Részletes keresés
Keresés

Aktuális sajtó tartalmak és illusztrációs fotók

[rectangular copper plate] képek

413 találat
  • / 11
  • kép/oldal:
RM
Portrait of Józef Piłsudski, Łopieński, Ignacy (1865–1941), graphic artist; Piłsudski, Józef (1867–1935) — iconography; male portrait; head turned to the right; 1937; Warsaw, Poland; graphic plate; height 15 cm, width 10 cm, A rectangular metal plate with rounded corners fills the image, showing a worn, scratched surface in shades of brown and copper with areas of darker brown patina and a few small dark spots, set against a light gray background visible as a narrow border around the plate; near one corner there is a small piece of frayed fabric or paper adhered to the plate in beige with-stock-foto
RM
Portrait of Józef Piłsudski, Łopieński, Ignacy (1865–1941), graphic artist; Piłsudski, Józef (1867–1935) — iconography; male portrait; Head turned to the right; 1937; Warsaw, Poland; graphic plate; height 15 cm, width 10 cm, A rectangular metal plate with a warm brown and copper tone fills the image, showing an etched profile of an older man with a mustache and beard; the etching lines are lighter copper against the darker plate. The man is depicted with swept-back hair, a defined ear, and a turned head with visible eyes and facial hair; the etched texture suggests fine lines for hair and-stock-foto
RM
Portrait of Józef Piłsudski; Ignacy Łopieński (1865–1941), graphic artist; Józef Piłsudski (1867–1935) — iconography; male portrait, head turned to the right; 1937; Warsaw, Poland; graphic plate; height 15 cm, width 10 cm., A worn rectangular metal plate with rounded corners occupies most of the image, showing a mottled surface in shades of copper, bronze, pink, purple, and gray with visible scratches and scuff marks across it; there is a narrow black border around the plate and a small dark rectangular patch near one corner with rough edges; the plate surface shows areas of darker-stock-foto
RM
Bust of an old woman in a white bonnet, Płoński, Michał (1778–1812), graphic artist; Witke-Jeżewski, Dominik (1862–1944); human types; old women; head studies; female head studies; bonnets; physiognomic studies; women; ca. 1800; graphic; graphic matrix/plate; height 6.2 cm; width 4.1 cm, A rectangular metal plate with rounded corners sits against a gray background, showing an engraved portrait of an older person wearing a hooded garment; the engraving lines create a textured, hatched background and detailed facial features, with visible etched strokes around the eyes, nose, and mouth and-stock-foto
RM
Sitting Dog, Płoński, Michał (1778–1812), graphic artist; Witke-Jeżewski, Dominik (1862–1944); animals; dogs; animal studies; 1802; Amsterdam; graphic; graphic matrix; graphic plate; height 6.2 cm; width 8 cm, A flat rectangular metal plate with a worn, mottled surface showing a mix of brown, copper, dark gray, and black tones, with several visible smudges and irregular patches and a group of fingerprint-like swirl patterns; the plate rests on a neutral gray background and has slightly rounded corners and a thin darker edge.-stock-foto
RM
Sitting Dog; Płoński, Michał (1778–1812), graphic artist; animal studies; dogs; 1802; Amsterdam; graphic; graphic matrix/plate; height 6.2 cm; width 8 cm, A sketch of a seated dog with long, wavy fur rendered in fine dark lines on a rectangular, weathered copper-toned panel; the dog faces slightly left with a visible snout, floppy ears, and a bushy tail curled near its hindquarters, and its fur shows detailed strokes suggesting texture; the panel background is mottled with shades of peachy copper, light tan, and darker brown spots and scratch marks, and a narrow darker border frames the panel-stock-foto
RM
Boy Sitting by a Cage, Płoński, Michał (1778–1812), graphic artist; Witke-Jeżewski, Dominik (1862–1944); character studies; human types; children; boys; cages; 1802; Amsterdam; graphic; graphic matrix; graphic plate; height 7.2 cm; width 10.5 cm, A rectangular metal plate with rounded corners rests on a flat background, showing an uneven patina of brown, copper, black, gray, and hints of tan; the surface bears a variety of dark blotches, smudges, and circular stains, along with scratches and faint scuffed areas; the edges show slightly darker wear and there are several irregular darker spots-stock-foto
RM
Bust of an old man with a white beard in profile; Płoński, Michał (1778–1812), graphic artist; Witke-Jeżewski, Dominik (1862–1944); heads (portraits), studies of heads, human types, male heads, studies of male heads; beards (facial hair), old men; 1802; Amsterdam; graphic; graphic matrix/plate; height 13.7 cm, width 10.2 cm, A rectangular metal plate with a narrow dark frame rests against a gray background; the plate surface shows a worn, scratched texture with a warm palette of copper, orange, and tan tones alongside areas of darker brown and subtle black marks; etched, overlapping curved-stock-foto
RM
Dutch worker in sabots; Płoński, Michał (1778–1812), graphic artist; character study of a man; male worker/poor person wearing klompen (sabots); ca. 1800; graphic plate/graphic matrix; height 10.5 cm, width 5.6 cm, A rectangular metal plate with rounded corners resting on a gray background, with a surface marked by many dark irregular splotches and patches, lighter worn areas showing metallic brown and copper tones, and a few areas of black residue; the plate shows fine scratch marks and textured wear across its surface and a slightly darker border around the edges.-stock-foto
RM
Dutch worker in sabots; Płoński, Michał (1778–1812), graphic artist; character study of a man — worker/poor person wearing klompen (wooden shoes); ca. 1800; graphic matrix/graphic plate; height 10.5 cm, width 5.6 cm., A vertical rectangular metal plate with a warm copper tone and areas of darker brown patina shows an engraved sketch of a standing man facing slightly to one side; the figure is drawn with fine dark lines defining a textured shirt, loose trousers, and large shoes, and the man's hair appears tousled with a contemplative facial expression; the plate is mounted on a neutral gray-stock-foto
RM
Beggar with a Stick, Płoński, Michał (1778–1812), graphic artist; human types; old men; character studies; beggars; sticks; paupers; male character studies; 1802; Amsterdam; graphic; graphic matrix/plate; height 7.2 cm; width 5.8 cm, A worn rectangular metal plate with rounded corners resting on a neutral gray background, showing a mottled surface in shades of pale brown, gray, and muted green with hints of blue and pinkish copper tones; the plate displays a variety of dark smudges and stains, scattered small dark spots, and several areas of surface scratches and scuffs, including a few linear-stock-foto
RM
Beggar with a Stick, Płoński, Michał (1778–1812), graphic artist; Witke-Jeżewski, Dominik (1862–1944); beards (facial hair); human types; old men; character studies; beggars; sticks; paupers; male character studies; 1802; Amsterdam; graphic; graphic matrix; graphic plate; height 7.2 cm; width 5.8 cm, A copper-toned rectangular metal plate with a sketched line drawing of an elderly bearded man leaning on a long staff, the man depicted wearing layered loose clothing and boots, standing on a simple ground line; the plate shows mottled areas of darker and lighter copper with greenish patina spots-stock-foto
RM
The Martyrdom of St. Lawrence; graphic artist; subject: The Martyrdom of St. Lawrence, Lawrence (St.; ?–258) — iconography, historical scenes, lictor's rods, martyrs, Catholic saints; 2nd half of the 19th century; medium: graphic matrix/graphic plate; dimensions: height 10.9 cm, width 29.1 cm, thickness 0.2 cm., A rectangular metal plate with an engraved scene featuring a group of robed figures arranged across the surface; the metal shows a mix of warm coppery tones and cooler grayish areas from wear. On the left, a group of standing figures in flowing robes are gathered near architectural-stock-foto
RM
Middle Eastern city; graphic artist Dominik Witke-Jeżewski (1862–1944); after 1900; graphic plate/graphic matrix; graphic; height 14.7 cm, width 18.2 cm, thickness 0.4 cm., The image shows a rectangular metal plate with an engraved scene of a village landscape. The surface displays a range of brown and copper tones with darker brown areas creating contrast; there are hints of black in the upper sky area and some muted gray along the outer border. The engraving depicts a group of flat-roofed buildings clustered across the middle of the plate, a few larger rectangular structures in the-stock-foto
RM
Pope John VII; Innocenty Nowicki (fl. 17..-17..), graphic artist. Subject: John VII (pope; ?–707) — male portrait, tonda, bust in a circle decorated with rocaille ornament; popes, Catholic clergy, iconography. Inscription/biographical note: Born in Rossano (Calabria). Elected 1 March 705; died 18 October 707. Historical detail: He did not agree to conditions set by Justin II, who in response started pogroms and massacres, leading Latin nations and Italy to break away from the Eastern Empire. Date: 2nd half 18th century. Medium: graphic; graphic matrix/plate. Dimensions: height 13 cm; width-stock-foto
RM
Mountains by the lake, graphic artist Witke-Jeżewski, Dominik (1862–1944), mountains, landscapes, after 1900, graphic, graphic matrix, height 8.1 cm, width 12.2 cm, thickness 0.5 cm, The image shows a rectangular metal plate with an engraved landscape scene depicting a mountain range and foreground hills; the surface has fine incised lines creating texture and contours across the mountains, slopes, and sky. The visible colors are coppery brown and darker brown tones, with small areas of lighter copper highlights and subtle gray along the plate edges.-stock-foto
RM
Yard with a dead tree; graphic artist; trees; urban courtyards; tenement houses; Polish graphics; after 1915; graphics; graphic matrix/plate; height 14.6 cm; width 10.1 cm; thickness 0.1 cm, The image shows an etched scene in predominantly copper and brown tones with visible dark brown lines creating the drawing. A narrow courtyard framed by a large arched opening occupies the composition, with a tall, thin, leafless tree in the foreground and a textured cobblestone ground. A building with a sloped roof, a balcony with a simple railing, and an exterior staircase is visible on one side, and-stock-foto
RM
Barking dog; Ignacy Łopieński (1865–1941), graphic artist; genre scene; ca. 1930; graphic plate; height 16 cm, width 12 cm; dogs., A rectangular metal plate with rounded corners occupies the image, showing a worn, mottled surface in copper and brown tones with patches of darker gray and black discoloration. The plate displays a group of fine scratches and faint etched patterns, a few areas with clustered dark speckles, and several smudges and stains in darker brown and black. A narrow pale gray border is visible around the plate, and the overall surface has uneven shading with lighter and-stock-foto
RM
Artillery exercises; Łopieński, Ignacy (1865–1941), graphic artist; artillery, army; ca. 1930; graphic plate; height 19.9 cm, width 26.9 cm, A worn rectangular metal plate with an overall mottled surface showing shades of copper, brown, gray, and hints of black, with areas of darker smudging and lighter scuffing; the plate has rounded corners and a thin dark border along the edges, and there are several curved and straight scratches and faint streaks across the surface including a few bluish-gray marks; near two opposite corners there are circular stamped impressions and a few small dark spots-stock-foto
RM
Portrait of Paweł Popiel; Łopieński, Ignacy (1865–1941), graphic artist; Pochwalski, Kazimierz (1855–1940), graphic artist; Studzińska, Zofia (fl. ca. 1947–1950). Subject: Paweł Popiel (1807–1892). Iconography: male portrait; political/social activist, politician; includes coats of arms. Date: 1891, Munich. Medium: graphic, graphic matrix/plate. Dimensions: height 34.9 cm, width 27.3 cm., A rectangular metal sheet with an aged, weathered surface covered in mottled patches and stains in shades of copper, brown, gray, and dark green, showing areas of tarnish and discoloration; a few irregular-stock-foto
RM
Map of Europe by Joachim Lelewel (1786–1861), graphic artist; prepared by Helena Gieysztor (1859–1934). Unpublished graphic matrix/plate related to a set of 8 plates prepared for the writings 'Sciences giving knowledge of historical sources' (1st ed., Vilnius: J. Zawadzki, 1822) and a supplement, mentioned by Lelewel as adding 8 plates and a silent landscape sheet in 1822–1823. Date: 1822–1824, Vilnius. Medium: graphics (graphic matrix/graphic plate). Dimensions: height 26.7 cm, width 37.4 cm., A rectangular metal plate with a mottled, weathered surface showing dark brown and black patches-stock-foto
RM
Graphic matrix with maps marked with numbers 32, 33, 33b and 33c made for the 'Atlas to J. Lelewel of Antiquity Research in Respect of Geography'; Joachim Lelewel (1786–1861), graphic artist; Helena Gieysztor (1859–1934), illustrations; maps, world maps, 1818, Vilnius; graphic plate; height 19.7 cm, width 32.5 cm, A rectangular metal plate with a warm copper tone occupies the image, showing an engraved map composed of several inset panels and curved divisions; the engraving lines and map details appear in a darker brown against the copper background, and the plate has areas of subtle darker-stock-foto
RM
An Old Woman Reading a Book, the So-Called Rembrandt's Mother; Płoński, Michał (1778–1812), graphic artist; Dou, Gerrit (1613–1675), painter; reproduction print after Dou; ca. 1806, Paris; print, graphic matrix/graphic plate; portraits — old women; female portraits; oval; figure studies; female figure studies; bonnets; historical costumes; human types; female costumes; height 20.5 cm, width 16.8 cm, A large rectangular metal sheet with a worn, mottled surface showing a range of dark grays and blacks with patches of rusty brown and muted copper tones, scattered irregular dark stains and smudges-stock-foto
RM
Saint John of God, Labinger, Jakub (fl. 1726–1760), graphic artist. Saint John of God (1495–1550) — iconography. Saint John of God in monk's robes with a rosary at his belt is shown with his hands outstretched in prayer, carried on a cloud by two angels (one holding a lily) and a putto. On the sides, holy putti emerging from the clouds. At the bottom, between the inscription, a cartouche with the emblem of the Brothers Hospitallers order with a six-pointed star above the emblem; the cartouche below a noble crown. Composition in a frame, ca. 1735. Graphic plate (graphic matrix), height 34.3 cm,-stock-foto
RM
Portrait of Rembrandt; Płoński, Michał (1778–1812), graphic artist; Rembrandt van Rijn (1606–1669), painter (subject); oval; historical costumes; portraits; portraits of artists; male portraits; painters; reproduction print; ca. 1806; Paris; print; graphic matrix/graphic plate; height 20.3 cm; width 16.7 cm, A rectangular metal plate with a dark border shows an oval etched portrait of a person wearing a dark hat and dark clothing, with long light hair rendered in fine lines; the plate surface has scratched, smudged, and rubbed areas in shades of copper, tan, brown, black, and hints of green,-stock-foto
RM
Two compositions side by side: Virgin Mary and Child and Immaculata; Mary (mother of Jesus Christ); Turkiewicz, Roman (fl. 1935); devotional articles; Virgin Mary and Child (iconographic); anchors; Immaculata (iconographic); winged putti (iconographic); Mary (mother of Jesus Christ) – monograms; after 1800; graphic; graphic matrix; graphic plate; height 10.8 cm; width 12.5 cm, A rectangular copper plate with a brown and reddish-brown patina fills the image, showing two rectangular engraved panels aligned vertically, each containing an oval portrait scene with fine linework. The upper oval-stock-foto
RM
Page in Renaissance costume holding a shield; artist: Wilhelm Berg (fl. ca. 1878–1902), graphic artist; Neo-Renaissance (style); date: 1878–1902; medium: graphic plate; total dimensions: H 14.08 cm × W 8.98 cm × Th 2.37 cm; graphic matrix dimensions: H 14.07 cm × W 8.83 cm × Th 0.41 cm, A low rectangular wooden block with visible grain and a slightly rough texture supports a thin irregular metal sheet on top; the metal sheet has an uneven, battered surface with dents and raised areas and shows a mix of brown, copper, and dark metallic hues, while the wooden block displays tones of brown and-stock-foto
RM
Recto: Our Lady of the Congregation; verso: Saint Catherine of Alexandria. Makers: Leon Tarasewicz (ca. 1650–ca. 1703), graphic artist (recto); SW (engraver; fl. ca. 1700), graphic artist (verso). Iconography: Our Lady, Hodegetria (recto); Catherine of Alexandria (saint; ca. 282–ca. 300) (verso). Title/series: Monuments of national engraving, Catholic saints. Date: 1687 (recto); after 1700 (? ; verso). Place: Vilnius. Medium: graphic, graphic matrix/plate. Dimensions: height 14 cm, width 8.9 cm., A rectangular copper plate with an etched scene showing a central female figure wearing a crown-stock-foto
RM
The Heart of Jesus surrounded by the Arma Christi, Piotrowski, Jan Onufry (fl. 1754–1765), graphic artist. Arma Christi (attribute). The Heart of Jesus. I Monuments of domestic engraving, 1754–1768. Vilnius. Graphic; graphic matrix/plate. Height 8.7 cm, width 5.5 cm., A rectangular metal plate with a warm brown and copper tone fills the frame, showing an oval central design surrounded by decorative borders and scrollwork in similar metallic shades; within the oval is a stylized heart topped with a crown of thorns and a cross above it, with radiating lines and a halo-like pattern, and a smaller-stock-foto
RM
Study of the human eye, graphic artist, after 1800, graphic, graphic matrix/plate; anatomical studies, eyes; height 32 cm, width 22.1 cm; maker: Tyszkiewicz, Konstanty (1806–1868)., A worn rectangular metal plate with a pinkish-copper surface showing areas of tarnish and patina in green and brown, vertical bands of slightly darker copper along the edges, and faint reddish streaks running down the middle; a group of several lightly engraved human eyes appears along the left side, each rendered in grayish-black shading with fine crosshatching and smudging, and a few small dark spots and-stock-foto
RM
Study of the human eye; graphic artist; after 1800; graphic plate (graphic matrix); anatomical studies, eyes; height 32 cm, width 22.1 cm; maker: Konstanty Tyszkiewicz (1806–1868)., A rectangular metal sheet with rounded corners fills the image, showing a mottled surface in shades of brown, copper, and dark gray with areas of greenish patina and small lighter spots; the edges are slightly worn and darker, and there are faint scratches, scuffs, and irregular discolorations across the surface.-stock-foto
RM
Latin alphabet, Arabic numerals and Russian alphabet; graphic artist; lettering, alphabet; after 1800; Vilnius; graphics; graphic matrix; graphic plate; height 17.8 cm; width 28.7 cm, A rectangular metallic plate with an aged, mottled surface showing tones of brown, copper, greenish patina, and pale yellow; the plate has rounded corners and a narrow raised border around the edge. The surface contains a series of incised cursive grooves forming flowing, looped shapes across the plate, arranged in several horizontal rows; some grooves show slight discoloration with greenish hints. There are-stock-foto
RM
Floral ornament, graphic artist, Łohojsk. Possibly a matrix for embossing leather. Before 1850. Matrix. Height 28.6 cm; width 20.6 cm., A rectangular metal plate with an overall brown and copper tone features an intricate engraved floral pattern covering its surface; a dense background of small etched dots contrasts with flowing vines, stylized leaves, and a variety of flower forms arranged in a repeating ornamental design, with larger decorative cartouche-like floral motifs interspersed among smaller blossoms and buds, and subtle variations of darker brown lines where the engraving cuts the-stock-foto
RM
Karawaka and prayer text. Spiritual Protection Against the Mormon Air, Pczycki, Stanisław (ca. 1769–1844), graphic artist. Karawaka, prayers. I Monuments of domestic engraving, 1st quarter of the 18th century, Vilnius. Graphic, graphic matrix, graphic plate. Height 15.5 cm, width 20.6 cm., A flat rectangular metal plate with a warm brown and copper tone fills the image, showing an etched design and a gridlike decorative border; the right side features an ornate cross-shaped motif with rounded trefoil ends and an oval medallion at its center, while the left side contains densely incised-stock-foto
RM
Peony and bindweed. On the left a sprig of peony, on the right a bindweed. Engraving made using the stipple etching technique with minor retouches with a stylus. Similar to other graphic compositions depicting flowers, portraits, views, plans, educational engravings and genre themes, often made by anonymous engravers in monastery engraving workshops, ca. 1800. Print (graphic matrix/plate). Height 20.4 cm, width 15.8 cm., A large rectangular metal surface fills the image, showing a worn, mottled texture with visible patches of discoloration and small pitted marks. The surface displays a mix of-stock-foto
RM
Frontispiece to Ignacy Bogdaszewski's book Several Ballads and Novels; graphic artist, Łohojsk; Ignacy Bogdaszewski (1809–c.1870); Konstanty Tyszkiewicz (1806–1868). 1826, Vilnius; graphic graphic matrix/plate; height 13.3 cm, width 10.2 cm., A rectangular metal plate with a warm brown and copper surface showing areas of darker and lighter patina, faint vertical streaks, and subtle scratches; the plate has engraved decorative swirls and mirrored lettering shapes recessed into the surface, creating shallow grooves and shadowed lines; edges show slight wear with small discolorations and spots,-stock-foto
RM
The miraculous painting of the Blessed Virgin Mary in the church of the Hospitallers of St. John of God in Vilnius; graphic artist Perli, Józef (fl. ca 1775–ca 1818); Dove of the Holy Spirit; Virgin Mary; winged putti. After 1800, Vilnius; graphic print from a graphic matrix/plate; height 31 cm, width 20.7 cm., A rectangular metal plate with a warm brown and copper patina fills the image, showing subtle variations of darker and lighter brown and hints of gray along the edges; within a thin incised border a faint engraved scene is visible, with a central framed portrait of a robed figure-stock-foto
RM
Eight images of Catholic saints and God, graphic artist, Łohojsk; Tyszkiewicz, Konstanty (1806–1868). II Monuments of domestic engraving, Catholic saints, see new print (cut into five parts) inventory no. Gr.Pol.6000/19-23, all elements glued into Boczkowska's album on sheet no. 23. After 1800; graphic; graphic matrix; graphic plate; height 21.7 cm; width 33.3 cm, A rectangular metallic plate with a warm copper tone mottled with patches of darker brown and faint greenish spots, showing a grid of several recessed rectangular panels each containing faint embossed illustrations of human figures-stock-foto
RM
Two tondos: Guardian Angel and the Holy Family; Stanisław Pczycki (ca. 1769–1844), graphic artist; Guardian Angel; Holy Family; after 1805; graphic plate; height 14.5 cm; width 20.5 cm., A rectangular, flat object with rounded corners fills the frame, showing a worn, textured surface in shades of brown, copper, and rust with mottled patches of darker brown and black. There is a visible band of lighter, golden-brown streaking across the central area, and scattered small dark spots and speckles across the surface. The edges show slightly darker wear, and a small decorative rectangular label with-stock-foto
RM
Names of months and days written in columns. Jan Nikodem Łopaciński (1747–1810), graphic artist. Composition with a board inscribed with the names of months and days of the week in Polish and Latin; seems to continue a card. Part of a series of graphic compositions depicting images of worship, portraits, views, plans, educational engravings, and genre themes; many made by anonymous engravers in Vilnius monastery engraving workshops, produced before 1810. Graphic plate; height 21.9 cm, width 16.8 cm., A rectangular metal plate with rounded corners resting against a neutral background, showing a-stock-foto
next page