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[interior rectangular scene] képek

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3D set of geometric marble platforms isolated on background. Vector realistic illustration of luxury triangular, square and hexagonal stone stage for product presentation, interior design element-stock-foto
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Heavy metal security door in brick wall, German facility-stock-foto
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Realistic 3d wooden podium stage with black plate, cosmetic product promotion stand pedestal. Vector rectangular display with natural wood texture and platform. Empty stage for modern presentation-stock-foto
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Empty white wall niches with led spotlights and shadow depth in 3d room interior. Blank shelf boxes illuminated by ceiling light for museum gallery exhibition or retail product display frame mockup.-stock-foto
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White empty rectangular pedestal displaying products or text, creating a minimalist showcase-stock-foto
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Calm Teal Rectangular Artwork Scene. Reflective Layered Teal Rectangle With Textured Brushwork-stock-foto
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Vector background of the interior of a gridded rectangle in perspective-stock-foto
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Base of wooden interior door with carved panel detail, lower edge supported by red rectangular door stop preventing closure, black and white squares-stock-foto
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Multiple framed paintings stacked and leaning on paved ground near dirty snow pile, wooden and gold-colored frames, visible landscape and interior art-stock-foto
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Pink 3d background with minimalist rectangular podiums-stock-foto
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Blue 3d background with rectangular pedestal stages-stock-foto
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Adult woman red-shirt apron mitts pulling loaf-pan from oven in kitchen gold-stars, copy space-stock-foto
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Tunnel like building passage opening onto winter street showing gray concrete apartment building windows, snow on the ground and sunlight in urban sce-stock-foto
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Sarcophagus of Margareta Brahe, Duchess of Hesse-Homburg; engraving by Johann Philipp Thelott (1638–1671), German; depicts coffins and hourglasses; Margareta Abrahamsdotter Brahe (Duchess of Hesse-Homburg; 1603–1669); after 1669; print; 32 cm × 45.2 cm., An engraved scene showing an ornate sarcophagus resting on two rectangular stone plinths in a large interior space, with a patterned floor beneath; the sarcophagus has decorative relief panels including sculpted lion heads and intricate scrollwork, and its angled lid bears carved ornamentation and cartouches; behind it are paneled walls and-stock-foto
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Assembly of Notables in Rouen in 1617, Ziarnko, Jan (1575–1630), draughtsman; Le Clerc, Jean (publisher; fl. ca. 1587–1621), publisher; France; filigrees; debates; Polish graphics; Orléans, Gaston d' (duke; 1608–1660); Order of the Holy Spirit; Three Lilies (coat of arms of the kingdom of France); state II; 1617; Paris; graphic print, poster; height 31 cm, width 26 cm; compare another copy: Gr.Pol.5816, The image shows an overhead view of an ornate interior scene with a patterned floor in shades of beige and gray, framed by a darker rectangular border. Along the sides are two long rows of-stock-foto
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Three of Clubs - Indian Intelligence; Tański, Czesław (1862-1942), illustrator; playing cards; World War I (1914–1918); British Army; clubs (card suit); horses; Poland; 1916–1917; Warsaw; drawing; army; repossession; albums; drawing., A pale bluish-gray mount holds a grid of illustrated rectangular cards arranged in rows, each card framed by narrow margins; the cards depict various scenes in muted watercolor and ink with visible brushstrokes and pencil lines, featuring a night sky scene with dark blue and black tones and red heart shapes, an ornate interior with cream, beige, gold and red-stock-foto
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Three of Spades - German Soldiers Requisitioning Property from a Peasant Family, Tański, Czesław (1862–1942), illustrator; albums; repossession; World War I (1914–1918); army; playing cards; spades (card suit); requisitions (genre scenes); village; peasants; horses; soldiers; Poland; 1916–1917; Warsaw; drawing, A pale gray background page holds a grid of illustrated rectangular cards mounted in two rows, each card bordered by white and featuring small stylized suit symbols in red or black; the cards show a variety of scenes including a dark night scene with beams of light and red heart symbols-stock-foto
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Five of Hearts - Paris at Night Illuminated by Anti-Aircraft Searchlights, Tański, Czesław (1862-1942), illustrator, World War I (1914-1918), playing cards, hearts (card suits), Paris (France), nocturnes, Poland, 1916-1917, Warsaw, drawing, A flat grayish background holds a grid of illustrated rectangular cards mounted in two rows, each card framed by a thin beige border; the cards display varied scenes with colors including red, black, white, blue, brown, green, yellow, and gray. In the top row, from left to right, there is a dark navy and black night scene with red heart shapes, a beige and-stock-foto
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Interior of the Turkish palace; Griegorij Griegorievich Czernitsov (1801–1865), draughtsman; orientalism; palaces; Turkey; palace interiors; Russian drawing, 1821–1865; drawing; height 10 cm, width 15 cm, A small rectangular scene centered on a large pale background shows an ornate interior with tall arches and columns, patterned walls, and a checkered floor. The interior colors are muted browns, beige, and gray with touches of darker brown in shaded areas; pale yellow and cream appear in the lit recesses and through the arched openings. A group of small dark-clothed figures is gathered near-stock-foto
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Capuchin Choir in Rome, Granet, François-Marius (1775–1849), painter; Dietrich, Fryderyk Krzysztof (1779–1847), graphic artist; Capuchins (order); prayer (genre scenes); monastery churches; church interiors; painting reproductions; Rome (Italy); 1833; graphic; graphic matrix; graphic plate; height 32 cm; width 23 cm, An aged rectangular metal plate with rounded corners shows a faded interior scene of a large hall with a high arched ceiling and a central aisle flanked by long benches and groups of seated and standing figures; the scene is rendered in muted gray tones, while the plate's broad-stock-foto
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Wilanów, Pusch, Bronisław (fl. ca. 1841–ca. 1878), graphic artist; Witke-Jeżewski, Dominik (1862–1944); panoply; Wilanów Palace (Warsaw); oak twigs; 1850–1900; plaque; height 11.8 cm, width 15 cm, A rectangular metal plate with a raised border and an interior rectangular scene shows a park-like setting with a pair of tall columned gateposts topped by statues, a lamp post between them, a carriage and a few figures near a paved area, and trees and architectural elements in the background; decorative engraved motifs frame the interior scene including floral and ribbon-like designs and shield-like-stock-foto
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Ah! mana pyninga. (The Miser and Death). Czerski, Stanisław (1777–1833), graphic artist. Moralizing scene depicting rich men, chests, coins, scales, keys, and Death (personification); the engraving was made by Father Stanisław Czerski in Salanty in Samogitia. As a parish priest, with the help of a young assistant he engraved images of saints with Samogitian inscriptions for his parishioners. Date: 1822–1832. Medium: engraving/graphic; graphic matrix/plate. Dimensions: height 6.7 cm, width 9.6 cm., A rectangular engraved metal plate with a warm golden-brown patina set against a neutral gray-stock-foto
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The Invention of the Art of Drawing, Norblin de la Gourdaine, Jean Pierre (1745–1830), graphic artist; Witke-Jeżewski, Dominik (1862–1944). French genre scene interior depicting a pair of lovers (couple) in profile with shadows, doors, stools, and light; legendary scene. Very faint traces of aquatint etching visible. Plate worked by Norblin from 1773. Visible traces of successively changed composition: the outline of a seated figure replaced by a door and stairs, and a stool on the opposite side; also a filled-in trapezoidal spot. The plate was altered: initially rectangular, later cut at the-stock-foto
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The Invention of the Art of Drawing, Norblin de la Gourdaine, Jean Pierre (1745–1830), graphic artist; Witke-Jeżewski, Dominik (1862–1944). French genre scene interior depicting a pair of lovers; motifs include profiles (portraits), shadows, door, stool, light; legendary scene. Very faint traces of aquatint etching visible. Plate worked by Norblin from 1773. Visible traces of successively changed composition: the outline of a seated figure replaced by a door and stairs, and a stool on the opposite side; a filled-in trapezoidal spot is visible. The plate has been cut into an arc at the top; two-stock-foto
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Bowl with saucer, Chinese, Qing (1644–1911), painted enamel, plant ornament with peonies and plant tendril, 18th century, China; bowl: height 3.4 cm, width 4.7 cm; saucer: length 9.7 cm, width 9.7 cm., A shallow rectangular dish with small feet sits beside a slightly flared cup; both objects are ceramic with intricate painted decoration. The dish shows a white base with blue floral-like patterns along the exterior and a repeating dark brown scrolling motif on the interior rim, with touches of pale turquoise and metallic rim edging. The cup has panels of yellow background filled with a stylized-stock-foto
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Tourists', Janusz Przybylski (1937–1998), painter, 1989, drawing, A framed artwork showing a scene dominated by blue and yellow tones, with a large black mat and black frame around it. Inside the artwork, a bluish interior space with darker blue panels and a lighter blue floor contains two yellow figures wearing full skirts seated near the center, one facing sideways and the other more frontally. A yellow cube-like object with a rounded front sits between them. Nearby on the floor are a few bags in red and blue and a red rectangular case. In the background are a few small human figures-stock-foto
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Box with a lid; Chinese, Qing (1644–1911), 19th/20th century. Porcelain box decorated with figurative scenes and landscape motifs including pines, floral and flower ornaments, meander (leiwen) and geometric patterns. Dimensions: height 6.0 cm, width 9.85 cm, depth 14.2 cm., A rectangular carved box with a slightly open lid showing a dark interior, the box and lid covered in intricate raised floral and scene carvings; the carved surfaces are a reddish-brown color with some darker brown shading, and there are thin metallic edges with a dull gold or brass tone; the background is a flat grey color-stock-foto
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Fortification plan; graphic artist; Chinese art; Chinese; maps; fortifications (architectural); untitled map; six separate defensive structures and a settlement plan; early 20th century; China; graphic print; height 62.8 cm; width 110.0 cm, A large pale sheet with creases and tears shows a drawn map-like scene with a pale blue river winding through a tan-brown landscape, punctuated by several enclosed fort-like shapes outlined in light gray with interior details in blue and red; a few irregular pale green patches appear within the tan areas suggesting landforms; there are several small-stock-foto
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3D wooden rectangular pedestal and clear glass display pane. Set against a smooth gray studio background. luxury products and mockups modern showroom-stock-foto
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A minimal shelf scene featuring a sink faucet a soap or sanitizer dispenser and a small rectangular planter-stock-foto
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Contemporary wooden structure with vertical planks, black fixtures, and black supports, surrounded by trees and open space in a natural setting.-stock-foto
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A light wooden wall with a rectangular window of four glass panes reflecting outdoor elements. A potted plant with green leaves sits below the window.-stock-foto
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minimalist product display mockup showing a red rectangular object on cream pedestal with soft shadows in neutral background ideal for branding packag-stock-foto
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3d rectangular red pedestal illuminated on a black background with soft spotlight creating a minimalist dramatic setting for product showcase branding-stock-foto
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Featuring U-shaped grey tiled staircase in lab stairwell, with blue lockers and chemical formulas-stock-foto
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modern rectangular shelf podium in soft gray illuminated from above and below creating a warm glow ideal for product presentation mockup or showroom s-stock-foto
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modern minimalist product scene featuring a white rectangular podium on a glossy floor, dramatic shadows, and soft blue wall, ideal for branding, mock-stock-foto
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Sunlight illuminating empty white concrete podium casting shadows on textured wall, ideal for product placement.-stock-foto
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Sunlight illuminating empty concrete podium casting shadows on textured wall, ideal for product placement.-stock-foto
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Large sloped white surface with figures in black and white poses, set against illuminated panels and industrial beams in a modern indoor space.-stock-foto
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