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[rectangular urn] képek

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Chittorgarh, India - March 21, 2022: A row of painted Hindu memorial urns with religious motifs is arranged along a roadside at the base of a rocky cliff, with sparse trees and dry vegetation visible.-stock-foto
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quarter, Trajan (53–117; Roman emperor 98–117), laurel wreaths, urns, heads, tables. Obv.: head of Trajan right in a laurel wreath; rim inscription illegible. Rev.: table decorated with panels, on top an urn decorated with a palm and a laurel wreath; in the field: SC. Note: broken coin, 114–117. Roman Empire (27 BC–476). Rome. Coin; weight 2.95 g., A worn round object with an irregular edge, primarily dark brown and gray with areas of lighter metallic highlights, showing a rectangular grid-like raised design near the center topped by a small raised vase-like shape and with a few lighter-stock-foto
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Quarter (coin) of Trajan (53–117; Roman emperor 98–117). Obverse: head of Trajan right in a laurel wreath; rim inscription: IMP CAES NERVA TRAIAN AVG. Reverse: table decorated with panels, on top an urn decorated with a palm and a laurel wreath; in the field: SC. Date: 114–117. Roman Empire (27 BC–476). Material: coin. Weight: 2.95 g., A round, dark brown coin with uneven edges sits against a white background; the coin's surface shows a raised rectangular grid-like design topped by two small raised circular and flame-like shapes, and the metal texture appears worn and slightly pitted with-stock-foto
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Northern America, population pyramid, 2024. Age structure diagram of over 385 million people. Becomes more rectangular or stationary shaped.-stock-foto
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Wide shot of a park with a large rectangular pool, manicured hedges, gravel paths, and cloudy sky.-stock-foto
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Facade of the Theatre Sao Joao, rebuilt in early 20th century in Neoclassical architectural style, in Porto, Portugal-stock-foto
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Facade of the Theatre Sao Joao, rebuilt in early 20th century in Neoclassical architectural style, in Porto, Portugal-stock-foto
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Fontainebleau Palace: the brick chimneys, steep-pitched slate-tiled roof and gold acroteria atop the medieval keep seen from Place de la Fontaine-stock-foto
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Fontainebleau Palace: the brick chimneys, steep-pitched slate-tiled roof and gold acroteria atop the medieval keep seen from Place de la Fontaine-stock-foto
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Stacked plastic containers-stock-foto
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Pair of perfume burners ca. 1785 French Each is in the form of a flattened lidded container of gilt bronze supported on the heads of a pair of female fauns facing away from one another. They are seated on a smaller urn-shaped plinth set on a rectangular base. The fluted container is mounted with scrolls and beading in the fully neo-classical style and it is probable that originally there was some sort of pierced band between the lid and the body. This would have enabled these pieces to be used as perfume burners. In such a case, a pleasing aroma would be generated by a miniature stove or spiri-stock-foto
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Corona delle Nobili et Virtuose Donne: Libro I-IV, page 95 (recto) 1601 Cesare Vecellio Italian Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice.From top to bottom, and left to right:Design composed of 2 horizontal registers. Top register is decorated with 3 triangles that frame an ornamented urn in the center; these triangles sit upon a rectangular base that is ornamented with 2 different patterns (each pattern decorates half of the base). Bottom register is decorated with 3 triangles that frame a spotted animal under an arch; the triangles sit upon a rectangula-stock-foto
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Essempio di recammi, page 11 (verso) 1530 Giovanni Antonio Tagliente Italian Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and left to right:Design composed of 2 horizontal registers divided into various rectangular sections. Rectangles in top register are illustrated with images of different animals like dogs and rabbits. Bottom register is divided into 3 sections, each illustrated with a different urn.. Essempio di recammi, page 11 (verso) 357722-stock-foto
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Esemplario di lavori, page 14 (recto) August 1529 Nicolò Zoppino Italian Published by Nicolo Zoppino, Italian, active 16th century, Venice.From top to bottom, and left to right:Design composed of 3 horizontal registers: top illustrated with large diamonds composed of smaller diamonds, center illustrated with snowflakes inside of diamonds, bottom illustrated with urn surrounded by flowers and leaves.. Esemplario di lavori, page 14 (recto) 658805-stock-foto
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Essempio di recammi, page 12 (recto) 1530 Giovanni Antonio Tagliente Italian Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and left to right:Design composed of 2 horizontal registers divided into various rectangular sections. 19 rectangles make up top register containing illustrations of various birds, except for rectangle at lower left, which has an illustration of a fly. Bottom register is divided into 3 vertical sections, each illustrated with a different ornamented urn.. Essempio di-stock-foto
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A gray walkway among the trees in a European city. A woman with brown hair walks away on the sidewalk. Brown benches with garbage cans along the sidew-stock-foto
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Lion on a rectangular profiled pedestal. Image of unforded faience. On a rectangular profiled pedestal is a temple lion with his tail beaten over his back. The lion has used his head to the right.-stock-foto
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Black silhouettes of flowerpots, potteries and vases on a white background flowerpots, pottery, silhouette, earthenware, pots, gardening, vases, flow-stock-foto
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Shawl, Medium: wool Technique: twill and interlocking twill tapestry weave, embroidered Label: wool 2/2 twill and interlocked twill tapestry with embroidery, Pieced rectangular panel of fine white wool twill with deep borders on four sides of closely-set, right-facing peacocks with scrolled tails that alternate with small cypress trees rising from an urn. Fine floral motifs fill spaces in between. Embroidered design of cypress and paisley fill the central field. Set-in end borders., India, 19th century, woven textiles, Shawl-stock-foto
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Cover, Medium: linen, cotton Technique: trapunto embroidery on plain weave, Small rectangular cover with a central field surrounded by a narrow border. The narrow outer border is patterned by a curving floral vine stemming from an urn in each corner. Central field is patterned by a floral vine stemming from urns in each corner surrounding initial-like scrolls in center enclosed in a wreath and surmounted by a crown., Europe, late 17th–early 18th century, embroidery & stitching, Cover-stock-foto
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Cover, Medium: linen Technique: needlework on knotted net, Long rectangular knotted and embroidered net border comprised of two rows of fantastic riders and beasts surrounding an urn in a vertical symmetrical repeat. Bobbin lace insert between field and border of embroidered net with beasts. Additional bobbin lace insert and pointed edging of embroidered knotted net with animals and tassels at each point., Europe, late 19th century, lace, Cover-stock-foto
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Altar frontal, Medium: silk, linen, metallic thread Technique: embroidered, Scenic rectangular panel with a frontal perspective of a plaza or garden. The vanishing point is at the center of the panel. Design shows an arched gate with hanging floral garlands at one end of the plaza (top, rear) flanked on both sides by an open arcade supported by spiral columns encircled by spiraling floral vines. On the bannister between each column is an urn of flowers. Urns decorate the top of the arcade and birds fill the sky above.-stock-foto
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Two Upright Panels, Livre Nouveaux de Paneaux à divers usages (Book of New Panels for Various Uses), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Engraving on off-white laid paper, Folio 4, plate 3 of series 6. Within rectangular framing lines, two designs for upright decorative panels in Rococo style. Panel at left: at bottom, two dragons separated by scrollwork, a mask above. Above, a large ornamental cartouche filled with a landscape scene-stock-foto
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Title Page, Oeuvres de François de Cuvilliés père (Works of François de Cuvilliés the Elder), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Pen and ink, brush and wash on off-white laid paper, Within rectangular framing lines, a cartouche in Rococo style with mask and urn at top, the title text inscribed within., Munich, Germany, after 1745, albums (bound) & books, Drawing-stock-foto
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Textile, Medium: silk Technique: reversible compound satin, Directoire-style design in white on raspberry-colored satin ground shows various archeological and natural objects in rectangular compartments of varying sizes outlined by bands of laurel leaves and berries, in a symmetrical layout. Pattern includes an altar flanked by tall vases of flowers and wheat, quiver with arrows on horizontal bow and flanked by cornflowers, urn in wreath of laurel, chinoiserie pagoda and palms; and in smaller framing compartments, butterflies, bird and nest, winged serpents drinking from fountain, and fruit-stock-foto
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Surtout de Table (Table centerpiece), Cast and gilt bronze with hand engraving, cut glass, silvered-mirrored glass, Centerpiece consisting of two urn-shaped freestanding gilt bronze candelabra, two bowls on pedestals, one large bowl supported by three female figures on pedestal, and eight gilt bronze and glass tiered stands, all arranged on five-section gilt-bronze and mirrored oval plateau; ten gilt bronze female figures in classical garb inserted at points in rim of plateau where sections are joined by architectonic pedestals. Figures typical of personages in the joyful chorus-stock-foto
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Two Upright Panels, Livre Nouveaux de Paneaux à divers usages (Book of New Panels for Various Uses), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Engraving on off-white laid paper, Folio 3, plate 2 of series 6. Within rectangular framing lines, two designs for upright decorative panels in Rococo style. Panel at left: at bottom, a grotesque mask surrounded by decorative scrollwork. Above, an urn with two dolphin fountains, herms at either side.-stock-foto
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Modern Woodmen of America', Plated brass, Rectangular, curved top and bottom, featuring raised decoration, inscribed in circular reserve 'Modern Woodmen of America', the center of which displays a shield with a crossed malet and hatchet and monogram 'MWA', over circular reserve inscribed 'Pur Autre Vie', beneath features an assortment of objects including a scale, urn, and medallion inscribed 'Brazen Coin', some foliage motifs interspersed throughout; reverse features male with hatchet raised, chopping a tree trunk, background of trees, cabin, and 2 men on wooden river raft.-stock-foto
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Coffeepot with Urn Pattern, Fürstenberg Porcelain Manufactory, German, established 1747, hard paste porcelain, vitreous enamel, gold, Tall, cylindrical; slightly outcurved spout; rectangular handle, slightly domed cover with pineapple finial. Decoration, in pale colors, of an urn with foliate rinceaux, and bands of foliage in color and gilding. Bottom unglazed., Germany, 1780–1800, ceramics, Decorative Arts, coffeepot, coffeepot-stock-foto
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Un des cotes du Pavillon orchestre dans le Jardin des Tuileries, en Juillet 1838', Félix-Jacques Duban, French, 1798 - 1870, Brush & pen & watercolor, graphite Support: light tan paper mounted on off-white laid paper, Design for the low side wall of a music pavilion, which supports three tall light posts. The two matching end light posts are decorated with blue and white stripes and gold accents. The top of each post terminates in a large white globe lantern, with three smaller globe lanterns below, two colored orange and the third red. The shorter central lamp post is articulated with red-stock-foto
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Clock case, John Scott, Carved wood, Rectangular base resting on moulding and slight feet. On front, moulding in shaoe of rectangle with concave corners. Slender case with arched door. Clock house projecting, with cut, fluted corners, arched glass windows on side, and arched door. Above, cut-out scrollwork below concave arched top, and three brass urn-and-flame- finials. Brass face partly engraved, deocrated with applied scrolls. Four white enamel ring dials and name plate., London, England, 1770–75, timepieces & measuring devices, Decorative Arts, Clock case-stock-foto
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Design for an Inkstand, Brush and watercolor, black wash, graphite, on cream laid paper, Rectangular box on cushion feet, drawer in open position, at right. Front panel decorated with swans, scrolling leaves and masks. Top of box shows a center urn flanked by half-cupids, covered cups at either end., Belgium, 1805–1820, metalwork, Drawing-stock-foto
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Designs for Two Panels, Etienne de Lavallée-Poussin, French, 1735–1802, Pen and ink, brush and watercolor, graphite on paper, At left, half figures holding a flower basket on her head, above an urn. Set within a frame composed of urns, lozenges and leaf motifs. Right, rectangular panel triangularly quartered with octagonal central panel in which is set an eagle., France, 1770, Drawing-stock-foto
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Teapot with Urn Pattern, Fürstenberg Porcelain Manufactory, German, established 1747, hard paste porcelain, vitreous enamel, gold, Cylindrical, slightly outcurved spout, rectangular strap handle, slightly domed cover with pineapple finial. Decoration, in pale colors, of an urn with foliate rinceaux, and bands of foliage in color and gilding. Bottom unglazed., Germany, 1780–1800, ceramics, Decorative Arts, teapot, teapot-stock-foto
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Design for a Decorative Panel, John La Farge, American, 1835–1910, Graphite and watercolor on paper, In center, a tree-of-life motif, bordered by square panels at the sides and rectangular ones top and bottom, with wreaths at the corners. Below, an urn., USA, 1880–1900, architecture, interiors, Drawing-stock-foto
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Border, Block printed on handmade paper, Pompeian-style motifs within medallions, printed three borders across the width. A diamond-shape medallion containing a seated winged figure alternates with a round medallion containing a winged horse or griffon. Between each of these motifs is a small urn in a rectangular framework. Printed in colors on a white ground., France, 1775–99, Wallcoverings, Border-stock-foto
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Sculptural group, Cast silver, diamonds, rubies, sapphires, Cast silver, jewel encrusted tableau showing Roman soldier in full regalia seated opposite Egyptian woman reclining on couch, and fanned by standing servant; small tripod table to right of couch, holding bowl of fruit or flowers and urn on shelf below. All on rectangular plinth., Austria, Germany, late 19th century, metalwork, Decorative Arts, Sculptural group-stock-foto
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Proof for textile: Don Quichotte [Don Quixote], Jean-Jacques Lagrenée the Younger, 1739 – 1821, Oberkampf & Cie., (Jouy-en-Josas, France, 1759–1815), Engraving in dark brown gum paste ink on pieced laid paper with four deckle edges, The central scene depicts Don Quichotte attacking a boar (Don Q. is oriented right to left with a pointed shield held in his left arm, Sancho Panza in the tree oriented from left to right); three other major scenes: to the left Dulcinea with Don Q. and S. P., on the right Don Q. with S.P. and two other 'knights', above two ruined columns and urn with figure-stock-foto
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Three monuments, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Upper row, at left: the architectural setting is similar to 1938-88-1339. Below is a rectangular panel above a base, decorated with an escutcheon standing in front of a trophy of weapons. Above it sit two winged female putti, of which the left blows a trumpet, in front of the panel of a pedestal, upon which two women lean upon the shoulder of an urn. The decoration of the niche is indicated. Beside at left is a plan as in 1938-88-1343.-stock-foto
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Detail of panel of Salon of Louis XIII, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of rectangular panel. Left, carved sides. It contains painted decoration: urn divides composition. Left, reclining youth holding garland of flowers. Extreme left, sphinx., USA, ca. 1885, interiors, Drawing-stock-foto
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