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[parody performance] képek

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Polly Hemingway (Mrs Hardcastle), Desmond Barrit (Hardcastle) in SHE STOOPS TO CONQUER by Oliver Goldsmith at the Royal Exchange Theatre, Manchester, England  22/05/2006  design: Ellen Cairns  lighting: Jason Taylor  director: Braham Murray-stock-foto
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Polly Hemingway (Mrs Hardcastle), Desmond Barrit (Hardcastle) in SHE STOOPS TO CONQUER by Oliver Goldsmith at the Royal Exchange Theatre, Manchester, England  22/05/2006  design: Ellen Cairns  lighting: Jason Taylor  director: Braham Murray-stock-foto
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Performers dance and lip sync at “Turning Point U.S. Gay,” a drag show parodying the conservative organization Turning Point USA, at The Precinct nightclub in downtown Los Angeles. The event used satire of conservative political figures and rhetoric while raising money for the American Civil Liberties Union (ACLU). Los Angeles, CA — March 4, 2026-stock-foto
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Erika Twerk dances and lip syncs at “Turning Point U.S. Gay,” a drag show parodying the conservative organization Turning Point USA, at The Precinct nightclub in downtown Los Angeles. The event used satire of conservative political figures and rhetoric while raising money for the American Civil Liberties Union (ACLU). Los Angeles, CA — March 4, 2026-stock-foto
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Erika Twerk dances and lip syncs at “Turning Point U.S. Gay,” a drag show parodying the conservative organization Turning Point USA, at The Precinct nightclub in downtown Los Angeles. The event used satire of conservative political figures and rhetoric while raising money for the American Civil Liberties Union (ACLU). Los Angeles, CA — March 4, 2026-stock-foto
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Erika Twerk dances and lip syncs at “Turning Point U.S. Gay,” a drag show parodying the conservative organization Turning Point USA, at The Precinct nightclub in downtown Los Angeles. The event used satire of conservative political figures and rhetoric while raising money for the American Civil Liberties Union (ACLU). Los Angeles, CA — March 4, 2026-stock-foto
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Erika Twerk dances and lip syncs at “Turning Point U.S. Gay,” a drag show parodying the conservative organization Turning Point USA, at The Precinct nightclub in downtown Los Angeles. The event used satire of conservative political figures and rhetoric while raising money for the American Civil Liberties Union (ACLU). Los Angeles, CA — March 4, 2026-stock-foto
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Erika Twerk dances and lip syncs at “Turning Point U.S. Gay,” a drag show parodying the conservative organization Turning Point USA, at The Precinct nightclub in downtown Los Angeles. The event used satire of conservative political figures and rhetoric while raising money for the American Civil Liberties Union (ACLU). Los Angeles, CA — March 4, 2026-stock-foto
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Erika Twerk dances and lip syncs at “Turning Point U.S. Gay,” a drag show parodying the conservative organization Turning Point USA, at The Precinct nightclub in downtown Los Angeles. The event used satire of conservative political figures and rhetoric while raising money for the American Civil Liberties Union (ACLU). Los Angeles, CA — March 4, 2026-stock-foto
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Performers dance and lip sync at the “Turning Point U.S. Gay,” a drag show parodying the conservative organization Turning Point USA, at The Precinct nightclub in downtown Los Angeles. The event used satire of conservative political figures and rhetoric while raising money for the American Civil Liberties Union (ACLU). Los Angeles, CA — March 4, 2026-stock-foto
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Nyx performs as Kristi Noem at “Turning Point U.S. Gay,” a drag show parodying the conservative organization Turning Point USA, at The Precinct nightclub in downtown Los Angeles. The event used satire of conservative political figures and rhetoric while raising money for the American Civil Liberties Union (ACLU). Los Angeles, CA — March 4, 2026-stock-foto
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Performers dance and lip sync at “Turning Point U.S. Gay,” a drag show parodying the conservative organization Turning Point USA, at The Precinct nightclub in downtown Los Angeles. The event used satire of conservative political figures and rhetoric while raising money for the American Civil Liberties Union (ACLU). Los Angeles, CA — March 4, 2026-stock-foto
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Performers dance and lip sync at “Turning Point U.S. Gay,” a drag show parodying the conservative organization Turning Point USA, at The Precinct nightclub in downtown Los Angeles. The event used satire of conservative political figures and rhetoric while raising money for the American Civil Liberties Union (ACLU). Los Angeles, CA — March 4, 2026-stock-foto
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Performers dance and lip sync at “Turning Point U.S. Gay,” a drag show parodying the conservative organization Turning Point USA, at The Precinct nightclub in downtown Los Angeles. The event used satire of conservative political figures and rhetoric while raising money for the American Civil Liberties Union (ACLU). Los Angeles, CA — March 4, 2026-stock-foto
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Performers dance and lip sync at “Turning Point U.S. Gay,” a drag show parodying the conservative organization Turning Point USA, at The Precinct nightclub in downtown Los Angeles. The event used satire of conservative political figures and rhetoric while raising money for the American Civil Liberties Union (ACLU). Los Angeles, CA — March 4, 2026-stock-foto
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Performers dance and lip sync at “Turning Point U.S. Gay,” a drag show parodying the conservative organization Turning Point USA, at The Precinct nightclub in downtown Los Angeles. The event used satire of conservative political figures and rhetoric while raising money for the American Civil Liberties Union (ACLU). Los Angeles, CA — March 4, 2026-stock-foto
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Gigi Debussy performs as anti-trans activist Riley Gaines at “Turning Point U.S. Gay,” a drag show parodying the conservative organization Turning Point USA, at The Precinct nightclub in downtown Los Angeles. The event used satire of conservative political figures and rhetoric while raising money for the American Civil Liberties Union (ACLU). Los Angeles, CA — March 4, 2026-stock-foto
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Karen Beaches performs as Marjorie Taylor Greene at the “Turning Point U.S. Gay,” a drag show parodying the conservative organization Turning Point USA, at The Precinct nightclub in downtown Los Angeles. The event used satire of conservative political figures and rhetoric while raising money for the American Civil Liberties Union (ACLU). Los Angeles, CA — March 4, 2026-stock-foto
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Karen Beaches performs as Marjorie Taylor Greene at “Turning Point U.S. Gay,” a drag show parodying the conservative organization Turning Point USA, at The Precinct nightclub in downtown Los Angeles. The event used satire of conservative political figures and rhetoric while raising money for the American Civil Liberties Union (ACLU). Los Angeles, CA — March 4, 2026-stock-foto
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Erika Twerk dances and lip syncs at “Turning Point U.S. Gay,” a drag show parodying the conservative organization Turning Point USA, at The Precinct nightclub in downtown Los Angeles. The event used satire of conservative political figures and rhetoric while raising money for the American Civil Liberties Union (ACLU). Los Angeles, CA — March 4, 2026-stock-foto
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Giant papier-mâché figure named "Santissima dei Villeggianti" depicting a tourist as a saint on a float at the 632nd Carnival of Putignano, Puglia, It-stock-foto
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Giant papier-mâché figure of a woman with a vanity mirror representing social media addiction at the 632nd Carnival of Putignano, Puglia, Italy.-stock-foto
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Lviv, Ukraine - February 07, 2026: Energetic rock VOA album cover featuring Sammy Hagar with guitar in front of the Capitol, 1984.-stock-foto
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Ipiales, Colombia. 31st Dec, 2025. Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival's transgressive spirit along the Colombia-Ecuador border. Photo by: Camilo Erasso/Long Visual Press Credit: Long Visual Press/Alamy Live News-stock-foto
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Ipiales, Colombia. 31st Dec, 2025. Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival's transgressive spirit along the Colombia-Ecuador border. Photo by: Camilo Erasso/Long Visual Press Credit: Long Visual Press/Alamy Live News-stock-foto
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Ipiales, Colombia. 31st Dec, 2025. Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival's transgressive spirit along the Colombia-Ecuador border. Photo by: Camilo Erasso/Long Visual Press Credit: Long Visual Press/Alamy Live News-stock-foto
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Ipiales, Colombia. 31st Dec, 2025. Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival's transgressive spirit along the Colombia-Ecuador border. Photo by: Camilo Erasso/Long Visual Press Credit: Long Visual Press/Alamy Live News-stock-foto
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Ipiales, Colombia. 31st Dec, 2025. Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival's transgressive spirit along the Colombia-Ecuador border. Photo by: Camilo Erasso/Long Visual Press Credit: Long Visual Press/Alamy Live News-stock-foto
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Ipiales, Colombia. 31st Dec, 2025. Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival's transgressive spirit along the Colombia-Ecuador border. Photo by: Camilo Erasso/Long Visual Press Credit: Long Visual Press/Alamy Live News-stock-foto
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Ipiales, Colombia. 31st Dec, 2025. Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival's transgressive spirit along the Colombia-Ecuador border. Photo by: Camilo Erasso/Long Visual Press Credit: Long Visual Press/Alamy Live News-stock-foto
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Ipiales, Colombia. 31st Dec, 2025. Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival's transgressive spirit along the Colombia-Ecuador border. Photo by: Camilo Erasso/Long Visual Press Credit: Long Visual Press/Alamy Live News-stock-foto
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Ipiales, Colombia. 31st Dec, 2025. Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival's transgressive spirit along the Colombia-Ecuador border. Photo by: Camilo Erasso/Long Visual Press Credit: Long Visual Press/Alamy Live News-stock-foto
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Ipiales, Colombia. 31st Dec, 2025. Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival's transgressive spirit along the Colombia-Ecuador border. Photo by: Camilo Erasso/Long Visual Press Credit: Long Visual Press/Alamy Live News-stock-foto
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Ipiales, Colombia. 31st Dec, 2025. Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival's transgressive spirit along the Colombia-Ecuador border. Photo by: Camilo Erasso/Long Visual Press Credit: Long Visual Press/Alamy Live News-stock-foto
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I/iiii: Tim Samuels (Sir Pertinax Surly) in THE ALCHEMIST by Ben Jonson at the Royal Shakespeare Company (RSC), Swan Theatre, Stratford-upon-Avon, England  02/06/2016  design: Helen Goddard  lighting: Charles Balfour  director: Polly Findlay-stock-foto
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III/iv - l-r: Richard Leeming (Abel Drugger), Tom McCall (Kastril) in THE ALCHEMIST by Ben Jonson at the Royal Shakespeare Company (RSC), Swan Theatre, Stratford-upon-Avon, England  02/06/2016  design: Helen Goddard  lighting: Charles Balfour  director: Polly Findlay-stock-foto
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III/iv - l-r: Tom McCall (Kastril), Richard Leeming (Abel Drugger) in THE ALCHEMIST by Ben Jonson at the Royal Shakespeare Company (RSC), Swan Theatre, Stratford-upon-Avon, England  02/06/2016  design: Helen Goddard  lighting: Charles Balfour  director: Polly Findlay-stock-foto
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I/iiii: Ian Redford (Sir Epicure Mammon) in THE ALCHEMIST by Ben Jonson at the Royal Shakespeare Company (RSC), Swan Theatre, Stratford-upon-Avon, England  02/06/2016  design: Helen Goddard  lighting: Charles Balfour  director: Polly Findlay-stock-foto
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I/iiii - l-r: Ken Nwosu (Face), Mark Lockyer (Subtle) in THE ALCHEMIST by Ben Jonson at the Royal Shakespeare Company (RSC), Swan Theatre, Stratford-upon-Avon, England  02/06/2016  design: Helen Goddard  lighting: Charles Balfour  director: Polly Findlay-stock-foto
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I/iiii - l-r: Ken Nwosu (Face), Richard Leeming (Abel Drugger) in THE ALCHEMIST by Ben Jonson at the Royal Shakespeare Company (RSC), Swan Theatre, Stratford-upon-Avon, England  02/06/2016  design: Helen Goddard  lighting: Charles Balfour  director: Polly Findlay-stock-foto