Aktuális sajtó tartalmak és illusztrációs fotók

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Helsinki, Finland. August 27 2025. Exterior vie of the Finlands bank building in the city center-stock-foto
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Helsinki, Finland. August 27 2025. Exterior vie of the Finlands bank building in the city center-stock-foto
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Helsinki, Finland. August 27 2025. external view of the state archive building in the city center-stock-foto
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Helsinki, Finland. August 27 2025. external view of the state archive building in the city center-stock-foto
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Paris, France - August 16th, 2025: Reading room of the famous Richelieu national french library in Paris-stock-foto
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Paris, France - August 16th, 2025: Reading room of the famous Richelieu national french library in Paris-stock-foto
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Paris, France - August 16th, 2025: Reading room of the famous Richelieu national french library in Paris-stock-foto
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Paris, France - August 16th, 2025: Reading room of the famous Richelieu national french library in Paris-stock-foto
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Paris, France - August 16th, 2025: Reading room of the famous Richelieu national french library in Paris-stock-foto
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Croatian National State Archives building in Zagreb, Croatia. Old University Library.-stock-foto
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Croatian National State Archives building in Zagreb, Croatia. Old University Library.-stock-foto
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Croatian National State Archives building in Zagreb, Croatia. Old University Library.-stock-foto
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Barry Faulkner's Declaration of Independence Mural in National Archives Rotunda in Washington DC // WASHINGTON DC — Barry Faulkner's Declaration of Independence mural depicts Thomas Jefferson presenting the founding document to John Hancock in an allegorical scene created between 1935-1936 for the National Archives Building rotunda. The 14-foot by 37.5-foot oil-on-canvas work represents one of two monumental murals commissioned for $42,000 as part of the New Deal era's federal art program. Faulkner incorporated symbolic elements including storm clouds representing the coming Revolutionary War-stock-foto
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Barry Faulkner's Constitution Mural in National Archives Rotunda in Washington DC // WASHINGTON DC — Barry Faulkner's Constitution of the United States mural depicts James Madison presenting the Constitution to George Washington in an allegorical scene created for the National Archives rotunda. The 14-foot by 37.5-foot oil-on-canvas work, completed in 1936, shows the founding fathers arranged in committee-based groupings that reflect actual historical political positions and regional affiliations from the Constitutional Convention. The mural incorporates symbolic elements including clear blue-stock-foto
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Russell Lee's Coal Survey Photography Exhibition at National Archives Museum in Washington DC // WASHINGTON DC — The Power & Light: Russell Lee's Coal Survey exhibition at the National Archives Museum displays over 200 large-scale prints and digital interactives from photographer Russell Werner Lee's 1946 documentation of coal mining communities. Lee's photographs were created during a federally sponsored medical and infrastructure survey of the Bituminous Coal Industry under the Truman administration, capturing workers, families, housing, hospitals, schools, and community life across 13 state-stock-foto
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Russell Lee's Coal Survey Photography Exhibition at National Archives Museum in Washington DC // WASHINGTON DC — The Power & Light: Russell Lee's Coal Survey exhibition at the National Archives Museum displays over 200 large-scale prints and digital interactives from photographer Russell Werner Lee's 1946 documentation of coal mining communities. Lee's photographs were created during a federally sponsored medical and infrastructure survey of the Bituminous Coal Industry under the Truman administration, capturing workers, families, housing, hospitals, schools, and community life across 13 state-stock-foto
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Bronze Floor Medallion in National Archives Building Entry Vestibule in Washington DC // WASHINGTON DC — A bronze floor medallion is set into the entry vestibule just inside the ceremonial Constitution Avenue doors of the National Archives Building, positioned before visitors enter the Rotunda. The medallion is divided into four quadrants representing fundamental functions of the federal government: Justice, War & Defense, History, and Legislation, with each section featuring classical figures holding symbolic attributes such as scales for Justice and fasces for Legislation. Designed by archit-stock-foto
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Magna Carta 1297 Original Document at National Archives Museum in Washington DC // WASHINGTON DC — The 1297 Magna Carta on display at the National Archives Museum is one of only four surviving originals from that year, signed during the reign of Edward I and later entered into England's official statute rolls. This document is the only original 1297 Magna Carta on permanent display in the United States, on generous long-term loan from philanthropist David M. Rubenstein. The historic parchment is featured at the start of the Records of Rights gallery, also known as the David M. Rubenstein Galle-stock-foto
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Bronze Doors with Medusa Shield Relief at National Archives Building in Washington DC // WASHINGTON DC — The ceremonial bronze doors of the National Archives Building feature intricate bas-relief sculptures by Adolph A. Weinman, including an allegorical female figure holding a shield bearing the head of Medusa. The monumental doors, completed in 1935 as part of architect John Russell Pope's neoclassical design, incorporate classical symbolism with the Medusa-adorned shield representing protection and guardianship of the nation's foundational documents. Weinman, who also designed the Walking Li-stock-foto
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Bronze Doors with Medusa Shield Relief at National Archives Building in Washington DC // WASHINGTON DC — The ceremonial bronze doors of the National Archives Building feature intricate bas-relief sculptures by Adolph A. Weinman, including an allegorical female figure holding a shield bearing the head of Medusa. The monumental doors, completed in 1935 as part of architect John Russell Pope's neoclassical design, incorporate classical symbolism with the Medusa-adorned shield representing protection and guardianship of the nation's foundational documents. Weinman, who also designed the Walking Li-stock-foto
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Bronze Floor Medallion in National Archives Building Entry Vestibule in Washington DC // WASHINGTON DC — A bronze floor medallion is set into the entry vestibule just inside the ceremonial Constitution Avenue doors of the National Archives Building, positioned before visitors enter the Rotunda. The medallion is divided into four quadrants representing fundamental functions of the federal government: Justice, War & Defense, History, and Legislation, with each section featuring classical figures holding symbolic attributes such as scales for Justice and fasces for Legislation. Designed by archit-stock-foto
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Declaration of Independence Constitution and Bill of Rights in National Archives Rotunda in Washington DC // WASHINGTON DC — The Declaration of Independence, Constitution, and Bill of Rights are displayed in the rotunda of the National Archives Museum. These three founding documents of the United States are housed in specially designed cases with controlled atmospheric conditions to preserve them for future generations. The National Archives serves as the official repository for the nation's most important historical documents and records. The museum's rotunda, known as the Rotunda for the Cha-stock-foto
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National Archives Rotunda and Original Main Entrance in Washington DC // WASHINGTON DC — The view from inside the National Archives rotunda looks out through metal security gates toward the original main entrance with its heavy ornate doors, now closed to public access. The National Archives, established in 1934, houses the nation's most important historical documents including the Declaration of Independence, Constitution, and Bill of Rights in its rotunda. The neoclassical building, designed by John Russell Pope, originally featured this grand entrance as the primary public access point unti-stock-foto
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Declaration of Independence Constitution and Bill of Rights in National Archives Rotunda in Washington DC // WASHINGTON DC — The Declaration of Independence, Constitution, and Bill of Rights are displayed in the rotunda of the National Archives Museum. These three founding documents of the United States are housed in specially designed cases with controlled atmospheric conditions to preserve them for future generations. The National Archives serves as the official repository for the nation's most important historical documents and records. The museum's rotunda, known as the Rotunda for the Cha-stock-foto
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Barry Faulkner's The Constitution Mural Detail in National Archives in Washington DC // WASHINGTON DC — A detail from Barry Faulkner's monumental mural 'The Constitution of the United States' shows George Washington in a white cape receiving the Constitution from James Madison in an allegorical presentation scene. The 14-foot by 37.5-foot oil-on-canvas mural, completed in 1936, depicts the peaceful creation of America's constitutional framework through lighter, harmonious colors and clear blue skies that contrast with the darker tones of its companion Declaration of Independence mural. Faulkne-stock-foto
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National Archives Building Columns and Architectural Details in Washington DC // WASHINGTON DC — Classical columns and architectural details adorn the exterior of the National Archives Building on the Pennsylvania Avenue side. The National Archives Building, completed in 1935, houses the original copies of the Declaration of Independence, Constitution, and Bill of Rights. Designed by architect John Russell Pope in the neoclassical style, the building features Corinthian columns and Indiana limestone construction. The National Archives and Records Administration, established in 1934, serves as-stock-foto
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National Archives Building Columns and Architectural Details in Washington DC // WASHINGTON DC — Classical columns and architectural details adorn the exterior of the National Archives Building on the Pennsylvania Avenue side. The National Archives Building, completed in 1935, houses the original copies of the Declaration of Independence, Constitution, and Bill of Rights. Designed by architect John Russell Pope in the neoclassical style, the building features Corinthian columns and Indiana limestone construction. The National Archives and Records Administration, established in 1934, serves as-stock-foto
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National Archives Building Columns and Architectural Details in Washington DC // WASHINGTON DC — Classical columns and architectural details adorn the exterior of the National Archives Building on the Pennsylvania Avenue side. The National Archives Building, completed in 1935, houses the original copies of the Declaration of Independence, Constitution, and Bill of Rights. Designed by architect John Russell Pope in the neoclassical style, the building features Corinthian columns and Indiana limestone construction. The National Archives and Records Administration, established in 1934, serves as-stock-foto
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Study the Past Sculpture by Robert Aitken at National Archives Building in Washington DC // WASHINGTON DC — The Study the Past sculpture by Robert Aitken stands at the Pennsylvania Avenue entrance to the National Archives Building, depicting an elderly bearded figure in classical drapery holding a closed book symbolizing completed history and recorded knowledge. Created between 1934-1935 in collaboration with master stone carvers the Piccirilli Brothers, this 10-foot-tall limestone sculpture weighs 65 tons (59 metric tons) and sits atop a 15-foot (4.6-meter) pedestal adorned with relief carvin-stock-foto
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Study the Past Sculpture by Robert Aitken at National Archives Building in Washington DC // WASHINGTON DC — The Study the Past sculpture by Robert Aitken stands at the Pennsylvania Avenue entrance to the National Archives Building, depicting an elderly bearded figure in classical drapery holding a closed book symbolizing completed history and recorded knowledge. Created between 1934-1935 in collaboration with master stone carvers the Piccirilli Brothers, this 10-foot-tall limestone sculpture weighs 65 tons (59 metric tons) and sits atop a 15-foot (4.6-meter) pedestal adorned with relief carvin-stock-foto
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Study the Past Sculpture by Robert Aitken at National Archives Building in Washington DC // WASHINGTON DC — The Study the Past sculpture by Robert Aitken stands at the Pennsylvania Avenue entrance to the National Archives Building, depicting an elderly bearded figure in classical drapery holding a closed book symbolizing completed history and recorded knowledge. Created between 1934-1935 in collaboration with master stone carvers the Piccirilli Brothers, this 10-foot-tall limestone sculpture weighs 65 tons (59 metric tons) and sits atop a 15-foot (4.6-meter) pedestal adorned with relief carvin-stock-foto
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Past is Prologue Sculpture at the National Archives Building in Washington DC // WASHINGTON DC — The 'What is Past is Prologue' sculpture by Robert Aitken depicts a youthful female figure in classical drapery, seated in contemplative pose while holding an open book symbolizing unwritten history and future possibilities. The inscription derives from Shakespeare's 'The Tempest,' suggesting that past events set the stage for future actions rather than determining them, embodying democratic ideals of human agency and progress. This monumental limestone sculpture was carved by the Piccirilli Brothe-stock-foto
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Past is Prologue Sculpture at the National Archives Building in Washington DC // WASHINGTON DC — The 'What is Past is Prologue' sculpture by Robert Aitken depicts a youthful female figure in classical drapery, seated in contemplative pose while holding an open book symbolizing unwritten history and future possibilities. The inscription derives from Shakespeare's 'The Tempest,' suggesting that past events set the stage for future actions rather than determining them, embodying democratic ideals of human agency and progress. This monumental limestone sculpture was carved by the Piccirilli Brothe-stock-foto
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Study the Past Sculpture by Robert Aitken at National Archives Building in Washington DC // WASHINGTON DC — The Study the Past sculpture by Robert Aitken stands at the Pennsylvania Avenue entrance to the National Archives Building, depicting an elderly bearded figure in classical drapery holding a closed book symbolizing completed history and recorded knowledge. Created between 1934-1935 in collaboration with master stone carvers the Piccirilli Brothers, this 10-foot-tall limestone sculpture weighs 65 tons (59 metric tons) and sits atop a 15-foot (4.6-meter) pedestal adorned with relief carvin-stock-foto
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Roman Numeral 1776 Relief Carving at National Archives Building in Washington DC // WASHINGTON DC — A limestone relief carving by Robert I. Aitken depicts a Roman-style soldier holding a sword and shield, with a scroll inscribed with the Roman numerals '1776' marking the Declaration of Independence. The allegorical figure, one of two Guardians of the Portal flanking the Pennsylvania Avenue entrance, features a torch symbolizing national heritage behind the soldier. The National Archives Building, completed in 1935 and designed by architect John Russell Pope, houses the original Declaration of-stock-foto
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Past is Prologue Sculpture at the National Archives Building in Washington DC // WASHINGTON DC — The 'What is Past is Prologue' sculpture by Robert Aitken depicts a youthful female figure in classical drapery, seated in contemplative pose while holding an open book symbolizing unwritten history and future possibilities. The inscription derives from Shakespeare's 'The Tempest,' suggesting that past events set the stage for future actions rather than determining them, embodying democratic ideals of human agency and progress. This monumental limestone sculpture was carved by the Piccirilli Brothe-stock-foto
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Past is Prologue Sculpture at the National Archives Building in Washington DC // WASHINGTON DC — The 'What is Past is Prologue' sculpture by Robert Aitken depicts a youthful female figure in classical drapery, seated in contemplative pose while holding an open book symbolizing unwritten history and future possibilities. The inscription derives from Shakespeare's 'The Tempest,' suggesting that past events set the stage for future actions rather than determining them, embodying democratic ideals of human agency and progress. This monumental limestone sculpture was carved by the Piccirilli Brothe-stock-foto
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Guardian Relief Sculpture with 1935 Roman Numerals at National Archives Building in Washington DC // WASHINGTON DC — The right Guardian of the Portal relief sculpture displays the Roman numerals '1935' marking the completion year of the National Archives Building. This limestone carving by Robert I. Aitken depicts a draped figure with sword and shield, serving as one of two allegorical guardians flanking the Pennsylvania Avenue entrance. The classical Roman-style sculpture symbolizes the protection of America's historical documents and represents the connection between the nation's founding id-stock-foto
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Past is Prologue Sculpture at the National Archives Building in Washington DC // WASHINGTON DC — The 'What is Past is Prologue' sculpture by Robert Aitken depicts a youthful female figure in classical drapery, seated in contemplative pose while holding an open book symbolizing unwritten history and future possibilities. The inscription derives from Shakespeare's 'The Tempest,' suggesting that past events set the stage for future actions rather than determining them, embodying democratic ideals of human agency and progress. This monumental limestone sculpture was carved by the Piccirilli Brothe-stock-foto
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Innsbruck, Austria. July 31, 2025. External view of the City Archives and Museum in the historic city center-stock-foto