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[monogram indicates] képek

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Design for a Pendant with IHS Monogram 1609 Master P.R.K Dutch This finely wrought pendant was designed by the Dutch goldsmith known as the Master P.R.K. It consists of fine openwork with an IHS monogram in the middle. The fact that this part is executed in blackwork indicates that it was meant to be executed in enamel. Three pearls are attached to the bottom of the pendant. The goldsmith also added small quirky details to his design, like the monkeys with musical instruments and the two rabbits below. In the lower left and right corners of the sheet, two small scenes are depicted: on the left-stock-foto
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Obverse: Monogram of Justin. Reverse: Large E, with right little N. Edge battered. The large (Greek) letter stands for a number and indicates the coin value. E is 5 nummi, a pentanumium. The lowercase letter probably refers to the mint here., Coin, pentanumium of Justin II, Byzantine, metal, bronze, diam: 1.2 cm, wt. 1.06 grams, 565-578 AD, unknown-stock-foto
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Obverse: Monogram of Justin II. Reverse: Large E, with small range on the right. Edge battered. The large (Greek) letter stands for a number and indicates the coin value. E is 5 nummi, a pentanumium. The lowercase letter refers to the workshop where the coin is minted., Coin, pentanumium of Justin II, Byzantine, metal, bronze, diam: 1,4 cm, wt. 2.4 grams, 565-578 AD, unknown-stock-foto
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Design for a Pendant with IHS Monogram, Master P.R.K, 1609-stock-foto
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Art inspired by Design for a Pendant with IHS Monogram, 1609, Engraving and blackwork, Plate: 5 1/4 x 3 11/16 in. (13.3 x 9.3 cm), Master P.R.K (Dutch, ca. 1609–1617), This finely wrought pendant was designed by the Dutch goldsmith known as the Master P.R.K. It consists of fine, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT-stock-foto
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Table runner with monogram 'Al' or 'la'. Table runner with white embroidery on batist with deployment of needle side and filet work, deposited with intermediaries and a scalloped edge in dick edge. On the short sides twice the monogram 'Al' or 'la' in needle side intermediates. This indicates that the runner on the occasion of the marriage of Anna Leyds-Carstens, or shortly thereafter, is made. Hereby 19 paired packages of fileting and needle side, one of which is accompanied by a piece of paper of Chinese text.-stock-foto
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This oil painting by Pieter van der Hulst II depicts a farmyard scene, painted between 1623 and 1637. The monogram 'P VH' indicates the artist's signature, and it showcases rural life in 17th-century Europe, emphasizing the simplicity and charm of farm life.-stock-foto
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Tea spoon, Dominick & Haff fl. 1868–1928. Trianon pierced cutlery model, Neo‑Rococo style. Tea spoon with an ovoid, smooth scoop with a knotted HP monogram engraved on the reverse; straight, flaring, openwork handle with Neo‑Rococo ornament featuring rocailles, acanthus and small flowers; interior of handle enamelled in various shades of white, green, blue; brown enamel along the handle fading to white. The Trianon pierced handle pattern was introduced by the company in 1885; the HP Helena Paderewska monogram indicates the spoon was purchased or given no earlier than 1899 the Paderewskis'-stock-foto
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Design for a Pendant with IHS Monogram. Artist: Master P.R.K (Dutch, ca. 1609-1617). Dimensions: Plate: 5 1/4 x 3 11/16 in. (13.3 x 9.3 cm) Sheet: 5 3/8 x 3 3/4 in. (13.7 x 9.5 cm). Date: 1609. This finely wrought pendant was designed by the Dutch goldsmith known as the Master P.R.K. It consists of fine openwork with an IHS monogram in the middle. The fact that this part is executed in blackwork indicates that it was meant to be executed in enamel. Three pearls are attached to the bottom of the pendant. The goldsmith also added small quirky details to his design, like the monkeys with musica-stock-foto
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Dessert spoon, Durgin Co Concord; goldsmith's firm; fl. 1853–1924. Dessert spoon with an ovoid scoop topped with a pointed tip, decorated with semi-plastic roses at the bottom, gilded; handle widening towards the end and topped in a semicircle, edged with a profiled band, decorated with roses. Dauphin pattern introduced by the company in 1897; 1899–1905 the HP — Helena Paderewska — monogram indicates the spoon was purchased or given no earlier than 1899, the Paderewskis' wedding date. Paderewski, Ignacy Jan 1860–1941 and Paderewska, Helena 1856–1934 monogram. United States of America; Concord.-stock-foto
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This portrait of Sir Patrick Dun, painted by Thomas Pooley (1646–1723), was received by the Royal College of Physicians in 1820. The work measures 50 x 40 and was initially attributed to Sir Godfrey Kneller, but the artist's monogram indicates Pooley as the creator.-stock-foto
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Lamp and Stand, 400s. Bronze oil lamps were made either with stands, like the nearby example, or with chains for suspension on hooks within homes and churches. This lamp is cast in the form of a griffin, a guardian figure from antiquity frequently used in Byzantine churches, which contained much wealth. The Christian monogram on the handle indicates the lamp was intended for use within a church.-stock-foto
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Tafelloper met monogram 'AL' of 'LA', anonymous, c. 1910 - c. 1914 Table runner with white embroidery on batist with bets of needle side and fillet work, trimmed with intermediate sinks and a scalloped edge in the bobbin. On the short sides twice the monogram 'Al' or 'La' in the Needle side intermediate sinks. This indicates that the runner was made on the occasion of the marriage of Anna Leyds-Carstens, or shortly thereafter. Hereby 19 tied packages of fillet work and needle side, one of which is accompanied by a piece of Chinese text. Italy linen (material). cotton (textile). batiste. embroi-stock-foto
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Boreelianus refers to an individual, likely from historical or literary contexts. The mention of 'initials' indicates this could be a brief reference to a key figure or a stylized signature.-stock-foto
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Table runner with monogram 'AL' or 'LA', Table runner with white embroidery on batist with inserts of needle lace and fillet, trimmed with inserts and a scalloped edge in bobbin lace. On the short sides twice the monogram 'AL' or 'LA' in needle-side inserts. This indicates that the runner was made on the occasion of the marriage of Anna Leyds-Carstens, or shortly thereafter. Hereby 19 bundled packages of filetwork and needle lace, one of which is accompanied by a piece of Chinese text., anonymous, Italy, c. 1910 - c. 1914, linen (material), cotton (textile), batiste, bobbin lace, l 182.0 cm-stock-foto
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Tea spoon, Dominick & Haff fl. 1868–1928. Trianon pierced cutlery model, Neo‑Rococo style. Tea spoon with an ovoid, smooth scoop with a knotted HP monogram engraved on the reverse; straight, flaring, openwork handle with Neo‑Rococo ornament of rocailles, acanthus and small flowers, enamelled on the inside with colored enamel in shades of white, green, blue; brown enamel along the handle, fading to white. The Trianon pierced handle pattern was introduced by the company in 1885; the HP Helena Paderewska monogram indicates the spoon was purchased or given no earlier than 1899 the Paderewskis'-stock-foto
RF
Table runner with monogram 'AL' or 'LA', Table runner with white embroidery on batist with inserts of needle lace and fillet, trimmed with inserts and a scalloped edge in bobbin lace. On the short sides twice the monogram 'AL' or 'LA' in needle-side inserts. This indicates that the runner was made on the occasion of the marriage of Anna Leyds-Carstens, or shortly thereafter. Hereby 19 bundled packages of filetwork and needle lace, one of which is accompanied by a piece of Chinese text., anonymous, Italy, c. 1910 - c. 1914, linen (material), cotton (textile), batiste, bobbin lace, l 182.0 cm ×-stock-foto
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Attributed to Jeanne-Élisabeth Chaudet, this 1802 drawing captures a woman's face in crayon noir. The monogram 'Ch 1802' indicates its creation during the early 19th century. Chaudet, a French artist, often worked in portraiture, and this sketch reflects the delicate use of charcoal to express depth and character in the subject's features.-stock-foto
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Dessert spoon by Durgin Co. Concord; goldsmith's firm; fl. 1853–1924. Dessert spoon with an ovoid scoop topped with a pointed tip, decorated with semi-plastic roses at the bottom, gilded; handle widening towards the end and topped in a semicircle, edged with a profiled band, decorated with roses. Dauphin pattern introduced by the company in 1897. HP Helena Paderewska monogram indicates the spoon was made or acquired no earlier than 1899 the Paderewskis' wedding date. Inscribed/associated names: Paderewski, Ignacy Jan 1860–1941; Paderewska, Helena 1856–1934. Origin: Concord, United States of-stock-foto