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[rectangular illustrations] képek

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Set of four minimalist illustrations combining dotted frames with different quotation mark styles.-stock-foto
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Set of four minimalist vector illustrations combining dotted frames with different quotation mark styles.-stock-foto
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Rectangular frame with watercolor illustrations of summer plants, wildflowers, branches and leaves.-stock-foto
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A rectangular frame of watercolor rose illustrations-stock-foto
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Album binding titled 'Skizzen zu dem Tagebuche von Adalbert Prinz von Prussen, 1842-1843.' Maker: Wilhelm Loeillot (1827–1876), graphic artist. Associated with Adalbert, Prince of Prussia (1811–1873). Medium/format: book binding; album; album page. Subject/contents: travels; illustrations; Brazil views; German graphics; medallions; eagles; emblems; travel diary illustrations. Date: 1847. Dimensions (album page, irregular composition): height 50.9 cm, width 35.2 cm., A dark rectangular object with a textured surface and worn edges centered against a pale background, featuring a circular gold-stock-foto
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Album binding titled 'Skizzen zu dem Tagebuche von Adalbert Prinz von Prussen, 1842-1843'; Wilhelm Loeillot (1827–1876), graphic artist; Adalbert, Prince of Prussia (1811–1873), graphic artist; factis albums; travels; German graphics; medallions; eagles; emblems; thematic entries: publishing houses, diaries, travel diaries, illustrations; Brazil; views; 1847; book binding; album; album page; irregular composition dimensions: height 50.9 cm, width 35.2 cm., A rectangular dark brown cover with a subtle embossed border pattern and a central circular gold emblem depicting a stylized bird with-stock-foto
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Three illustrations for contemporary history: Pope Pius VI blesses the people from the balcony of the Imperial Palace in Vienna; The kidnapping of King Stanisław August in 1771; The proceedings of the Polish Sejm in 1789. Artist: Daniel Nicolaus Chodowiecki (1726–1801), graphic artist. Subjects/styles: illustrations, genre scenes, assassinations, palaces, parliaments. Persons depicted/iconography: Pius VI (1717–1799); Stanisław August Poniatowski (King of Poland, 1732–1798). Historical contexts: The Abduction of King Stanisław August (1771); Bar Confederation (1768–1772); The Four-Year Sejm (-stock-foto
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Actor in the role of Polyphonte in the play Merope; draughtsman Janinet, Jean-François (1752–1814); actors; Polyphonte (literary); theatrical plays; French drawing; Voltaire (1694–1778); Mérope; figurative studies; Levacher de Charnois, Jean-Charles (1750?–1792), after 1788; France; drawing; height 8.6 cm, width 6.9 cm., A tall beige sheet with a grid of several framed small rectangular illustrations arranged in columns, each frame containing a single figure in period costume against an off‑white background; the figures include men and women wearing garments such as coats, robes, dresses,-stock-foto
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Jacqueline in the art of Maître en droit, Janinet, Jean-François (1752–1814); French drawing after 1789, possibly by Levacher de Charnois, Jean-Charles (1750?–1792). Drawing, pen and ink, height 8.5 cm, width 6.4 cm. Subject: Jacqueline; actresses and theatrical items; figurative study; revindication. Makers: Pierre René Lemonnier (1731–1796) associated with Maître en droit., A tall sheet with a beige background contains a vertical grid of framed rectangular illustrations arranged in pairs down the page, each framed image showing a single standing figure in period costume against a light-stock-foto
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Future - Allegory of Peace Destroying a Cannon with a Hammer; Czesław Tański (1862–1942), illustrator; drawing; playing cards; allegory of Peace; cannons (weapons); Poland; 1916–1917; World War I., A pale gray page with visible wear and a darker gray binding area contains a group of small, portrait-style illustrations mounted in two rows; the top row shows a sequence of four rectangular cards with sketched figures and decorative suit symbols, each card framed by a thin beige border, and the bottom row has a single vertical card centered beneath them. The leftmost top card depicts two men in-stock-foto
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Two of Spades — August von Mackensen, German Field Marshal; Paul von Hindenburg, German Field Marshal; General Erich Ludendorff. Illustrator: Czesław Tański (1862–1942). Playing card (Two of Spades), drawing, uniforms, officers; style/iconography of Mackensen, Hindenburg, Ludendorff. Poland, Warsaw, 1916–1917., A light gray background sheet holds a grid of five small mounted rectangular illustrations and one larger illustration below, each with visible drawn scenes; the top row shows four portrait-style vignettes with figures in historical military uniforms and civilian clothes, featuring a-stock-foto
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Ace of Hearts — Ruined City and Wounded; Tański, Czesław (1862–1942), illustrator; playing card design; hearts (card suit); World War I (1914–1918); 1916–1917; Warsaw; drawing; themes: killed, wounded, ruins; restitution noted., A sheet containing a grid of playing-card–style illustrations mounted in a pale gray board, each card set inside a light rectangular frame; the top row shows a scene with a large cannon and a fallen soldier next to a cart in muted greens, browns, and grays, a portrait of a man in a decorative helmet and uniform in blues, reds, and flesh tones, a profile of a woman-stock-foto
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Queen of Spades — Augusta Victoria, German Empress and Queen of Prussia; illustrator: Czesław Tański (1862–1942); drawing, Polish, 1916–1917, Warsaw. Subjects/details: playing card (spades), knitting/handicrafts; iconography of Augusta Victoria (1858–1921); World War I (1914–1918) context; inscription/attribution: Witke-Jeżewski, Dominik (1862–1944) mentioned., A sheet with a pale gray background holds a grid of illustrated playing-card sized images mounted within rectangular frames, forming two rows of four; the illustrations depict a variety of human figures, scenes, and objects drawn in a-stock-foto
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Portrait of Józef Orłowski; Ignacy Chełmicki (fl. 1867–post 1890), graphic artist; woodcut (graphic matrix, woodcut block), circa 1873?; publisher: Drzeworytnia Warszawska; male portrait of Józef Orłowski (1819–1880); subject: architects, illustrations, 1880–1881, Warsaw; dimensions: height 14.1 cm, width 12.1 cm, thickness 2.4 cm., A low rectangular wooden block with a dark, irregular top surface sits on a smooth reflective surface. The wood shows warm brown tones with darker brown and black streaks and worn areas along the sides and corners. The top has a rough, uneven texture in deep-stock-foto
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Portrait of Józef Orłowski; Chełmicki, Ignacy (fl. 1867–post 1890), graphic artist; woodcut (graphic matrix, woodcut block), 1873?; male portrait; Orłowski, Józef (1819–1880) — iconography; architects; illustrations, 1880–1881; Warsaw; height 14.1 cm, width 12.1 cm, thickness 2.4 cm., A rectangular wooden block with rounded corners sits on a smooth, reflective surface, featuring a dark, irregular top surface that appears rough and slightly glossy and edges that transition to a warm brown wood tone; the wood shows natural grain, knots, and some darker smudges and worn areas, while the-stock-foto
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Portrait of Józef Orłowski; Chełmicki, Ignacy (fl. 1867–post 1890), graphic artist; woodcut; 1873?; publisher; male portraits; Orłowski, Józef (1819–1880) — iconography; architects; illustrations; 1880–1881; Warsaw; graphic matrix, woodcut block; height 14.1 cm, width 12.1 cm, thickness 2.4 cm, A grayscale engraved portrait of a man shown from the chest up on a rectangular dark plate, featuring a face with wavy hair and sideburns, a mustache‑less mouth, and focused eyes; he wears a dark jacket, a bow or cravat at the collar, and a textured shirt beneath. The image shows a few scuffed and worn-stock-foto
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Carriage; Aleksander Maj (1883–1952), graphic artist; carriages, illustrations; after 1900; Warsaw; woodcut block; height 7.2 cm, width 12.7 cm, thickness 2.2 cm, A worn rectangular surface made of a coarse brown material with a vertical split near the center, showing areas of darker and lighter brown staining and rough textured patches; a bold rough blue mark stretches across both sides forming angular strokes and a curved loop; pale beige and off-white scuffs and peeled spots interrupt the brown texture in several places; the object rests against a neutral gray background and overall shows-stock-foto
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Carriage; Maj, Aleksander (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 7.2 cm; width 12.7 cm; thickness 2.2 cm, A low, rectangular object rests on a smooth surface with a reflective sheen, composed of two joined blocks with a visible gap between them. The top surfaces are dark and textured with carved circular patterns and rough irregularities, while the vertical faces show a worn, coarse texture in a brownish-golden color. The gap between the blocks reveals an inner surface in a lighter yellowish-gold tone. The overall scene is set against a-stock-foto
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Carriage; Maj, Aleksander (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 7.2 cm; width 12.7 cm; thickness 2.2 cm, A carved wooden block with a rough rectangular shape rests on a smooth reflective surface, showing a worn top with carved circular and linear patterns and a jagged chipped edge; the block displays natural wood grain and textured, uneven sides with signs of wear. The visible colors include brown tones in the wood, darker brown and gray on the carved areas, and a muted gray background and reflective surface.-stock-foto
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Carriage; Aleksander Maj (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 7.2 cm; width 12.7 cm; thickness 2.2 cm, The image shows a carved wooden block with an engraved outline of a carriage or wagon spanning the surface; the wood appears dark brown with areas of lighter brown where the grain and wear show, and there are visible gray tones in the background. The carved lines form two large circular wheels with spokes, a rectangular body section with paneling, and a raised seat or box area; the carvings present a slightly recessed darker brown-stock-foto
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Carriage wagonette; Aleksander Maj (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 8.5 cm; width 12.5 cm; thickness 2.3 cm, A rectangular block with worn, rough surfaces sits on a smooth reflective plane, showing a palette of brown, beige, gray, and muted black tones; the top surface features circular wheel-like raised shapes and carved linear patterns in darker gray and black, with edges and corners that appear chipped and weathered revealing lighter beige and brown beneath, while the surrounding background is a uniform soft gray.-stock-foto
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Carriage wagonette; Aleksander Maj (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 8.5 cm, width 12.5 cm, thickness 2.3 cm, A worn rectangular wooden panel with a textured grain surface showing a mix of brown and tan tones, darker brown patches and smudges, and areas of lighter beige wear; prominent broad strokes of bright blue pigment form bold marks across the center; a small spot of white paint with a tiny speck of red is near the middle; faint darker scribbles and smudges are visible beneath and around the blue marks; the surrounding border-stock-foto
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Carriage wagonette; Aleksander Maj (1883–1952), graphic artist; subject: carriages, illustrations; after 1900; Warsaw; woodcut block; 8.5 cm high, 12.5 cm wide, 2.3 cm thick, The image shows a carved wooden relief of a horse-drawn carriage with a high, upholstered seat and a rectangular carriage body. The carving depicts large spoked wheels, visible axles, and undercarriage details. The wood surfaces show grain and tool marks, with worn and textured areas. Colors visible include various shades of brown, dark brown, tan, and some gray. The background is a flat muted gray.-stock-foto
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Bookplate of Zygmunt Grünstein; verso: fragment of another bookplate crossed out and cut into two parts EX LIBRIS, MVZEVM POKUCKIE; Łopieński, Ignacy (1865–1941), graphic artist; Tyrowicz, Ludwik (1901–1958), graphic artist; negatively engraved by Ludwik Tyrowicz, 1940, Lviv; subject: medical bookplate with snakes (zool.), Aesculapian snake (mythological), chalices, jugs; medium: woodcut block (graphic matrix); dimensions: height 6.0 cm, width 4.2 cm, thickness 2.2 cm., A rectangular dark gray block with carved linear illustrations rests against a light gray background; the carved surface-stock-foto
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Portrait of Franciszek Tournelle; draughtsman; male portrait of Franciszek Tournelle (1818–1880); iconography; architects; illustrations; 1879–1880; Warsaw; woodcut block; height 14.2 cm, width 11.8 cm, thickness 2.4 cm, A carved dark rectangular plaque shows a bust of a man in formal attire viewed from the chest up, with a textured background and a circular halo-like area behind his head; the carving emphasizes facial features, hairline, collar, bow tie, and jacket lapels with fine incised lines and worn highlights. The surface appears mostly dark gray to black with lighter gray worn areas-stock-foto
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Graphic matrix with maps marked with numbers 32, 33, 33b and 33c made for the 'Atlas to J. Lelewel of Antiquity Research in Respect of Geography'; Joachim Lelewel (1786–1861), graphic artist; Helena Gieysztor (1859–1934), illustrations; maps, world maps, 1818, Vilnius; graphic plate; height 19.7 cm, width 32.5 cm, A rectangular metal plate with a warm copper tone occupies the image, showing an engraved map composed of several inset panels and curved divisions; the engraving lines and map details appear in a darker brown against the copper background, and the plate has areas of subtle darker-stock-foto
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Eight images of Catholic saints and God, graphic artist, Łohojsk; Tyszkiewicz, Konstanty (1806–1868). II Monuments of domestic engraving, Catholic saints, see new print (cut into five parts) inventory no. Gr.Pol.6000/19-23, all elements glued into Boczkowska's album on sheet no. 23. After 1800; graphic; graphic matrix; graphic plate; height 21.7 cm; width 33.3 cm, A rectangular metallic plate with a warm copper tone mottled with patches of darker brown and faint greenish spots, showing a grid of several recessed rectangular panels each containing faint embossed illustrations of human figures-stock-foto
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Christ with a Burning Heart, John Alais (ca. 1778–fl. ca. 1820), graphic artist, ca. 1803, London. Engraving (stippled copperplate, etched), print; height 12.7 cm, width 10.7 cm. Composition enclosed in an oval with a linear dotted frame; Christ shown in bust, head slightly bowed, displaying a heart crowned with thorns and a cross burning on his chest. Inscription reported beneath: 'Venite ad me omnes (Math. 11.28.) London Published April 21, 1803.' Part of a series of devotional graphic compositions depicting the Sacred Heart of Jesus, likely created as illustrations for a publication-stock-foto
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Christ with a Burning Heart, John Alais (ca. 1778–fl. ca. 1820), graphic artist; 1803, London. Stippled copperplate engraving (etched), print; print matrix/plate. Composition enclosed in an oval surrounded by a linear dotted frame. Christ shown in a bust with head slightly bowed, displaying a heart crowned with thorns and a cross burning on his chest. Inscription: 'Venite ad me omnes' (Matt. 11:28) and publication note 'Published April 21, 1803.' Height 12.7 cm, width 10.7 cm. Part of a series of devotional graphic compositions devoted to the Sacred Heart of Jesus, likely made as illustrations-stock-foto
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Jewels from the tomb of Casimir the Great in Kraków; graphic artist Maksymilian Fajans (Warsaw; lithographic and photographic workshop; 1853–1889); lithograph; publisher; illustrations; albums; apples; rulers' crowns; jewels; Casimir the Great (King of Poland; 1310–1370); regalia; spurs; 1853; Warsaw; graphic art; height 20.5 cm, width 15.3 cm, An open book shown from above with a two-page spread; the left page is mostly blank with a faint rectangular area and light smudges, while the right page is filled with dense printed content arranged in many small blocks of text and a larger heading-stock-foto
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Rectangular frame for text on seamless pattern of colorful round buttons and ribbons with tied bows. Sewing clipart. Hand drawn illustrations for sewi-stock-foto
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Rectangular frame for text on seamless pattern of tape measure, sewing scissors, threads, buttons, thimbles. Sewing postcard. Hand drawn illustrations-stock-foto
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Rectangular frame for text on seamless pattern of sewing scissors, threads, round buttons, thimbles. Sewing clipart. Hand drawn illustrations for sewi-stock-foto
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Rectangular frame for text on seamless pattern of scissors, thread spools, round buttons, pins, thimble, tape measure. Hand drawn illustrations for se-stock-foto
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Rectangular frame of sewing items and copy space. Scissors, threads, round buttons, pins, thimble, tape measure. Hand drawn illustrations for sewing,-stock-foto
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Scissors, threads, round buttons, pins, thimble, tape measure in rectangular frame. Tailoring clipart. Embroidery. Hand drawn illustrations for sewing-stock-foto
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Rectangular frame of apples, apple pies, tarts or cakes, cinnamon, vanilla, anise stars ink drawings on white background. Hand-drawn illustrations for-stock-foto
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Rectangular frame of white chalk drawings of apples, apple pies, cinnamon, vanilla, anise stars on black background. Hand-drawn illustrations for baki-stock-foto
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Rectangular frame of black ink drawn apples, apple pies, cinnamon, vanilla, anise stars on white background. Bakery clipart. Hand-drawn illustrations-stock-foto
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A Example Rubber Stamp Seal for Illustrations and Mockups-stock-foto
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