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[lighter brown rectangular patch] képek

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The Martyrdom of St. Lawrence; graphic artist; subject: The Martyrdom of St. Lawrence; iconography: Lawrence (St.; ?–258) — historical scenes, lictor's rods, martyrs, Catholic saints; date: 2nd half of the 19th century; medium: graphic matrix/graphic plate; dimensions: height 10.9 cm, width 29.1 cm, thickness 0.2 cm., A rectangular wooden panel with worn, rough surfaces showing patches of peeling layers and uneven texture, featuring a central vertical area of lighter exposed wood flanked by darker worn areas; the overall tones include dark brown, black, and gray with areas of tan and ochre-stock-foto
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Plate — Tatar envoys swear an alliance, illustration to 'Historical Songs' by J.U. Niemcewicz; graphic plate by Johann Gottfried Abraham Frenzel (1782–1855) and Ewa Sułkowska (1786–1824), 1816; height 13.9 cm, width 17.2 cm., A rectangular, worn metal surface with rounded corners sits against a dark gray background; the metal shows a textured, mottled appearance with areas of coppery brown, dark brown, black, muted purple-gray, and hints of bluish-gray, and there are irregular patches of darker material and splattered darker spots. A few glossy, deep red stains appear near the edges and in-stock-foto
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Round imprint of the customs house seal in Jordanów. A crowned eagle with the Saxon coat of arms on its chest. Below, under the crown, a shield with an illegible coat of arms. Date 17 03 and the letters P.T. R. In the rim, the inscription: SIGILUM THELONEORUM REIPUBLICA, POLONIAE. 1703. Paper customs receipt seal, Jordanów, Poland., A rectangular piece of aged paper with uneven, slightly torn edges lies against a pale gray background, showing a worn, textured surface with visible creases and smudges. The paper displays a range of beige and off-white tones with areas of darker brownish-gray-stock-foto
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Lipstick box with lid; incense box; Chinese; Qing (1644–1911); 19th/20th century; geometric ornament; Japanese influence; material unspecified; China; height 2.8 cm; diameter 7.3 cm., A round, shallow dish viewed from above with a glossy black interior and a slightly raised rim showing small areas of worn brown along the edge, set against a flat gray background; the center of the dish has a small rectangular patch of lighter gray material.-stock-foto
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Stele-shaped tablet, Chinese, Qing 1644–1911, 19th century, China; stone slab with inscriptions; height 2.4 cm, width 5.15 cm, depth 0.75 cm., A small, flat, rounded rectangular object rests on a smooth surface, appearing dark brown with areas of lighter brown and hints of black; its top surface shows irregular texture and worn edges, and one end has a small patch of tan or ochre; the surface beneath casts a soft gray shadow and the background gradients from mid-gray near the object to darker gray toward the top.-stock-foto
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Bodhisattva Manjushri, on a base. Wooden sculpture, Bodhisattva holds a rosary in his right hand and a sutra in his left. Wooden stand in the form of a table. 18th century, Qing 1644–1911, China, Southeast Asia, Chinese Buddhism, Chinese art; sculpture. Height 14.5 cm, width 8.1 cm, depth 10.3 cm., A golden figurine lies on its side next to a dark wooden carved object with an oval base; the figurine shows detailed sculpted limbs and ornamental patterns in metallic gold with darker worn areas, and the wooden object is deep brown to nearly black with carved openwork along its edges and a lighter-stock-foto
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Neferhotep's Funeral Cone, Neferhotep ca. 1323–1295 BC. Funerary cone with hieroglyphs; text on the base enclosed in a circular field surrounded by a narrow, convex cylinder. New Kingdom, 18th Dynasty, ca. 1550–1295 BC. Height 8 cm, width 27.5 cm, weight 1.01 kg., A group of three cylindrical clay objects lie on a light gray surface, each showing a carved circular end. The left object is long and tapered with a rough beige and brown surface and a carved circular end featuring raised shapes and a small rectangular patch of darker beige; the center object is shorter and rounded with a sandy-stock-foto
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Amulet - goddess Toeris; Navy blue glass slight violet admixture; 332–30 BC, Ptolemaic Period, Egypt; amulet; height 4 cm, width 1.4 cm; inscriptions/markings: Toeris myth., Egyptian deities, Egyptian religion., A roughly vertical metal object with an irregular silhouette and worn edges, showing a mottled surface in shades of blue, purple, brown, and gray, with a few small darker spots and lighter patches; there is red marking near the top and a small worn rectangular patch of brownish paper near the bottom, and a roughly oval hole above that patch.-stock-foto
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Offering table with carved offerings, offerings iconography and grave goods; depicted: bread and two slender vessels, with lotus flowers on high stems behind; Ptolemaic Period, 332–30 BC, Egypt; offering table; height 8.5 cm, width 36 cm, depth 29 cm, weight 23.444 kg., A rectangular slab with a rough, pitted surface rests against a neutral background; the slab is predominantly dark gray with lighter gray and off-white irregular patches and streaks across its top face, and there is a small bright white rectangular patch adhered near one side. The slab's beveled edges show a mottled texture in-stock-foto
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Doll with movable limbs, unknown Corinthian workshop author ?, restitution provenance, toys, dolls, human figurines, 500–450 BC, Corinth place of origin ?, terracotta figurine, height 13.9 cm, width 4.1 cm, depth 1.9 cm, weight 0.05 kg, A small humanoid figure made of a brown, weathered material stands against a plain gray background; the figure has an elongated, flattened head and torso with a rough, uneven surface showing lighter and darker brown patches and areas of wear, a few small white flecks, and some smoother, shinier spots. The figure has movable arms and legs attached with short-stock-foto
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Shabti, mummy-shaped figurine, funerary gift. Mummy-shaped figurine with back supported by a pillar/pilaster. Legs missing up to knee height. Arms crossed on the chest, right folded over left. Right hand holds a hoe; left hand holds a pickaxe. Wearing a three-part smooth wig. Long, straight, braided beard. Facial details poorly visible. Not inscribed. 664–332 BC, Late Period, Egypt. Height 6.9 cm., A small carved object shaped like a stylized bird with a rounded head and tapered body sits against a plain gray background, showing a smooth glossy surface in shades of bright turquoise and teal-stock-foto
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A katagami dyeing stencil cut into a pattern of chrysanthemum flowers against a background of vertical groups of stripes of various widths. Pattern cut on the pattern: three parallel horizontal stripes of chrysanthemum heads with leaves. Stencil, Japan, 19th/20th century Meiji period, 1868–1912. Height 40.2 cm, width 17.8 cm; ise-katagami., A horizontal rectangular artwork shows a dark brown background with a pattern of three large stylized flowers and surrounding leaves rendered in white cutout shapes, connected by vertical white stripes of varying thickness; the flowers have layered petals-stock-foto
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Fragment of a Sinopean amphora vice with a rectangular stamped impression inscription reversed, read right to left preserving the name of the Sinopean manufacturer Sagaris with patronymic; an emblem in the form of a leaf originally stood at the left of the stamp. Hellenistic period, ca. 320–300 BC. Found at Myrmekion Crimea. Stamp; height 8 cm. Made in Sinope. Maker attributed: Sagaris son of Numenius., A broken terracotta fragment rests on a flat surface against a neutral gray background, showing rough, porous edges and smoother inner surfaces. The piece is primarily a warm orange-brown color-stock-foto
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Fragment of a stamped amphora neck, 332–30 BC; Hellenistic period, possibly Knidos Caria, found in Myrmekion; amphora neck with stamp; height 6.5 cm, width 7.7 cm, depth 6.5 cm, length 6.5 cm., A broken terracotta fragment with a rough, weathered surface in shades of orange, reddish-brown, and tan rests against a light gray background; the fragment shows a curved rim and a flat base area with worn edges, pitted texture, and a raised decorative motif on one side, and there is a small rectangular patch of a lighter beige fabric-like material adhered to the base.-stock-foto
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Head of Guanyin Bodhisattva, Chinese, Guanyin iconography, Qing style, goddesses. Fragment of a statue made of polychrome-coated feldspar with cube-shaped base of dark red marble. 19th century, China. Sculpture; height 26.0 cm., A small worn rectangular box with a distressed red exterior sits near the bottom center of the image, showing a weathered brown patch on its front and rough textured edges; behind and partially above the box is a pale rounded object with beige and light tan tones and a small dark area on one side; the background transitions from a dark charcoal at the top to a mid gray-stock-foto
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Fragment of an amphora with a stamp, ca. 390 BC, found at Pantikapaion, originating from Thasos; stamp; vice; height 6.2 cm, width 8 cm., A worn rectangular fragment with an uneven top edge in shades of reddish-brown with lighter brown and tan variations, showing a shallow oval impression carved into its surface that contains curved and rounded raised areas and a narrow linear indentation ending in a small circular cluster; there is a patch of rough white residue near the lower left of the fragment and faint lighter streaks and speckles across the surface, all set against a flat neutral gray-stock-foto
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Seal, unknown South Egyptian workshop, pyramidal clay seal with a roughly square stamp surface and rounded corners. Shallow incisions at mid-height. On the base an engraved letter—possibly a geometric B or an M resting on the base—with a small round recess beside it. Upper part is impressed; chipping on the base. Visible kaolin clay, pink-beige. 6th–7th century; Edfu. Seal/stamp. Height 6.1 cm, width 5.5 cm., A weathered, fragmentary brown clay object with a roughly rectangular top and tapered lower edge suspended against a gray background, showing two shallow horizontal grooves on its front-stock-foto
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Bowl, Deep, cup-shaped clay bowl with a slightly convex bottom and sides arching upwards; straight, flat-topped flaring rim. Made of Nile clay NB1 ?. Covered with an engobe containing red ochre and thoroughly polished. Color: red. Well-preserved with slight damage to the rim. Ceramic vessel, Old Kingdom ca. 2686–2181 BC, height 13.8 cm; rim diameter 28.8 cm; bottom diameter 11.9 cm. Comparative references: parallels cited to Mycerinus, Giza Necropolis II, Qau and Badari pottery types IV–VI dyn., Abydos Middle Cemetery late VI dynasty, Umm el-Qaab no. 85 IV dynasty, and Asyut pottery-stock-foto
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Metal collar ending a sword hilt fuchi, decorated with a deer; Edo period 18th century, Japan, height 3.7 cm, width 2.3 cm, depth 1.2 cm., An oval metal object with a dark brown and rusty surface floats against a plain gray background, showing an inner hollow with a tapered rectangular opening and a few areas of darker patina and lighter worn edges, and a small patch of off-white marking visible inside.-stock-foto
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Amulet - goddess Toeris, Toeris myth., Egyptian deities, crocodiles, hippopotamuses. Figurine of the goddess Toeris in the form of a pregnant hippopotamus standing on lion legs and equipped with a crocodile tail. A stand under the legs, a pendant on the back. 664–332 BC; Late Period, Egypt. Amulet; height 5 cm, width 1.5 cm., A small statuette of a standing anthropomorphic lion figure rendered in a pale green-blue glazed material, showing a mane with vertical grooves, a snarling open mouth, and a defined nose and eyes; the figure’s arms hang down along its sides and it stands on a rectangular-stock-foto