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Aktuális sajtó tartalmak és illusztrációs fotók

[raised rectangular] képek

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a seagull standing on the top of a cupola at gosman's in montauk-stock-foto
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A white baseball base on a field with infield brown dirt surrounding it. The base is rectangular, slightly raised, and textured.-stock-foto
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Dark wooden serving board featuring a small handle and raised rectangular edge, providing a rustic and minimalist presentation surface on a textured b-stock-foto
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Grey shed is sitting centered in garden on gravel path with white doors, gate, raised beds-stock-foto
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A white baseball base on a field with infield brown dirt surrounding it. The base is rectangular, slightly raised, and textured.-stock-foto
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Glowing server rack row emitting green LED light down data center corridor, with binary overlay-stock-foto
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Diverse women lounging in swimsuits on pink float at backyard pool holding clear glass, splashing-stock-foto
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Showing narrow wooden boardwalk and evergreen tree winding through marsh, with AR overlays-stock-foto
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Adult woman of African descent sitting on striped towel at pool edge, straw hat, pink rings-stock-foto
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Study of a Lying Baby, with Hands Raised; Hans Thoma (1839–1924), draughtsman; children, baby study (sketch) for a painting; ca. 1900, Germany; drawing; height 41.8 cm, width 22.8 cm (drawing cut out in the shape of a child's figure), A cutout illustration of a reclining infant shown from an upward perspective against a dark background, depicting the baby's pale beige and rosy skin with white highlights and subtle gray and brown shading, a chubby torso and limbs with visible creases and rounded forms, one arm raised holding a pale beige rectangular object and the other arm bent with the hand-stock-foto
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Carriage; Aleksander Maj (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 7.2 cm; width 12.7 cm; thickness 2.2 cm, The image shows a carved wooden block with an engraved outline of a carriage or wagon spanning the surface; the wood appears dark brown with areas of lighter brown where the grain and wear show, and there are visible gray tones in the background. The carved lines form two large circular wheels with spokes, a rectangular body section with paneling, and a raised seat or box area; the carvings present a slightly recessed darker brown-stock-foto
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Carriage wagonette; Aleksander Maj (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 8.5 cm; width 12.5 cm; thickness 2.3 cm, A rectangular block with worn, rough surfaces sits on a smooth reflective plane, showing a palette of brown, beige, gray, and muted black tones; the top surface features circular wheel-like raised shapes and carved linear patterns in darker gray and black, with edges and corners that appear chipped and weathered revealing lighter beige and brown beneath, while the surrounding background is a uniform soft gray.-stock-foto
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Knight in armor with a halberd, Płoński, Michał (1778–1812), graphic artist; Witke-Jeżewski, Dominik (1862–1944); figure studies; male figure studies; human types; knights; halberds; swords (weapons); men; helmets (military); before 1807; graphic; graphic matrix; graphic plate; height 17 cm; width 13.2 cm, A rectangular metal plate with an aged, mottled surface showing a mix of dark gray, black, brown, and muted rust tones, with several irregular darker patches and smudges across the surface, faint areas of lighter gray and beige, subtle scratches and scuffs, rounded corners and thin raised-stock-foto
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A beggar without a right leg, on a crutch; Płoński, Michał (1778–1812), graphic artist; Witke-Jeżewski, Dominik (1862–1944); human types, character studies, beggars, male character studies, paupers, crutches, cripples, hats (headgear), beggars (genre scenes); ca. 1800; graphic; graphic matrix/plate; height 10.7 cm, width 7.6 cm, A rectangular metal plate with a worn, mottled surface showing a mix of dark blackened patches and dull coppery brown areas, set against a neutral gray background. The plate's surface has a textured, weathered appearance with scratches, small dents, and a few raised-stock-foto
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1000 Polish zloty voucher for Polish military purposes; graphic artist; Polish Military Treasury; Polish vouchers; military vouchers; White Eagle (coat of arms, Poland); panoply; Uhlan shako (iconographic); oak half-wreaths; laurel half-wreaths; 1916; graphic matrix; height 11.8 cm; width 18.2 cm; thickness 2.3 cm; graphic matrix: height 11.8 cm; width 18.2 cm; thickness 0.2 cm, A rectangular block with a textured dark top surface and a lighter wooden-looking side rests on a smooth reflective surface; the top appears black or dark gray with raised patterned details, while the sides show beige-stock-foto
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1000 Polish zloty voucher for Polish military purposes; graphic artist; Polish Military Treasury; Polish vouchers; military vouchers; White Eagle (coat of arms, Poland); panoply; Uhlan shako (iconographic); oak half-wreaths; laurel half-wreaths; 1916; graphic matrix; height 11.8 cm; width 18.2 cm; thickness 2.3 cm; graphic matrix: height 11.8 cm; width 18.2 cm; thickness 0.2 cm, A rectangular block with a textured dark gray metal top and a worn light brown wooden base, showing wood grain and dark smudges, sits on a reflective surface. The metal top has raised decorative patterns and small-stock-foto
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The Martyrdom of St. Lawrence; graphic artist; subject: The Martyrdom of St. Lawrence, Lawrence (St.; ?–258) — iconography, historical scenes, lictor's rods, martyrs, Catholic saints; 2nd half of the 19th century; medium: graphic matrix/graphic plate; dimensions: height 10.9 cm, width 29.1 cm, thickness 0.2 cm., A rectangular metal plate with an engraved scene featuring a group of robed figures arranged across the surface; the metal shows a mix of warm coppery tones and cooler grayish areas from wear. On the left, a group of standing figures in flowing robes are gathered near architectural-stock-foto
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Blessing of the Infant Jesus; graphic artist; Infant Jesus making a blessing gesture; borders and garlands (ornament); after 1850; steel matrix graphic plate; plate dimensions: height 21.4 cm, width 17.4 cm, thickness 0.4 cm; total including block: height 21.5 cm, width 17.3 cm, thickness 2.3 cm., A flat rectangular object rests on a smooth surface, appearing slightly raised at the edges with a worn, uneven top. The top surface shows a textured, rough appearance with patches of raised and chipped material, while the sides are smoother and have a more solid, block-like form. Visible colors-stock-foto
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Blessing of the Infant Jesus; graphic artist; Infant Jesus making a blessing gesture; borders and garlands (ornament); after 1850; steel matrix (graphic plate); plate height 21.4 cm, width 17.4 cm, thickness 0.4 cm; total including block: height 21.5 cm, width 17.3 cm, thickness 2.3 cm., A rectangular, low-profile block rests on a smooth surface, showing a textured top layer with uneven, slightly raised and worn edges and a flatter, irregular center surface; the sides of the block display a wood-like grain and roughness with visible worn corners. The visible colors are various shades of gray-stock-foto
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A request to the Mother of God, Polish saints and blessed; Lewicki, Jan Nepomucen (1795–1871), graphic artist; Woźnicki, Kazimierz (1878–1949); Catholic saints; prayers; Our Lady of Częstochowa (painting); blessed; 1867; Paris; graphic; graphic matrix; graphic plate; height 25.3 cm; width 19.6 cm; thickness 0.2 cm, A rectangular metal plate with a slightly raised rim and rounded corners, shown flat against a neutral background; the surface is mottled with a range of gray tones, including pale silver, mid-gray, and darker gray areas, with a few faint brownish stains and spots of darker-stock-foto
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Saint John of God, Labinger, Jakub (fl. 1726–1760), graphic artist. Saint John of God (1495–1550) — iconography. Saint John of God in monk's robes with a rosary at his belt is shown with his hands outstretched in prayer, carried on a cloud by two angels (one holding a lily) and a putto. On the sides, holy putti emerging from the clouds. At the bottom, between the inscription, a cartouche with the emblem of the Brothers Hospitallers order with a six-pointed star above the emblem; the cartouche below a noble crown. Composition in a frame, ca. 1735. Graphic plate (graphic matrix), height 34.3 cm,-stock-foto
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Page in Renaissance Costume Holding a Shield; artist: Wilhelm Berg (fl. ca. 1878–1902), graphic artist; Neo-Renaissance (style); 1878–1902; graphic plate; total: height 14.08 cm, width 8.98 cm, thickness 2.37 cm; graphic matrix: height 14.07 cm, width 8.83 cm, thickness 0.41 cm, A rectangular block with a textured wooden base and a raised irregular metallic plate on top rests on a smooth reflective surface; the block shows visible wood grain and rough edges in shades of brown and tan, while the metallic plate displays uneven contours and a worn surface in shades of dark brown, coppery brown,-stock-foto
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Page in Renaissance costume holding a shield; artist: Wilhelm Berg (fl. ca. 1878–1902), graphic artist; Neo-Renaissance (style); date: 1878–1902; medium: graphic plate; total dimensions: H 14.08 cm × W 8.98 cm × Th 2.37 cm; graphic matrix dimensions: H 14.07 cm × W 8.83 cm × Th 0.41 cm, A low rectangular wooden block with visible grain and a slightly rough texture supports a thin irregular metal sheet on top; the metal sheet has an uneven, battered surface with dents and raised areas and shows a mix of brown, copper, and dark metallic hues, while the wooden block displays tones of brown and-stock-foto
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Wilanów, Pusch, Bronisław (fl. ca. 1841–ca. 1878), graphic artist; Witke-Jeżewski, Dominik (1862–1944); panoply; Wilanów Palace (Warsaw); oak twigs; 1850–1900; plaque; height 11.8 cm, width 15 cm, A rectangular metal plate with a raised border and an interior rectangular scene shows a park-like setting with a pair of tall columned gateposts topped by statues, a lamp post between them, a carriage and a few figures near a paved area, and trees and architectural elements in the background; decorative engraved motifs frame the interior scene including floral and ribbon-like designs and shield-like-stock-foto
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Church on a hill; Pusch, Bronisław (fl. ca. 1841–ca. 1878), graphic artist; Witke-Jeżewski, Dominik (1862–1944); churches; 1850–1900; Warsaw; plaque; height 15.1 cm; width 10.6 cm, A rectangular, flat object with rough, uneven edges and a raised border, showing a pitted, textured surface in shades of brown with hints of reddish brown and small areas of greenish discoloration; the edges appear darker and more granular, and the background around the object is a light gray.-stock-foto
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Latin alphabet, Arabic numerals and Russian alphabet; graphic artist; lettering, alphabet; after 1800; Vilnius; graphics; graphic matrix; graphic plate; height 17.8 cm; width 28.7 cm, A rectangular metallic plate with an aged, mottled surface showing tones of brown, copper, greenish patina, and pale yellow; the plate has rounded corners and a narrow raised border around the edge. The surface contains a series of incised cursive grooves forming flowing, looped shapes across the plate, arranged in several horizontal rows; some grooves show slight discoloration with greenish hints. There are-stock-foto
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S. Apolonia (Saint Apolonia). Czerski, Stanisław (1777–1833), draughtsman. Apolonia (Saint; ?–249), devotional depiction, saints. Engraving, 1822–1832. Graphic plate (graphic matrix). Height 7.5 cm; width 5.1 cm., A rectangular metal plate with worn, mottled surfaces showing patches of dark black corrosion interspersed with exposed coppery brown areas, with a few rounded darker spots and some lighter scratched streaks; a small blue and light gray decorative label is attached near the top edge; the plate is set against a neutral gray background and has a thin raised border with slightly rounded-stock-foto
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Rectangular frame; graphic artist; Tyszkiewicz, Konstanty (1806-1868) - maker; graphic frames, ca. 1800; graphic; graphic matrix; graphic plate; height 7.3 cm; width 5.2 cm, A rectangular metal plate with a central recessed panel surrounded by an incised decorative border, showing a worn surface with mottled patches and areas of discoloration. The plate displays a range of coppery browns, reddish-brown tones, darker brown lines in the engraved border, and small greenish and yellowish spots of tarnish. The border features repeated linear and oval incisions forming a patterned frame, with corner-stock-foto
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Saint Barbara (bust in clouds, wreath on her head, chalice with a host in her hand). Engraving by Stanisław Czerski (1777–1833), made in Sałanty in Samogitia. As a parish priest he engraved images of saints with Samogitian inscriptions for his parishioners. Plates, press and tools were transferred to Vilnius after his death. Date: 1822–1832. Graphic plate (graphic matrix). Height: 9.9 cm; Width: 6.8 cm., A rectangular metal plate with a worn, mottled surface showing patches of dark black corrosion and areas of iridescent purplish and bluish tones over a base of coppery brown, mounted on a-stock-foto
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Saint Barbara; graphic artist; Barbara (St.) iconography; Tyszkiewicz, Konstanty (1806–1868); Monuments of domestic engraving; Catholic saints; after 1700; graphic; graphic matrix; graphic plate; height 8.7 cm; width 5.2 cm, A rectangular metal plate with engraved lines depicting a standing robed figure holding a tall curved palm frond and presenting a small tower; the figure has stylized hair and a halo of radiating lines around the head. The plate shows an architectural column at one side and a landscape with a tree on the other side, all rendered with fine hatched and crosshatched engraving-stock-foto
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The Sending of the Apostles (Bible), before 1820; graphic print/graphic plate; subject: biblical scenes, Jesus Christ; maker: Konstanty Tyszkiewicz (1806–1868), graphic artist; dimensions: height 12.6 cm, width 7.4 cm., A rectangular copper plate with rounded corners occupies the image, showing a detailed engraved scene within a bordered rectangle on its surface; the plate has a warm brown and reddish-brown patina with small darker spots and some lighter greenish and bluish corrosion speckles. The engraved scene depicts a central robed figure standing with an arm raised, surrounded by a group-stock-foto
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Three Persons of the Holy Trinity; Alais, John (ca. 1778–fl. ca. 1820), graphic artist; Halnat, François-Marie (1760–1808), publisher; depiction of Jesus Christ and angels; Tyszkiewicz, Konstanty (1806–1868) (associated); before 1809; London; graphic print (graphic plate); height 12.6 cm, width 8.2 cm, A rectangular metal sheet with a weathered, mottled surface in shades of brown, copper, dark gray, and hints of green, showing several areas of pitting and textured corrosion; a small decorative rectangular label with a scalloped edge and a blue border is affixed near the top right corner; faint-stock-foto
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Three Persons of the Holy Trinity; artist: John Alais (ca. 1778–fl. ca. 1820); graphic artist; publisher: François-Marie Halnat (1760–1808); subject: Jesus Christ (Bible) and angels; associated person: Konstanty Tyszkiewicz (1806–1868); title/series: I Monuments of National Engraving; date: before 1809; place: London; medium: graphic print/graphic plate; dimensions: height 12.6 cm, width 8.2 cm., A rectangular metal plate with a warm brown and copper tone shows etched imagery and faint patina across its surface, with a darker greenish spot near the center and a few other small greenish-stock-foto
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Recto: Martyrdom of the Soul in Hell 'Tormentum gustus'; verso: partially blurred emblematic composition, devils, sinners. Graphic artist; emblematics; Hell; Human Soul (personification). Maker: Konstanty Tyszkiewicz (1806–1868). Date: 1650–1800. Graphic matrix/plate. Dimensions: height 12.4 cm, width 7.5 cm., A rectangular metal plate with an etched scene showing a reclining human figure and a winged creature above them; the human figure is shown nude from the torso with arms raised and head tilted back, facial features and hair rendered with fine incised lines, and the winged creature has-stock-foto
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Image of St. Ignatius of Loyola; graphic artist Caim (fl. ca. 1740–1780), publisher Łohojsk; subject: Ignatius of Loyola (St., 1491–1556) with dragons (fantasy); date ca. 1740–1780; place Nieśwież; medium: graphic, graphic matrix/plate; dimensions: height 11.2 cm, width 7 cm., A rectangular metal plate with a worn brownish-copper surface shows a patina of darker brown and black irregular spots and blotches scattered across it, along with several lighter scratch marks and scuffs. The plate has rounded corners and a small decorative paper label with a blue border adhered near the top right-stock-foto
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Portrait of Józef Bem by Reymond M., oval, 1916, Lausanne; graphic plate; portrait of Józef Bem (1794–1850); dimensions — plate height 9.2 cm, width 6.3 cm, thickness 2.3 cm; graphic matrix height 9.2 cm, width 6.2 cm, thickness 0.2 cm., A small rectangular wooden block with worn, textured surfaces sits on a smooth reflective surface, topped by a flat, slightly raised circular disc. The wood shows natural grain and areas of darker and lighter coloration, with some rough edges and small chips. The circular top appears dark and matte with subtle surface marks and a thin raised rim. The-stock-foto
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Portrait of Cezary Plater (Cezary Augustyn Plater, 1810–1869) — iconography: portrait in bust, oval; ca. 1916, Lausanne; graphic plate; dimensions: height 9.1 cm, width 6.5 cm, thickness 2.3 cm; graphic matrix: height 9.1 cm, width 6.5 cm, thickness 0.2 cm., An oval dark-toned portrait mounted on a rectangular wooden backing shows a faded image of a person with wavy hair, a mustache, and a beard, wearing a high-collared garment; the oval area is bordered by a thin raised rim with several small round fasteners, and the wood backing has worn and lighter-toned patches near the corners and edges.-stock-foto
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Portrait of Ludwik Plater, Reymond M., Plater, Ludwik (1775–1846), 1918, Lausanne, graphic plate; dimensions: height 9.2 cm, width 6.5 cm, thickness 2.3 cm; graphic matrix: height 9.2 cm, width 6.5 cm, thickness 0.2 cm., A small rectangular block with a round, slightly raised circular top sits on a smooth surface. The block shows a worn, textured appearance with areas of dark and light contrast; the top is dark, almost black, while the sides display a mix of tan, beige, and brown with darker smudges and patches. The surface around the object is a uniform gray with a subtle reflection of the-stock-foto
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Portrait of Józef Piłsudski (1867–1935), 1924, graphic plate; height 12.8 cm, width 9.7 cm, thickness 2.1 cm; graphic matrix: height 12.7 cm, width 9.6 cm, thickness 0.2 cm; artist: Leon Wyczółkowski (1870–1927) — iconography., A rectangular wooden block with visible grain and a weathered surface sits flat on a smooth reflective surface, topped by a slightly larger thin metal sheet with raised edges; the wood shows brown and tan tones while the metal sheet appears dark gray with hints of brownish copper along its rim, and the background is a uniform gray.-stock-foto
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Portrait of Józef Piłsudski (Józef Piłsudski, 1867–1935) — 1924 graphic plate; height 12.8 cm, width 9.7 cm, thickness 2.1 cm; graphic matrix: height 12.7 cm, width 9.6 cm, thickness 0.2 cm., A rectangular wooden block with visible grain and worn edges sits on a smooth reflective surface, topped by a flat dark plate with a slightly raised metallic rim; the wood shows tan and brown tones with darker smudges, the top plate appears dark gray to black with subtle texture and hints of brown on the rim, and the background and surface are shades of muted gray.-stock-foto
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