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Woman hugs her shoulders on bustling street scene with blurred passersby and city lights; self love contentment.-stock-foto
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Transgender woman stands with arms crossed on busy urban street in city square under daylight, buildings framing walkway; defiance.-stock-foto
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Woman with blonde hair wearing a casual sweater standing with arms crossed on an urban street; rejection.-stock-foto
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Woman in blue medical scrubs hugging herself on a street with blurred pedestrians and red lanterns overhead; self care joy.-stock-foto
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Woman in blue medical scrubs hugging herself on a street with blurred pedestrians and red lanterns overhead; self care joy.-stock-foto
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WASHINGTON DC — The Sidney R. Yates Federal Building stands prominently across the National Mall, with several flags at the base of the Washington Monument visible at the far right of the frame. The historic Yates Building, constructed in the late 19th century, serves as headquarters for the U.S. Forest Service and is part of the USDA complex. The Romanesque Revival structure, originally built as the Bureau of Engraving and Printing, was renamed in honor of Congressman Sidney R. Yates in 1999. The building is located on Independence Avenue in the Federal Triangle area of the nation's capital.-stock-foto
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WASHINGTON DC — The James V. Forrestal Building serves as headquarters for the United States Department of Energy, located at 1000 Independence Avenue SW. Completed in 1969 and originally known as Federal Office Building 5 or 'Little Pentagon,' this Brutalist structure was designed by Curtis & Davis architects as part of President Kennedy's initiative to improve federal architecture. The building is comprised of three connected structures with the distinctive North Building raised on 35-foot concrete pilotis that span across 10th Street.-stock-foto
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WASHINGTON DC — The distinctive main entrance to the National Museum of the American Indian (NMAI) features curved limestone walls and organic architectural forms. Designed by Blackfoot architect Douglas Cardinal, the museum's undulating exterior was inspired by natural landscapes and traditional indigenous design principles. The east-facing main entrance, located on the National Mall at 4th Street and Independence Avenue SW, welcomes approximately 1.2 million visitors annually to explore one of the world's most extensive collections of Native American artifacts.-stock-foto
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Mexico City Downtown-stock-foto
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WASHINGTON DC — The American flag flies in front of the U.S. Department of Agriculture headquarters building in Washington DC. Completed in 1930, the Jamie L. Whitten Federal Building exemplifies Beaux-Arts architectural style with its classical limestone facade and prominent columns. The USDA Administration Building occupies a significant location near the National Mall along Independence Avenue and houses the offices of the Secretary of Agriculture and other department leadership.-stock-foto
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WASHINGTON DC — The carved limestone pediment depicting cereal crops adorns the U.S. Department of Agriculture Administration Building in Washington DC. Sculpted by Sheridan Whiteside in the 1930s, this classical architectural element features allegorical representations of American agriculture focusing on cereal grains and harvest themes. The USDA headquarters, designed in the Beaux-Arts style, was completed in 1930 as part of the federal government's expansion along Independence Avenue.-stock-foto
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WASHINGTON DC — The James Forrestal Building, headquarters of the U.S. Department of Energy, stands in Southwest Washington DC. Completed in 1969, this Modernist structure was designed by architects Marcel Breuer and Herbert Beckhard and named after James Forrestal, the first United States Secretary of Defense. The massive concrete building occupies two city blocks along Independence Avenue and houses approximately 4,000 Department of Energy employees.-stock-foto
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WASHINGTON DC — The James Forrestal Building, headquarters of the U.S. Department of Energy, stands in Southwest Washington DC. Completed in 1969, this Modernist structure was designed by architects Marcel Breuer and Herbert Beckhard and named after James Forrestal, the first United States Secretary of Defense. The massive concrete building occupies two city blocks along Independence Avenue and houses approximately 4,000 Department of Energy employees.-stock-foto
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Mexico City Downtown-stock-foto
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Mexico City Downtown-stock-foto
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Mexico City Downtown-stock-foto
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WASHINGTON DC — The Independence Avenue facade of the Arts and Industries Building displays 'National Museum 1879' above its entrance. This ornate Victorian structure, part of the Smithsonian Institution complex, stands prominently on the National Mall. Designed by architects Adolf Cluss and Paul Schulze, it represents one of the first American buildings specifically constructed to serve as a national museum.-stock-foto
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WASHINGTON DC — The Independence Avenue facade of the Arts and Industries Building displays 'National Museum 1879' above its entrance. This ornate Victorian structure, part of the Smithsonian Institution complex, stands prominently on the National Mall. Designed by architects Adolf Cluss and Paul Schulze, it represents one of the first American buildings specifically constructed to serve as a national museum.-stock-foto
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WASHINGTON DC — The Independence Avenue facade of the Arts and Industries Building displays 'National Museum 1879' above its entrance. This ornate Victorian structure, part of the Smithsonian Institution complex, stands prominently on the National Mall. Designed by architects Adolf Cluss and Paul Schulze, it represents one of the first American buildings specifically constructed to serve as a national museum.-stock-foto
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WASHINGTON DC — The Independence Avenue facade of the Arts and Industries Building displays 'National Museum 1879' above its entrance. This ornate Victorian structure, part of the Smithsonian Institution complex, stands prominently on the National Mall. Designed by architects Adolf Cluss and Paul Schulze, it represents one of the first American buildings specifically constructed to serve as a national museum.-stock-foto
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WASHINGTON DC — The Washington Monument stands framed within the Wilson Memorial Arch at the U.S. Department of Agriculture headquarters building along Independence Avenue SW. This classical Beaux-Arts arch commemorates James Wilson, who served as Secretary of Agriculture from 1897 to 1913 under Presidents McKinley, Roosevelt, and Taft. The architectural framing creates a dramatic perspective of the iconic obelisk through the formal stonework of the federal building.-stock-foto
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WASHINGTON DC — The Washington Monument stands framed within the Wilson Memorial Arch at the U.S. Department of Agriculture headquarters building along Independence Avenue SW. This classical Beaux-Arts arch commemorates James Wilson, who served as Secretary of Agriculture from 1897 to 1913 under Presidents McKinley, Roosevelt, and Taft. The architectural framing creates a dramatic perspective of the iconic obelisk through the formal stonework of the federal building.-stock-foto
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WASHINGTON DC — The Washington Monument as viewed through the Wilson arch, which is part of the U.S. Department of Agriculture building along Independence Avenue. The classical arch frames the iconic obelisk, creating an architectural alignment between the federal building and one of Washington's most recognizable monuments.-stock-foto
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WASHINGTON DC — The Independence Avenue entrance of the Smithsonian National Air and Space Museum glows at dusk on the National Mall. The museum houses the world's largest collection of historic aircraft and spacecraft artifacts, including the Wright brothers' first airplane and the Apollo 11 command module. Since opening in 1976, the Air and Space Museum has welcomed more than 350 million visitors, making it one of the most visited museums globally.-stock-foto
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WASHINGTON DC — The Independence Avenue entrance of the Smithsonian National Air and Space Museum glows at dusk on the National Mall. The museum houses the world's largest collection of historic aircraft and spacecraft artifacts, including the Wright brothers' first airplane and the Apollo 11 command module. Since opening in 1976, the Air and Space Museum has welcomed more than 350 million visitors, making it one of the most visited museums globally.-stock-foto
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WASHINGTON DC — The Independence Avenue entrance of the Smithsonian National Air and Space Museum glows at dusk on the National Mall. The museum houses the world's largest collection of historic aircraft and spacecraft artifacts, including the Wright brothers' first airplane and the Apollo 11 command module. Since opening in 1976, the Air and Space Museum has welcomed more than 350 million visitors, making it one of the most visited museums globally.-stock-foto
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WASHINGTON DC — The Independence Avenue entrance of the Smithsonian National Air and Space Museum glows at dusk on the National Mall. The museum houses the world's largest collection of historic aircraft and spacecraft artifacts, including the Wright brothers' first airplane and the Apollo 11 command module. Since opening in 1976, the Air and Space Museum has welcomed more than 350 million visitors, making it one of the most visited museums globally.-stock-foto
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WASHINGTON DC — 'The Past,' a 12-foot limestone statue by Robert Aitken, stands at the Pennsylvania Avenue entrance of the National Archives Building. Created in 1935, this neoclassical figure depicts a Roman scholar with book and scroll, featuring Confucius's quote 'Study the Past' inscribed on its base at architect John Russell Pope's insistence.-stock-foto
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WASHINGTON DC — 'The Past,' a 12-foot limestone statue by Robert Aitken, stands at the Pennsylvania Avenue entrance of the National Archives Building. Created in 1935, this neoclassical figure depicts a Roman scholar with book and scroll, featuring Confucius's quote 'Study the Past' inscribed on its base at architect John Russell Pope's insistence.-stock-foto
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WASHINGTON DC — 'The Past,' a 12-foot limestone statue by Robert Aitken, stands at the Pennsylvania Avenue entrance of the National Archives Building. Created in 1935, this neoclassical figure depicts a Roman scholar with book and scroll, featuring Confucius's quote 'Study the Past' inscribed on its base at architect John Russell Pope's insistence.-stock-foto
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WASHINGTON DC — 'The Future,' a 12-foot limestone statue by Robert Aitken, stands at the Pennsylvania Avenue entrance of the National Archives Building. Created in 1935, this allegorical female figure holds an open book and manuscripts, with Shakespeare's quote 'What is Past is Prologue' inscribed on its base as insisted by architect John Russell Pope.-stock-foto
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WASHINGTON DC — 'The Past,' a 12-foot limestone statue by Robert Aitken, stands at the Pennsylvania Avenue entrance of the National Archives Building. Created in 1935, this neoclassical figure depicts a Roman scholar with book and scroll, featuring Confucius's quote 'Study the Past' inscribed on its base at architect John Russell Pope's insistence.-stock-foto
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WASHINGTON DC — 'The Past,' a 12-foot limestone statue by Robert Aitken, stands at the Pennsylvania Avenue entrance of the National Archives Building. Created in 1935, this neoclassical figure depicts a Roman scholar with book and scroll, featuring Confucius's quote 'Study the Past' inscribed on its base at architect John Russell Pope's insistence.-stock-foto
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WASHINGTON DC — 'The Future,' a 12-foot limestone statue by Robert Aitken, stands at the Pennsylvania Avenue entrance of the National Archives Building. Created in 1935, this allegorical female figure holds an open book and manuscripts, with Shakespeare's quote 'What is Past is Prologue' inscribed on its base as insisted by architect John Russell Pope.-stock-foto
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WASHINGTON DC — 'The Future,' a 12-foot limestone statue by Robert Aitken, stands at the Pennsylvania Avenue entrance of the National Archives Building. Created in 1935, this allegorical female figure holds an open book and manuscripts, with Shakespeare's quote 'What is Past is Prologue' inscribed on its base as insisted by architect John Russell Pope.-stock-foto
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WASHINGTON DC — 'The Future,' a 12-foot limestone statue by Robert Aitken, stands at the Pennsylvania Avenue entrance of the National Archives Building. Created in 1935, this allegorical female figure holds an open book and manuscripts, with Shakespeare's quote 'What is Past is Prologue' inscribed on its base as insisted by architect John Russell Pope.-stock-foto
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WASHINGTON DC — The 'Destiny' pediment, created by Adolph Alexander Weinman in 1935, crowns the Pennsylvania Avenue facade of the National Archives Building. This 106-foot-wide by 18-foot-high limestone sculpture features allegorical figures representing themes of peace, war, history, and achievement, centered around the figure of Destiny flanked by eagles mounted on fasces.-stock-foto
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WASHINGTON DC — The Heritage statue, created by James Earle Fraser in 1935, stands at the National Archives Building entrance on Constitution Avenue. The 8-foot limestone figure depicts a mother holding a child and wheat sheaf, with her hand resting on an urn symbolizing home. The pedestal features Fraser's inscription 'The Heritage of the Past is the Seed That Brings Forth the Harvest of the Future' and includes decorative agricultural and domestic motifs.-stock-foto
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WASHINGTON DC — The Heritage statue, created by James Earle Fraser in 1935, stands at the National Archives Building entrance on Constitution Avenue. The 8-foot limestone figure depicts a mother holding a child and wheat sheaf, with her hand resting on an urn symbolizing home. The pedestal features Fraser's inscription 'The Heritage of the Past is the Seed That Brings Forth the Harvest of the Future' and includes decorative agricultural and domestic motifs.-stock-foto
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WASHINGTON DC — The 'Destiny' pediment, created by Adolph Alexander Weinman in 1935, crowns the Pennsylvania Avenue facade of the National Archives Building. This 106-foot-wide by 18-foot-high limestone sculpture features allegorical figures representing themes of peace, war, history, and achievement, centered around the figure of Destiny flanked by eagles mounted on fasces.-stock-foto
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