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[high rectangular backrest] képek

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Ebony armchair with healed armrests ending in stylized dolphin heads on vase-shaped armlets. Back styles with cherubs .. Armchair of ebony, resting on four legs with house and articulation and connected by eight straight exercise, the four below the bottom brace-shaped scalloped. The modern upholstery has been laid off, also on the front houses. The healed armrests end in styled, stylized dolphin heads and supports on vase-shaped armrests. The back styles are crowned by two cobblestones with folded wings at the height of the neck. The rectangular back window rests on high struts.-stock-foto
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Upper left side of an altar with niche. Limestone. The break runs from top right to bottom left. There is no decoration in the niche in the shape of a shell. A triangular pediment is supported by an interrupted, profiled cornice, which also runs on the left and on the back. This rests on a pilaster with capital. One sees a part of the head and the right shoulder of the goddess, sitting on a seat with a high, rectangular backrest. On her right hand the big head of a dog, with upstanding ears, is looking in the direction of the viewer. On the left side the engraved foliage of a tree is visible-stock-foto
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Altar with niche. Sandstone. Reconstructed from two pieces. However, a large part is missing at the top right. From a shell-shaped decoration at the top of the niche a part remains left. The statue of the goddess Nehalennia is missing. A fruit basket on her left is completely intact, but above that everything has disappeared. The goddess is seated on a seat with a high backrest without armrests. The shoulder jacket is scalloped at the bottom and seems to be held together by a large rectangular fibula. For the rest, her clothing is as usual. Both hands are gone. On the left knee she holds a-stock-foto
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Chair, origin unknown, Rococo, ca. 1750–1765, Germany. Rococo chair with volute ornament, plant decoration, acanthus, shells, female figures, flowers, ribbon-and-pincer ornament. Boarded inlaid backrest a lady in a crinoline surrounded by flowers; rectangular originally upholstered seat; cabriole legs decorated in bas-relief with motifs at the top including shells on the knees, terminating in volute feet. Frame wavy-cut at the bottom, decorated with acanthus leaves. Seat frame with wavy outer outline enclosing a padded central section. High backrest with clearance, angular stiles, and a wavy--stock-foto
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Chair, origin unknown, Rococo style, ca. 1750–1765, Germany. Rococo chair with boarded inlaid backrest depicting a lady in a crinoline surrounded by flowers; rectangular originally upholstered seat supported by cabriole legs. Legs decorated in bas-relief with motifs at the top, including shells on the knees, terminating in volute feet. Frame wavy-cut at the bottom, decorated with acanthus leaves. Seat frame with a wavy outer outline enclosing a padded central section. High backrest with clearance, angular stiles, and a wavy-curved upper section. Inlaid representation on the backrest framed by-stock-foto
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Armchair, creator unknown, provenance unknown, eagles, coats of arms, plant decoration, Neo-Baroque style, volutes, balusters, animal paws. Baroque armchair with carved frame, woven. Front cabriole legs ending in claws clasping balls, decorated at tops with acanthus leaves; rear legs in the form of balusters terminating with ankles. Legs fastened with an H stretcher composed of rolling joints, with ankles at the side. Trapezoidal seat with woven rattan and narrow frames with wavy cutouts at the bottom. High, nearly rectangular backrest, S-shaped at the back, with side rails curved toward each-stock-foto
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Chair, origin unknown, Rococo style, volutes, plant decoration, acanthus, shells, female figures, flowers, ribbon-and-pincer ornament. Rococo chair with a boarded inlaid backrest a lady in a crinoline surrounded by flowers, a rectangular originally upholstered seat, supported by cabriole legs. Legs decorated in bas-relief with motifs at the top, including shells on the knees, terminating in volute feet. Frame wavy-cut at the bottom, decorated with acanthus leaves. Seat frame with a wavy outer outline enclosing a padded central section. High backrest with a clearance, angular stiles, and a wavy-stock-foto
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Chair, creator unknown, origin unknown, Rococo style, ca. 1750–1765, Germany. Rococo chair with volute ornament, plant decoration, acanthus, shells, female figures, flowers, and ribbon-and-pincer ornament. Boarded inlaid backrest depicting a lady in a crinoline surrounded by flowers, framed by two intertwining U-shaped ribbons. Rectangular originally upholstered seat supported by cabriole legs; legs decorated in bas-relief with motifs at the top shells on the knees and terminating in volute feet. Frame wavy-cut at the bottom decorated with acanthus leaves. Seat frame with wavy outer outline-stock-foto
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armchair, Anonymous, 16th century, oak, walnut, carved, General: 115.5 x 53 x 65cm (1155 x 530mm), Armchair with straight square hind legs, continuing to bend backward at an angle, thinning upward styles of the high backrest connected by three flat cross bars. The bottom and top of these are decorated with three carved, stylized flower crowns, the wide middle with two of the same motifs, but larger, between which a deepened rectangle, filled with relief of XXX (three crosses). The articulated front legs extend above the seat and support the slightly curved, flat armrests, which are rounded at-stock-foto
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Armchair, ; griffins; Empire style; grotesques ornament; plant decoration; wickerwork ornament; kimation ornament. Straight backrest with a clearance, slightly tilted, topped with a semicircular board. Padded armrests supported by griffins. Trapezoidal seat with high frames front arched. Straight, turned front legs ending in lion paws. Early 19th century, Europe. Piece of furniture, seating piece. Height 108 cm, width 69 cm, depth 54 cm., An ornate armchair with a carved wooden frame finished in gold and upholstered in deep burgundy velvet, showing a rectangular backrest with a decorative-stock-foto
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Chair, rosette ornament, coats of arms, crowns, Baroque style, Prus III coat of arms, CHAIR with spirally turned footrest elements, carved, painted, partly gilded and silver-plated, upholstered seat and backrest with embroidery on canvas, supported by four straight legs joined by turned links forming an X link at the bottom. Legs terminate in spools at the top, with spherical feet at the bottom, embellished with plant tendrils in the middle. At the intersection of the binding joints, a cube is topped with a turned pinnacle. High rectangular backrest with a bell-shaped finial decorated with a-stock-foto
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Chair, carved, reclaimed, volutes ornament, Renaissance style. CHAIR with a board seat and a high backrest composed of two boards with a wavy, openwork edge, supported by four straight, angular legs, the rear ones merging into slightly rearward-sloping backrest stiles. Legs fastened with casement binding with angular joints; front legs additionally joined at mid-height by a decorative board shaped analogously to the backrest boards carved with C- and S-shaped acanthus leaves, with single rectangular fields framed with inlaid veining. Side frames angular and narrow; front carved with a lower-stock-foto
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Eikhout chair with a seat and back of leather, anonymous, 1675 - 1700 Eight oak seats with leather seat and back. The legs show house and suffered and are connected by an H-shaped cross. At the front is, between two houses, a wide forecution. The hind legs turn back. The back rests high on the struts and is bent from above. Northern Netherlands wood (plant material). oak (wood). elm (wood). leather Eight oak seats with leather seat and back. The legs show house and suffered and are connected by an H-shaped cross. At the front is, between two houses, a wide forecution. The hind legs turn back.-stock-foto
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Chair of Mahoniehout, Anonymous, 1825 - 1850 Chair of mahogany with faintly bent back on four rectangular, somewhat outstanding legs. Loose with yellow beef slider covered seat and leather stretched with leather. This leather was applied before 1907, in the past the chair was covered with a fireplace (see Cat.1913 no. 238). Northern NetherlandsNetherlands wood (plant material). elm (wood). mahogany (wood). leather Chair of mahogany with faintly bent back on four rectangular, somewhat outstanding legs. Loose with yellow beef slider covered seat and leather stretched with leather. This leather w-stock-foto
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Chair of Coromandel and Buxushout, partly covered with Trijp, Gerrit Willem Dijsselhof, c. 1900 Coromandel wood chair with boxwood wooden panels. The rectangular legs slightly flared at the bottom are connected to the top by sports, filled with a panel on the sides. The hind legs pass into the backstyles; High struts. The backrest has two covered panels on either side of the middle style, which show a different pattern at the back. The excellent top sill ends in a volute lying backwards. Urgliny of beige trijp with red flowers. Northern Netherlands wood (plant material). boxwood (hardwood). Co-stock-foto
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Church throne armchair, carved, mid-18th century, Italy. Seating piece furniture with two console supports for the board seat and a high rectangular backrest in the form of an aedicula topped with a volute top. Supported on a platform cut out in the shape of the letter U. Supports, sides, and lower part of the back have a frame structure. Seat has a concave outline with a profiled rim, lifting in the middle on hinges. The aedicula in the backrest is two-part, with a shell at the top framed by a profiled cornice. Lower side walls arch into the armrests. Upper seat supports, armrests, and side-stock-foto
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armchair, Anonymous, 16th century, oak, walnut, carved, General: 115.5 x 53 x 65cm (1155 x 530mm), Armchair with straight square hind legs, continuing to bend backward at an angle, thinning upward styles of the high backrest connected by three flat cross bars. The bottom and top of these are decorated with three carved, stylized flower crowns, the wide middle with two of the same motifs, but larger, between which a deepened rectangle, filled with relief of XXX (three crosses). The articulated front legs extend above the seat and support the slightly curved, flat armrests, which are rounded at-stock-foto
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Armchair, Baroque, female busts, pre-war collection, ARMCHAIR, upholstered seat and backrest, with spirally turned frame elements and carved armrest supports. The legs end with glides-pads, with an H lacing at the bottom; the front legs are additionally fastened with a high link. At the joints of the footrest elements, ankles are formed, and the upper part of the front legs is elongated. The armrest supports are low, in the form of female busts mounted on turned balusters. Wide, rectangular seat and backrest; seat with secondary upholstery on springs; slightly reclined backrest, with a-stock-foto
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armchair, Anonymous, 16th century, oak, walnut, carved, General: 115.5 x 53 x 65cm (1155 x 530mm), Armchair with straight square hind legs, continuing to bend backward at an angle, thinning upward styles of the high backrest connected by three flat cross bars. The bottom and top of these are decorated with three carved, stylized flower crowns, the wide middle with two of the same motifs, but larger, between which a deepened rectangle, filled with relief of XXX (three crosses). The articulated front legs extend above the seat and support the slightly curved, flat armrests, which are rounded at-stock-foto
RM
Eikhout chair with a seat and back of leather, anonymous, 1675 - 1700 Eight oak seats with leather seat and back. The legs show house and suffered and are connected by an H-shaped cross. At the front is, between two houses, a wide forecution. The hind legs turn back. The back rests high on the struts and is bent from above. Northern Netherlands wood (plant material). oak (wood). elm (wood). leather Eight oak seats with leather seat and back. The legs show house and suffered and are connected by an H-shaped cross. At the front is, between two houses, a wide forecution. The hind legs turn back.-stock-foto
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Church throne armchair, carved, with two console supports for the board seat and a high rectangular backrest in the form of an aedicula topped with a volute top. Supported on a platform cut out in the shape of the letter U. The supports, sides, and lower part of the back have a frame structure. The seat has a concave outline and a profiled rim, lifting in the middle, on hinges. The aedicula in the backrest is made of two parts, in the form of a shell at the top, framed by a profiled cornice. The lower side walls arch into the armrests. The upper part of the seat supports, armrests, and side-stock-foto
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Chair, carved, with a board seat and a high backrest composed of two boards with a wavy, openwork edge, supported by four straight, angular legs, the rear ones merging into slightly rearward‑sloping backrest stiles. The legs are fastened with a casement binding with angular joints; the front additionally joined at mid‑height by a decorative board shaped analogously to the backrest boards carved with C‑ and S‑shaped acanthus leaves, with single rectangular fields framed with inlaid veining. The side frames are angular and narrow, the front carved with a lower outline repeating the edge of the-stock-foto
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Church throne armchair, carved, mid-18th century, Italy. Seating piece; height 201.5 cm, width 81 cm, depth 59 cm. High rectangular backrest in the form of an aedicula topped with a volute top; supported on a platform cut out in the shape of the letter U. Two console supports for the board seat; supports, sides, and lower part of the back with a frame structure. Seat with concave outline, profiled rim, lifting in the middle on hinges. Aedicula backrest made of two parts, with a shell at the top framed by a profiled cornice. Lower side walls arch into the armrests. Upper part of the seat-stock-foto
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Chair, creator unknown, origin Germany, Rococo style, ca. 1750–1765. Rococo chair with a boarded inlaid backrest depicting a lady in a crinoline surrounded by flowers; rectangular originally upholstered seat; supported by cabriole legs decorated in bas-relief with motifs at the top including shells on the knees and terminating in volute feet. Frame has a wavy-cut bottom decorated with acanthus leaves. Seat frame with a wavy outer outline enclosing a padded central section. High backrest with clearance, angular stiles, and a wavy-curved upper section. Inlaid representation on the backrest-stock-foto
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Armchair, Baroque;, circa 1640–1660, France. Upholstered seat and backrest with cherry plush covering the frame and backrest rails, finished with upholstery tape at the bottom of the backrest. Spirally turned frame elements and carved armrest supports; armrest supports low, in the form of female busts mounted on turned balusters. Wide rectangular seat and slightly reclined backrest with clearance and turned side rails in the lower part. Seat with secondary upholstery on springs. Legs end with glides-pads, joined by an H lacing at the bottom; front legs additionally fastened with a high link;-stock-foto
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Ebony arm chair with hold armrests ending in stylized dolphin heads on vase -shaped armrest stars. Backstyles with Cherubs, Anonymous, 1600 - 1650 Ebony arm chair, resting on four legs with house and section and connected by eight straight sports, the four of which are sculpted on the underside. The modern upholstery is nailed, also on the front houses. The raised armrests end up in stabbed, stylized dolphin heads and support on vase -shaped armrest stars. The backstyles are crowned by two cobblestones with folded wings at the height of the neck. The rectangular back window rests on high strut-stock-foto
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Eikhout chair with a seat and back of leather, anonymous, 1675 - 1700 Eight oak seats with leather seat and back. The legs show house and suffered and are connected by an H-shaped cross. At the front is, between two houses, a wide forecution. The hind legs turn back. The back rests high on the struts and is bent from above. Northern Netherlands wood (plant material). oak (wood). elm (wood). leather Eight oak seats with leather seat and back. The legs show house and suffered and are connected by an H-shaped cross. At the front is, between two houses, a wide forecution. The hind legs turn back.-stock-foto
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Armchair, provenance, Neo-Baroque, 2nd half of the 19th century, Western Europe. Baroque-style armchair with carved frame and woven rattan seat and back. Front cabriole legs terminate in claws clasping balls, decorated at the top with acanthus leaves; rear legs shaped like balusters terminating with ankles. Legs joined by an H stretcher with turned joints and side ankles. Trapezoidal seat with woven rattan and narrow frames with wavy cutouts at the bottom. High nearly rectangular backrest, S-shaped at the back, side rails curved inward at the top and topped with volutes. Center backrest-stock-foto
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Chair, origin unknown, Rococo style, ca. 1750–1765, Germany. Rococo chair with volute and shell ornamentation, plant decoration including acanthus, female figures, flowers, and ribbon-and-pincer motifs. Boarded inlaid high backrest showing a lady in a crinoline surrounded by flowers, framed by two intertwining U-shaped ribbons. Rectangular originally upholstered seat supported by cabriole legs decorated in bas-relief with motifs at the top shells on the knees terminating in volute feet. Wavy-cut lower frame decorated with acanthus leaves; seat frame with wavy outer outline enclosing a padded-stock-foto
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Armchair, geometric ornaments, plant decoration. Armchair with a high rectangular backrest, equally narrow seat and full sides, supported by four angular legs, richly decorated with bas-relief geometric and stylized plant motifs. Framed back, framed on the sides by fluted pilasters, profiled at the bottom, topped with a semicircular top. The top is decorated in the center with a fan with convex wings framed on the sides by wavy corners. The seat and sides are boarded. The sides are arched, with boarded armrests rounded at the corners. Below the frame are decorative strips with geometric fields-stock-foto
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Chair, rosette ornament, coats of arms, crowns, Baroque style, Prus III coat of arms, CHAIR with spirally turned footrest elements, carved, painted, partly gilded and silver-plated, upholstered seat and backrest, upholstered with embroidery on canvas, supported by four straight legs joined by turned links forming an X link at the bottom. The legs terminate in spools at the top, with spherical feet at the bottom, embellished with plant tendrils in the middle. At the intersection of the binding joints, a cube is topped with a turned pinnacle. The backrest is high and rectangular, with a bell--stock-foto