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[posturestudy] képek

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Standing man with arms crossed. Leaf 28 Recto from sketchbook XVI with 32 sheets.-stock-foto
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This 1873 study by Kazimierz Alchimowicz depicts a standing boy, reflecting Polish academic figure studies and preparatory sketches of youthful subjects.-stock-foto
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This 1873 study by Kazimierz Alchimowicz depicts a seated male figure, illustrating Polish academic studies of male anatomy and posture.-stock-foto
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This portrait by Louis Tocqué depicts the Dauphin, son of Louis XV, showing facial features, attire, hairstyle, and posture. The work provides factual visual documentation of the French royal figure in 18th-century France, offering reference for historical, artistic, and genealogical studies.-stock-foto
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An engraving by Philips Galle (1537–1612) and Maarten van Heemskerck (1498–1574) showing Josiah celebrating Passover, depicting figures, ritual objects, and posture in a religious context.-stock-foto
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A lithograph by Isac Wilhelm Tegner (1815–1893) and J.V. Gertner (1818–1871) depicting H.C. Ørsted, showing his portrait, posture, attire, and facial features.-stock-foto
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A draft illustration by Lorenz Frølich (1820–1908) for H.C. Andersen's 'Pepper's Night Hat', showing figures, setting, and composition.-stock-foto
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An engraving by Meno Haas (1752–1833) showing a standing man, depicting posture, clothing, and figure details.-stock-foto
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Anonym Steps of life. Watercolor-stock-foto
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Parisien transportant dans un autre quartier, by Honoré Daumier in 1847, depicts a Parisian moving goods or belongings to another district, emphasizing gesture, posture, physical activity, and urban social interaction.-stock-foto
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Ernst Stöhr Two girls reading at a lamp. Paint brush-stock-foto
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A drawing by Lorenz Frølich (1820–1908) depicting a female figure with ornamental details, showing posture and artistic style.-stock-foto
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A drawing by Giovanni Battista Caracciolo (1578–1635) depicting the earthly Trinity, representing three figures in religious context, with attention to composition and posture.-stock-foto
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Ernst Stöhr Woman searching a loading. Feder, laved-stock-foto
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Un jour de représentation à bénéfice, by Honoré Daumier in the 19th century, depicts a theatrical performance or event aimed at fundraising, emphasizing gesture, posture, facial expression, and audience interaction.-stock-foto
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A drawing by Hans Smidth (1839–1917) depicting a standing little peasant girl, showing figure, posture, and clothing details.-stock-foto
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Voila des gens ont une fichue manière, by Honoré Daumier in the 19th century, depicts people engaged in social behavior, emphasizing gesture, posture, facial expression, and interaction in a domestic or public context.-stock-foto
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Une amélioration à apporter, by Honoré Daumier in the 19th century, depicts a figure considering or implementing improvements, emphasizing gesture, posture, facial expression, and interaction within a domestic, social, or professional context.-stock-foto
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Un affreux cauchemar, by Honoré Daumier in the 19th century, depicts a figure experiencing a nightmare, emphasizing gesture, posture, facial expression, and psychological or emotional intensity within the scene.-stock-foto
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A front-view drawing by Oluf Hartmann (1879–1910) of a bent model, emphasizing anatomy, curvature, and frontal perspective in an academic study.-stock-foto
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Un rendez-vous, by Honoré Daumier in the 19th century, depicts a meeting or appointment between figures, emphasizing gesture, posture, facial expression, and social interaction within a domestic or public setting.-stock-foto
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Paul Troger Figure study. Red Chalk-stock-foto
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Un Chemin dangereux, by Honoré Daumier in 1851, depicts a figure navigating a dangerous path, emphasizing gesture, posture, physical action, and environmental context within a landscape or urban setting.-stock-foto
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Un paiement de dividende, by Honoré Daumier in the 19th century, depicts a financial transaction where dividends are distributed to shareholders, emphasizing gesture, posture, facial expression, and social interaction within a business context.-stock-foto
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A drawing by Lorenz Frølich (1820–1908) depicting three men's heads, showing different facial expressions and profiles.-stock-foto
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Réflection intime d'un épicier, by Honoré Daumier in 1867, depicts a grocer in private contemplation, emphasizing gesture, posture, facial expression, and domestic or workplace environment.-stock-foto
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A drawing by J.L. Lund (1777–1867) depicting a preparatory study for “The Three Norns,” showing three mythological figures from Norse mythology with detailed composition and posture.-stock-foto
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Robert tu ne soutiens plus la conversation, by Honoré Daumier in the 19th century, depicts a figure named Robert failing to maintain a conversation, highlighting gesture, posture, facial expression, and social interaction in a domestic or public context.-stock-foto
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A copper engraving by Andreas Flint (1767–1824) depicting Karen Knudsen, showing her portrait, facial features, attire, and posture in a detailed study.-stock-foto
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Tristesse des bouchers de Paris, by Honoré Daumier in the 19th century, depicts Parisian butchers in a moment of sadness, emphasizing gesture, posture, facial expression, and social context within a workplace setting.-stock-foto
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Saperlotte! que je voudrais que ma femme ait fini, by Honoré Daumier in 1844, depicts a figure expressing impatience or desire for completion, emphasizing gesture, posture, facial expression, and interaction within a domestic context.-stock-foto
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Oui, monsieur, vous voyez en moi une victime, by Honoré Daumier in the 19th century, depicts a figure asserting victimhood, emphasizing gesture, posture, facial expression, and social or legal context.-stock-foto
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Oui c'est bien feue ma femme!, by Honoré Daumier in the 19th century, depicts a figure referencing a deceased spouse, emphasizing gesture, posture, facial expression, and social or domestic context within a scene of mourning or reflection.-stock-foto
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Quand des femmes savent avoir, by Honoré Daumier in the 19th century, depicts women in a scene illustrating social behavior or interaction, emphasizing gesture, posture, facial expression, and societal norms.-stock-foto
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Pauvre jeune homme!, by Honoré Daumier in the 19th century, depicts a young man in distress or misfortune, emphasizing gesture, posture, facial expression, and social or emotional context.-stock-foto
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An engraving by Christian Holm (1803–1846) depicting a dog, showing its posture and physical characteristics.-stock-foto
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Drawing by Christen Købke of a young girl showing the upper torso and chest area, emphasizing anatomy, posture, and clothing details, 19th-century.-stock-foto
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A drawing by Lorenz Frølich (1820–1908) illustrating a fable where a frog attempts to inflate to the size of an ox, showing animal forms and action.-stock-foto
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Promenade hygiénique et sentimentale, by Honoré Daumier in the 19th century, depicts figures taking a leisurely walk for health and emotional wellbeing, emphasizing gesture, posture, facial expression, and interaction within a park or urban setting.-stock-foto
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Francesco Primaticcio Proserpina with amor and cerverus. Redel, white -groped before 1552/56-stock-foto