 2026.  A staff member with ‘Found and Given 2015/Fossils2026’, 2015/2026, a pyramid-shaped collection of photographs and objects, at the opening of ‘Echo's Bones’ , a new exhibition by Petra Feriancová at Elizabeth Xi Bauer gallery in Exmouth Market.  The Czech artist’s works, covering photography, sculpture, and installation, are on show to 6 March to 19 April 2026.  Credit: Stephen Chung / Alamy Live News-stock-foto
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Solitary desert tree overlooking the settlement landscape, Slab City, California, USA.-stock-foto
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Discarded refrigerators and appliances arranged outdoors, Slab City, California, USA.-stock-foto
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Desert sculpture made from recycled metal objects at Slab City in Imperial County, California, USA.-stock-foto
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Vintage vehicle decorated with found objects art installation at Slab City in the California desert.-stock-foto
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Skeleton mannequin seated inside a domestic setting, Slab City, California, USA.-stock-foto
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Skeleton figure inside a decorated interior space, Slab City, California, USA.-stock-foto
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Interior scene with table and taxidermy in a handmade dwelling, Slab City, California, USA.-stock-foto
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Small figurines displayed inside a cage-like structure, Slab City, California, USA.-stock-foto
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Desert sculpture installation made from found objects in the Slab City community in California, USA.-stock-foto
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Art installation made from found objects at Slab City, the off grid desert community in Imperial County, California, USA-stock-foto
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Decorative skeleton and antlers displayed against a red curtain, Slab City, California, USA.-stock-foto
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Collection of stuffed toys arranged on an outdoor couch, Slab City, California, USA.-stock-foto
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Entrance structure at the community known as The Range, Slab City, California, USA.-stock-foto
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Blue church building in the desert landscape, Slab City, California, USA.-stock-foto
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Desert art installation made from stones and found objects at Slab City near the Salton Sea, California, USA.-stock-foto