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[rectangular object rests] képek

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Brown leather case rests on dark surface. Smooth texture gleams softly under gentle light. Simple, elegant design suggests luxury and care. Perfect fo-stock-foto
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Carriage; Aleksander Maj (1883–1952), graphic artist; carriages, illustrations; after 1900; Warsaw; woodcut block; height 7.2 cm, width 12.7 cm, thickness 2.2 cm, A worn rectangular surface made of a coarse brown material with a vertical split near the center, showing areas of darker and lighter brown staining and rough textured patches; a bold rough blue mark stretches across both sides forming angular strokes and a curved loop; pale beige and off-white scuffs and peeled spots interrupt the brown texture in several places; the object rests against a neutral gray background and overall shows-stock-foto
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Carriage; Maj, Aleksander (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 7.2 cm; width 12.7 cm; thickness 2.2 cm, A low, rectangular object rests on a smooth surface with a reflective sheen, composed of two joined blocks with a visible gap between them. The top surfaces are dark and textured with carved circular patterns and rough irregularities, while the vertical faces show a worn, coarse texture in a brownish-golden color. The gap between the blocks reveals an inner surface in a lighter yellowish-gold tone. The overall scene is set against a-stock-foto
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Boy sitting at a table, reading a book; Płoński, Michał (1778–1812), graphic artist; Witke-Jeżewski, Dominik (1862–1944); reading (genre scene), human types, genre scenes, character studies, children, boys, inkwells; 1802, Amsterdam; graphic; graphic matrix/plate; height 8.4 cm, width 6.1 cm, A worn rectangular metal plate with a textured, warm golden-orange surface sits against a neutral gray background; etched into the plate is a detailed line drawing of a seated person in profile facing left, holding a small object close to their face with both hands and leaning slightly forward, wearing-stock-foto
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Blessing of the Infant Jesus; graphic artist; Infant Jesus making a blessing gesture; borders and garlands (ornament); after 1850; steel matrix graphic plate; plate dimensions: height 21.4 cm, width 17.4 cm, thickness 0.4 cm; total including block: height 21.5 cm, width 17.3 cm, thickness 2.3 cm., A flat rectangular object rests on a smooth surface, appearing slightly raised at the edges with a worn, uneven top. The top surface shows a textured, rough appearance with patches of raised and chipped material, while the sides are smoother and have a more solid, block-like form. Visible colors-stock-foto
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Page in Renaissance costume holding a shield; artist: Wilhelm Berg (fl. ca. 1878–1902), graphic artist; Neo-Renaissance (style); date: 1878–1902; medium: graphic plate; total dimensions: H 14.08 cm × W 8.98 cm × Th 2.37 cm; graphic matrix dimensions: H 14.07 cm × W 8.83 cm × Th 0.41 cm, A low rectangular wooden block with visible grain and a slightly rough texture supports a thin irregular metal sheet on top; the metal sheet has an uneven, battered surface with dents and raised areas and shows a mix of brown, copper, and dark metallic hues, while the wooden block displays tones of brown and-stock-foto
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Portrait of Cezary Plater (Cezary Augustyn Plater, 1810–1869) — iconography: portrait in bust, oval; ca. 1916, Lausanne; graphic plate; dimensions: height 9.1 cm, width 6.5 cm, thickness 2.3 cm; graphic matrix: height 9.1 cm, width 6.5 cm, thickness 0.2 cm., A small rectangular wooden block with visible grain and a light brown color rests on a smooth reflective surface that shows a soft reflected image. On top of the block sits a flat circular object with a slightly irregular edge in dark gray to black tones, appearing slightly worn or smudged. The background is a uniform muted gray that-stock-foto
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Photograph of Wiktor Brodzki's sculpture 'Christ Blessing' (ca. 1861), sculptor Wiktor Brodzki (born 1817/1825/1826–1904), photographed in Rome ca. 1868 by Lorenzo Suscipj (Rome; photographic studio; 183?-1901), albumen photographic print, subject Jesus Christ blessing, religious/sacred sculpture, height 23 cm, width 15.8 cm., A light-colored statue of a robed, long-haired figure stands against a dark brown background, with the figure's right arm raised and the left arm lowered holding a small object; the robe shows flowing folds and a belted waist, and the figure has a beard and serene facial-stock-foto
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Denarius of Antoninus Pius (86–161; Roman emperor 138–161), obverse: head of the emperor in a laurel wreath facing right, inscription ONINVS AVG PI - VS PP TR P XVI all around; reverse: Annona (personification) stands left, holds ears of corn in her right hand, rests her left on a container (modius) standing on a ship, inscription C OS - IIII all around. Date: 153–155. Roman Empire (27 BC–476), Rome. Coin; diameter 17.5–19.0 mm, weight 2.98 g, axis 180°. Iconography: Antoninus Pius, personifications, modius, ships., A single round, worn metallic object with a dull gray color sits against a-stock-foto
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Denarius, Antoninus Pius (86–161; Roman emperor 138–161). Obverse: Emperor's head in a laurel wreath right, legend ANTONINVS AVG PIVS PP TR P XVI, pearl border. Reverse: Annona stands facing left; in her right hand she holds ears of corn hanging downwards, her left hand rests on a modius standing on a ship (only half visible). Attributes: ears of corn, modius; iconography: imperial busts, Annona (personification). Hoard find (Golub). Date: 152–153. Culture/place: Roman Empire, Rome. Coin; weight 2.97 g; axis 180°., A worn round metal object with a dark gray surface and lighter gray highlights-stock-foto
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Vase; maker: Rubiec-Masalski, Fyodor Vasilyevich (1865–1920?); Chinese art; Chinese; maker: Tulisov, Jerzy (1943– ); Qing (1644–1911); ceremonial/ritual/decorative vessel; Qing (style); 19th century; China; vessel; height 28.8 cm; width 17.0 cm, A smooth, oval-shaped carved object made of pale greenish-white stone rests against a black background, showing a deep hollow cavity and rounded rim with subtle cloudy speckles and patches of darker green and brown streaks. On each side of the object there is a circular ring attached through a short rectangular lug, all carved from the same stone and-stock-foto
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Clear lip gloss bottle with a black cap rests on a light surface, casting a distinct shadow that highlights its elegant design and modern aesthetic-stock-foto
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A white chopstick rests diagonally across a blue and white patterned rectangular dish on a wooden surface.-stock-foto
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A concrete block with an unusual design rests on a surface against a light backdrop.-stock-foto
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A Brown, Spiky Object - Perhaps a Chestnut in Its Burr - Rests On Weathered Brick Pavement With Sparse Green Grasses Growing Between The Bricks-stock-foto
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Empty, transparent plastic container rests on a vibrant yellow fabric, creating a simple yet visually striking composition with potential for various-stock-foto
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Bow in a rectangular wicker basket that rests on wooden steps. It's time to pick vegetables-stock-foto
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Bow in a rectangular wicker basket that rests on wooden steps. It's time to pick vegetables-stock-foto
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Chess table on a trunk on three S-shaped legs. Leg chucking table, the rectangular leaf rests on a trunk on three S-shaped legs. Rings are attached to the four corners of the board. Seven chess pieces are on the board.-stock-foto
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. The rectangular, satin-fired box has a hinged lid. He rests on four ivory, bolted bolballs and is arranged around the keyhole and along the edges with ebony. In the middle of the lid there is a silver shield, engraved with the letters axle under a crown, mounted. The hinges and the lock are made of brass. The cardboard interior of the box is covered with purple velvet; The inside of the lid with white silk damest.-stock-foto
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. Oak coffee table with a glass plate resting on four overhoeks places placed. The legs are rectangular in diameter. Halfway through the legs there is an intermediate magazine, on the top, the legs are interconnected by means of wide rules on which the table top rests. The square tabletop has a raised edge in which a glass plate with four holes in it.-stock-foto
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. Rectangular drum with stepped up and upper edge. Drum rests on four spherical legs. Along the lid edge, a wide engraved bond with flower drinks runs; Inside, on either side of the handle, the weapons of Frans Meerman and Maria Ysbrandtsdr are. The bee. Signature and dated.-stock-foto
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. The rectangular box, with swamped corners, has a hinged lid. He rests on a profiled stand ring. The wall of the box describes a slight S-curve. The lid has a profiled edge with a standing, scalloped tab on the front. In the edge, a record was caught with a driven show, probably from Venus and Pomona, with a woman's figure in the foreground with a lion and a boy who pulls her dress. The performance has been placed in an asymmetrical picture frame made up of C-Volutes, a capital, seed beads and wine and flower raft. With the figure that assumes Pomona, a basket with flowers is placed in the fr-stock-foto
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Tea box with two tea buses and a mixing bus. The rectangular wooden box is divided into three compartments on the inside by means of two wooden sliders. Both the interior and the sliders are covered with blue velor. It is caught in a silver holder that has a hinged lid, containing the loose wooden lid of the coffin. The holder rests on four hollow vaulted, fluted legs, upside down and bottomed by profile edges. It has a bottom of smooth silver but has been opened to all other sides. The four sides of the coffin holder each exhibit a field of angular guilloches against a background of railing w-stock-foto
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A white gift box with a transparent lid and red ribbon rests on moss, surrounded by pinecones, snow, and natural foliage, with wooden spoons inside.-stock-foto
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A white gift box with a transparent lid and red ribbon rests on moss and plants. Wooden spoons inside are surrounded by pinecones and twigs.-stock-foto
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The cat climbed into the speaker housing. Case of the Acoustic vintage system amphiton 35ac-018 during restoration. Grinding and painting.-stock-foto
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A computer mouse rests on a white, rectangular surface. Covered with a slice of raw fish. The background is a plain, light gray wall. The lighting is-stock-foto
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Balance of iron. A forged iron balance. The arms of the balance reduce themselves to the ends of rectangular to eight-cut diameter and end in an AJOUR worked button, the equator is rose-shaped at the beginning and has three ajour worked buttons. The house, with two eyes connected to the knife, consists of two eight-pivotal bars, which pass in rings, on which an oval table rests with opening for the hook. A graceful forged hanger, attached to the house, accentuates the center of the balance.-stock-foto
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Suitcase. An iron suitcase with barrel lid. Removed gothic decorations. Double slot, the tires of which are through the lid and attached to the rear wall by three bolts. The suitcase rests on four small legs. The handle is rectangularly bent with thickened, profiled center piece and is attached to the top of the lid. The decoration is missing in different places.-stock-foto
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Room screen consisting of three blades on which stylized peacocks. Room screen consisting of three sheets. Every leaf rests on two rectangular legs, has a wooden movement and is crowned by an ornamental line. The middle line is decorated with two foxes used to each other with a mushroom in the middle. The two side rules contain a wavy ornament. All parts are inside the wooden movement with linen showing two peacocks shown with gold-colored and black paint. The middle part has opposite colors of the two outer parts. The sheets are interconnected by copper hinges.-stock-foto
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Wine fountain and cooler, Alger Mensma (attributed to), 1731 - 1732 The round, vase -shaped fountain has a tap, two ears with hinged handles and a loose lid. The foot rests with a hollow profile on the low, straightforward base. It is made up of a convex band and a constricted part, crowned by a convex and a constricted ring on which the body rests. On the foot, three fan motifs have been imposed, which curls over the base, where they are decorated with a leaf. A smaller shell motif has always been imposed between these large motives. A rectangular eye is attached to the base on both sides. In-stock-foto
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Tea Urn, Company Bennewitz a Zone, 1828 The rectangular bowl (B) with rounded corners rests on four round, convex, vertically ribbed legs with vaulted, rejuvenating upper areas that are attached to the base. It is made up of a right -wing base, a concave part, a globe open -up part and a constricted part, above it a convex vertically ribbed edge, to which two eyes are attached, and a straight, raised, openwork wall. The openwork part of the Komfoor shows S-shaped curves and in the middle of each side and on the corners of palmets. The crowning wall is opened on the front and rear with similar-stock-foto
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Bookstand, origin, Hebrew; Jerusalem Israel/Palestine; rectangular bookstand with two foldable sides; decorated with three recessed Jerusalem crosses; under the central cross an ink inscription in Hebrew: ירושלים Yerushalayim; main part has profiled edges and can be widened by sliding the central part in a groove to the right; movable sides have a heart-shaped outline and when unfolded on brass hinges sit nearly vertical with a slight inclination; outer surfaces of the sides decorated with crosses; 19th/20th century; hardware; height 12.6 cm, width 37.3 cm, depth 2.9 cm., A wooden carved-stock-foto
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Small limestone stele with simple architectural decoration. Recessed epigraphic field surrounded by a wide strip. Simple pediment and acroteria. Remains of engraved guide lines made by a stonemason while designing the decoration. Traces of red paint highlighting elements of the pediment and on the top and side strips in the form of metopic decoration. Below the epigraphic field, an unidentified brownish, rounded shape. Side edges rather carelessly worked; back surface with very long tool marks. Object glued together from eight fragments; upper part not preserved. Six holes for mounting on the-stock-foto
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Pendant, anonymous, c. 1525 - c. 1600 The pendant, a so -called 'lantern', consists of four rectangular sides, in which openwork performances are cut within a surroundings of pillars, on which an arc rests. Process: Under a canopy, to which a curtain is attached, Maria is on the left with folded hands on a desk. The angel Gabriel is on the right and has a staff in the left hand and points the right up to the pigeon. Between the two figures a spell band runs from bottom to top, on which it is written: Ave Maria Gratla pl (Ena). Birth: Under a gable roof, which is stuck on the sides and in the m-stock-foto
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Fireplace with batik on which an ornamental fish pattern of zander, the inner house, c. 1900 - c. 1902 Hearing screen consisting of a frame of oak with a batik inside. The frame, which rests on four high triangular legs, is rectangular, with the styles protruding. The rules and styles are interconnected by pen and hole connections. The heads of two tollails from Ebony can be seen per connection. The batik is protected at the front by a glass plate and at the rear by fine brass gauze. The batik has an ornamental fish pattern of zander in blue (indigo) and brown (cachou). Amsterdam oak (wood). e-stock-foto
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Ring, Chinese, Qing 1644–1911, 19th century. Jewelry; hand ornament. Shield with ideographic signs supported by two bats motif; bats iconography. Diameter 2 cm. ., A rectangular metallic object with ornate curved sides rests against a plain gray background; the rectangle has a raised border with a dotted inner edge and an inset panel featuring a pattern of raised linear shapes, and the curved side elements include decorative scroll-like and floral motifs with rounded bulbous forms. The visible colors are metallic gold, silver, and gray.-stock-foto
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Seal stamp, Chinese, Qing dynasty 1644–1911, Qing style; seal stamp depicting sages and officials; 18th–19th century, China; sculpture; height 8.2 cm, width 3.3 cm, depth 1.6 cm, A small rectangular object rests upright on a smooth surface with a soft shadow extending to the right; the object has a marbled appearance with yellow and beige tones and visible streaks of red and pink on its front face and along the top, and there are subtle areas of brown and off-white within the material, while the background transitions from a dark gray at the top to a lighter gray near the surface.-stock-foto
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Greek honorific inscription, unknown Greek workshop, decrees, Hellenistic period, cities, Greek inscriptions, actors. Stele topped with a tympanum, separated from the epigraphic field by moldings. Eleven lines of Greek text preserved, partially damaged, especially on the right and left edges. The text was longer; the lower part of the object is missing. The back side is unworked. Greek honorific inscription with a decree from Perinthus in honor of the tragic actor Athenaios. 300–250 BC, Perinthus, Greek inscription; height 38 cm, width 25.5 cm, thickness 18 cm, weight 16.2 kg., A roughly-stock-foto
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