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[raised rectangular frame] képek

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Saint John of God, Labinger, Jakub (fl. 1726–1760), graphic artist. Saint John of God (1495–1550) — iconography. Saint John of God in monk's robes with a rosary at his belt is shown with his hands outstretched in prayer, carried on a cloud by two angels (one holding a lily) and a putto. On the sides, holy putti emerging from the clouds. At the bottom, between the inscription, a cartouche with the emblem of the Brothers Hospitallers order with a six-pointed star above the emblem; the cartouche below a noble crown. Composition in a frame, ca. 1735. Graphic plate (graphic matrix), height 34.3 cm,-stock-foto
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Wilanów, Pusch, Bronisław (fl. ca. 1841–ca. 1878), graphic artist; Witke-Jeżewski, Dominik (1862–1944); panoply; Wilanów Palace (Warsaw); oak twigs; 1850–1900; plaque; height 11.8 cm, width 15 cm, A rectangular metal plate with a raised border and an interior rectangular scene shows a park-like setting with a pair of tall columned gateposts topped by statues, a lamp post between them, a carriage and a few figures near a paved area, and trees and architectural elements in the background; decorative engraved motifs frame the interior scene including floral and ribbon-like designs and shield-like-stock-foto
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Rectangular frame; graphic artist; Tyszkiewicz, Konstanty (1806-1868) - maker; graphic frames, ca. 1800; graphic; graphic matrix; graphic plate; height 7.3 cm; width 5.2 cm, A rectangular metal plate with a central recessed panel surrounded by an incised decorative border, showing a worn surface with mottled patches and areas of discoloration. The plate displays a range of coppery browns, reddish-brown tones, darker brown lines in the engraved border, and small greenish and yellowish spots of tarnish. The border features repeated linear and oval incisions forming a patterned frame, with corner-stock-foto
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The Conquest of Constantinople. Illustration: Composition enclosed in a double linear frame depicting the capture of Constantinople by the Turks in 1453 — historical scene with battles, street fighting, fallen figures, Turks, melee weapons. Steel engraving, 1853–1857. Print (graphic print, album). Height 13.9 cm; width 9.2 cm. Artist/engraver: unknown (style indicates a German engraver)., A detailed black and white engraving shows a chaotic battle scene framed by a rectangular border centered on a larger off-white sheet; the engraving depicts a crowded group of armed figures wearing flowing-stock-foto
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sestertius, Faustina the Younger (ca. 130–176; Roman empress 161–176), Marcus Aurelius (121–180; Roman emperor 161–180) (issuer); obverse: draped bust of Faustina II facing right, inscription FAVSTINA·AVG; reverse: draped throne (pulvinar) with two children (twins Commodus and Antoninus/Caesar) seated, inscription SAECVLI·FELICIT, in the SC section; date: 161–176; Roman Empire, Rome; coin: diameter 30.5–31.5 mm, weight 24.20 g, axis 15°., A round, dark brown coin with a slightly irregular edge showing a raised rectangular frame in the center containing a draped figure or object, with vertical-stock-foto
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Denarius of Faustina the Younger (ca. 130–176), Roman empress 161–176; Marcus Aurelius (issuer), Roman emperor 161–180. Obverse: draped bust of Faustina II facing right, inscribed FAVSTINA·AVGVSTA. Reverse: draped throne (pulvinar) on which two children—twins Commodus and Antoninus—are seated; legend SAECVLI·FELICIT. Iconography: Faustina the Younger; pulvinar with two children; Commodus—iconography; thrones. Date: 161–176. Roman Empire, Rome. Coin (denarius): diameter 16.0–16.5 mm, weight 3.30 g, axis 180°., A round metallic object with a weathered surface showing areas of silver and darker-stock-foto
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Denarius of Faustina the Younger (ca. 130–176), Roman empress 161–176; issue: Marcus Aurelius (121–180), Roman emperor 161–180. Obverse: draped bust of Faustina II facing right, inscription FAVSTINA AVGVSTA. Reverse: draped throne (pulvinar) with two children—twins Commodus and Antoninus—inscription SAECVLI FELICIT. Date: 161–176. Roman Empire (27 BC–476), Rome. Coin: silver denarius; diameter ca. 16.5–17.0 mm; weight 2.95 g., A circular metallic object with a raised design, shown against a plain white background; the object appears silver-gray with slightly darker and lighter variations-stock-foto
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Denarius, Antoninus Pius (86–161; Roman emperor 138–161) (posthumous), Marcus Aurelius (121–180; Roman emperor 161–180), issuer Marcus Aurelius and Lucius Verus (130–169; Roman emperor 161–169), issuer Lucius Verus, iconography: doors (architectural), altars, head of the emperor; obverse: head of Antoninus Pius bare, right, legend DIVV A TONINVS around; reverse: cuboidal altar with two doors and a finial in the form of horns, legend DI - O O around; after 161, Rome, Roman Empire (27 BC–476); coin; diameter 16.0 mm; weight 2.90 g; axis 15°., A small, round, dark gray coin with a slightly-stock-foto
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Denarius, posthumous issue of Antoninus Pius (86–161; Roman emperor 138–161), featuring Marcus Aurelius (121–180; Roman emperor 161–180) and Lucius Verus (130–169; Roman emperor 161–169) as issuers. Obverse: head of Antoninus Pius bare, facing right, legend ANTONINVS around. Reverse: rectangular altar with a pair of doors and a finial in the form of horns, legend DIVO · PIO around. After 161; Roman Empire (27 BC–476), Rome. Coin: diameter 16.5–17.5 mm, weight 3.00 g, axis 210°., A single round metallic object with a worn surface, showing a raised square design in the center containing a-stock-foto
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Denarius, posthumous issue for Antoninus Pius (86–161; Roman emperor 138–161), featuring heads of Marcus Aurelius (121–180; Roman emperor 161–180) and Lucius Verus (130–169; Roman emperor 161–169) as issuers; obverse: head of Antoninus Pius bare, facing right, legend DIVVS ANTONINVS around; reverse: rectangular altar with a pair of doors and a finial in the form of horns, legend DIV IO around. After 161, Roman Empire (27 BC–476), Rome. Coin. Diameter 15.5–16.0 mm, weight 2.88 g, axis 180°., A round, dark gray metal object with an uneven, slightly irregular edge is centered on a white-stock-foto
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Denarius, posthumous issue: Antoninus Pius (86–161; Roman emperor 138–161), Marcus Aurelius (121–180; Roman emperor 161–180), and Lucius Verus (130–169; Roman emperor 161–169) — obverse: head of Antoninus Pius bare, right, legend DIVVS ANTONINV; reverse: rectangular altar with a pair of doors and a finial in the form of horns, legend DIV-OP-IO. After 161, Roman Empire (27 BC–476), Rome. Coin: diameter 16.0–16.5 mm, weight 3.00 g, axis 180°., A round metal object with a dark gray surface showing wear and irregular edges, featuring an embossed rectangular frame in the center with a smaller-stock-foto
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Denarius of Antoninus Pius (86–161; Roman emperor 138–161). Obverse: head of Antoninus Pius in a laurel wreath facing right, legend 'A[NTONINVS] AVG PIVS PP' (all around). Reverse: winged lightning bolt lies on a throne (pulvinar), legend 'COS IIII' (all around). Iconography: head of the emperor in a laurel wreath; lightning bolts; throne. Date: 145–161. Place: Rome, Roman Empire. Medium: silver coin (denarius). Diameter: 17.5 mm. Weight: 3.20 g. Axis: 0 degrees., A circular metallic object with a worn, uneven edge featuring raised and recessed areas, shown against a white background. The-stock-foto
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silver crown groschen, Sylm, Frederick William (fl. 1765-1767), Stanisław August Poniatowski (King of Poland; 1764-1795 / 1732-1798), Polish coins, monograms, tied monograms, royal monograms, inscriptions, crown coin. Obv.: In a square frame, under a crown, a tied monogram composed of the letters SAR, pearl border. Rev.: In a square frame, an inscription in five lines: 320./EX/MARCA/PURA.COL./1767., square sides: 1.GR./R.POL./MDL/FS, pearl border. 1767, Polish-Lithuanian Commonwealth (1569-1795), Warsaw, Poland. Coin: dia. 20.5–20.8 mm, weight 1.91 g., A round metallic object with a worn-stock-foto
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Silver Crown groschen, 1768. Obverse: in a square frame under a crown, a tied monogram composed of the letters SAR, pearl border. Reverse: in a square frame an inscription in five lines: 320/EX/MARCA/PURA.COL./1768.; on the sides of the square: 1.GR./R.POL./, /FS, pearl border. Maker: Sylm, Frederick William (fl. 1765–1767). Issued under Stanisław August Poniatowski (King of Poland; 1764–1795). Polish–Lithuanian Commonwealth (1569–1795), Warsaw, Poland. Coin; diameter 21.0–21.4 mm; weight 1.65 g., A round metallic object with a worn surface, showing a decorative raised design inside a-stock-foto
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Denarius, Faustina the Younger (ca. 130–176; Roman empress 161–176) (posthumous). Issuer: Marcus Aurelius (121–180; Roman emperor 161–180). Obverse: Bust of Faustina II in drapery to the right, legend DIVA TINA PIA. Reverse: Rectangular altar with a pair of doors, legend C·CRATIO. After 176, Rome, Roman Empire (27 BC–476). Coin; diameter 16.0–17.0 mm, weight 1.98 g, axis 0°. Icons: altars, doors (architectural), busts of empresses., A round metallic object with an irregular edge, showing a recessed rectangular frame and a smaller raised rectangular shape in its center; the surface appears worn-stock-foto
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Denarius depicting legionary standards between vexillae; obverse: bust of Emperor Elagabalus in laurel wreath, armor and drapery facing right, inscription 'ANTONINVSPIVSFELAVG', pearl border; reverse: in the MILIT section two legionary standards between vexillae, inscription 'CON COR DIA', pearl border. Roman Empire, 218–222 CE, struck at Antioch on the Orontes. Coin; diameter 16.5–20.5 mm, weight 2.97 g., A roughly circular metallic object with irregular edges, showing a raised central design composed of a rectangular frame holding a group of vertical elongated elements topped with small-stock-foto
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bronze coin, Pantikapaion; obverse: head of young Dionysus in an ivy wreath facing right; reverse: bow and arrows in a gorytos with straps, monogram on the left; iconography: bow in a quiver, head of Dionysus, gorytos, quivers, bows, weapons, armament; monograms; Dionysus (mythology); Black Sea region; end of 2nd – ca. mid 1st century BC (time of Mithridates VI Eupator, 120–63 BC); Cimmerian Bosporus; coin; weight 17.55 g; diameter ~26.1–26.6 mm; maker: Pantikapaion., A round, worn coin with a dark brown and bronze patina showing a central vertical rectangular frame containing a raised,-stock-foto
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bronze coin, Pantikapaion; obverse: head of young Dionysus in an ivy wreath facing right; reverse: bow and arrows in a gorytos with straps, monogram on the left; iconography: Dionysus, bow in quiver, gorytos, quivers, bows, weapons, armament; monograms; Black Sea, Cimmerian Bosporus, Pantikapaion; dated end of 2nd–ca. mid. 1st century BC (time of Mithridates VI Eupator, 120–63 BC); coin; weight 17.56 g; dimensions 26.8–26.9 mm., A round, dark brown coin with a slightly irregular edge showing wear and a textured surface; on the coin's face is a raised design featuring a vertical rectangular-stock-foto
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Denarius of Antoninus Pius (86–161; Roman emperor 138–161). Obverse: ANTONINVS AVG PI, head of the emperor laureate facing right. Reverse: COS IIII, winged lightning over a throne. Roman Empire, 145–161 CE. Silver coin (denarius), weight 3.26 g, axis 180°. Subjects/iconography: imperial bust, lightning over the throne., A round, worn metallic object with a grayish-silver patina showing irregular edges and a small crack; the surface has raised, incised shapes forming a rectangular frame with additional linear and curved impressions above and beside it; the metal shows darker tarnished areas and-stock-foto
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Denarius of Antoninus Pius (86–161; Roman emperor 138–161). Obverse: Emperor's bust in a laurel wreath facing right, inscription 'ANTONINVS AVG PIVS PP'. Reverse: Winged lightning over the throne, inscription 'COS III' (or C O S I I I). Silver coin, weight 3.30 g, dated c. 145–161, Roman Empire., A round, worn metal disk with a mostly gray and dark gray surface showing irregular edges and small chips, with traces of greenish corrosion in a few spots; the disk bears a shallow, rectangular frame-like design with incised lines and worn raised areas inside and around it, and a few small circular-stock-foto
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Silver crown groschen, Fryderyk (1765–1767); Stanisław August Poniatowski (King of Poland; reign 1764–1795). Obv.: In a square frame, under the crown, a tied monogram composed of the letters SAR, pearl border. Rev.: In a square frame, inscription in five lines: '320./EX/MARCA/PURA.COL./1766.', above the frame: '1.GR.', below: 'FS', pearl border. Date: 1766. Polish–Lithuanian Commonwealth (1569–1795), Warsaw, Poland. Coin; diameter 20.3–20.6 mm, weight 1.92 g. Monograms, tied monograms, royal monograms, inscriptions, crown coin., A round metallic object with a silver-gray color sits against a-stock-foto
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Table, rectangular, with flaps on the long sides and a drawer on one of the short sides, supported by four slender, angular, tapering legs. Edges of the legs and the lower edge of the frame are edged with ebony veining. The flaps are on steel hinges, supported when raised on rotating supports mounted on wooden hinges. Neoclassicism (style), mahogany, early 19th century, England, height 67.6 cm, width 92.8 cm, depth 91 cm., A wooden table with a rectangular top and two drop leaves extended, showing a warm brown finish with visible wood grain and some darker marks; a central drawer with a round-stock-foto
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Table, flaps, neoclassicism (style), mahogany. Rectangular table with flaps on the long sides and a drawer on one short side, supported by four slender, angular, tapering legs. Edges of the legs and the lower edge of the frame have ebony veining. Flaps on steel hinges, supported when raised by rotating supports mounted on wooden hinges. Early 19th century, England. Piece of furniture; H 67.6 cm, W 92.8 cm, D 91 cm., A wooden table with a rectangular top and drop-leaf sides supported by four tapered legs, shown against a light background. The table is brown with visible wood grain and areas of-stock-foto
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Box with a lid, Chinese art, Chinese, figurative scenes, landscape motifs, Qing (1644–1911), pines, meander (ornament), leiwen (ornament), flowers (ornament), floral (ornament), geometric (ornament), 19th/20th century, China, box, height 6.0 cm, width 9.85 cm, depth 14.2 cm, A rectangular object with a worn black surface set against a gray background, edged with a tarnished brass-colored frame; the black area shows scuffs, patches of lighter gray wear, and a small raised strip near the top, while the brass edging appears uneven and slightly dented at the corners.-stock-foto
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Dark wood cabin with metal roof sits in a designed yard with cobblestone paths, decks, hot tub, pergola terrace, playset, and garden. Cool early light-stock-foto
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Rebellious crazy lady flipping the bird from behind bars-stock-foto
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Casting single hand shadow creating orange-yellow fingertip glow in studio on screen, HUD overlay-stock-foto
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Displaying clusters of leafy plants in black plastic pots filling bench inside greenhouse, UI icons-stock-foto
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An ornate rectangular plaque with soft corners raised edges and small side mounts provides space for personalized text.-stock-foto
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Tuscan style architecture is functional and artistically refined over the centuries in a Florence doorway, Italy.-stock-foto
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284 Flowery painted old wooden, interior window shutter closed with a sliding bolt, opening into the Grand Courtyard, Bahia Palace. Marrakesh-Morocco.-stock-foto
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274 Open window and wooden shutter painted in colorful flowers set on the wall of a gallery in the Small Courtyard, Bahia Palace. Marrakesh-Morocco.-stock-foto
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265 Richly carved stucco and wood corner wall above brass-plated, floral-painted, angled old wooden doors, Bahia Palace-Small Riad. Marrakesh-Morocco.-stock-foto
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263 Relief-carved, floral-motif painted old wood door with brass plates and blue frame, on a corner of the Bahia Palace Small Riad. Marrakesh-Morocco.-stock-foto
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261 Closed, blue wooden door in the wall between the doorway and the minor courtyard of the luxurious, Moorish style Bahia Palace. Marrakesh-Morocco.-stock-foto
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Stool, 17th century, 20 3/8 x 22 13/16 x 18 1/2 in. (51.75 x 57.94 x 46.99 cm), Huang huali hardwood, China, 17th century, This richly carved waisted stool, because of its relatively elaborate detailing, would have been reserved for a person of high social standing. The legs, for instance, are carved with a continuous corner bead terminating in a stylized leaf motif in each of the feet. There is an elegant lip carved with a motif on two sides of each leg just below the humpback stretchers. A raised ruyi head lappet design is also carved into the shoulder of each leg and the waist itself is set-stock-foto
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Dialog window is showing flat blue title bar X info icon client support text OK button-stock-foto
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Boxed Valentine's Day Card 1850–99 Anonymous, British, late 18th century British White rectangular box with decorative print in blue ink. In the middle the words ' Forget me not' are printed. The box contains a card with a raised, cut-open paper frame surrounding a scrap portrait of a young woman.. Boxed Valentine's Day Card 400331-stock-foto
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Disc with running dogs surrounding a mountain goat ca. A.D. 1st–3rd century This bronze disk with a rectangular loop in the back is a unique piece possibly from the Caucasus region. There are no known excavated parallels, but it was acquired by the Museum along with other objects that probably originated in the Republic of Georgia.A raised striated circle surrounds the edge of the disk. Inside this frame are four dogs in running position. The dogs have collars formed by the same technique as the frame. In the center of the disk is a relief image of a mountain goat with its legs folded undernea-stock-foto
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. Oak coffee table with a glass plate resting on four overhoeks places placed. The legs are rectangular in diameter. Halfway through the legs there is an intermediate magazine, on the top, the legs are interconnected by means of wide rules on which the table top rests. The square tabletop has a raised edge in which a glass plate with four holes in it.-stock-foto
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