Aktuális sajtó tartalmak és illusztrációs fotók

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SKD173221 War, 1896 (oil on canvas) by Bocklin, Arnold (1827-1901); Galerie Neue Meister, Dresden, Germany; (add.info.: Four Horsemen of the Apocalypse;); copyright-stock-foto
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SKD173221 War, 1896 (oil on canvas) by Bocklin, Arnold (1827-1901); Galerie Neue Meister, Dresden, Germany; (add.info.: Four Horsemen of the Apocalypse;); copyright-stock-foto
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Apocalypse that is going to happen soon. Incoming apocalypse, it's expected in the near future. Apocalypse almost here - a clock metaphor showing fore-stock-foto
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J. M. W. Turner, The Fall of Anarchy  ( Death on a Pale Horse) , 1833-4  , Oil paint on canvas, London, England-stock-foto
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J. M. W. Turner, The Fall of Anarchy ( Death on a Pale Horse) , 1833-4 , Oil paint on canvas, London, England.-stock-foto
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Four Horsemen of the Apocalypse, Conquest, War, Famine and Death, from Book of Revelation 6 by Saint John, John the Evangelist, John the Apostle or John of Patmos. Vintage or Historic Illustration or Wood Engraving from French Bible 1683-stock-foto
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Otto Von Thoren - Horsemen on the Puszta-stock-foto
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Otto Von Thoren - Hungarian Horsemen-stock-foto
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London, UK - December 12, 2025: Classic edition of the Arabian Nights featuring dramatic desert scenes and riders, translated and adapted for modern r-stock-foto
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Statue dedicated to the First World War dead in the city of Messina-stock-foto
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Statue dedicated to the First World War dead in the city of Messina-stock-foto
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Statue dedicated to the First World War dead in the city of Messina-stock-foto
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Statue dedicated to the First World War dead in the city of Messina-stock-foto
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Statue dedicated to the First World War dead in the city of Messina-stock-foto
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Statue dedicated to the First World War dead in the city of Messina-stock-foto
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Statue dedicated to the First World War dead in the city of Messina-stock-foto
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Statue dedicated to the First World War dead in the city of Messina-stock-foto
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Statue dedicated to the First World War dead in the city of Messina-stock-foto
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Statue dedicated to the First World War dead in the city of Messina-stock-foto
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Barend Cornelis Koekkoek - River Landscape with Horsemen and Travellers-stock-foto
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GOES, Hugo van der (b. ca. 1440, Ghent, d. 1482, Bruxelles)  Calvary Triptych (central panel) 1465-68 Oil on wood Cathedral of St Bavo, Ghent  The central panel of the triptych depicts Christ nailed to a tall cross, with the two thieves to either side of him, tied to their gibbets. They are surrounded by a crowd of figures and horsemen, and the city of Jerusalem is visible in the background.       --- Keywords: --------------  Author: GOES, Hugo van der Title: Calvary Triptych (central panel) Time-line: 1451-1500 School: Flemish Form: painting Type: religious-stock-foto
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Now You See Me 3  movie poster-stock-foto
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Now You See Me 3  Woody Harrelson & Morgan Freeman-stock-foto
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A middle aged Gauchos, Argentine cowboys, having a drink on a trail. Cordoba, Argentina.-stock-foto
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A group of Gauchos, Argentine cowboys, on horseback on a dirt road. Cordoba, Argentina.-stock-foto
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A group of Gauchos, Argentine cowboys, on horseback on a dirt road. Cordoba, Argentina.-stock-foto
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Two Gauchos, Argentine cowboys, on horseback on a dirt road. Cordoba, Argentina.-stock-foto
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Two Gauchos, Argentine cowboys, on horseback on a dirt road. Cordoba, Argentina.-stock-foto
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Now You See Me 3  Rosamund Pike-stock-foto
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Now You See Me 3  Jesse Eisenberg, Isla Fisher, Dominic Sessa, Justice Smith-stock-foto
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"Circassian Horsemen at a River.  Franz Roubaud (Russian, 1856-1928)"-stock-foto
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"Circassian horsemen crossing a river.  Franz Roubaud (Russian, 1856-1928)"-stock-foto
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"Circassian Horsemen.  Franz Roubaud (Russian, 1856-1928)"-stock-foto
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Now You See Me 3  Jesse Eisenberg, Isla Fisher, Dominic Sessa, Dave Franco, Justice Smith, Ariana Greenblatt-stock-foto
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The Four Horsemen, from "The Apocalypse" Albrecht Dürer German 1498-stock-foto
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CUYP, Aelbert (b. 1620, Dordrecht, d. 1691, Dordrecht)  Evening Landscape with Horsemen and Shepherds 1655-60 Oil on canvas Royal Collection, Windsor  Cuyp also made paintings of the lively activity on the great rivers of the Netherlands, most often the wide Merwede that forks at Dordrecht into the North Maas and Lower Maas. It was Dordrecht's location at this juncture that made it one of the principal cities of the country until traffic on the Maas was diverted to Rotterdam.  Cuyp's river scenes are usually set late in the afternoon and are seen against a luminous, sunny sky that sparkles and-stock-foto
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BRONZINO, Agnolo (b. 1503, Firenze, d. 1572, Firenze)  Crossing of the Red Sea c. 1540 Fresco Palazzo Vecchio, Florence  In the Crossing of the Red Sea, Moses, seen crouching and gesticulating on the right in a pose highly dependent on Michelangelo's sculpture of the same subject, is about to drop his hand after having led the Israelites out of their exile in Egypt; pharaoh's defeated horsemen drawn in the returning waters. The story could refer to the Medici's rightful return to power after repeated exiles and an overt indication of the fate awaiting those who opposed them. The presence of an-stock-foto
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BLOEMEN, Pieter van (b. 1657, Antwerpen, d. ca. 1720, Antwerpen)  A Riding-School c. 1700 Oil on canvas, 57 x 82 cm Private collection  The painting represents a riding-school with other horsemen in an Italianate village scene with ruins of classical architecture behind.       --- Keywords: --------------  Author: BLOEMEN, Pieter van Title: A Riding-School Time-line: 1651-1700 School: Flemish Form: painting Type: genre-stock-foto
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BERGOGNONE, Ambrogio (b. ca. 1453, Fossano, d. 1523, Milano)  Madonna and Child, St Catherine and the Blessed Stefano Maconi c. 1490 Oil on panel, 45 x 39 cm Pinacoteca di Brera, Milan  The background of this small panel records the lyrical feeling of a calmly contemplated landscape. Seen with an eye for detail, the panorama includes a path going up to the church, two horsemen in conversation, a view of the town, and figures in a boat. The intensity of the background is to some extent dissipated by the foreground of the painting. Here the somewhat distracted and independent compositional devic-stock-foto
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BERGOGNONE, Ambrogio (b. ca. 1453, Fossano, d. 1523, Milano)  Madonna and Child, St Catherine and the Blessed Stefano Maconi c. 1490 Oil on panel, 45 x 39 cm Pinacoteca di Brera, Milan  The background of this small panel records the lyrical feeling of a calmly contemplated landscape. Seen with an eye for detail, the panorama includes a path going up to the church, two horsemen in conversation, a view of the town, and figures in a boat. The intensity of the background is to some extent dissipated by the foreground of the painting. Here the somewhat distracted and independent compositional devic-stock-foto