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[rectangular double linear frame] képek

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S. Franc. Sales. (Saint Francis de Sales). Czerski, Stanisław (1777–1833), graphic artist. The image depicts Saint Francis de Sales. The composition is enclosed in an oval in a double linear frame, with a double rectangular linear frame along the edge of the plate. The engraving was made by Father Stanisław Czerski in Sałanty in Samogitia. As a parish priest, with the help of a young assistant he adopted, he devoted himself to engraving images of saints with Samogitian inscriptions: because he only engraved these images for his parishioners, who, as inhabitants of pure Samogitia, do not know-stock-foto
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S. Franc. Sales. (Saint Francis de Sales). Czerski, Stanisław (1777–1833), graphic artist. The image depicts Saint Francis de Sales. The composition is enclosed in an oval in a double linear frame, with a double rectangular linear frame along the edge of the plate. The engraving was made by Father Stanisław Czerski in Sałanty in Samogitia. As a parish priest, with the help of a young assistant he adopted, he devoted himself to engraving images of saints with Samogitian inscriptions: because he engraved these images for his parishioners, who, as inhabitants of Samogitia, did not know any other-stock-foto
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Saint Anthony of Padua kneeling before the Child Jesus who appears to him in a cloud; double linear frame. Engraving by Stanisław Czerski (1777–1833), made in Salanty, Samogitia. Devotional scene depicting a saint with halos, clouds; devotional representation for prayer. Inscription/notes indicate Czerski engraved images of saints with Samogitian inscriptions for his parishioners. Dated 1822–1832. Print/graphic matrix/graphic plate. Dimensions: height 7.7 cm, width 5.4 cm., The image shows a rectangular metal plate with a worn, tarnished surface in coppery brown tones, covered by a mottled-stock-foto
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S. Marya Mot. Diewa (Maria — Immaculate Conception), by Stanisław Czerski (1777–1833), engraving, 1822–1832. Depicts Mary trampling a snake (devil) with a lily in her hand; composition enclosed in a double linear frame. Engraved by Father Stanisław Czerski in Salanty, Samogitia; he engraved images of saints with Samogitian inscriptions for his parishioners. Graphic matrix/plate; height 7.7 cm, width 5.4 cm., A rectangular dark metal plate with an uneven, mottled surface showing areas of black, dark brown, and coppery bronze discoloration, with worn edges and a small light gray label with a-stock-foto
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S. Marya Mot. Diewa. (Maria - Immaculate Conception), Czerski, Stanisław (1777-1833), graphic artist; Mary (mother of Jesus Christ) trampling a snake (devil), holding a lily (attribute); devotional depiction; composition enclosed in a double linear frame. Engraving made by Father Stanisław Czerski in Salanty in Samogitia. Text notes he engraved images of saints with Samogitian inscriptions for his parishioners; the plates, press, and tools were transferred to Vilnius after his death. Date: 1822–1832. Medium: graphic; graphic matrix/plate. Dimensions: height 7.7 cm, width 5.4 cm., A vertical-stock-foto
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S. Apolonia (Saint Apolonia), Czerski, Stanisław (1777–1833), draughtsman. Apolonia (Saint; ?–249), devotional depiction, saint shown bust-length holding tongs with an extracted tooth; flames to her right; martyr's palms; halo. Composition in an oval within a double linear frame, the whole within a rectangular linear frame along the plate edge. Engraving made by Father Stanisław Czerski in Sałanty in Samogitia. As a parish priest, with the help of a young assistant he engraved images of saints with Samogitian inscriptions for his parishioners; the plates, press and tools were transferred to-stock-foto
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Recto: Our Lady the Spouse of the Holy Spirit (Sponsa Spiritus Sancti). Image of the Virgin Mary in a maphorion with her arms crossed on her breast under the dove of the Holy Spirit; pleated drapery in the background. Folds of veil and dress shaded by parallel and intersecting stylus lines. Enclosed in a rectangular double linear frame. Inscription at bottom: 'Sponsa Spiritus Sancti., A rectangular copper plate with rounded corners fills the image, showing a carved oval portrait of a person wearing a robe and a hat, surrounded by decorative floral and scrollwork engraving; the plate has a warm-stock-foto
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Recto: Our Lady the Spouse of the Holy Spirit (Sponsa Spiritus Sancti). Image of the Virgin Mary in a maphorion with her arms crossed on her breast under the image of the dove of the Holy Spirit; pleated drapery background. Folds shaded by parallel and intersecting stylus lines. Enclosed in a rectangular double linear frame. Inscription at bottom: 'Sponsa Spiritus Sancti., A rectangular metal plate with rounded corners showing an engraved image of a robed figure with a halo-like radiating pattern around the head and upper body, hands crossed over the chest, and a bird with outstretched wings-stock-foto
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S. Juzups. (Saint Joseph with Baby Jesus), Czerski, Stanisław (1777-1833), graphic artist, Joseph (Bible), Joseph (Saint), Jesus Christ, lily (attribute), Baby Jesus, axes, religious paintings. The image shows Saint Joseph in a bust, with baby Jesus in his arms. The composition is in an oval in a double linear frame, the whole in a rectangular, linear frame along the edge of the plate. The engraving was made by Father Stanisław Czerski in Sałanty in Samogitia. 'As a parish priest, with the help of a young assistant he adopted, he devoted himself to engraving images of saints with Samogitian-stock-foto
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S. Juzups (Saint Joseph with Baby Jesus), Czerski, Stanisław (1777–1833), graphic artist, Joseph (Bible), Joseph (Saint), Jesus Christ, lily (attribute), Baby Jesus, axes, religious painting. The image shows Saint Joseph in a bust, with Baby Jesus in his arms. The composition is in an oval in a double linear frame, the whole in a rectangular linear frame along the edge of the plate. The engraving was made by Father Stanisław Czerski in Sałanty in Samogitia. As a parish priest, with the help of a young assistant he adopted, he devoted himself to engraving images of saints with Samogitian-stock-foto
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The Conquest of Constantinople. Illustration: Composition enclosed in a double linear frame depicting the capture of Constantinople by the Turks in 1453 — historical scene with battles, street fighting, fallen figures, Turks, melee weapons. Steel engraving, 1853–1857. Print (graphic print, album). Height 13.9 cm; width 9.2 cm. Artist/engraver: unknown (style indicates a German engraver)., A detailed black and white engraving shows a chaotic battle scene framed by a rectangular border centered on a larger off-white sheet; the engraving depicts a crowded group of armed figures wearing flowing-stock-foto
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Widukind and Charlemagne. Composition enclosed in a double linear frame. Depiction of Widukind surrendering to Charlemagne. Charlemagne tried to subjugate the Saxons and impose Christianity on them by force; in 782 an uprising led by Widukind broke out and fighting flared up again. After the victorious Battle of Verdun in October 782, to discourage further resistance Charles ordered the execution of 4,500 Saxon prisoners. Widukind surrendered to the king in 785. Illustration for Cesar Cantu, Universal History (Polish translation by Leon Rogalski), published 1853–1857. Graphic print, steel-stock-foto
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A striking blue double door in Warsaw, Poland, blends geometric glass panels and symmetrical detailing against a two-tone modernist facade.-stock-foto
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Close up of County Hall faceted rectangular and triangular glass facade-stock-foto
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Close up of County Hall faceted rectangular and triangular glass facade-stock-foto
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Close up of County Hall faceted rectangular and triangular glass facade-stock-foto
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Close up of County Hall faceted rectangular and triangular glass facade-stock-foto
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Close up of County Hall faceted rectangular and triangular glass facade-stock-foto
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Das of mutsenslip van kloskant met drie grote lelies.Das or barbe of black chulsboard: Chantilly side. Retured rectangular model. Within a double-sided symmetrical frame, asymmetrical bouquets are symmetrically grouped with respect to the short center axis. The linear picture frame encounters a horseshoe-shaped medallion at the ends, awarded a large impeller palm with. Three huge lilies hang out below. The design is the most closed at the ends and runs slightly towards the center. A barely scalloped edge exists in turn from a large winger blade and two small rosettes.-stock-foto
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Double doors outline with glass windows isolated on white background. Vector clipart.-stock-foto
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Double doors outline with door knobs isolated on white background. Vector clipart.-stock-foto
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Abstract luxury double golden rectangular frame on isolated background. Design element in linear style for icon or logo. Minimalistic geometric border for greeting card template, wedding invitations.-stock-foto
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One line drawing of two speech bubbles, Black and white vector minimalistic linear illustration made of continuous line with round corners-stock-foto
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Double square frame. Black line vector shape. Geometrical border element.-stock-foto
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One line drawing of two speech bubbles, Black and white vector minimalistic linear illustration made of continuous line with round corners-stock-foto
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Double doors outline with door knobs isolated on white background. Vector clipart.-stock-foto
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One line drawing of two speech bubbles, Black and white vector minimalistic linear illustration made of continuous line-stock-foto
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One line drawing of two speech bubbles, Black and white vector minimalistic linear illustration made of continuous line-stock-foto