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Photograph of Wiktor Brodzki's sculpture 'Christ Blessing' (ca. 1861), sculptor Wiktor Brodzki (born 1817/1825/1826–1904), photographed in Rome ca. 1868 by Lorenzo Suscipj (Rome; photographic studio; 183?-1901), albumen photographic print, subject Jesus Christ blessing, religious/sacred sculpture, height 23 cm, width 15.8 cm., A light-colored statue of a robed, long-haired figure stands against a dark brown background, with the figure's right arm raised and the left arm lowered holding a small object; the robe shows flowing folds and a belted waist, and the figure has a beard and serene facial-stock-foto
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Denarius, Elagabalus (reigned 218–222). Obverse: IMP ANTONINVS PIVS AVG — Bust of Elagabalus with laurel wreath and paludamentum facing right, pearl rim. Reverse: PM TR P IIII COS II P P — Naked figure with a cloak on his shoulders running left, right hand raised, holding a whip in his left hand, star in the left field, pearl rim. Date: 221. Roman Empire (27 BC–476). Rome. Coin. Diameter 18.0–18.5 mm, weight 2.65 g., A round metallic object with an uneven, worn edge and a textured surface showing scratches and dents; a raised depiction of a standing human figure in profile with one arm raised-stock-foto
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Denarius of Elagabalus (204–222; Roman emperor 218–222), Roman Empire, 220–222. Obverse: Bust of Elagabalus with a laurel wreath and paludamentum facing right, inscription 'IMP ANTONINVS PIVS AVG', pearl border. Reverse: Elagabalus wearing a laurel wreath and long robe stands facing right, holding a patera above an altar in his right hand and a club in his left; star in right field, inscription 'SACERD DEI SOLIS ELACAB', pearl border. Coin; diameter ~18–19 mm, weight 3.43 g., A circular metal coin in shades of gray with a raised rim and worn texture shows a standing robed figure at the center-stock-foto
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Denarius, Hadrian (76–138; Roman emperor 117–138). Obverse: head of Hadrian in laurel wreath facing right; rim inscription HADRIANVS AVGVSTVS. Reverse: Concordia seated left, dressed in a long robe, holding a patera in her outstretched right hand, with her left hand resting on the figure of Spes on a small base at the back of the chair; rim inscription COS III. Date: 125–128. Roman Empire (27 BC–476). Rome. Coin; weight 3.03 g., A circular, worn metallic object in shades of gray with an uneven edge sits against a white background; faint raised markings create an outline resembling a seated-stock-foto
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Depiction of a deceased person on a keline and a servant; banquet scene, Cypriot sculpture. The sculpture depicts a man banqueting in a semi-reclining position on a keline (bed). His upright torso is supported by his left elbow placed on two pillows. The man is dressed in a long, finely pleated chiton and himation. In front of the bed, at the side of the banqueter's legs, stands a small boy dressed in a chiton on a cuboid base. 4th century BC (dating before the 2019 revision: 450–375 BC; Cypriot-Classical Period). Marion. Sculpture. Height 45 cm; width 53 cm; depth 24 cm; weight 13.03 kg., A-stock-foto
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Olympia Auctions London 13 May 2024 A rare set of eight famille-Verte Daoist Immortals, Qing Dynasty, Kangxi Period (1662-1722) on a rectangular base holding their respective attribute by which they are identifiable, and wearing long brightly glazed robes Est £8,000-12,000.Auction 14 May 11 am 25 Blythe Road, London W14 0PD.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Olympia Auctions London 13 May 2024 A rare set of eight famille-Verte Daoist Immortals, Qing Dynasty, Kangxi Period (1662-1722) on a rectangular base holding their respective attribute by which they are identifiable, and wearing long brightly glazed robes Est £8,000-12,000 .Auction 14 May 11 am 25 Blythe Road, London W14 0PD.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Olympia Auctions London 13 May 2024 A rare set of eight famille-Verte Daoist Immortals, Qing Dynasty, Kangxi Period (1662-1722) on a rectangular base holding their respective attribute by which they are identifiable, and wearing long brightly glazed robes Est £8,000-12,000 .Auction 14 May 11 am 25 Blythe Road, London W14 0PD.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Olympia Auctions London 13 May 2024 A rare set of eight famille-Verte Daoist Immortals, Qing Dynasty, Kangxi Period (1662-1722) on a rectangular base holding their respective attribute by which they are identifiable, and wearing long brightly glazed robes Est £8,000-12,000.Auction 14 May 11 am 25 Blythe Road, London W14 0PD.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News-stock-foto
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Statuette of a Striding Man in a Kilt Early Middle Kingdom ca. 2030–1917 BC This somewhat rough, but charming striding male figure has long, thin limbs and a disproportionally large head; he stands in his original, rectangular base, which preserves part of a painted inscription indicating his position as “royal chamberlain.” As a mid-level official he was able to commission a respectable artwork for his burial place or perhaps as a temple offering. View more. Statuette of a Striding Man in a Kilt. ca. 2030–1917 BC. Wood, paint, pinkish colored paste. Early Middle Kingdom-stock-foto
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Box for animal mummy 664–30 B.C. Late Period–Ptolemaic Period The shrew mouse was an animal sacred to the solar deity Horus of Letopolis, but was honored all over Egypt, particularly in the Delta. The mouse was considered to be the blind eye of Horus, which was miraculously healed, thereby symbolizing resurrection and rebirth. The shrew has a long narrow snout, rounded ears, and a thin body. It stands in a slightly crouched position on a long rectangular box. Struts extend from the back legs to the base, an unusual feature. In the lost wax casting process, which was used to make this piece, ch-stock-foto
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Glass rectangular bottle 2nd–3rd century A.D. Roman Translucent deep blue green; handles in same color.Partially tubular rim folded out, down, round and in, with flattened upper surface; cylindricalm convex neck, with horizontal tooling marks around the base; horizontal shoulder with large rounded corners; rectangular body with flat sides, tapering downward; thick, concave bottom, pushed in off-center; two broad handles, each with three ribs, applied as a long pad to short edge of shoulder, drawn up vertically, then bent in and down, and attached to neck and underside of rim with upward trail.-stock-foto
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Ptah-Sokar-Osiris Figure of Ankhshepenwepet ca. 712–664 B.C. Third Intermediate Period This wooden statuette belongs to a tradition of upright mummiform statuettes on rectangular bases that dates back to the Middle Kingdom. It is meant to represent a divine being, or sah. Here the figure is shown wearing a crown of ram's horns topped by two ostrich plumes (the shuty crown), a blue tripartite wig, and a broad collar. A bead net is shown over the red wrappings. There is a back pillar, a feature that first appears on Osiride figures during this period. The statuette is pegged to a long base. The-stock-foto
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Chamber Organ 18th century Unknown The chamber organ is a moderately-sized piped organ. It typically has a single manual, a limited number of stops, and a limited pedalboard or no pedals at all. It is generally intended for use in small chapels, in homes, or other intimate rooms. As it is capable of long sustained tones, it is sometimes preferable to harpsichord as a continuo instrument in chamber ensembles. This chamber organ is built in two parts with the bellows in a rectangular base on top of which sits the keyboards and pipes of a positive organ. The front of the base features a painted p-stock-foto
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Glass rectangular bottle 2nd century A.D. Roman Translucent deep blue green; handles in same color.Rim folded out, round and in, with broad, flattened upper surface; cylindrical neck, slightly tapering downward, with horizontal tooling marks around the base; horizontal shoulder with rounded corners; rectangular body with flat sides, tapering downward on short sides; thick, concave bottom with circular pontil scar; two broad handles, each with three ribs, applied as a long pad to short edge of shoulder, drawn up vertically, then bent in and down, and attached to neck with upward trail extending-stock-foto
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Textile Fragment 15th century This rectangular silk textile fragment displays a repetitive pattern of small flowers and plants in green, yellow, white, and blue in offset rows on a red ground. From the base of each plant spring small leaves and stems. Above each base, a lotus-like yellow flower with green buds and leaves rises from a palmette. Confronted long-necked birds with raised wings flank the stock.This textile fragment is ornamented with a pattern of confronting long-necked birds perched on flower stalks, facing a taller central lotus. This imagery suggests the principle of the tree of-stock-foto
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Terracotta oil lamp late 1st century B.C.–early 1st century A.D. Roman Loeschcke Type 1A. Mold-made. Deep concave discus: a gladiator, standing facing backward, wearing a crested helmet, short trunks, and boots, and holding a long, rectangular shield in one hand and a weapon (concealed by his body) in the other; single filling hole near center between his legs, surrounded by a broad band of lines and grooves at edge. A funnel-shaped channel, with a small central slit, runs from the discus towards the large wick hole. Volutes flanking angular nozzle. Base ring outlined by two concentric lines.T-stock-foto
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Temple Model 200 B.C.–A.D. 500 Mezcala Stone models in the Mezcala style come largely from the present-day state of Guerrero, in southwest Mexico. A particularly long-lived tradition, these works may have been produced over some one thousand years, from as early as 500 B.C. Little is known about their archaeological contexts, and there are few points of reference with surviving architecture in the region. It is possible that these models emulate buildings with stone columns, such as those from Cuetlajuchitlán; alternatively they could recall above- or below-ground funerary structures, in which-stock-foto
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Glaive of the Bodyguard of Archduke Ferdinand of Austria, later Emperor Ferdinand II (1578–1637) 1590–1617 Austrian The long, sharply pointed knife-like blade has a convex cutting edge and has a short back edge near the point. The rectangular socket was formerly mounted with two side straps (now cut off). Each side of the blade is etched with a shield bearing the arms of Archduke Ferdinand of Austria (1578–1637), later Holy Roman Emperor Ferdinand II, surrounded by a collar of the Order of the Golden Fleece and surmounted by an archducal bonnet, above which is the monogram F. The back and base-stock-foto
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Terracotta oil lamp 1st century A.D. Roman, Cypriot Loeschcke Type 1B. Mold-made. Discus: gladiator facing right but advancing left, wearing crested helmet, holding long rectangular shield on his left arm and a sword in raised right hand, and his right leg bent under him, with a band of concentric lines and grooves towards edge. Single filling hole between his legs. Volutes flanking nozzle. Within raised base ring, flat base, with the raised letter I at center.Intact.. Terracotta oil lamp. Roman, Cypriot. 1st century A.D.. Terracotta. Early Imperial. Terracottas-stock-foto
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Design for an Inkstand, Lefebvre Manufactory, Tournai, Graphite, pen and black ink, brush and watercolor on paper, Rectangular box on black base. Long drawer in open position decorated with center rosette, flanked by stylized leaf motif. Inkstand supported by two chimeras. A bell at center is flanked by square inkpots, the left has an engraved cover. Arms with sockets, presumably to hold pens or candles, at either end., Belgium, 1805–1820, Drawing-stock-foto
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Factory process pipeline in the process of dismantling-stock-foto
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Factory process pipeline-stock-foto
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Factory process pipeline-stock-foto
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Factory process pipeline-stock-foto
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A red-nested oil lamp with a round body on a large round base with an inner ring. The small filling hole lies in the concave mirror, which is surrounded by a concentric relief circle. The long rounded spout is decorated with a mask. The shoulder is decorated with staff ornaments, just like the two rectangular handles on either side of the shoulder, oil lamp, earthenware, terracotta, 3,4 x 10 x 8,7 cm, 2nd and 1st century BC. 0-1, Asia-stock-foto
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Long bronze belt tongue with two staples and two rows of small circles, 8.3 cm, b base 1.9 cm. 3 rectangular mount plates each with four bronze staples l 3 cm, b 1,85 cm, fragments of, batter, metal, bronze, 2,4 grams, vmeb 610-680 AD, Netherlands, Gelderland, Geldermalsen, Geldermalsen, cemetery-stock-foto
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Long bronze belt tongue with two staples and two rows of small circles, 8.3 cm, b base 1.9 cm. 3 rectangular mount plates each with two bird heads and four bronze staples, l 3 cm, b 1,85 cm, fragments of, attachment, metal, bronze, 2,4 grams, vmeb 610-680 AD, Netherlands, Gelderland, Geldermalsen, Geldermalsen, burial field-stock-foto
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Umea, Sweden - July 29, 2019: many cement bases for flagpoles standing close to each other-stock-foto
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Cast iron miniature waffle maker with stand, waffle maker kitchenware miniature toy relaxation device model iron 29.0, base 3.5 cast Waffle iron on frame two rectangular segments hinged on long side. Long handle with eye to end on each segment. Pattern waffle iron: four rows of six pyramid shapes. Round frame with rectangular recess 1868 Sibilla van Embden play food prepare baking kitchen-stock-foto
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3d illustration of a landscape of potential funnels consisting of hundreds of oblong cuboids with a square base-stock-foto
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3d illustration of a mountainous landscape consisting of hundreds of oblong cuboids with a square base-stock-foto
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3d illustration of a mountainous landscape consisting of hundreds of oblong cuboids with a square base-stock-foto
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3d illustration of a mountainous landscape consisting of hundreds of oblong cuboids with a square base-stock-foto
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3d illustration of a landscape of potential funnels consisting of hundreds of oblong cuboids with a square base-stock-foto
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3d illustration of a landscape of potential funnels consisting of hundreds of oblong cuboids with a square base-stock-foto
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3d illustration of a gorge consisting of hundreds of oblong cuboids with a square base-stock-foto
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3d illustration of a mountainous landscape consisting of hundreds of oblong cuboids with a square base-stock-foto
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3d illustration of a mountainous landscape consisting of hundreds of oblong cuboids with a square base-stock-foto
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3d illustration of a mountainous landscape consisting of hundreds of oblong cuboids with a square base-stock-foto
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