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[raised rectangular structure] képek

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a seagull standing on the top of a cupola at gosman's in montauk-stock-foto
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Denarius, Faustina the Younger (ca. 130–176; Roman empress 161–176) (posthumous issue for Marcus Aurelius, 121–180; Roman emperor 161–180). Obverse: Bust of Faustina II in drapery facing right, inscription DIVA FAVSTINA PIA. Reverse: Rectangular altar with a pair of doors, inscription CONSECRATIO. After 176 CE, Roman Empire. Coin; diameter 17.0–17.5 mm; weight 3.15 g; axis 180°., A round metallic object with a weathered silver-gray surface, showing a raised central rectangular structure with vertical grooves and a stepped base; the object has irregular edges and subtle surface scratches, with-stock-foto
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Drachma of Shapur II (ruler of Persia; 309–379). Obverse: Bust of Shapur II wearing a crown topped with a korymbos, facing right; Pahlavi inscription. Reverse: Fire altar with flames containing a male bust facing right; on either side stand the king and the priest facing each other, both holding barsomas; pearl rim; Pahlavi inscription. Sassanid art; Sassanid Kingdom; Iran/Persia. Function: coin (fire altar motif). Date: 309–379. Measurements: diameter 19.5–20.0 mm; weight 3.20 g., A worn circular metallic object with a textured surface, showing raised carved imagery and shallow relief; the-stock-foto
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Drachma of Shapur II (ruler of Persia; 309–379). Obverse: Bust of Shapur II facing right wearing a mural crown and a globe, short curly beard tied at the bottom, curly hair in a round lock; Pahlavi inscription. Reverse: Burning altar with a male bust in the flames facing right; two male figures stand on either side facing each other, each holding a sword; pearl border; Pahlavi inscription. Persia, 309–379; coin, weight 3.99 g., A round, worn coin with a raised rim and irregular edge, primarily silver-gray with darker gray shadows and lighter highlights; the central area shows a rectangular-stock-foto
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Denarius, Faustina the Elder (98–141; Roman empress 138–141) (posthumous); issuer: Antoninus Pius (86–161; Roman emperor 138–161). Obverse: Bust of Faustina I in drapery facing right, inscription DIVA · FAVSTINA. Reverse: Six-column façade of the temple of Divine Faustina with a statue of the empress in the middle, inscription AED · DIV · FAVSTINAE. After 141, Rome, Roman Empire (27 BC–476). Coin; diameter 16.5–18.0 mm, weight 3.15 g, axis 195°., A circular metal coin with a worn surface showing a raised design of a small rectangular structure with columns and a triangular pediment, surrounded-stock-foto
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Denarius, after 161 CE. Obverse: Head of Antoninus Pius bare, drapery on left shoulder, facing right, inscription DIVVS ANTONINV all around. Reverse: Funeral pyre with four tiers, decorated with garlands and statues, with a quadriga on top, inscription CO, C, ATIO all around. Issuers: Lucius Verus (130–169) and Marcus Aurelius (121–180); Antoninus Pius (86–161) depicted posthumously. Roman Empire, Rome. Silver coin; diameter 17.0–17.5 mm, weight 2.25 g, axis 180°., A round, worn object with an uneven edge in a dark gray color, showing a few surface cracks and a central raised stepped structure-stock-foto
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Denarius, after 161. Obverse: Head of Antoninus Pius without a covering facing right, inscription 'DIVVS ANTONINVS' all around. Reverse: Funeral pyre with four tiers, decorated with garlands and statues, with a quadriga on top, inscription 'CONSECRATIO' all around. Issuers: Marcus Aurelius (121–180), Lucius Verus (130–169); posthumous depiction of Antoninus Pius (86–161). Iconography: garlands, head of the emperor, statues, funeral pyre. Roman Empire (27 BC–476), Rome. Coin: diameter 17.0 mm, weight 3.25 g, axis 180°., A round metallic object with a dark gray, slightly uneven surface and worn-stock-foto
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Denarius of Lucius Verus (130–169; Roman emperor 161–169) and Marcus Aurelius (121–180; Roman emperor 161–180), posthumous issue for Antoninus Pius (86–161; Roman emperor 138–161). Obverse: head of Antoninus Pius without a covering, drapery on the left shoulder, right; inscription DIVVS ANTONINVS. Reverse: funeral pyre with four tiers, decorated with garlands and statues, with a quadriga on top; inscription CONSECRATIO. After 161 CE, Roman Empire (Rome). Coin: diameter 16.5–18.0 mm, weight 2.95 g, axis 180°., A small round metallic object with a dull gray color sits against a plain white-stock-foto
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Denarius, Marcus Aurelius (121–180, Roman emperor 161–180) and Lucius Verus (130–169, Roman emperor 161–169), issuer; posthumous Antoninus Pius (86–161, Roman emperor 138–161). Obverse: head of Antoninus Pius without a covering, with drapery on the left shoulder, inscription DIVVS ANTONINVS around. Reverse: funeral pyre with four tiers, decorated with garlands and statues, with a quadriga on top, inscription CONSECRATIO around. After 161 CE, Roman Empire (27 BC–476). Rome. Coin (denarius): diameter 16.5–17.0 mm, weight 3.25 g, axis 0°., A round, dark gray coin with uneven edges rests on a-stock-foto
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Denarius, posthumous issue of Antoninus Pius (86–161; Roman emperor 138–161), Marcus Aurelius (121–180; Roman emperor 161–180) and Lucius Verus (130–169; Roman emperor 161–169) as issuers. Obverse: Head of Antoninus Pius without a covering facing right, inscribed 'DIVVS ANTONINVS' around. Reverse: Cuboid altar with two doors and finials in the form of horns, inscribed 'DIV OP IO' around. After 161 CE. Roman Empire. Rome. Coin. Diameter 15.0–17.5 mm, weight 2.58 g, axis 180°., A round, dark gray metal coin with a raised central design resembling a rectangular structure with two vertical-stock-foto
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Denarius, posthumous; obverse: head of Antoninus Pius bare to right, inscribed DIVVS · ANTONIN; reverse: rectangular altar with pair of doors and a finial in the form of horns, inscribed DIVO · PIO; issuers: Lucius Verus and Marcus Aurelius; after 161 CE; Roman Empire (27 BCE–476 CE), Rome; coin; diameter 16.5–17.0 mm; weight 3.20 g; axis 180°., A round metallic object with a dark gray surface sits centered against a white background; the object shows an embossed rectangular structure with a roof-like top and a base, and within the rectangle there are two panels each containing a few small-stock-foto
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Denarius, Antoninus Pius (86–161; Roman emperor 138–161) (posthumous), Marcus Aurelius (121–180; Roman emperor 161–180) (issuer), Lucius Verus (130–169; Roman emperor 161–169) (issuer). Obverse: Head of Antoninus Pius bare, right, inscription DIVVS • ANTONINVS. Reverse: Rectangular altar with two doors and a finial in the form of horns, inscription DIVO • PIO. After 161, Roman Empire (27 BC–476), Rome. Coin; diameter 17.0 mm; weight 3.25 g; axis 180°., A circular metallic object with a worn surface, shown against a plain white background, displaying darker gray and lighter silver tones; the-stock-foto
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Denarius, posthumous issue after Antoninus Pius (86–161); also associated with Lucius Verus (130–169) and Marcus Aurelius (121–180). Obverse: head of Antoninus Pius bare, drapery on left shoulder, right; legend DIVVS·ANTONINVS. Reverse: rectangular altar with two doors and a finial in the form of horns; legend DIVO·PIO. After 161 CE, Roman Empire (27 BCE–476 CE), Rome. Coin: diameter 17.0 mm, weight 3.35 g, axis 195°., A round metallic object with a worn surface showing a raised rectangular structure in the center resembling a small building or framed panel, with vertical and horizontal lines-stock-foto
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Sestertius, Antoninus Pius (86–161; Roman emperor 138–161), issuer; personification Aequitas standing; obverse: head of Antoninus Pius with laurel wreath and drapery on the left shoulder to the right, inscription ANTONINVS AVG PIVS PP TR P XI; reverse: Aequitas standing left, holding scales in his right hand and a cornucopia in his left, inscription COS IIII, control letters SC in the fields; dated 148–149; Roman Empire (27 BC–476), Rome; coin; diameter 29.5–30.5 mm; weight 25.35 g; axis 165°., A round, worn metallic object with a dark brown and black mottled surface showing a raised,-stock-foto
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Denarius of Antoninus Pius (86–161; Roman emperor 138–161). Obverse: head of the emperor in a laurel wreath facing right; legend ANTONINVS · AVG · PIVS · PP. Reverse: facade of a temple with eight columns, with statues (possibly of Divine Augustus and Livia?) in the middle and two on the sides; legend TEMPLVM · DIV · AVG · REST and inscription COS IIII. Date: 145–161. Roman Empire, Rome. Coin. Diameter 16.0–17.0 mm; weight 3.00 g; axis 210°., A round metallic object with a worn surface sits against a white background; the object appears silver-gray with darker gray tarnish and lighter-stock-foto
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Sestertius, Antoninus Pius (86–161; Roman emperor 138–161) (posthumous), Lucius Verus (130–169; Roman emperor 161–169) (issuer), Marcus Aurelius (121–180; Roman emperor 161–180) (issuer). Obverse: Head of Antoninus Pius without a covering to the right, inscription DIVVS ANTONINVS. Reverse: Funeral pyre with four tiers, decorated with garlands and statues; on the top a quadriga carried by the emperor, inscription CONSECRATIO; in exergue, SC. After 161. Roman Empire, Rome. Coin; bronze; diameter ~30–31 mm; weight 23.15 g; axis 0°., A round coin with a worn brown and dark brown patina showing a-stock-foto
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Denarius, Faustina the Younger (ca. 130–176; Roman empress 161–176) (posthumous), Marcus Aurelius (121–180; Roman emperor 161–180) (issuer). Obverse: Bust of Faustina II in drapery facing right, inscription DIVA FAV·STINA PIA. Reverse: Rectangular altar with a pair of doors, inscription CON·SECRATIO. After 176. Roman Empire (27 BC–476), Rome. Coin; diameter 17.5–18.5 mm, weight 2.90 g, axis 180°., A circular metallic object with a weathered silver-gray surface and areas of darker gray and subtle brownish tarnish, showing a raised rectangular structure in the center with a vertical recessed-stock-foto
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Denarius, Hadrian (76–138; Roman emperor 117–138). Obverse: head of Hadrian in laurel wreath facing right; rim inscription HADRIANVS AVGVSTVS. Reverse: Concordia seated left, dressed in a long robe, holding a patera in her outstretched right hand, with her left hand resting on the figure of Spes on a small base at the back of the chair; rim inscription COS III. Date: 125–128. Roman Empire (27 BC–476). Rome. Coin; weight 3.03 g., A circular, worn metallic object in shades of gray with an uneven edge sits against a white background; faint raised markings create an outline resembling a seated-stock-foto
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Denarius, posthumous portrait of Faustina the Elder (98–141; Roman empress 138–141); issuer Antoninus Pius (86–161; Roman emperor 138–161). Obverse: Bust of Faustina I draped, facing right, legend DIVA • FAVSTINA. Reverse: Six-column façade of the temple of Divine Faustina with a statue of the empress in the middle, legend AED • DIVSTINAE (circumferential). After 141 CE, Roman Empire. Coin: diameter 16.5–17.5 mm, weight 3.15 g, axis 180°., A round, worn coin with an uneven edge shown against a white background, the coin surface appearing dark gray with lighter gray highlights; the center of-stock-foto
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Denarius of Antoninus Pius (86–161; Roman emperor 138–161). Obverse: Bust of Antoninus Pius in a cloak (paludamentum) and a laurel wreath facing right; legend ANTONINVS AV, PIVS PP TR P XXIII. Reverse: Facade of a temple with eight columns, with two statues (Divine Augustus and Livia); legend TEMPLVM DIV AVG REST and COS IIII. Iconography: statues, paludamentums, ancient temples, head of the emperor in a laurel wreath. Date: 159–160. Roman Empire (27 BC–476), Rome. Coin: silver, diameter 16.0–17.5 mm, weight 3.20 g, axis 210°., A round metallic object with a dark gray, slightly worn surface,-stock-foto
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Denarius, Marcus Aurelius (121–180; Roman emperor 161–180), posthumous issue of Antoninus Pius (86–161; Roman emperor 138–161). Obverse: conjoined busts; legend ADV. DIVVS ANTONINVS; emperor's head on the right; pearled border. Reverse: CONSECRATIO; four-tiered funeral pyre decorated with garlands and topped with a quadriga; pearled border. After 161 CE, Roman Empire (27 BC–476), Rome. Silver coin, weight 3.16 g, axis 180°., A round, worn metallic object with an uneven edge, showing a central raised stepped structure with several rectangular tiers; the surface has a textured, aged appearance-stock-foto
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Denarius, Marcus Aurelius (121–180; Roman emperor 161–180), posthumous issue featuring Antoninus Pius (86–161; Roman emperor 138–161). Obverse: heads/busts of the emperors; legend ADV. DIVVS NTONINVS; head of the emperor right within pearl border. Reverse: square altar with inscription DIVO PIO within pearl border. After 161, Rome, Roman Empire (27 BC–476). Coin, weight 3.40 g, axis 180°., A round, weathered metal object with an uneven edge and a patina of brown and dark bronze tones, showing areas of greenish corrosion; the surface bears a raised central motif resembling a simple rectangular-stock-foto
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Denarius, Antoninus Pius (86–161; Roman emperor 138–161), posthumous issue for Marcus Aurelius (121–180; Roman emperor 161–180). Obverse: imperial head of Antoninus Pius right; pearled border; inscription 'ADV. DIVVS ANTONINVS' (abbreviated). Reverse: CONSECRATIO — four-tiered funeral pyre decorated with garlands and topped with a quadriga; pearled border. After 166 CE, Roman Empire (27 BC–476), Rome. Coin; weight 3.17 g; axis 180°., A round metallic object with an uneven edge and worn surface, showing a raised multi-tiered structure in the center with rectangular and arched shapes and small-stock-foto
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Denarius of Antoninus Pius (86–161; Roman emperor 138–161). Obverse: Emperor's head in a laurel wreath facing right, inscribed 'ANTONINVS AVG PIVS PP'. Reverse: Winged lightning over the throne, inscribed 'C O S I I I'. Silver coin, weight 3.10 g, dated 145–161, Roman Empire (27 BC–476). Iconography: busts, lightning over the throne., A round metallic object with a worn, slightly irregular edge, showing a raised central design that resembles a simple rectangular structure with short legs and a curved element inside; above the structure is a horizontal ornamental band with rounded indentations-stock-foto
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Drachma of Bahram I (ruler of Persia; reign c. 271–274). Obverse: Bust of Bahram I wearing a crown with korymbos, Pahlavi legend, pearl rim. Reverse: Fire altar with two attendants (king and priest), Pahlavi legend, pearl rim. Sassanid art; Sassanid Kingdom. Coin dated 273–279. Coin: diameter 27.0–27.5 mm, weight 3.90 g. Subjects: busts, crowns, korymbos, Persia, Iran, fire altar., A round weathered coin with a metallic gray surface showing worn raised designs and a slightly irregular edge; a central vertical pillar-like structure with a rectangular base and several vertical lines at the top-stock-foto
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A traditional Japanese-style wooden gazebo with a pitched roof and symmetrical slats, set in a lush garden. The slanted roof has raised edges for a th-stock-foto
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Protective bamboo fences installed around raised garden beds with green plants in garden. Sweden.-stock-foto
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A yellow brick building facade features raised rectangular black iron elements, echoing the brick pattern but shorter and protruding, adding depth-stock-foto
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A yellow brick building facade features raised rectangular black iron elements, echoing the brick pattern but shorter and protruding, adding depth-stock-foto
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Building facade, cobblestone courtyard with statue. Stone walls on either side. Overcast sky. Symmetrical composition in Whitby-stock-foto
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Merida Mexico,Dzibilchaltun Archaeological Zone site National Park,Mayan civilization city ruins,Zona Arqueologica de Dzibilchaltun,structure 37 rock-stock-foto
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A sloped brown corrugated metal roof features several raised rectangular snow guards and a metal gutter along the edge, showcasing protective roofing-stock-foto
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Pair of candelabra with Winged Victories ca. 1810–15 Pierre Philippe Thomire French Winged Victories, symbols of military triumph, were a staple of Napoleonic decoration. These candelabra are comprised of Hellenistic winged figures of Nike or Victory, arms upraised and supporting floral wreaths from which branch ten candle sockets decorated with fluting, acanthus leaves, and spirals. Torches of flowers in the center are supported by spirals. The rectangular bases with wreaths in relief and stylized artichokes support the figures above.Similar candelabra were designed by Charles Percier (1764–1-stock-foto
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Square Tea Table 1740–60 American This is a perfect example of what tea tables made in Newport between 1740 and 1760 looked like: a simple rectangular top with raised molded edges, plain skirts, and cabriole legs of extreme delicacy terminating in pointed pad feet. The design is masterful in its elegant simplicity. Several dozen tables of this model survive today, their differences being only in the skill with which the legs were shaped.. Square Tea Table. American. 1740–60. Mahogany, white pine. Made in Newport, Rhode Island, United States-stock-foto
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Close up of a curved grey brick wall with raised rows forming a pattern-stock-foto
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Fragment of a PIN from the wreck of the East Indied Flying Heart. The brown coniferous fragment is almost rectangular and has a standing ledge (approx. 4 mm high) on one side in the middle.-stock-foto
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. Oak coffee table with a glass plate resting on four overhoeks places placed. The legs are rectangular in diameter. Halfway through the legs there is an intermediate magazine, on the top, the legs are interconnected by means of wide rules on which the table top rests. The square tabletop has a raised edge in which a glass plate with four holes in it.-stock-foto
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. Source bed, made from without wood, rigged with curtains of sits painted with a wavy flower reflection pattern on a wooden frame, consists of four styles, from below square of diameter, above the mattress around, between the mattress bin. Slightly raised the rear clause. The bottom of the mattress bin consists of two wooden sleepers. Between the two rear styles a piece of sits are tensioned, which is folded backwards around the styles. On the styles, a rectangular framework of four slats, why it is tensioned as sky covering Sits, also from inside completely around the slats to the top and ba-stock-foto
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Comple bin with lid with multicolored floral. With lid of pottery with blue black transfer decor, painted with muffle colors and ocherloster. The rectangular container has rounded corners and a vaulted wall. The bottom is divided into three compartments by two raised edges. The wall with multicolored flowers and leaves. The excellent top edge of the wall is decorated with an abstract motif under ocherloster. The rectangular, vaulted lid has a band of multicolored flowers and leaves along the edge. The lid is crowned by a button in the form of cured leafwork.-stock-foto
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Pirate model of the sea of northeast of Borneo (1850). Naval Model. Parao is the generic name of the most important vessels of Malaysia and Micronesia. They are distinguished by their good sailor qualities although they do not endure much sea symmetrical, acute and little raised, rig formed by tripode sticks with rectangular candles that carry two cocks or antennas, almost totally lacks rigging. Generally double side rudders but is also governed with only one placed with a leeward. Use oars that bog in two orders or rows, one supporting them in the trancanil or a belt of the murda and another-stock-foto
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