Aktuális sajtó tartalmak és illusztrációs fotók

[large rectangular surface] képek

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A close-up photograph capturing the sharp corner where a traditional, reddish-brown brick wall meets a section of large, white glazed ceramic blocks.-stock-foto
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Workers use machinery to treat wastewater in large circular and rectangular tanks at a water treatment facility during daylight hours.-stock-foto
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Water treatment plant shows large circular tanks and rectangular sections for cleaning wastewater using various processes in a city during daytime.-stock-foto
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Flat lay of three common household dishwashing and cleaning tools on a white surface. Includes a large green nylon abrasive pad, a green and yellow du-stock-foto
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Detailed line illustration of a rectangular cutting board with a large butcher knife resting diagonally across the surface.-stock-foto
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Wastewater treatment process occurs at a facility with large tanks and equipment. The site includes several circular and rectangular structures for pr-stock-foto
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Two large rectangular blocks of clear ice resting on a frozen shoreline, illuminated by cold winter sunlight with surrounding snow and dark blue ice c-stock-foto
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Large rectangular block of natural ice resting on a frozen lake surface, illuminated by winter sunlight and surrounded by deep blue icy water, creatin-stock-foto
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A large wall made of blocks shows a door on one side. Horizontal metal slats cover a section above the door. The ground is plain with some markings. S-stock-foto
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A 3D digital illustration of a communications satellite orbiting in deep space. Two large, rectangular solar panels extend from the sides.-stock-foto
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A 3D digital illustration of a communications satellite orbiting in deep space. Two large, rectangular solar panels extend from the sides.-stock-foto
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A 3D digital illustration of a communications satellite orbiting in deep space. Two large, rectangular solar panels extend from the sides.-stock-foto
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Displaying large rippling tricolor surface with floating glass panels in gallery, with code streaks-stock-foto
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Hand drawn organic white speech bubbles wavy rectangular shapes. This irregular dialogue bubble set is ideal for social media templates, posters and c-stock-foto
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Leather binding of the portfolio 'Impressions from Pomerania' with a dedication to Ignacy Jan Paderewski. Polish graphics; Paderewski, Ignacy Jan (1860–1941). Graphic portfolio 'Impressions from Pomerania' (Poznań 1931), 1931. By Wyczółkowski, Leon (1852–1936). Graphic portfolio, bookbinding. Dimensions: height 69.9 cm, width 54.4 cm, thickness 4 cm., A rectangular object fills the frame with a large sheet of dark brownish-purple fabric stretched across its surface, showing several creases and slight wrinkles; a narrow border of darker brown material runs along the left and right edges with-stock-foto
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Ex bibliotheca EA Stueckelberg equitis ad^ni mdccci; Rheude, Lorenz Max (1863–1939), graphic artist; Witke-Jeżewski, Dominik (1862–1944); shells; Stückelberg, Ernst Alfred (1867–1926); coats of arms; Witke-Jeżewski, Dominik (1862–1944) — bookplate; German graphics; German; heraldry; heraldic helmets; heraldic-text bookplates; coats of arms; 1901; graphic; bookplate; graphic print; height 9.5 cm; width 6.3 cm, A rectangular card with a light beige background set against a pale gray surface, featuring a central ornate illustration printed in dark purple. The illustration shows a decorative-stock-foto
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Ex libris Dr. Robert Lang; Dammköhler, Philipp (1871–1924), graphic artist; Witke-Jeżewski, Dominik (1862–1944) — bookplate. Depicts hourglasses, books, clocks, skeletons, allegories, flowers, death, roses, bones, skulls — vanitas (allegory), time (allegory). Allegorical-symbolic German bookplate, ca. 1900. Graphic print; height 9.0 cm, width 6.0 cm., A rectangular printed image framed by a pale beige border shows a dark ink illustration of a skeletal figure seated behind a large hourglass and leaning on a curved surface that resembles a book; the skeleton is detailed with visible skull, jaw,-stock-foto
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Leaflet calling on Jews to vote for list no. 11 of the Provisional Jewish National Council in the elections to the Legislative Sejm of the Republic of Poland in 1919. Printed in Hebrew and Polish. Provisional Jewish National Council (1918-?), Legislative Sejm (1919-1922), 1919, leaflet, height 14.9 cm, width 20.2 cm, A worn rectangular sheet of paper with a beige background and darker beige discoloration, featuring a large central dark gray shape resembling a bold numeral with worn edges, two silhouetted pointing hands in dark gray on either side of the central shape, scattered patches of-stock-foto
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Carriage; Aleksander Maj (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 7.2 cm; width 12.7 cm; thickness 2.2 cm, The image shows a carved wooden block with an engraved outline of a carriage or wagon spanning the surface; the wood appears dark brown with areas of lighter brown where the grain and wear show, and there are visible gray tones in the background. The carved lines form two large circular wheels with spokes, a rectangular body section with paneling, and a raised seat or box area; the carvings present a slightly recessed darker brown-stock-foto
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Types and Caricatures. A Series of Genre Scenes and Individual Figures in Two Rows; Płoński, Michał (1778–1812), graphic artist; human types, character studies, genre scenes, female figure studies, male figure studies, urban types, street scenes, children, mothers with children, traveling merchants; 1802; Amsterdam; graphic; graphic matrix/plate; height 9.6 cm, width 18.9 cm, A rectangular metal plate with a weathered, mottled surface showing large irregular dark patches and areas of reddish-brown and gray; a dark gray background surrounds the plate; the surface has several lighter gray-stock-foto
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Boy Sitting by a Cage, Płoński, Michał (1778–1812), graphic artist; Witke-Jeżewski, Dominik (1862–1944); character studies; human types; children; boys; cages; 1802; Amsterdam; graphic; graphic matrix; graphic plate; height 7.2 cm; width 10.5 cm, A rectangular metal plate with a warm coppery surface showing areas of darker tarnish and lighter polished patches, set against a neutral gray background; on the right side of the plate a finely etched sketch of a child wearing a large fluffy hat and a textured jacket sits on a soft, fur-like surface, the child’s legs and boots extending forward with-stock-foto
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Dutch worker in sabots; Płoński, Michał (1778–1812), graphic artist; character study of a man — worker/poor person wearing klompen (wooden shoes); ca. 1800; graphic matrix/graphic plate; height 10.5 cm, width 5.6 cm., A vertical rectangular metal plate with a warm copper tone and areas of darker brown patina shows an engraved sketch of a standing man facing slightly to one side; the figure is drawn with fine dark lines defining a textured shirt, loose trousers, and large shoes, and the man's hair appears tousled with a contemplative facial expression; the plate is mounted on a neutral gray-stock-foto
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1000 Polish zloty voucher for Polish military purposes; graphic artist; Polish Military Treasury; Polish vouchers; military vouchers; White Eagle (coat of arms, Poland); panoply; Uhlan shako (iconographic); oak half-wreaths; laurel half-wreaths; 1916; graphic matrix; height 11.8 cm; width 18.2 cm; thickness 2.3 cm; graphic matrix: height 11.8 cm; width 18.2 cm; thickness 0.2 cm, A rectangular engraved plate with a textured gray surface showing a mirrored printed design; the plate has a decorative border and ornate carved patterns, including a large heraldic bird with outspread wings on one-stock-foto
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Yard with a dead tree; graphic artist; trees; urban courtyards; tenement houses; Polish graphics; after 1915; graphics; graphic matrix/plate; height 14.6 cm; width 10.1 cm; thickness 0.1 cm, The image shows an etched scene in predominantly copper and brown tones with visible dark brown lines creating the drawing. A narrow courtyard framed by a large arched opening occupies the composition, with a tall, thin, leafless tree in the foreground and a textured cobblestone ground. A building with a sloped roof, a balcony with a simple railing, and an exterior staircase is visible on one side, and-stock-foto
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A request to the Mother of God, Polish saints and blessed; Lewicki, Jan Nepomucen (1795–1871), graphic artist; Woźnicki, Kazimierz (1878–1949); Catholic saints; prayers; Our Lady of Częstochowa (painting); blessed; 1867; Paris; graphic; graphic matrix; graphic plate; height 25.3 cm; width 19.6 cm; thickness 0.2 cm, A rectangular metal plate with a slightly raised rim and rounded corners, shown flat against a neutral background; the surface is mottled with a range of gray tones, including pale silver, mid-gray, and darker gray areas, with a few faint brownish stains and spots of darker-stock-foto
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An Old Woman Reading a Book, the So-Called Rembrandt's Mother; Płoński, Michał (1778–1812), graphic artist; Dou, Gerrit (1613–1675), painter; reproduction print after Dou; ca. 1806, Paris; print, graphic matrix/graphic plate; portraits — old women; female portraits; oval; figure studies; female figure studies; bonnets; historical costumes; human types; female costumes; height 20.5 cm, width 16.8 cm, A large rectangular metal sheet with a worn, mottled surface showing a range of dark grays and blacks with patches of rusty brown and muted copper tones, scattered irregular dark stains and smudges-stock-foto
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Capuchin Choir in Rome, Granet, François-Marius (1775–1849), painter; Dietrich, Fryderyk Krzysztof (1779–1847), graphic artist; Capuchins (order); prayer (genre scenes); monastery churches; church interiors; painting reproductions; Rome (Italy); 1833; graphic; graphic matrix; graphic plate; height 32 cm; width 23 cm, An aged rectangular metal plate with rounded corners shows a faded interior scene of a large hall with a high arched ceiling and a central aisle flanked by long benches and groups of seated and standing figures; the scene is rendered in muted gray tones, while the plate's broad-stock-foto
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Peony and bindweed. On the left a sprig of peony, on the right a bindweed. Engraving made using the stipple etching technique with minor retouches with a stylus. Similar to other graphic compositions depicting flowers, portraits, views, plans, educational engravings and genre themes, often made by anonymous engravers in monastery engraving workshops, ca. 1800. Print (graphic matrix/plate). Height 20.4 cm, width 15.8 cm., A large rectangular metal surface fills the image, showing a worn, mottled texture with visible patches of discoloration and small pitted marks. The surface displays a mix of-stock-foto
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Eight images of Catholic saints and God; graphic artist, Łohojsk; after 1800; graphic matrix/plate; cut into five parts and glued into an album sheet; height 21.7 cm, width 33.3 cm., A rectangular metal sheet with a worn, mottled surface showing a dominant warm brown color interspersed with large areas of dark gray to black corrosion and spotting, a few greenish patina streaks and small pale green patches, and a narrow light gray border visible around the sheet; the surface texture appears irregular with scratches, scuffs, and uneven pitting throughout.-stock-foto
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Labels in the form of three tondos with inscriptions; Jan Nikodem Łopaciński (1747–1810), graphic artist; Łohojsk; company labels; Konstanty Tyszkiewicz (1806–1868); before 1802; graphic matrix; graphic plate; height 6.2 cm, width 9.9 cm, A rectangular metal plate with rounded corners, primarily brass-colored with areas of darker and lighter patina, shows three circular engraved designs: a large circle near the top center with concentric patterned borders and fine horizontal hatch marks inside, and two smaller circles near the bottom with decorative corner motifs; the upper circle is connected-stock-foto
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Crucifixion. Graphic artist, Łohojsk. Image of Christ crucified; at the bottom, an empty cartouche made of a rocailles ornament. The image belongs to a series of graphic compositions depicting images that are objects of cult, most made by anonymous engravers, often in monastery engraving workshops. After 1750. Graphic matrix/plate. Height 10.7 cm; width 6.3 cm., A rectangular object with worn, mottled surfaces showing large irregular patches of black over a brown base, edges rounded and showing coppery brown exposed areas, a worn white and blue rectangular label near the top right, a few small-stock-foto
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Angels adoring the Blessed Sacrament. The engraving depicts a chalice with a host within rays framed in the shape of a heart, with curtains in the background. The Blessed Sacrament is adored by two angels kneeling at the bottom. Image of the Blessed Sacrament which the angels worship. Part of a series of graphic compositions depicting images that are objects of worship, mostly made by anonymous engravers, often in Vilnius monastery engraving workshops. After 1700. Graphic plate (graphic matrix). Height 9.7 cm, width 6.3 cm. Made by graphic artist; attributed to engravers active in Lithuania (-stock-foto
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Title: IESVS MATRIS DELICIAE IESVS PATRIS SOLATIVM (The Heavenly and Earthly Trinity), A rectangular metal plate with rounded corners rests on a neutral gray background; the plate shows a worn, mottled surface with large areas of dark gray and black corrosion interspersed with exposed coppery brown patches and a few pale pinkish spots, and there is a decorative blue-and-white rectangular label affixed near the top left corner; along the top right edge the metal is cleaner and more copper-colored, and the plate surface has a smeared, scratched texture with several small pits and dark blotches-stock-foto
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Feliks Jabłczyński (1865–1928), graphic artist; tenement houses, cities, landscapes, cityscapes, architectural studies, streets, views, towers, architectural views, city views, castles; Wawel (Kraków), royal residences; Polish graphics; Poland; ca. 1924; Warsaw; graphic matrix/graphic plate; height 9.9 cm, width 8.1 cm, A dark rectangular plaque or panel with etched or engraved architectural outlines of a large building complex featuring tall towers, peaked roofs, and a row of lower structures in front; the surface shows fine incised lines forming windows, roof tiles, and masonry texture,-stock-foto
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Gothic interior with a rosette; Feliks Jabłczyński (1865–1928), graphic artist; church interior architectural study featuring a rosette and stained glass window; studies of architectural details; Gothic style; ca. 1924; Poland; graphic art; graphic matrix/plate; height 8.4 cm, width 7.3 cm, A rectangular dark textured panel with a rough surface showing carved linear patterns and a large circular rosette-like motif near the upper center, surrounded by radiating grooves and vertical striations; a high arch shape frames the central area with carved vertical lines filling the space beneath the-stock-foto
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Poznań City Hall; verso: Fragment of a composition. Jabłczyński, Feliks (1865–1928), graphic artist. Cityscapes; towers; city views; town halls; stairs; tenement houses; Town Hall (Poznań); architectural studies. Polish graphic art, ca. 1925. Graphic matrix/plate. Height 9.4 cm, width 7.2 cm., A large dark rectangular surface with a textured appearance fills the image, bordered by a lighter margin; the dark area is mostly black and charcoal with a few lighter gray smudges and spots, several small white speckles and mottled patches scattered across it, and some subtle scratches and etched lines-stock-foto
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Street in the city, Jabłczyński, Feliks (1865–1928), graphic artist; streets, cityscapes, cities, tenement houses, city views, architectural studies, windows; Polish graphics; Poland, ca. 1924, Warsaw; graphic matrix/graphic plate; height 8 cm, width 10.8 cm, A large rectangular surface fills the image, showing a dark, weathered texture with a predominately charcoal gray and black appearance interspersed with lighter gray and off-white blotches and smudges; the edges reveal a lighter gray border and small areas of muted yellowish-beige near the top and bottom, while several irregular pale-stock-foto
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Rocky landscape; Feliks Jabłczyński (1865–1928); graphic artist; landscape—mountain landscape with rocks; Polish graphic art; Poland; ca. 1924; graphic art; graphic matrix/graphic plate; height 7.5 cm, width 11.2 cm, The image shows a large dark rectangular surface with a rough, textured appearance, framed by a lighter border; the dark area contains a pattern of lighter speckles and blotches and two vertical textured forms with layered, cracked surfaces; along the bottom and right edges there is a band of lighter, chalky texture with irregular edges and scattered flecks; colors visible include-stock-foto
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National tax receipt from the Main Cash Register of the National Government: bearer receipt, series IV, section 1, letter D, no. 1548 for National Tax. Blank receipt without the seal of the National Government. Blue and pink print; dated 1863, Kingdom of Poland (January Uprising period, 1863–1864). Medium: securities/receipt. Dimensions: 1,139 mm × 2.65 mm., A rectangular paper document with a faded beige background and an intricate blue printed geometric pattern over much of its surface; a stylized bird with wings spread is centrally depicted in pale beige and light blue lines; dark black-stock-foto
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Round impression of the seal of the customs house in Leszno. A crowned eagle with a shield on its chest bearing an illegible coat of arms. Inscription around the rim: PIECZEC KARBU KORONEGO PROVIN. Dated 1766. Paper customs receipt seal, Leszno, Poland., A rectangular piece of aged paper with a textured, off-white to beige surface, showing a large area of cursive ink handwriting across the upper and middle portions; the ink appears brown. The left side of the paper has a slightly darker beige vertical margin with subtle creases and a faint circular embossed area. The right edge shows a narrow-stock-foto