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[four rectangular lines] képek

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Clustering four orange-and-black soccer balls sitting on green turf with white overlay, copy space-stock-foto
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Graphic artist; angel heads; allegorical-symbolic bookplate; religious bookplate; lilies; Eye of Providence (iconographic); dogs; swords (weapons); IHS monogram; Dominicans (order); monastic libraries; bookplate; Catholic Church (institution); oval; religious orders; 2nd half of the 18th century; graphic print; height 9.1 cm; width 7.2 cm, The image shows a rectangular engraved plate with an oval central scene surrounded by a dark hatched border and four cherubic faces at the corners with wings extending toward the oval; inside the oval is a radiating pattern of fine lines and a small standing-stock-foto
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Queen of Spades — Augusta Victoria, German Empress and Queen of Prussia; illustrator: Czesław Tański (1862–1942); drawing, Polish, 1916–1917, Warsaw. Subjects/details: playing card (spades), knitting/handicrafts; iconography of Augusta Victoria (1858–1921); World War I (1914–1918) context; inscription/attribution: Witke-Jeżewski, Dominik (1862–1944) mentioned., A sheet with a pale gray background holds a grid of illustrated playing-card sized images mounted within rectangular frames, forming two rows of four; the illustrations depict a variety of human figures, scenes, and objects drawn in a-stock-foto
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Walter tells his story to Aldona, illustration to 'Konrad Wallenrod' by Adam Mickiewicz; illustrator Władysław Niewiarowicz (1815–1891). Illustration for the lines: 'Everything Walter said, a maiden catches with her ear' ('Wajdelota's novel, lines 1011–1020). Scene: inside, by the fireplace, four girls sit at spinning wheels, Walter stands behind Aldona's armchair. Before 1851, Paris; woodcut block; height 12.1 cm, width 12.3 cm, thickness 2.1 cm., A rectangular block with worn, rough edges rests on a smooth reflective surface, showing a top that appears darker and more textured than the sides-stock-foto
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Walter tells his story to Aldona, illustration to 'Konrad Wallenrod' by Adam Mickiewicz; illustrator: Władysław Niewiarowicz (1815–1891). Illustration for the lines: 'Everything Walter said, a maiden catches with her ear' ('Wajdelota's novel, lines 1011–1020). Scene: inside by the fireplace, four girls sit at spinning wheels, Walter stands behind Aldona's armchair. Before 1851, Paris. Woodcut block; height 12.1 cm, width 12.3 cm, thickness 2.1 cm., A rectangular block resting on a reflective surface, with worn, textured sides showing brown and tan tones with spots of darker brown and small-stock-foto
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Receipt and advice for a national loan; securities; National Government; January Uprising (1863–1864); National Loan; receipts; Kingdom of Poland (1815–1918). Temporary personal receipt for the General National Loan, used to obtain bonds. Blank form. Warsaw, dated 1866. On the reverse, three ink seals of the National Government. Four receipts joined with adhesive tapes; 1863; Poland; security; receipt. Dimensions: 1,205 mm and 2,243 mm., A single sheet of aged paper divided into a grid of rectangular sections with printed blocks and narrow separators, showing a vertical arrangement of-stock-foto
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Diverse male basketball players in yellow and red jerseys practicing defense on gym court with hoop. Athletes, teamwork, athleti-stock-foto
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Retícula, an installation of four rectangular neon light panels by Cachito Vallés, part of "El eterno presente."-stock-foto
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Retícula, an installation of four rectangular neon light panels by Cachito Vallés, part of "El eterno presente."-stock-foto
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Displaying neon green wireframe 3D car model inside virtual tunnel, showing orange grid lines-stock-foto
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Each level of the building features tall, elegant panoramic windows framed with decorative shutters. Their uniform style adds balance and classic char-stock-foto
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Displaying battery icon showing 96% in digital dashboard, with plug icon and data panels-stock-foto
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Diverse male teammates in gear huddling and stacking hands under volleyball net on court with hoop. Teamwork, athleticism, sportsmanship, ensemble, co-stock-foto
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Symmetric building with colourful stripes and heart with text "Love" behind the four windows-stock-foto
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Displaying interface in digital space using white grid lines, outlined panels and four cyan markers-stock-foto
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Four professionals reviewing 3D model in conference room, with laptop and wall monitor-stock-foto
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Steel window grid-stock-foto
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Displaying menu on dark screen with eight cyan-outlined buttons, yellow highlight and blurred code-stock-foto
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Chinese New Year red couplets with successive lines of auspicious verse for decoration at home during the festive period, Chinatown, Singapore. 2024.-stock-foto
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Fescoes attributed to Bernandino Lanino one madonna and Child and another of angels with musical instruments, both ca year 1500.-stock-foto
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The chapter room in the monastery. The Basilica di Sant'Andrea is the church of a monastery in Vercelli, Piedmont, northern Italy.-stock-foto
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The cloister of the monastery with the original small columns – in groups of four. The Basilica di Sant'Andrea is the church in Vercelli. Italy.-stock-foto
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The cloister of the monastery with the original small columns – in groups of four. The Basilica di Sant'Andrea is the church in Vercelli. Italy.-stock-foto
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The cloister of the monastery with the original small columns – in groups of four. The Basilica di Sant'Andrea is the church in Vercelli. Italy.-stock-foto
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The cloister of the monastery with the original small columns – in groups of four. The Basilica di Sant'Andrea is the church in Vercelli. Italy.-stock-foto
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The Basilica di Sant'Andrea is the church of a monastery in Vercelli, Piedmont, northern Italy.-stock-foto
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The cloister of the monastery with the original small columns – in groups of four. The Basilica di Sant'Andrea is the church in Vercelli, Italy.-stock-foto
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The Basilica di Sant'Andrea is the church of a monastery in Vercelli, Piedmont, northern Italy.-stock-foto
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The Basilica di Sant'Andrea is the church of a monastery in Vercelli, Piedmont, northern Italy.-stock-foto
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West façade of the Basilica di Sant'Andrea is the church of a monastery in Vercelli, Piedmont, northern Italy.-stock-foto
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The Basilica di Sant'Andrea is the church of a monastery in Vercelli, Piedmont, northern Italy.-stock-foto
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Cœnotaphiorum (20) 1563 Hans Vredeman de Vries Netherlandish Funerary monument consisting of a simple tomb with the effigy of a sleeping clergyman in a chasuble on top. The tomb is placed in the corner of a room with one oval and four rectangular windows. Below the image a Latin inscription has been placed, consisting of six lines divided over two columns.. Cœnotaphiorum (20) 402148-stock-foto
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Painted Dado Panels 9th century This dado panel was excavated from a room in the Tepe Madrasa area of Nishapur that once had a lively scheme of painted decoration. The upper section of the wall was colored a deep red, followed by a short horizontal frieze of hexagons and diamonds underneath, and then this four-foot high dado with a frieze of alternating square and rectangular panels. Each panel in the dado was framed with blue, red, and white lines; the rectangular panels were filled with a pattern akin to quartersawn marble, and the square panels had a variety of feathery shapes, scale-covere-stock-foto
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Bronze ring key 3rd–4th century A.D. Roman There are four teeth, of which two are triangular and two rectangular, a thick, quadrilateral shaft, and a ring handle. On the shaft are incised lines.. Bronze ring key 246440-stock-foto
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Cœnotaphiorum (16) 1563 Hans Vredeman de Vries Netherlandish Freestanding funerary monument for a man and a woman in an interior. The effigies of a sleeping man and woman have been placed on top of the rectangular tomb. The tomb is crowned by a baldachin with hourglasses on the four corners. The lower end of the tomb is characterized by a harnassed figure carrying two blank coats of arms. On the left side of the print an archway is visible which provides a view of the outside. Below the image a Latin inscription is added consisting of four lines, divided over two columns.. Cœnotaphiorum (16)-stock-foto
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Over-lifesize bearded head wearing a conical helmet late 7th or early 6th century B.C. Cypriot The beard assumes a roughly rectangular shape. It is composed of four smooth strands separated by incised lines and rounded off at the bottom. The lips show a faint smile. The short wide nose and the stiff mouth have been partially restored in plaster. The eyeballs, that which protrude more at the top than below, are in the shape of half-moons; the arch of the eyebrows follows that of the upper eyelids. Two earrings were probably attached to each schematic and partially broken earlobe. The very flat-stock-foto
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Glass serving dish Second half of the 1st–2nd century A.D. Roman Colourless with green tinge.Rim ground smooth; horizontal border with two raised lines on each side of shallow rectangular bowl; sides sloping in to flat bottom; two large horizontal handles with roughly cut hole at center of each and cut decoration along outer edge; at corners, four small incised circles; raised hollow foot of rectangular shape, made by applying thick trail to bottom of bowl and then ground smooth; trail applied at one corner and run all way around bottom.Broken and repaired across one handle and one end of the-stock-foto
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Glass ornaments ca. 1370–1200 B.C. Helladic, Mycenaean Set of fourteen matching ornaments, all made in same or very similar molds.Semi-translucent cobalt blue (12 examples) or light blue green (2 examples).Vertical rectangular panel; uneven flat back; straight sides and bottom edge; a large hole running horizontally through reel at top, four holes in recessed circle near bottom, and tiny hole in spikes along left edge on some examples.Molded decoration on front: a series of three reels, each with a truncated pyramidal spike projecting at left; three pairs of wavy lines in relief run vertically-stock-foto
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Four rectangular blocks in blue and green form a base, topped with a white wooden arrow pointing upward, arranged on a white background in a minimalis-stock-foto
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. Ink set standing on a rectangular leaf, with raised edge and four profiled ball legs. Two circular edges are attached to the leaf, where a sand spreader and an ink pot are in. The inkwell has a double wall, five holes in the top edge and a vaulted folding cover with a button. The penne holder is attached to the sheet. The inkwell, sand spreader and the penne holder are engraved with Zig-Zag lines. The ink set has been labeled: Mt. = Wessel Jansen, an ax and a stork (Investment Church of The Hague).-stock-foto
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