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[rectangular linear frame] képek

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Textured Concrete Block Wall Pattern-stock-foto
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Openwork vintage rectangular frames. Square framework. Filigree flourish. Botanical motif. Decorative ornament. Embellish border. Vector set of white-stock-foto
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Vertical gold rectangular frame with thin metallic border-stock-foto
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Horizontal gold rectangular frame with thin metallic border-stock-foto
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Vector rectangular frame with jagged, vibrant hand-drawn lines. Line drawing of a vintage red frame with rounded and patterned edges and bow-stock-foto
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A vintage set of whimsical vertical frames with bows and ribbons in a linear style. Rectangular pearl frames for wedding and holiday invitations and cards. Black vector outline.-stock-foto
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Straw‑toned bamboo blind covers window on corrugated chocolate colored metal wall producing warm rustic tones in minimalist architectural composition.-stock-foto
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Vector rectangular frame with jagged, vibrant hand-drawn lines. Line drawing of a vintage red frame with rounded and patterned edges. Monochrome-stock-foto
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Vector rectangular frame with jagged, vibrant hand-drawn lines. Line drawing of a vintage red frame with rounded and patterned edges. Monochrome-stock-foto
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Vector rectangular frame with jagged, vibrant hand-drawn lines. Line drawing of a vintage red frame with rounded and patterned edges. Monochrome-stock-foto
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Decorative gold linear frames in Art Deco style. Floral ornament design element. Rectangular floral framework with filigree line flourish. Vector set-stock-foto
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Minimalist handmade quilt wall hanging with concentric square frames in neutral linen tones, featuring a stylized line-drawn female face in the center.-stock-foto
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Botanical Currant Border Templates. Round and Rectangular Frames with Line Art Berries, Branch and Leaves. Isolated Outline Vintage Floral Hand-Drawn.-stock-foto
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Inscription enclosed in a simple linear frame. 18th century print bookplate: Du cabinet de M. Samuel de Tournes; graphic artist; text/bookplate; height 2.6 cm, width 5.4 cm., A rectangular piece of paper with a decorative black border featuring small floral motifs along the edges, placed on a gray background. The paper is an off-white, slightly textured beige with subtle flecks of color. Bold black printed characters form two centered lines across the middle of the paper. The border has thicker black vertical bars on the left and right and a horizontal band of black floral ornamentation at the-stock-foto
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Image of the Virgin Mary (Conceptio Beatae Mariae Virginis). Graphic artist, Łohojsk. Title/inscription at bottom: 'Conceptio beatae Mariae virginis.' Image in an oval frame (filled with diagonal lines), entire composition enclosed in a linear frame. Belongs to a series of graphic compositions depicting images that were objects of worship. Most were made by anonymous engravers, often in monastery engraving workshops. Date: 1795–1825. Medium: graphic; graphic matrix/plate. Dimensions: height 12 cm, width 7.4 cm. Maker: Tyszkiewicz, Konstanty (1806–1868) noted in accompanying text., A-stock-foto
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S. Franc. Sales. (Saint Francis de Sales). Czerski, Stanisław (1777–1833), graphic artist. The image depicts Saint Francis de Sales. The composition is enclosed in an oval in a double linear frame, with a double rectangular linear frame along the edge of the plate. The engraving was made by Father Stanisław Czerski in Sałanty in Samogitia. As a parish priest, with the help of a young assistant he adopted, he devoted himself to engraving images of saints with Samogitian inscriptions: because he only engraved these images for his parishioners, who, as inhabitants of pure Samogitia, do not know-stock-foto
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S. Franc. Sales. (Saint Francis de Sales). Czerski, Stanisław (1777–1833), graphic artist. The image depicts Saint Francis de Sales. The composition is enclosed in an oval in a double linear frame, with a double rectangular linear frame along the edge of the plate. The engraving was made by Father Stanisław Czerski in Sałanty in Samogitia. As a parish priest, with the help of a young assistant he adopted, he devoted himself to engraving images of saints with Samogitian inscriptions: because he engraved these images for his parishioners, who, as inhabitants of Samogitia, did not know any other-stock-foto
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Saint Anthony of Padua kneeling before the Child Jesus who appears to him in a cloud; double linear frame. Engraving by Stanisław Czerski (1777–1833), made in Salanty, Samogitia. Devotional scene depicting a saint with halos, clouds; devotional representation for prayer. Inscription/notes indicate Czerski engraved images of saints with Samogitian inscriptions for his parishioners. Dated 1822–1832. Print/graphic matrix/graphic plate. Dimensions: height 7.7 cm, width 5.4 cm., The image shows a rectangular metal plate with a worn, tarnished surface in coppery brown tones, covered by a mottled-stock-foto
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S. Marya Mot. Diewa (Maria — Immaculate Conception), by Stanisław Czerski (1777–1833), engraving, 1822–1832. Depicts Mary trampling a snake (devil) with a lily in her hand; composition enclosed in a double linear frame. Engraved by Father Stanisław Czerski in Salanty, Samogitia; he engraved images of saints with Samogitian inscriptions for his parishioners. Graphic matrix/plate; height 7.7 cm, width 5.4 cm., A rectangular dark metal plate with an uneven, mottled surface showing areas of black, dark brown, and coppery bronze discoloration, with worn edges and a small light gray label with a-stock-foto
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S. Marya Mot. Diewa. (Maria - Immaculate Conception), Czerski, Stanisław (1777-1833), graphic artist; Mary (mother of Jesus Christ) trampling a snake (devil), holding a lily (attribute); devotional depiction; composition enclosed in a double linear frame. Engraving made by Father Stanisław Czerski in Salanty in Samogitia. Text notes he engraved images of saints with Samogitian inscriptions for his parishioners; the plates, press, and tools were transferred to Vilnius after his death. Date: 1822–1832. Medium: graphic; graphic matrix/plate. Dimensions: height 7.7 cm, width 5.4 cm., A vertical-stock-foto
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S. Apolonia (Saint Apolonia), Czerski, Stanisław (1777–1833), draughtsman. Apolonia (Saint; ?–249), devotional depiction, saint shown bust-length holding tongs with an extracted tooth; flames to her right; martyr's palms; halo. Composition in an oval within a double linear frame, the whole within a rectangular linear frame along the plate edge. Engraving made by Father Stanisław Czerski in Sałanty in Samogitia. As a parish priest, with the help of a young assistant he engraved images of saints with Samogitian inscriptions for his parishioners; the plates, press and tools were transferred to-stock-foto
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Rectangular frame; graphic artist; Tyszkiewicz, Konstanty (1806-1868) - maker; graphic frames, ca. 1800; graphic; graphic matrix; graphic plate; height 7.3 cm; width 5.2 cm, A rectangular metal plate with a central recessed panel surrounded by an incised decorative border, showing a worn surface with mottled patches and areas of discoloration. The plate displays a range of coppery browns, reddish-brown tones, darker brown lines in the engraved border, and small greenish and yellowish spots of tarnish. The border features repeated linear and oval incisions forming a patterned frame, with corner-stock-foto
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Recto: Our Lady the Spouse of the Holy Spirit (Sponsa Spiritus Sancti). Image of the Virgin Mary in a maphorion with her arms crossed on her breast under the dove of the Holy Spirit; pleated drapery in the background. Folds of veil and dress shaded by parallel and intersecting stylus lines. Enclosed in a rectangular double linear frame. Inscription at bottom: 'Sponsa Spiritus Sancti., A rectangular copper plate with rounded corners fills the image, showing a carved oval portrait of a person wearing a robe and a hat, surrounded by decorative floral and scrollwork engraving; the plate has a warm-stock-foto
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Recto: Our Lady the Spouse of the Holy Spirit (Sponsa Spiritus Sancti). Image of the Virgin Mary in a maphorion with her arms crossed on her breast under the image of the dove of the Holy Spirit; pleated drapery background. Folds shaded by parallel and intersecting stylus lines. Enclosed in a rectangular double linear frame. Inscription at bottom: 'Sponsa Spiritus Sancti., A rectangular metal plate with rounded corners showing an engraved image of a robed figure with a halo-like radiating pattern around the head and upper body, hands crossed over the chest, and a bird with outstretched wings-stock-foto
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Christ the Wind-Bearer (Christ Calms the Storm), by Stanisław Czerski (1777–1833), graphic artist. Depicts Jesus Christ sleeping in a boat on a stormy lake, awakened by Saint Peter; biblical scene of a miracle with apostles, sailing boats, and storms. Enclosed in a triple linear frame. Engraving made by Father Stanisław Czerski in Salanty, Samogitia; as a parish priest he engraved images of saints with Samogitian inscriptions for his parishioners. Date: 1822–1832. Medium: print (graphic matrix/graphic plate). Dimensions: height 7.5 cm, width 5.2 cm., A rectangular metal plate with a worn,-stock-foto
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S. Juzups. (Saint Joseph with Baby Jesus), Czerski, Stanisław (1777-1833), graphic artist, Joseph (Bible), Joseph (Saint), Jesus Christ, lily (attribute), Baby Jesus, axes, religious paintings. The image shows Saint Joseph in a bust, with baby Jesus in his arms. The composition is in an oval in a double linear frame, the whole in a rectangular, linear frame along the edge of the plate. The engraving was made by Father Stanisław Czerski in Sałanty in Samogitia. 'As a parish priest, with the help of a young assistant he adopted, he devoted himself to engraving images of saints with Samogitian-stock-foto
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S. Juzups (Saint Joseph with Baby Jesus), Czerski, Stanisław (1777–1833), graphic artist, Joseph (Bible), Joseph (Saint), Jesus Christ, lily (attribute), Baby Jesus, axes, religious painting. The image shows Saint Joseph in a bust, with Baby Jesus in his arms. The composition is in an oval in a double linear frame, the whole in a rectangular linear frame along the edge of the plate. The engraving was made by Father Stanisław Czerski in Sałanty in Samogitia. As a parish priest, with the help of a young assistant he adopted, he devoted himself to engraving images of saints with Samogitian-stock-foto
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Christ with a Burning Heart, John Alais (ca. 1778–fl. ca. 1820), graphic artist, ca. 1803, London. Engraving (stippled copperplate, etched), print; height 12.7 cm, width 10.7 cm. Composition enclosed in an oval with a linear dotted frame; Christ shown in bust, head slightly bowed, displaying a heart crowned with thorns and a cross burning on his chest. Inscription reported beneath: 'Venite ad me omnes (Math. 11.28.) London Published April 21, 1803.' Part of a series of devotional graphic compositions depicting the Sacred Heart of Jesus, likely created as illustrations for a publication-stock-foto
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Christ with a Burning Heart, John Alais (ca. 1778–fl. ca. 1820), graphic artist; 1803, London. Stippled copperplate engraving (etched), print; print matrix/plate. Composition enclosed in an oval surrounded by a linear dotted frame. Christ shown in a bust with head slightly bowed, displaying a heart crowned with thorns and a cross burning on his chest. Inscription: 'Venite ad me omnes' (Matt. 11:28) and publication note 'Published April 21, 1803.' Height 12.7 cm, width 10.7 cm. Part of a series of devotional graphic compositions devoted to the Sacred Heart of Jesus, likely made as illustrations-stock-foto
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The Conquest of Constantinople. Illustration: Composition enclosed in a double linear frame depicting the capture of Constantinople by the Turks in 1453 — historical scene with battles, street fighting, fallen figures, Turks, melee weapons. Steel engraving, 1853–1857. Print (graphic print, album). Height 13.9 cm; width 9.2 cm. Artist/engraver: unknown (style indicates a German engraver)., A detailed black and white engraving shows a chaotic battle scene framed by a rectangular border centered on a larger off-white sheet; the engraving depicts a crowded group of armed figures wearing flowing-stock-foto
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Widukind and Charlemagne. Composition enclosed in a double linear frame. Depiction of Widukind surrendering to Charlemagne. Charlemagne tried to subjugate the Saxons and impose Christianity on them by force; in 782 an uprising led by Widukind broke out and fighting flared up again. After the victorious Battle of Verdun in October 782, to discourage further resistance Charles ordered the execution of 4,500 Saxon prisoners. Widukind surrendered to the king in 785. Illustration for Cesar Cantu, Universal History (Polish translation by Leon Rogalski), published 1853–1857. Graphic print, steel-stock-foto
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bronze coin, Pantikapaion; obverse: head of young Dionysus in an ivy wreath facing right; reverse: bow and arrows in a gorytos with straps, monogram on the left; iconography: Dionysus, bow in quiver, gorytos, quivers, bows, weapons, armament; monograms; Black Sea, Cimmerian Bosporus, Pantikapaion; dated end of 2nd–ca. mid. 1st century BC (time of Mithridates VI Eupator, 120–63 BC); coin; weight 17.56 g; dimensions 26.8–26.9 mm., A round, dark brown coin with a slightly irregular edge showing wear and a textured surface; on the coin's face is a raised design featuring a vertical rectangular-stock-foto
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Denarius of Antoninus Pius (86–161; Roman emperor 138–161). Obverse: ANTONINVS AVG PI, head of the emperor laureate facing right. Reverse: COS IIII, winged lightning over a throne. Roman Empire, 145–161 CE. Silver coin (denarius), weight 3.26 g, axis 180°. Subjects/iconography: imperial bust, lightning over the throne., A round, worn metallic object with a grayish-silver patina showing irregular edges and a small crack; the surface has raised, incised shapes forming a rectangular frame with additional linear and curved impressions above and beside it; the metal shows darker tarnished areas and-stock-foto
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Currant Berry Square Cards. White Line Art Botanical Frames on Dark Purple Background. Vector illustration. Not AI-stock-foto
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Rectangular tech style grid and block lettering present the title Binary Skies.-stock-foto
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Glowing white neon frame bathing palm fronds in studio set, with gold star confetti-stock-foto
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Rectangular Corner Frame Elegant Element Set-stock-foto
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Art Deco Corner Element Set-stock-foto
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Rectangle frame with checkered print on borders. Rectangular vignette with checkerboard-stock-foto
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Rectangle frame with checkered print on borders. Rectangular vignette with checkerboard-stock-foto
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