Aktuális sajtó tartalmak és illusztrációs fotók

[large rectangular surface fills] képek

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Leather binding of the portfolio 'Impressions from Pomerania' with a dedication to Ignacy Jan Paderewski. Polish graphics; Paderewski, Ignacy Jan (1860–1941). Graphic portfolio 'Impressions from Pomerania' (Poznań 1931), 1931. By Wyczółkowski, Leon (1852–1936). Graphic portfolio, bookbinding. Dimensions: height 69.9 cm, width 54.4 cm, thickness 4 cm., A rectangular object fills the frame with a large sheet of dark brownish-purple fabric stretched across its surface, showing several creases and slight wrinkles; a narrow border of darker brown material runs along the left and right edges with-stock-foto
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Peony and bindweed. On the left a sprig of peony, on the right a bindweed. Engraving made using the stipple etching technique with minor retouches with a stylus. Similar to other graphic compositions depicting flowers, portraits, views, plans, educational engravings and genre themes, often made by anonymous engravers in monastery engraving workshops, ca. 1800. Print (graphic matrix/plate). Height 20.4 cm, width 15.8 cm., A large rectangular metal surface fills the image, showing a worn, mottled texture with visible patches of discoloration and small pitted marks. The surface displays a mix of-stock-foto
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Angels adoring the Blessed Sacrament. The engraving depicts a chalice with a host within rays framed in the shape of a heart, with curtains in the background. The Blessed Sacrament is adored by two angels kneeling at the bottom. Image of the Blessed Sacrament which the angels worship. Part of a series of graphic compositions depicting images that are objects of worship, mostly made by anonymous engravers, often in Vilnius monastery engraving workshops. After 1700. Graphic plate (graphic matrix). Height 9.7 cm, width 6.3 cm. Made by graphic artist; attributed to engravers active in Lithuania (-stock-foto
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Poznań City Hall; verso: Fragment of a composition. Jabłczyński, Feliks (1865–1928), graphic artist. Cityscapes; towers; city views; town halls; stairs; tenement houses; Town Hall (Poznań); architectural studies. Polish graphic art, ca. 1925. Graphic matrix/plate. Height 9.4 cm, width 7.2 cm., A large dark rectangular surface with a textured appearance fills the image, bordered by a lighter margin; the dark area is mostly black and charcoal with a few lighter gray smudges and spots, several small white speckles and mottled patches scattered across it, and some subtle scratches and etched lines-stock-foto
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Street in the city, Jabłczyński, Feliks (1865–1928), graphic artist; streets, cityscapes, cities, tenement houses, city views, architectural studies, windows; Polish graphics; Poland, ca. 1924, Warsaw; graphic matrix/graphic plate; height 8 cm, width 10.8 cm, A large rectangular surface fills the image, showing a dark, weathered texture with a predominately charcoal gray and black appearance interspersed with lighter gray and off-white blotches and smudges; the edges reveal a lighter gray border and small areas of muted yellowish-beige near the top and bottom, while several irregular pale-stock-foto
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Katagami dyeing stencil for bedding decoration; pattern: karakusa tendril with large peony flowers; karakusa (pattern), flowers; Japanese katagami stencil; 20th century, Japan; height 32.0 cm, width 41.5 cm, A dark rectangular surface fills the image with a repeating ornamental floral pattern drawn across it; the pattern features a group of large stylized flowers with layered petals, several buds, and curving vines with many pointed leaves and small sprigs, all rendered in a lighter contrasting line color. The background appears predominantly dark brown to nearly black, while the decorative-stock-foto
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Katagami dyeing stencil, komon type; pattern of fan motifs and stylized snowflakes; stencils; Japanese art; late 20th century, Japan; stencil; height 24.0 cm, width 43.0 cm, A rectangular dark brown sheet with a slightly textured surface fills the image, bordered by a thin lighter brown inner margin and a narrow white outer margin; within the sheet is a large central panel of repeating small white dot patterns forming curving, leaflike shapes that create an overall intricate lace-like design, and a few small clusters of white dots appear along the left edge; visible colors include dark brown,-stock-foto
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Katagami dyeing stencil, komon type; pattern of small motifs of the symbolic 'eight treasures' (Chinese: ba bao; Japanese: takara-zukushi); late 20th century; Japanese; stencil; height 24.8 cm, width 44.5 cm, A rectangular dark brown sheet with a slightly textured surface fills the image, featuring a large central rectangular area covered in a dense pattern of small light-colored dots arranged in curving, looping formations, and a few small round cutouts near the bottom edge; colors visible include dark brown and light beige.-stock-foto
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Ise katagami dyeing stencil - fine, dense mesh with rhomboidal meshes, Ôsugi (author), geometric ornament, Ishimi (1936- ), komon (pattern), Showa (1926–1989), 1950, Japan, stencil, height 32.4 cm, width 45.4 cm, A large rectangular surface with a dark brown background fills the image, featuring a centered lighter brown framed area and a wide central panel composed of a dense grid of small rounded light shapes creating a textured pattern; the pattern contrasts with the surrounding darker brown, and there are a few small specks and subtle variations in the brown tones across the surface.-stock-foto
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Katagami dyeing stencil with plum blossom and stylized mist motif ume no hana ni kasumi moyô, katagami stencil, chuban format; geometric and plant patterns, flowers, plum trees; stencil; Meiji period, 2nd half of the 19th century Japan; height 40.3 cm, width 23.7 cm., A large rectangular sheet with a dark brown to almost black surface fills the image, showing a patterned central panel of cut-out shapes that reveal a white background beneath; the cut-outs form a repeating decorative motif across a horizontal band near the top, leaving a broad plain darker area below. The patterned band displays-stock-foto
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Dyeing stencil katagami cut into a swarm of butterflies; maker, 19th century, Japan; ise-katagami; stencil; height 41.0 cm, width 25.3 cm; Japanese art; butterflies; materials/technique: dyeing stencil., A large rectangular dark brown surface fills the image with a textured, mottled appearance and slightly darker edges; across the upper central area there is a dense pattern of small white short marks and white dotted curved lines forming repeating cluster shapes, creating an overall lace-like or stitched appearance against the brown background.-stock-foto
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Fragment of a figural tapestry. Flowers, leaves, floral ornaments, warriors in armor, and fabrics depicted; they walk from left to right. On the left, a column entwined with flowers and fruit. No border. Colors: green, sandy green, blue, and red. 16th century, Flanders. Materials: woven fabric. Height 213 cm, width 182 cm., A large rectangular piece of coarse woven fabric fills the image, showing a worn, uneven surface with visible weave texture, creases, and small areas of fraying; the fabric is a tan to beige color with slightly darker and lighter irregular patches, and along the top edge-stock-foto
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Bell in the parish church in Piotrków – general view, /photographer; bells, crafts; Piotrków Trybunalski Łódź Voivodeship; Print with the entire surface re-glued to cardboard; not after 25/10/1917; photography, photograph of a work of art, photography from nature; photographic print: height 13.9 cm, width 8.8 cm; cardboard: height 31.7 cm, width 23.9 cm., A large bell fills the upper portion of the image, shown from below with its curved lip and interior clapper visible; the bell appears in sepia tones with gradients of brown and beige, and a soft halo of lighter beige surrounds it fading into-stock-foto
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Katagami dyeing stencil with a stylized checkered pattern kawari ichimatsu, unknown author, ise-katagami stencil in chūban format, geometric checkered ornament, Meiji period, 2nd half of the 19th century Japan, stencil; height 41.1 cm, width 25.8 cm., A large dark textured surface fills the image with a rectangular area near the top made up of a dense grid of small light dots forming repeating geometric patterns, surrounded by the darker background. The visible colors are dark gray and black for the background texture and white for the dot pattern, with subtle variations of lighter and darker-stock-foto
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Fragment of an architrave with hieroglyphs from the temple of Horus in Buhen. Horus mythology, falcon iconography, hieroglyphs, Egyptian sacred architecture. Fragment of an architrave with preserved hieroglyphs in recessed relief. From the left, the sign hor, followed by the signs n and t. Traces of yellow polychrome are preserved on the surface. c. 1479–c. 1425 BC; New Kingdom, 18th Dynasty possibly Thutmose III. Findspot: Buhen, bas-relief, architectural element; height 31 cm, width 60 cm, depth 52 cm; weight 143.5 kg., A large rectangular block of rough textured stone fills the frame, with-stock-foto
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Two-piece torso armor with buckles, 4th century BC 375–325 BC, Southern Italy ?, weaponry., A large rectangular metal object with rounded corners fills the frame, showing a heavily weathered surface in shades of green, teal, blue-green, dark gray, and patches of brownish rust; the metal has a mottled, pitted texture with areas of lighter greenish corrosion and darker worn spots, and a faint central vertical ridge running from top to bottom; along the top and sides there are ornamental wavy metal strips and rivet holes, and a rusted metal loop is attached near the upper left edge; a hinged or-stock-foto
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Dyeing stencil katagami with a flowing water motif ryûsui, ise-katagami stencil, chuban format; waves/water motif; Meiji period 19th/20th century, 1868–1912, Japan; stencil; height 40.0 cm, width 23.2 cm;, A large rectangular dark sheet with a textured surface fills the image, showing a group of curved, flowing dotted lines made of small light-colored marks that form wave-like patterns across the upper portion; the lower portion is mostly solid dark with subtle creases and a few tiny light specks, and the background around the sheet is a lighter pale color.-stock-foto