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[rectangular shape topped] képek

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Bookplate of the Rigaud family; heraldic bookplate with coat of arms featuring stars, heraldic helmets, bands, in an oval. French, late 18th–first half 19th century. Graphic print; height 6.4 cm, width 8.6 cm., An off-white rectangular paper with a hand-drawn oval framing a central heraldic shield topped by a stylized helmet and plume, flanked by a pair of flowing ribbon banners; the shield contains a group of stars near the top, a geometric interlocking motif in the middle, and a crescent shape near the bottom, all rendered in fine black ink lines and hatching; there are several scattered-stock-foto
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Heraldic bookplate (1901) by Lorenz Max Rheude (1863–1939) and Dominik Witke-Jeżewski (1862–1944). Graphic print, 11.3 × 6.6 cm. Depicts coats of arms, trumpets, heraldic helmets, banderole; relates to heraldry, books, libraries, furniture; Swiss., The image shows a rectangular printed design in dark blue on a beige background with a gray border around the outer edge. The central area features an ornate heraldic composition framed by an arch and decorative columns, with a shield topped by a helmet and flowing mantling. Above the shield are two crossed flags and a pair of crossed bugles set-stock-foto
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Hadrian (76–138; Roman emperor 117–138). Obverse: Bust of Hadrian with laurel wreath facing right; rim inscription: HADRIANVSAVGCOSIIIPP. Reverse: Modius (attribute) stands straight ahead, with ears of grain coming out vertically from it; letters SC on both sides; rim inscription: ANNO, AVG. 119–138. Rome, Roman Empire (27 BC–476). Coin, weight 9.70 g., A round metal object with an uneven surface showing areas of brown, dark brown, green, and hints of reddish tones; the object has a central raised rectangular shape topped with radiating lines and flanked by a few raised curved forms; worn-stock-foto
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quarter, Trajan (53–117; Roman emperor 98–117), laurel wreaths, urns, heads, tables. Obv.: head of Trajan right in a laurel wreath; rim inscription illegible. Rev.: table decorated with panels, on top an urn decorated with a palm and a laurel wreath; in the field: SC. Note: broken coin, 114–117. Roman Empire (27 BC–476). Rome. Coin; weight 2.95 g., A worn round object with an irregular edge, primarily dark brown and gray with areas of lighter metallic highlights, showing a rectangular grid-like raised design near the center topped by a small raised vase-like shape and with a few lighter-stock-foto
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Silver crown groschen, Brenn, Efraim (fl. 1774–1792); Stanisław August Poniatowski (King of Poland; 1764–1795/1732–1798); tied royal monogram SAR; obverse: in a square frame under a crown a tied monogram composed of the letters SAR, pearl border; reverse: in a square frame an inscription in five lines: '320/EX/MARCA/PURA.COL./1781', with on the sides of the square '1.GR./R.POL./MDL/EB', pearl border; 1781; Polish–Lithuanian Commonwealth (1569–1795); Warsaw, Poland; coin; diameter 20.8–21.1 mm; weight 1.99 g., A circular metal object with a worn surface in shades of gray and silver sits against-stock-foto
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Denarius (royal type) of Bolesław II the Bold (king of Poland, 1058–1079). Obverse: crowned bust of Bolesław the Bold facing left, sword in hand. Reverse: church topped with three domes. Date: 1076–1079. Place: Kraków, Poland. Coin; weight 0.74 g., A round, worn coin with a rough textured surface in shades of gray, brown, and muted green sits against a white background; the coin shows irregular raised and recessed areas forming a faint central rectangular shape and surrounding abstract marks and lines along the edge, with subtle darker spots and lighter highlights across its surface.-stock-foto
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Tres leches cake in a rectangular shape, cut into perfect square slices that reveal their moist interior, topped with a layer of whipped cream and mar-stock-foto
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Four rectangular blocks in blue and green form a base, topped with a white wooden arrow pointing upward, arranged on a white background in a minimalis-stock-foto
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Close-up on traditional rectangular shape lviv cheesecake of ukrainian cottage cheese with raisins and dark chocolate icing on top served on a white c-stock-foto
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Word writing text Are You Covered. Business concept for Asking about how medications are covered by your plan Blank Rectangular Color Shape with Shado-stock-foto
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Rectangular pizza topped with blue cheese and tuna-stock-foto
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Design for stained glass. Design of two vertical rectangles (posts) topped with a lunette (semi-circle). All are painted in chartreuse, yellow and light blue. The two posts have additional design in the lower third in dark brown with a cross within a circle.-stock-foto
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Strawberry topped Cheesecake on a rectangular plate-stock-foto
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Terracotta color rectangular doorway repeating pattern topped by pointed keyhole windows in Agra, India.-stock-foto
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Incense burner kôro with cover, Japanese, Meiji 1868–1912. Bronze incense burner in the shape of a cuboid box on four slightly arched legs standing on a tall rectangular base. Panels with relief decoration of karashishi and peonies. Cover with four holes topped with a qilin. 2nd half of the 19th century. Vessel. Height 22.0 cm; width 9.5 cm; depth 7.5 cm., A small ornate container made of dark brown material with patinated darker accents stands on a square base; the base has carved floral motifs and curved cutaway corners, and it supports four slender legs that rise to a slightly larger square-stock-foto
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Tea caddy and cover wrong number. Rectangular body with champfered corners; straight-sided circular neck, flat-topped cover; painted in underglaze blue on white on 2 sides with fig-ures, on the shorter sides with reserves of sailboats on floral pattern background, floral band around top body;-stock-foto
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Bronze helmet, 4th–3rd century BC, Italy, armament; height 27 cm without cheek guards, width 19.8 cm, depth 24 cm, weight 0.738 kg without cheek guards, A single metal helmet with a rounded dome shape and a short cylindrical stem topped by a U-shaped prong extending upward, showing a mottled surface with dark green, olive, brown, and hints of black and gray tones; the edges are slightly irregular and a few small rectangular tabs project from the sides, and the background is a smooth pale gray.-stock-foto
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Hand-made cross, Ethiopian workshop. The equal-armed cross is inscribed in a circular frame, surrounded by a braided ornament arranged in a rhomboid shape. The space between the arms of the cross and the frame is cut out. The oval, smooth handle merges into a rectangular plaque, topped with a rhomboid element. The plaque and the rhomboid element are decorated with braid. 20th century, Addis Ababa. Cross; height 44 cm, width 20 cm., A carved wooden object in dark brown tones with a long handle and an ornate top, featuring interlacing knot patterns and geometric motifs; the top has a circular-stock-foto
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Incense burner kôro with cover, Japanese, Meiji 1868–1912. Incense burner in the shape of a cuboid box on four slightly arched legs standing on a tall, rectangular base. Decoration: panels with relief of karashishi and peonies. Cover with four holes topped with a qilin. Bronzes; peonies; flowers; karashishi iconography. 2nd half of the 19th century. Vessel. Height 22.0 cm; width 9.5 cm; depth 7.5 cm., A small rectangular metal object sits upright on a reflective surface, showing its open bottom interior; the object has a worn, mottled surface with shades of brown, copper, brass, and hints of-stock-foto
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Incense burner kōro with cover;, Incense burner in the shape of a cuboid box on four slightly arched legs standing on a tall, rectangular base. Panels with relief decoration of karashishi and peonies. Cover with four holes topped with a qilin. Bronze. Meiji period 2nd half of the 19th century, Japan. Height 22.0 cm; width 9.5 cm; depth 7.5 cm., A small ornate dark brown carved wooden container with a lid topped by a sculpted animal figure, shown against a neutral gray background; the container rests on an elevated base with curved legs and decorative panels featuring carved floral and animal-stock-foto
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Incense burner kōro with cover, Japanese, Meiji 1868–1912. Bronze vessel in the shape of a cuboid box on four slightly arched legs standing on a tall rectangular base. Panels with relief decoration of karashishi and peonies. Cover with four holes topped with a qilin. 2nd half of the 19th century. Height 22.0 cm; width 9.5 cm; depth 7.5 cm., A small ornate object stands against a plain gray background, primarily brown with darker bronze or blackened details; it has a carved animal figure on top in dark bronze tones, decorative curved metalwork in brown and dark bronze beneath it, and a relief-stock-foto
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Christian amulet with Greek inscription. Limestone amulet in the shape of an elongated hexagon. There is text in Greek on the sides and on the bottom. On the upper edge, there is a protrusion with a hole drilled through it, most likely used to attach a strap or chain. The letters on the five mentioned edges form a coherent inscription in Greek with magical meaning. 2nd–3rd century, Miletus place of finding. Amulet. Height 5.2 cm, width 2.3 cm., A vertically oriented stone object with a rough texture and a rectangular lower portion topped by an irregular upper section with a rounded hole near-stock-foto
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Hand-made equal-armed cross inscribed in a circular frame, surrounded by a braided ornament arranged in a rhomboid shape. The space between the arms of the cross and the frame is cut out. The oval, smooth handle merges into a rectangular plaque topped with a rhomboid element. The plaque and rhomboid element are decorated with braid. Hand-made Ethiopian cross, 20th century, Addis Ababa. Height 44 cm, width 20 cm., A carved wooden object with an elongated handle and an ornate top section, predominantly dark brown with subtle lighter brown highlights, featuring a circular open center surrounded-stock-foto
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Buckle, Bronze buckle consisting of two parts in a shape similar to rectangles with joints. One part has hooks in the form of zoomorphic decoration animal heads. 7th century BC, Etruria. Decoration. Length 13 cm total; height 7.5 cm; thickness 4 cm; weight 0.374 kg; length 7.2 cm single element., A weathered metal object with a rectangular open center and a horizontal bar across the top, topped by a pair of circular loops; the surface shows rough, pitted texture and corrosion with visible patches of green, dark brown, gray, and black.-stock-foto
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Harmonium, Jacob Deutschmann 1795–1853, 1822–1830. Fisharmonia veneered with mahogany, with a sliding mechanism and keyboard placed in an elongated rectangular case supported by two stringer legs; signed on the inside of the keyboard cover J. DEUTSCHMANN / IN WIEN brass sheet inlay. The legs and suspended pedal support lyre are in the shape of elongated vases. Forged openwork steel pedals. The keyboard table slides forward. Bone knobs on the upper part of the short sides lock the inner casing. Keyboard cover locks with a latch and braided hinges so-called piano. Biedermeier style. Vienna.-stock-foto
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Double-sided gingerbread mould. Rectangular shape; obverse: oval coat of arms in a decorative round frame topped with a crown, two crossed palm leaves beneath, surrounding German inscription ZEHN EINE EEINE MARK 1816; reverse: wreath woven from flowers and ears of grain. Gingerbread; plant, geometric and floral ornaments; folk-style decorative applied art. Silesia, ca. 1816. Dimensions: height 15.7 cm, width 9 cm, depth 3.8 cm., A long narrow rectangular wooden plank photographed against a plain gray background, showing a worn, smooth surface with visible wood grain and areas of darker-stock-foto
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Padlock, 19th century. A padlock in the shape of a cuboid, the upper part topped with a kind of cornice; on each cornice two cuboids are connected by a cylindrical rod acting as an earring. After unlocking, the side wall together with the earring is pulled out, facilitated by an openwork handle on a hinge. The keyhole is horizontal on the longer wall. Materials/technique: locksmithing. Dimensions: height 12.6 cm, width 12.7 cm, depth 6.2 cm., A metal rectangular block with a matte silver-gray surface stands upright against a pale gray background, showing worn and slightly mottled textures and-stock-foto
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Clock setting, Prószków Śląski faience factory; 1763–1853. Clock setting in the shape of a late Baroque stove supported by a low base. Marbled, decoratively decorated, three-story, supported by a low base. In the central storey, above the pedestal with doors, is a circular recess for a watch framed by rocailles and laurel garlands. The volute-topped section features a shield with the monastic inscription JG/W against an anchor in the background. Painted colorfully in brown and purple tones, with yellow, green and blue accents. Late 18th century, Silesia Province of Silesia, 1742–1918, Prószków-stock-foto
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Oval display table with lyre-shaped base mounted on a platform with a concave-convex outline, supported by four spherical legs. Veneered with mahogany. Lyre strings terminate at the top with balls. Edge of the tabletop frame is profiled. Circa 1820–1840, Central Europe. Piece of furniture for displaying objects. Dimensions: height 76.7 cm; width 52.3 cm; depth 37.9 cm., A wooden lyre-shaped table with a rich brown finish set against a neutral gray background; the top is an oval wooden surface with a slightly raised edge and a darker brown hue, supported by curved side supports that form the-stock-foto
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Incense burner kôro with cover, Japanese, Meiji 1868–1912. Incense burner in the shape of a cuboid box on four slightly arched legs standing on a tall rectangular base. Panels with relief decoration of karashishi and peonies. Cover with four holes topped with a qilin. Bronze vessel, 2nd half of the 19th century. Height 22.0 cm; width 9.5 cm; depth 7.5 cm., A small ornate metal vessel in brown and dark bronze tones sits on a pedestal, with a sculpted animal figure mounted on the lid. The vessel has a square body with raised decorative panels showing relief designs, curved handles on either side-stock-foto
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Design for Sideboard with Six Drawers in Plan and Elevation. Elevation view: rectangular sideboard with backsplash and 4 straight tapering legs [2 shown]; 2 large horizontal drawers center front, flanked by 2 doors and topped by 4 small conforming drawers extending across entire front.Side view: rectangular silhouette.-stock-foto
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Hand cross, Diamond-shaped arms, wide grip almost same width as the arms, merging into a poorly defined plaque in shape of an elongated rectangle topped with a trefoil inset. Bilateral decoration, almost identical on sides A and B, limited to simple incisions at the edges of the cross arms and horizontal zigzag stripes and a double X on the plaque. 16th–20th century, Ethiopia. Metal cross, height 28 cm, width 5 cm., A long, narrow carved wooden object with a dark brown, weathered surface against a light gray background; the top end is shaped with a pointed, scalloped outline and the bottom end-stock-foto
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Hand cross, Ethiopian workshop. Diamond-shaped arms, wide grip almost same width as the arms, merging into a poorly defined plaque in the shape of an elongated rectangle topped with a trefoil inset. Bilateral decoration almost identical on sides A and B, limited to simple incisions at the edges of the cross arms and horizontal zigzag stripes and a double X on the plaque. 16th–20th century. Ethiopia. Cross; height 28 cm, width 5 cm., A long narrow wooden object with a weathered brown surface, carved with a pointed ornament at the top and a decorated rectangular section near the bottom; the top-stock-foto
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Padlock, 19th century. A padlock in the shape of a cuboid with the upper part topped by a cornice; on each side two small cuboids are connected by a cylindrical rod functioning as an earring. After unlocking, the side wall together with the earring is pulled out, facilitated by an openwork hinged handle. The keyhole is horizontal on the longer wall. Technique: locksmithing. Dimensions: height 12.6 cm, width 12.7 cm, depth 6.2 cm., A metal block with a rectangular shape and a U-shaped cutout sits upright against a pale gray background; the block has a rough, weathered surface in metallic gray-stock-foto
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Church throne armchair, carved, mid-18th century, Italy. Seating piece furniture with two console supports for the board seat and a high rectangular backrest in the form of an aedicula topped with a volute top. Supported on a platform cut out in the shape of the letter U. Supports, sides, and lower part of the back have a frame structure. Seat has a concave outline with a profiled rim, lifting in the middle on hinges. The aedicula in the backrest is two-part, with a shell at the top framed by a profiled cornice. Lower side walls arch into the armrests. Upper seat supports, armrests, and side-stock-foto
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Snuffbox with stopper, Ma Shaoxuan 1869–1939, 1906 bingwu/fire horse year, winter. Snuffbox vessel, height 7.0 cm, width 3.6 cm, depth 1.7 cm. Chinese, Qing 1644–1911. Materials/subject: bottles, mountains, landscapes, inscriptions., A small glass bottle with a rounded rectangular shape and a short neck topped by a domed red cap set in a metallic ring; the bottle contains a light beige material and has a smooth reflective surface showing subtle highlights; the background is a smooth gradient of gray tones; visible colors include red on the cap, metallic gold on the ring, beige inside the-stock-foto
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Canopic box with the falcon Sokaris on the roof; unknown creator; falcons, djed pillars, tit iconography; naos; grave goods; 664–525 BC, Late Period, 26th Dynasty, Egypt; canopic box; height 42 cm, width 22.5 cm, depth 29.5 cm, weight 2.414 kg, A painted rectangular wooden box with a slightly raised top and base, shown against a gray background; the front face displays a central stylized motif of a tall vertical element topped by a pale green fan shape, supported by a dark green rounded form with horizontal bands, and flanked by two curved serpent-like forms with dark green heads and red-stock-foto
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Double-sided gingerbread mould. Rectangular shape; obverse: oval coat of arms in a decorative round frame topped with a crown, two crossed palm leaves beneath, German inscription ZEHN EINE EEINE MARK 1816; reverse: wreath woven from flowers and ears of grain. Gingerbread; plant, geometric and floral ornaments; folk-style decorative applied art; coats of arms; German language; Silesia, ca. 1816. Dimensions: height 15.7 cm, width 9 cm, depth 3.8 cm., A rectangular block with a worn, mottled surface in shades of brown and dark brown floats against a smooth light gray background; the block shows-stock-foto
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Incense burner kōro with cover, gift; Japanese, Meiji 1868–1912; 2nd half of the 19th century. Incense burner in the shape of a cuboid box on four slightly arched legs standing on a tall, rectangular base. Decoration: panels with relief karashishi and peonies. Cover with four holes topped with a qilin. Bronze vessel; height 22.0 cm, width 9.5 cm, depth 7.5 cm., A carved decorative object in brown and dark brown tones stands against a plain gray background, featuring a sculpted animal figure at the top in darker brown with lighter brown highlights, ornate carved floral and leaf motifs on the-stock-foto
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Church throne armchair, carved, with two console supports for the board seat and a high rectangular backrest in the form of an aedicula topped with a volute top. Supported on a platform cut out in the shape of the letter U. The supports, sides, and lower part of the back have a frame structure. The seat has a concave outline and a profiled rim, lifting in the middle, on hinges. The aedicula in the backrest is made of two parts, in the form of a shell at the top, framed by a profiled cornice. The lower side walls arch into the armrests. The upper part of the seat supports, armrests, and side-stock-foto
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